Fiction Commons^™

Radicals Have Conquered The American University, Jasmine Collins

I2

No abstract provided.

Honey, Honey, Cia N. Gladden

I2

No abstract provided.

Red And Blue, Cia N. Gladden

I2

No abstract provided.

Untitled Poem, Mary L. Alvarez

I2

No abstract provided.

We Cool, Samuel M. Migwi

I2

No abstract provided.

All Smiles, Zoe F. Chen

I2

No abstract provided.

Roots, Zoe F. Chen

I2

No abstract provided.

Papercut, Zoe F. Chen

I2

No abstract provided.

Chinatown, Zoe F. Chen

I2

No abstract provided.

Tangerine, Karen Zheng

I2

No abstract provided.

Treading The Winepress; Or, A Mountain Of Misfortune, Clarissa Minnie Thompson Allen, Gabrielle Brown, Eric Willey, Jean Macdonald

Undiscovered Americas

“Every life hath its chapter of sorrow. No matter how rich the gilding or fair the pages of the volume, Trouble will stamp it with his sable signet.”

So begins the novel Treading the Winepress; or, A Mountain of Misfortune by Clarissa Minnie Thompson Allen, which, had it appeared in book form in 1885–1886 instead of serialized in The Boston Advocate, would have been the second novel published by a black woman in the United States. Instead, Allen has been mostly forgotten by literary history. Now, thanks to the painstaking efforts of editors Gabrielle Brown, Eric Willey, and Jean …

Bryan Thao Worra, Pauline De Leon

Asian American Art Oral History Project

Artist Bio: An award-winning Laotian American writer, I work actively to support Laotian, Hmong and Southeast Asian American artists. I am recognized by the Loft Literary Center, the Minnesota State Arts Board and the National Endowment for the Arts. I also served as a consulting contractor with the Minnesota History Center, the Council on Asian Pacific Minnesotans and the Minnesota Humanities Commission. I am an active professional member of the Horror Writer Association and president of the Science Fiction Poetry Association.

Nicole Sumida And Alex Yu Interview, Laraib Malik

Asian American Art Oral History Project

Bio: Nicole Sumida is a co-founder and co-publisher of Riksha Magazine, an online magazine featuring creative work by and about Asian Americans. Alex Yu is a co-publisher of Riksha and both have been involved in community arts organizing since the 1990s in Chicago.

“Riksha provides a space for capturing the Asian American experience through compelling writing, commentary, and artistic expression. We curate an online magazine that presents poetry, fiction, non-fiction, fine arts, and video and audio pieces. We also comment on and curate the bric-a-brac and ephemera of Asian American life.”

Bao Phi Interview, Elyse Warnecke

Asian American Art Oral History Project

BIO: Bao Phi is a Vietnamese American spoken and written word artist. Coming from a family of refugees from Vietnam, his escapism and life values he has found in literature have allowed for many great accomplishments, such as poetry championships, several books of poetry collections, and most recently, children’s books. He uses his life stories and lessons, as well as current events to guide his audience, as well as his daughter and younger generations, through a rather difficult world. His most recent project has been publishing a children’s book illustrated by Thi Bui.

Mary Grace Bertulfo Interview, Serena Offord

Asian American Art Oral History Project

Bio: Mary Grace Bertulfo lives and writes at the intersection of nature, culture, and spirituality. She has written professionally for television and children’s education in such venues as CBS, Pearson Education Asia, and Schlessinger and for conservation magazines such as Sierra and Chicago Wilderness. Her award-winning fiction has appeared in Growing Up Filipino II, Our Own Voice, and The Oak Parker and her essays have appeared in various anthologies. She is a co-owner of Calypso Moon Studio, a working arts studio, in the Oak Park Arts District. Mary Grace is a member of the international N.V.M. and Narita …

Qui Est Done « L'Homme De Barbès » ? Le Probleme Du « Nègre » De L'Écriture Migrante Dans Le Ventre De L'Atlantique De Fatou Diome, El Hadji Moustapha Diop

Présence Francophone: Revue internationale de langue et de littérature

This paper attempts to revisit the figure of "l'homme de Barbes" as a new form of invisible subalternity deeply inscribed within the texture of Fatou Diome's Le ventre de l'At/lntique, this landmark novel said to usher in a new era in migrant literature, at the intersection between the postcolonial and the transnational. In this respect, Diome's novel is indeed seminal, but from a geocritical perspective. Thus, I argue that the man of/from Barbès must be read as a figure greater than the sum of his narrative and discursive parts. Unlike the Parisian "black bazaar" tagged onto his persona, the "multiplicity …

Lost, Saeeda Ullah

I2

No abstract provided.

Home Of The Flesh, Reva Dixit

I2

No abstract provided.

Giiwe, Skyler Kuczaboski

I2

No abstract provided.

Cafe Girls, Jung Hyun Kim

I2

No abstract provided.

Cempasuchitl, Jennifer Lopez

I2

No abstract provided.

The Anti-Yellow Agenda, Karen Zheng

I2

No abstract provided.

Geography Lesson, Jasmine Collins

I2

No abstract provided.

Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett

Theatre & Dance ETDs

This dissertation attempts to express the importance of storytelling within the Indigenous Theater framework. It does so by first analyzing the progression of the writer’s unique upbringing and analyzing the influences of story upon an indigenous identity. I will also attempt to describe the aesthetics of Native Theater along two lines of methodology which includes praxis described and developed by Hanay Geiogamah and Rolland Meinholtz. I will also explain how the script 1n2ian tries to follow those concepts of Native Theater to create a ceremonial performance that uses a blending of both methodologies.

“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez

Master's Theses

Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

A.B.C.D, Reva Dixit

I2

No abstract provided.

More Than This Color, Rena King

I2

No abstract provided.

Daises, Angeline Janumala

I2

No abstract provided.

Dancing Queen Only 70, Namrata Ramakrishna

I2

No abstract provided.