Poetry Commons^™

Breathe In, Empty Out, Sonia Goldberg

Manuscripts

Poetry by Sonia Goldberg.

Putrid Pistols Ep, Carissa Marquardt

Manuscripts

Prose by Carissa Marquardt.

Deception, Stephen Neal

Manuscripts

Prose by Stephen Neal.

Liminal, Jessica Benzing

Manuscripts

Poetry by Jessica Benzing.

Detached, Liz Streiff

Manuscripts

Illustration by Liz Streiff.

Interview With Meghan Daum, Julian Wylie

Manuscripts

Meghan Daum is the author of four books, most recently the collection of original essays The Unspeakable: And Other Subjects of Discussion, which won the 2015 PEN Center USA Award for creative nonfiction. She is also the editor of the New York Times bestseller Selfish, Shallow & Self-Absorbed: Sixteen Writers on the Decision Not To Have Kids. Her other books include the essay collection My Misspent Youth, the novel The Quality of Life Report, and Life Would Be Perfect If I Lived In That House, a memoir. Since 2005, Daum has been an opinion columnist …

Retaliation, Sarah Coffing

Manuscripts

Prose by Sarah Coffing.

Alopecia, Laura Wilhelm

Manuscripts

Poetry by Laura Wilhelm. Runner-Up in the 2017 Manuscripts Poetry Contest with Alessandra Lynch.

Seeing Lights, Ariana Hays

Manuscripts

Illustration by Ariana Hays.

Fake Tales Of San Francisco, Caroline Hyde

Manuscripts

Prose by Michelé Strachota.

Summer People, Claire Christoff

Manuscripts

Poetry by Claire Christoff.

Alana Williams, Jebri —

Manuscripts

Illustration by Jebri.

Interview With Robert Wrigley, Matthew Del Busto

Manuscripts

Robert Wrigley is the author of numerous collections of poetry, most recently Anatomy of Melancholy & Other Poems (2013), which won him the Pacific Northwest Book Award. During his visit to Butler, Wrigley sat down to talk with Manuscripts staff member Matt Del Busto about his most recent collection, titled after Robert Burton’s The Anatomy of Melancholy, written almost 400 years prior. They discussed the power of poetry and melancholy in our lives. In 2016, Wrigley retired from a forty-year teaching career and currently lives in Idaho “in the woods on the side of a mountain” with his wife.

Illicit, Chelsea Yedinak

Manuscripts

Prose by Chelsea Yedinak.

Fools, Caitlyn Zegiestowsky

Manuscripts

Illustration by Caitlyn Zegiestowsky.

Front Matter, Manuscripts Staff

Manuscripts

Includes table of contents and editor's note.

Phobophobia: A Study In Fear, Rebecca C. Josephson

Senior Honors Projects, 2010-2019

This thesis is the poetic culmination of a creative writing study in fear. Though here it only consists of the written word, the thesis was the content of an artists book of the same study.

Satori 2017, Winona State University, Sajda Omar, Elyse Hoffmann, Colin Kohrs, Rachel Willilams Belter, Audrianna Wichman, Ben Mccrary, Megan Wefel, Lisa Daraskevich, Nicole Johnson, Zachary Vix, Kaitlin Mccoy, Annette Deyo, Ben Teurman, Melody Vang, Zach Spanton, Alexis Prowizor, Charlie Utzman, Rich Herrmann, Ali Johnston, Danielle Eberhard

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2017 editors are:

• Editor-in-Chief: Sajda Omar
• Poetry Editor: Karl Hanson
• Art/Design Editor: Danielle Eberhard
• Prose Editor: Cassie Douglas
• Poetry Committee: Kelly Johnson and Lydia Papenfuss
• Art/Design Committee: Aurie Brighton and Xinyue Wang
• Prose Committee: Katie McCoy, Madison Wilke, Megan Back, Alayna Godfrey, Madelyn Hall, and Sam Stormoen
• Faculty Advisor: Dr. Gary Eddy, Professor of English

Saga Vol. 80 / 2016-2017, Alyssa Froehling, Elena Leith, Emma Smith

SAGA Art & Literary Magazine

No abstract provided.

The Lantern, 2016-2017, Lauren Toscano, Kara Travis, Courtney Duchene, Sarah Gow, Ray Macedonia, Ria Malones, Kevin Moore, Serena Schaefer, Paige Szmodis, Brian Thomas, Solana Warner, Zooey Cox, Mara Koren, Nicole Kosar, Eden Patrick '17, Arthur Robinson, Emily Shue, Tommy Armstrong, Angela Antoinette Bey, Kathryn Bormann, Dustin Brinker, Chiara Demelfi, Matt Dwyer, Athena Gainey, Sophia Gamber, Michael Heimbaugh, Rae Hodenfield, Juan Lopez, Joe Makuc, Valerie Osborne, Megan Sear, Althea Unertl, Anthony Alvarez, Sydney Cope, Sarah Defelice, Neomi Haut '17, Yanlin Li, Sarah Wilbert, Mario Heitman '18

The Lantern Literary Magazines, 1933 to Present

• Our Lady of Perpetual Virginity • Essential Terms for the Audience • Stories Untold • Jesus Camp • The Second Avenue Schmear • Driving to the Beach • Thanks, Alice • Decay • Peanut Butter Rhapsody • Transactions • Traffic • Sissy • Melting Wings • Ocean • Small Town Summer • Third Story • Family Trees • Mixed, Just Like Me • Sour Graves • How Sweet the Sound • Goodnight, Halfmoon • I'm Going to Ask Him How • Music • Pizza • Manhoodlike • Meditations From a Bunk Bed in a Home on Mount Pocono • …

Ivy Leaves, Volume 92, Ivy Leaves Editorial Staff

Ivy Leaves

The 2017 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jenni Harris, Grant Looper, Shelby Swing, Ruthie Snow, Randi Adams, Cara Ann Hendsbee, Haley Schvaneveldt, Caitlyn Lamb, Jennifer Bowers, Meredith Lyons, Michaela Staon, Tara Stewart, Ben Boerma, Jennifer Jefferson, Matt Swank, Shelby Kenrick, Lindsay Higgins, Cameron Ohls, Anna Tabor, Dr. Randall Wilhelm, and Tim Speaker.

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

Inscape 2017, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2017 edition of the Inscape: Literary and Art Magazine.

Tropos Literary Magazine, 2016-2017, Lawrence University

Tropos

No abstract provided.

A Window The Color Of Her Sunburn, Joana Stillwell

Theses and Dissertations

I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.

This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …

Reed Issue 150, Tobias Wolff, Holly Pekowsky, Laine Cunningham, Au-Co Tran, Vukasin Streker, Andrew Lam, Paula Paige, C.R. Resetarits, James Valvis, Kris Faatz, Barbara Mujica, Cristina García, Fatema Elbakoury, Marrie Stone, Nick Taylor, Arlene Biala, Liz Lampman, Laura Schulkind, Alyssa Hanna, Janet Joyner, Scott Withiam, Robert Demott, Rosemerry Trommer, Jerome Gagnon, Ron Riekki, Steven J. Rogers, Chris Knight, Gwen Mcneir, John F. Buckley, Martin Ott, Arlene Biala, Lauren Coggins, Maja Zmyslowski, Matt Hohner, Lee Landau, Jen Clem, Lesa Le, Richard Tinoco, Camille Miller, Gracie Ct, Dottie Lo Bue, Jean Davis, Julie Barrett, Alex Purdy, Allen Forrest, Michael Katakis, Andrew Irvine, Christopher Woods, Suzanne Rico, Shanee Stepakoff, Sasha Vasilyuk, Stephanie Collier, Rebekah Chan, Jillian Weiss, Vendela Vida, Timothy Corrigan, Alison Townsend, Peter Nathaniel Malae, Sharon Simonson, Kimy Martinez, Gary Singh, Kelly A. Harrison

Reed Magazine

No abstract provided.

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …

Association, Patrick Bryant

The Anthology

A poem

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.