Poetry Commons^™

Hear Everything, Hannah Sevy

Intertidal

No abstract provided.

I Am A Pressure That Builds, Vienna Bertolucci

Intertidal

No abstract provided.

A Letter To My Mom, Camden Winton

Intertidal

No abstract provided.

25₵ Per Minute, Tashi Manchip

Intertidal

No abstract provided.

Chasing Mavericks, Hannah Hochheiser

Intertidal

No abstract provided.

Rising Swan, Adrianne Brabant

Intertidal

No abstract provided.

Moonrise, Krista Speicher Sarraf

Intertidal

No abstract provided.

New Old Things, Emily Middleton

Intertidal

No abstract provided.

Big Eyes, Diana Boboc

Intertidal

No abstract provided.

Post-Credit Scene, Kaylin Alder

Intertidal

No abstract provided.

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Auxiliary Damage, Aiyi Cheng

Masters Theses

AuxiliarY DamagE asks what happens to pain when it is moved outside the body and given material form. Pain is not treated here as an image to be represented, but as something processed through repetition, pressure, exposure, and care. It is handled. Washed. Arranged. Pulled out. Swallowed back in.

Hair became the material that allowed this question to stay unstable. While attached to the body, it is intimate and ordinary. Once detached, it becomes residue, evidence, discomfort, value, and loss. In the studio, I washed collected hair, untangled it, threaded it through metal, placed it near flame, held it in …

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.

2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Fallen Leaves:The Unseen, Forgotten, Presences That Live In Us, Juhee Cho

Masters Theses

The fallen leaf is a material figure of the unseen, forgotten moments that have made us and holds us still while remaining outside our sight. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unavailable to the eye, yet known by the body. As a proof of this, the leaf’s transformation reveals itself not to the mind, but to the hand. The curling fiber wears out, the deepening brown, …

Draw To Breathe, Ranran Ma

Masters Theses

This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.

The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …

چھپن چھپائی (Chupan Chupai), Muhammad Talha Mr

Masters Theses

Baji, how do you breathe in a burqa? Doesn’t it suffocate you? Don't ask too many questions, walk straight, and don’t let go of my hand. Men were standing in the street, and she was trying to avoid them, walking as fast as she could, almost dragging me. I saw a big wedding tent. It was a multi-colored, red, yellow, blue, and green pattern. I asked baji, Is that where we are going? She nodded in affirmation. The tent was beautiful. I saw kids peeking inside the tent, and it reminded me of a time when I was doing the …

If The Sun Were As Big As My Heart, What Would Be The Distance Between The Sun And The Earth? Or How To Domesticate The Sun, Catalina Martinez, Catalina Martinez Rojas

Masters Theses

If the Sun were as big as my heart, what would be the distance between the Sun and the Earth? Or how to domesticate the Sun is a multidisciplinary installation project that explores how emotional, spiritual, and perceptual experiences can be translated into material form. Beginning from a speculative mathematical proposition that reduces the scale of the Sun to the size of the artist’s heart, the project investigates distance not only as a physical condition, but also as an emotional and domestic one.

Drawing from Colombian vallenato traditions, everyday observations of sunlight, and references ranging from Agnes Martin and Wayne …

A Puff's Exploration Of Wayne Hopkins, Ethan G. Mullen, Leon Wiebers

Honors Thesis

This thesis is a synthesis of modalities I have studied during the course of my Theatre Arts degree, applied to the realization of the principal character, Wayne Hopkins in the award-winning play Puffs (Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic) a LMU Theatre Arts Department production. This work is divided into three major sections. First, I reflect on how I applied acting tools I have studied at LMU to the development of my character and performance. These include script analysis, story structure analysis, breath work, and Viewpoints training. Second, I share media displaying my …

Caladrius: Creating A Playable Game Via A Multimedia Experience, Isabelle Morgan Brookshire

Whittier Scholars Program

Caladrius: Creating a Playable Game via a Multimedia Experience hones in on making an experience through different forms of media to represent a game. If this project was fully funded and done, it would be a video game on Steam with an art exhibition, small poetry book, and novel accompanied with it. It would even have a show, a soundtrack, and merch. But at this level, it was to make an experience for my audience that they could experience whether or not they enjoyed video games as a concept. I wanted them to enjoy 'playing' within a physical exhibition and …

Belmont Literary Journal Launch Event, Jason J. Riley Iv, Audrey Blake, Darwin Canales, Claire Carrillo, Abigail Coe, James Derryberry, Istbra Elmi, Bevan Johnson, Ava Lange, Keira Naab, Bailey Passarelli, Ava Rowland, Leticia Schueth, Samuel Shepley, Margaret Simpkins, Owen Tarro

SPARK Symposium Presentations

Join the Belmont Literary Journal in celebrating the launch of their online publication! This presentation will include insights from the journal’s staff, selected readings from the poetry, fiction, and creative non-fiction categories, refreshments, and time to connect with Belmont’s diverse creative community.

The Lantern, 2025-2026, Naila Twyman, Rach Wascoe, Lauren Macallister, Owen Fazzini, Sidney Belleroche, Jordyn Chaise, Christopher Gerrow, Catherine Stump, Madeline O'Connor, Shiloh Bloom, Luke Peloquin, Benjamin Warner, Sasha Schweitzer-Weeks, Andrew Mihniak, Adrienne Dyer, Gregory Dervinis, Neil Hutchinson, Olive Neri, Daniel Barry, Izabella Entrekin, Vienna Gurev, Ash Hawkes, Bowie Dake, Mike Davis, Anita Farrell, Daniel Mcgrath, Taylor Rainer, Sharon Gearhart, Sophia Bush, Caitlin Cunnane, Olive Sturm, Hayden James, Alex Kolb, Gianna M. Scotto, Casey Kracz

The Lantern Literary Magazines, 1933 to Present

Acceptance • The Negro Mermaid • Rubber Rosebud • Exposing the Smoker with Acne Scars • Alarms Down • Dress Rehearsal • Drowning in the Depths • I'm Stuck on the London Eye 'Cause My Paperwork's Got Inconsistencies and They Won't Let Me Get Off • Loose Change in a Pickle Jar • Marge Returned on a Tuesday • One Call Away • Regression to the Mean • Revenge is a Dish Best Served Cold • That Which Lurks • To Write a Wrong • Vines Above Us • What Must Be Done • Lullaby to Acceptance • To Sooth …

Satori 2026, Lupema Celis Castillo, Amity Collins, Lydia Domaille, Grace Emiliusen, Alysen Endres, Holly Foss, Jenifer Frick, Benjamin Hagen, Linda Hang, Ely Herrick, Axel Hillis, Eva Hodnick, Sarah Huderle, Dylan Jackson, Kira Kainz, Sayeeda Khan, Greta Kirsch, Reianna Larson, Jacinda Lundeen, Kendra Mcclure, Marissa Mcclure, Linda Moua, Kaylee Nickisch, Ella Page, Kari Plumley, Caleb Reed, Reagan Roesler, Sarah Schmick, Mandie Schmidt, Elizabeth Schneider, Lucy Severson, Gracia Sonderup, Emily Sowers, Celia Stern, Shelby Svien, Liz Tischler, Jackie Velishek, Allen Wedekind

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2026 editors and creators are:

Design and Technical Editors: Elena Armstrong, Jenifer Frick, Eva Hodnick, Sarah Huderle, Linda Moua

Prose Editors: Shaela Eriksen, Linda Hang, Camden McDonald, Callie Sahlstrom

Poetry Editors: Lydia Domaille, Dylan Jackson, Reagan Roesler, Allen Wedekind

Art Editors: Kendra McClure, Jade McElmury, Charlie Lund

Faculty Advisor: Dr. Liberty Kohn

WINONA PRIZE WINNERS 2026

• Allen Wedekind (Nonfiction) -  Pleasant Transgender Man
• Mandie …

Letter From The Editors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

I Won't Wait For Another Man, Jason Marecki

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Sedimentary, Patrick Mcnees

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Lovecats, James Johnson

Diamond Line Undergraduate Literary Magazine

No abstract provided.

A Tiny House Is In My Wine But I Still Feel Obliged To Drink It, Aly Hubbard

Diamond Line Undergraduate Literary Magazine

No abstract provided.

All's Well That Ends Well, Etta Salzman

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Penance, . Anonymous

Diamond Line Undergraduate Literary Magazine

No abstract provided.