Nonfiction Commons^™

Volume 6, Issue 2

NEBO: A Literary Journal

Nebo, Volume 6, Issue 2 (Fall 1987), continues its dedication to showcasing a diverse array of literary voices through poetry, fiction, and critical reviews. Although this issue is labeled as Volume 6, Issue 1 within the journal itself, it is officially recognized as Volume 6, Issue 2 in the Nebo archive. Featuring contributions from writers such as John Gery, H.L. Hix, and Katharyn Machan Aal, this issue explores themes of war, memory, identity, and the craft of storytelling. Highlights include poetic reflections on personal and historical trauma, introspective explorations of human relationships, and critical essays on contemporary literary works. …

Volume 6, Issue 1

NEBO: A Literary Journal

Nebo, Volume 6, Issue 1 (Spring 1987), continues its tradition of showcasing a rich array of literary voices through poetry, fiction, and critical reviews. This issue presents a mix of evocative storytelling and thought-provoking verse, featuring works by authors such as Grace Cash, Jim Finley, and Paul Lake. The selections engage with themes of history, place, love, and existential reflection, capturing both the personal and the universal. With its roots in Arkansas Tech University, Nebo remains a vibrant platform for emerging and established writers, offering a compelling collection of creative expression.

Volume 5, Issue 1

NEBO: A Literary Journal

Nebo, Volume 5, Issue 1 (Spring 1986), showcases a diverse range of literary works, including poetry, fiction, and critical reviews. This issue features compelling short stories that explore themes of identity, memory, and transformation, while the poetry selections capture moments of personal and collective experience. Highlights include works by Jack Butler, Marian Motley-Carcache, and other contributors, as well as critical reviews of contemporary literary works. Published by Arkansas Tech University, Nebo continues its tradition of providing a platform for emerging and established writers.

Volume 4, Issues 1 & 2

NEBO: A Literary Journal

Nebo, Volume 4, Issues 1 & 2 (Spring 1985), represents another milestone in Arkansas Tech University’s biannual literary journal, continuing its tradition of publishing exceptional poetry, fiction, and literary reviews. This double issue brings together a wide array of voices, styles, and themes, reflecting both the emerging and established literary talents that Nebo seeks to amplify.

This edition features works from a diverse lineup of writers, including Barbara Eckstein, Jack Butler, Janet McCann, Vernon Frazer, Marvin Schwartz, and Daniel Mark-Epstein, among many others. Their works explore human relationships, memory, place, and transformation, offering readers a compelling mix of …

Volume 2, Issue 2

NEBO: A Literary Journal

Nebo, Volume 2, Issue 2 (Fall 1984), continues Arkansas Tech University’s tradition of publishing exceptional poetry and fiction through its biannual literary journal. Edited by students with faculty guidance, this issue features a compelling selection of works that explore themes of memory, transformation, identity, and the intricacies of human experience.

This issue includes poetry and fiction from a diverse group of writers, including John Gery, Wyatt Prunty, Laura McLaughlin, David Mason, and many more. Their works range from deeply personal reflections to broader cultural commentaries, showcasing a wide variety of literary styles.

Additionally, Nebo proudly celebrates the achievements of …

Nebo: Volume 2, Issue 1

NEBO: A Literary Journal

Nebo, Arkansas Tech University’s literary journal, continues its tradition of showcasing innovative and thought-provoking creative writing in its Spring 1984 issue. This volume brings together poetry, fiction, and essays from a diverse range of voices, reflecting the evolving landscape of contemporary literature. Featuring work from both emerging and established writers, this issue delves into themes of memory, transformation, and the human condition. Readers will discover a collection rich with narrative depth, poetic experimentation, and critical literary discourse. As Nebo enters its second volume, it reaffirms its role as a space for artistic expression and literary excellence.

Nebo: Volume 1, Issue 2

NEBO: A Literary Journal

The Fall 1983 edition of Nebo (Volume 1, Issue 2) continues the journal’s commitment to showcasing compelling poetry and fiction that push the boundaries of literary expression. This issue brings together a diverse collection of works, exploring themes of human experience, memory, relationships, and artistic interpretation. With contributors ranging from emerging to established voices, the selections in this issue offer a wide spectrum of poetic lyricism and narrative depth. Featuring works from Lawrence Millman, Warren Hope, Turner Cassity, and many others, this volume engages with the complexities of storytelling and the power of the written word.

As Nebo maintains its …

Nebo: Volume 1, Issue 1

NEBO: A Literary Journal

Nebo Literary Journal is a dynamic collection of contemporary fiction, poetry, and creative nonfiction that highlights emerging voices in literature. Curated by Arkansas Tech University, this issue features a diverse range of storytelling, lyrical expression, and thought-provoking essays that explore themes of identity, human connection, and the power of narrative. With contributions from talented writers across genres, Nebo serves as a creative space for literary exploration and artistic expression. Whether through evocative poetry or compelling short stories, this issue invites readers to immerse themselves in the richness of modern literature.

Editor's Note & Content Warning, Intertidal Editors

Intertidal

Intertidal Vol. 3 Editor's Note and Content Warning

Editor Bios, Editor Bios

Intertidal

Intertidal Vol. 3 Editor Bios

Shedding, Emerging; A Rebirth, Christina Van Dueck

English and Creative Writing | Senior Theses

This thesis is a collection of poems; divided into two parts, the first section intimately explores physicality and essence through graphic writing, inspired by Emerson’s work that is deeply rooted in transcendentalism, idealism, and the divinity of nature. The second part of the collection breathes life into the first through an introspection of naturalistic elements based on linguistic tactility. Inspired by Emily Dickinson, this collection embodies complex celestial imagery to display the abstractness of presence and detachment. Both collections comment on the interconnectedness of human nature in its rawest form and seek to encapsulate a soulful display of the innate …

Assistant Editor Bios, Assistant Editor Bios

Intertidal

Intertidal Vol. 3 Assistant Editor Bios

2025 Inscape, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2025 edition of the Inscape: Literary and Art Magazine.

Milk Tooth, 2025, Eddie Anderson, Sadie House, Jay Clark, Ravyn Oliver, Edwin Mayo, Joseph Kettelhodt, Kaitlyn Seibel, Daniel Mcnellis, Elise Fladeboe, Ivy Matejcek, Trinity Johnson, Eve Gwendolyn Hansen, Liz Fisher, Emma Niessink, Hannah Lewis

Milk Tooth

"Writings by Bemidji State University Students". Sponsored by the Bemidji State University English Department.

Threshold: Stories & Graphic Memoir, Emily Kay Lewandowski

Graduate Theses/Dissertations

Threshold: Stories & Graphic Memoir, a collection of fiction and graphic memoir, explores the in-between stages of loss and grief. Both the fiction and graphic memoir pieces utilize the technique of the “narrative echo,” coined by John Gardner, to stylistically explore and interrogate these stages of in-betweenness. The final piece in this collection, “I Hope You Find Me On Mars,” is a queer expansion of Octavia Butler’s trilogy Lilith’s Brood. Each piece uses unique voice and styling to contribute to the larger literary community by interrogating manifestations of identity, queerness, and grief.

Author Bios, Author Bios

Intertidal

Intertidal Vol. 3 Author Bios

A Story Of Oppression A Psychological And Creative Approach, Juan R. Morillo

Honors Undergraduate Theses

The aim of this project is to survey the manner in which oppression is expressed in selected works of literature. It is a topic that not only am I familiar with through my studies of literature and psychology, but one that I, as well as every Venezuelan expatriate has witnessed and felt for their country. The project focuses on social and political oppression, using the current Venezuelan crisis as a focal point, and selected literary sources as a framework. I will analyze dystopian classics such as George Orwell's 1984 and Ray Bradbury’s Fahrenheit 451, as well as Margaret Atwood’s The …

Commonthought (2024), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Caffeine And Me, Chad Erickstad

Floodwall Magazine

No abstract provided.

Teddy Roosevelt National Park, Jonathan Sladko

Floodwall Magazine

I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.

Bernese Oberland, Jonathan Sladko

Floodwall Magazine

I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.

Love Medicine, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Minima Moralia, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Naked Lunch, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Tree-Lined, Chad Erickstad

Floodwall Magazine

The world we experience is constantly evolving; yet many of our experiences are universal through time. I use photography to capture these universal moments as well as the ones unique to our moment in history. I find nature to be a fertile subject, often at its most brutal or its most serene. I am also interested in ways we have shaped nature and architecture to function for our modern needs and meet our current definition of “aesthetically pleasing.”

Summer School, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Marbled Frog Wood Cut, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Imitating, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Dominoes, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Sometimes I Worry, Sevi Sapunar-Lahr

Floodwall Magazine

No abstract provided.