Fiction Commons^™

Aftershock, Emma Rodriguez

I2

No abstract provided.

Black Girl, Black Boy, Sabyne Pierre

I2

No abstract provided.

Art By Namit, Namit Kapoor

I2

No abstract provided.

The "M" In Mother Is The End Of "Dream", Virginia Wei

I2

No abstract provided.

Three Meals A Day, Karen Zheng

I2

No abstract provided.

In Memory Of A Red Lady, Yolanda Huerta

I2

No abstract provided.

Feeling, Angel Chidiugo Ugo-Nwauwa

I2

No abstract provided.

The End Piece Of A Loaf Of Bread, Amanda E. Mcintyre

I2

No abstract provided.

Foreword & Response, Charlene Browne

I2

No abstract provided.

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …

Figure De L'Écrivain Chez Sami Tchak. Déterminisrne, Fantasme Et Mythe, Vincent Simédoh

Présence Francophone: Revue internationale de langue et de littérature

This article examines how the figure of the writer manifests himself in the postcolonial novel and the issues associated with all determinisms. Does a representation of oneself in a fictional space give one the possibility of being other than that which one is or is destined to be? Clearly a literary question, in the sense that it makes possibilities exist that are yet unavailable, it comes with few answers. It calls for further investigation to highlight the novelist's consciousness of the present, the writer's image that manifests itself in the novel in various forms by means of fantasies, the creation …

More Than Skin-Deep: Reading Past Whiteness In Hemingway’S “Hills Like White Elephants”, Laura Valeri

Journal of Creative Writing Studies

The author argues a much neglected element in the seminal Hemingway's story "Hills Like White Elephant." Reading the story by taking into context a subtext of racial bias lends new interpretation to the story.

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Helen Oyeyemi And Border Identities: Contesting Western Representations Of Immigrants Through Transnational Literature, Susanna L. Mills

Student Publications

Oyeyemi is a Nigerian-British writer whose writing, like other immigrant authors', participates in a dialogue about and contestation of essentialized immigrant and ethnic identities that are a result of global and local processes. Her writing produces counter-narratives in which immigrant identities are multiple, conflicting, intersectional, and most of all self-represented. This paper explores readings of Oyeyemi accompanied by the following: an examination of globalization and flows of migration; the connections of national epistemologies through media to processes like migration: how literary canon has excluded transnational fiction from the mainstream, thereby decreasing the ability of multi-ethnic and im/migrant writers to represent …

Out Of Many: Multiplicity And Divisions In America Today, Camille Goodison, Racquel Goodison

Publications and Research

An anthology of new U.S. fiction and nonfiction, as well as transnational writing. A wide variety of fiction writers and essayists describe what it means to be American in a world of changing borders. A bright showcase of progressive literary style, personality and content. Contributors include Tope Folarin, Alia Yunis, Maurice Emerson Decaul, Alexandria Marzano-Lesnevich, Patricia Park, Sonny Singh, Aisha Sabatani Sloan, Zeeva Bukai, Courtney Zoffness, and others.

Roman Féminin Africain : Pour Une Géocritique, Mbaye Diouf

Présence Francophone: Revue internationale de langue et de littérature

Based on novels published in the 2000s by Fatou Diome and Bessora, this article poses that in a postcolonial context marked by the intensification of population migration, as well as the international circulation of authors and the renewal of aesthetic categories, the current generation of female African novelists are constructing a new imaginary of space that resemanticizes textual territories through literary languages that are both unusual and personalized. Novels like Cyr@no or Le ventre de l’Atlantique rectify the real insular or urban topographies to which they refer by giving a connotated or new meaning to their own narrative, descriptive and …

Villes Et Espaces Africains : Pour Une Géocritique En Contexte Postcolonial, Yves Clavaron

Présence Francophone: Revue internationale de langue et de littérature

As for geocritics, postcolonial studies consider questions of representation according to a contextualizing approach, scrutinizing geogrophical and sociopolitical settings. This paper aims at studying methodological affinities between geocritics and postcolonialism in order to observe to what extent Bertrand Westphal’s approach could respond to a postcolonial context and allow for an interpretation of African space – mainly urban – in a few francophone novels by Mongo Beti, Bernard Dadié, Ahmadou Kourouma, Henri Lopes, Alain Mabanckou, Patrice Nganang and Tierno Monénembo.

Non-Lieux Dans Le Roman Africain Postcolonial Francophone : Formes Et Enjeux, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

In the postcolonial African novel, new places are appearing, next to or replacing the former prison site. They can validly be read as «non-places» whose presence and implications in texts must then be questioned. Attempting a literary re-appropriation of an anthropological notion, this contribution analyzes three novels whose fictions are built around places of transit (of non-places) such as hotel, road and... container. These three figures of the non-place call for a writing of horizontality, rhizome, ephemeral, spatial mobility that reactivate the question of the fictitious or moving identity of the African subject from space.

Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir

Présence Francophone: Revue internationale de langue et de littérature

Postcolonial city is at the heart of maghrebian fictions so that it can be approached as a fundamental element of its particular poetics. In their novels Triptyque de Rabat and Le chien d’Ulysse, Khatibi and Bachi respectively link space as an explicative matrix of the national present and even of what goes beyond characters consciousness. This fact helps to understand the way history figures as a virtual paradigm coming down to space, sometimes threw separate facts, and being part of the personal perception of reality. The concept of reality itself becomes problematic regarding this endless past, we mean the impact …

Time Travel, Labour History, And The Null Curriculum: New Design Knowledge For Mobile Augmented Reality History Games, Owen Gottlieb

Articles

This paper presents a case study drawn from design-based research (DBR) on a mobile, place-based augmented reality history game. Using DBR methods, the game was developed by the author as a history learning intervention for fifth to seventh graders. The game is built upon historical narratives of disenfranchised populations that are seldom taught, those typically relegated to the 'null curriculum'. These narratives include the stories of women immigrant labour leaders in the early twentieth century, more than a decade before suffrage. The project understands the purpose of history education as the preparation of informed citizens. In paying particular attention to …

Secrets On Morgan Hill: A Story Of An Unlikely Friendship Amid An Apartheid South, Camille Kleidysz-Ferreira

Master of Arts in American Studies Capstones

Introduction

The Burden of History and Fiction

“How much of the burden of history can fiction bear?” – Margaret Walker

Comprehensive historical research can often become the inspiration for art. The greatest pieces of historical fiction, are a result of years of historic scholarship before the creation of a compelling historical narrative or fiction piece. Through my two-year ethnographic study and collection of oral histories of the black community, surrounding the historic Bethel A.M.E. church in Acworth, Georgia, I was told a story about a friendship between two little girls who remained friends until the end of their lives. What …

Wesley Sun Interview, Chad Novotny

Asian American Art Oral History Project

Bio: BA, 2004, Stetson University, DeLand, Florida; M.Div, 2008, The University of Chicago. Both Wesley Sun and his brother (Brad Sun) were born and raised in Orlando, Florida, by their parents who are Chinese immigrants from Malaysia. Wesley serves as the Director of Field Education and Community Engagement at the University of Chicago Divinity School and is a volunteer chaplain at Cook County Jail. He also does creative writing for graphic novels that both he and his brother have collaborated on. His completed graphic novels include: Chinatown, Apocalypse Man, and Monkey Fist. Eisegesis: Kings + Queens is expected to be …

The Confessions Of A Goat: An Oral History On The Resistances Of An Indigenous Community, Prabhakar Jayaprakash

The Qualitative Report

Betta Kurumba is an indigenous (also known as Adivasi / tribal) community living in the Gudalur block of Nilgiris district, Tamil Nadu, India. This district is part of the Western Ghats mountain range that runs parallel to the Western Coast of India. It is an anthropological research on a hamlet, Koodamoola, located inside a tea and coffee plantation, the Golden Cloud Estate (pseudonym). Few years ago, the owner (under legal contestation) of this plantation attempted to enforce a ban on rearing of livestock arbitrarily. Betta Kurumbas did not agree to this enforcement since they are the ancient inhabitants of this …

Civil Rights Gone Wrong: Racial Nostalgia, Historical Memory, And The Boston Busing Crisis In Contemporary Children’S Literature, Lynnell L. Thomas

American Studies Faculty Publication Series

On May 14, 2014, three white Boston city councilors refused to vote to approve a resolution honoring the sixtieth anniversary of Brown v. the Board of Education because, as one remarked, “I didn’t want to get into a debate regarding forced busing in Boston.” Against the recent national proliferation of celebrations of civil rights milestones and legislation, the controversy surrounding the fortieth anniversary of the court decision that mandated busing to desegregate Boston public schools speaks volumes about the historical memory of Boston’s civil rights movement. Two highly acclaimed contemporary works of children’s literature set during or inspired by Boston’s …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Immigrant And Irish Identities In Hand In The Fire And Hamilton's Writing Between 2003 And 2014, Dervila Cooke

CLCWeb: Comparative Literature and Culture

In her article "Immigrant and Irish Identities in Hand in the Fire and Hamilton's Writing between 2003 and 2014" Dervila Cooke discusses the intertwining of Irish and immigrant identities. Cooke examines the connection between openness to memory and embracing migrant identities in Hamilton's writing both in the 2010 novel and as a whole. The empathetic and inclusive character of Helen in Hand in the Fire is analyzed in contrast to characters who have repressed memory including the Serbian Vid. Helen's ties to elsewhere, her openness to new influence, and her willingness to engage with traumatic elements of the past (Irish …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Consequences Of Narrative, Kylie Mosbacher

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

No abstract provided.

Jam On The Vine By Lashonda Barnett, Shawn(Ta) Smith-Cruz

Publications and Research

Book review of Jam on the Vine by LaShonda Barnett from the perspective of a lesbian and lesbian of color audience of readers.

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix

Présence Francophone: Revue internationale de langue et de littérature

In Le pauvre Christ de Bomba and Entre les eaux, the narrator’s evolution seems a kind of madness, as Ambroise Kom defined it: a process of social exclusion based on alienation because of norms told by dominant discourses. Individuals can’t find their right place in front of “languages in madness” which rule the colonial thought and hide part of reality. Therefore novel becomes a space where individual madness appears as a dissidence against dominant discourses.