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Poetry

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Articles 1261 - 1290 of 7835

Full-Text Articles in Creative Writing

Youth, El J. Reyes Apr 2021

Youth, El J. Reyes

Bryant Literary Review

A miracle crosses paths

with me, and I find myself

staring right at my youth.


The New Historian, Nilsa Laine Apr 2021

The New Historian, Nilsa Laine

Bryant Literary Review

One month, we were given just one month.

Martin Luther King Jr.

Rosa Parks.

Harriet Tubman.


Not A Goodbye, Sanjana Aiyar Apr 2021

Not A Goodbye, Sanjana Aiyar

Bryant Literary Review

Blood flowing in your veins.

Heart beating slow.


Rx#: Sea, Mikaela Gresty Apr 2021

Rx#: Sea, Mikaela Gresty

Bryant Literary Review

The ocean calls, smells,

like rosé aged with salt


Unlike Mike, Caleb Lewis Apr 2021

Unlike Mike, Caleb Lewis

Bryant Literary Review

We lost time while heat simmered on the blacktop.

Our hands stunk of warm rubber


Headed Inbound, Claudia Rosado Apr 2021

Headed Inbound, Claudia Rosado

Bryant Literary Review

i've fallen in love

with you on the train


Driving To Look Out Point To See The Sunset, Riley Mayes Apr 2021

Driving To Look Out Point To See The Sunset, Riley Mayes

Bryant Literary Review

My car or yours?

We already know the answer.


On The Rocks, Jen Mazlymian Apr 2021

On The Rocks, Jen Mazlymian

Bryant Literary Review

He sat on the rocks

by the shoe

Staring at the sea


Mono No Aware, W.W. Harris Apr 2021

Mono No Aware, W.W. Harris

Bryant Literary Review

a part of me is still

drowning beside


Plum Rains (梅雨), Claire Kuo Apr 2021

Plum Rains (梅雨), Claire Kuo

Bryant Literary Review

Tissue paper petals

wilt under the weight


I Drop Your Photograph In The Sea, Claire Kuo Apr 2021

I Drop Your Photograph In The Sea, Claire Kuo

Bryant Literary Review

But I am the sailor submerged

in your endless blue --


Submersion, Meg Peters Apr 2021

Submersion, Meg Peters

Bryant Literary Review

Before anything else, there is water.


God Spoke To Me Through The Car Stereo, Alexa O'Kane Apr 2021

God Spoke To Me Through The Car Stereo, Alexa O'Kane

Bryant Literary Review

I was twelve.

The woman with the crooked teeth

Told me I was a pearl,


I Have Felt For A While That..., Nichole Page Apr 2021

I Have Felt For A While That..., Nichole Page

Bryant Literary Review

Time is passing too quickly again

and I have not had enough time to hold you


Treatise, Scripture, Manifesto: Reckoning With "Love Cake", Lalini Shanela Ranaraja Apr 2021

Treatise, Scripture, Manifesto: Reckoning With "Love Cake", Lalini Shanela Ranaraja

Audre Lorde Prize

This essay was written in response to Sri Lankan-American writer and activist Leah Lakshmi Piepzna Samarasinha's poetry collection Love Cake, as part of a directed study I undertook in Spring 2021. A goal of the directed study, titled "The Empire Writes Back" was to engage with and build upon work by writers from South Asia and the diaspora, of which Piepzna-Samarasinha is a vocal member. In this essay, I explore not only the sense of connection I feel with this poet and her body of work as a result of shared experiences of otherness, trauma, and nationhood, but also …


The Messenger Apr 2021

The Messenger

The Messenger

forward

onward so as to make progress; toward a successful conclusion.

“There is a way forward

and yes

it is with a broken

heart

but it is our own way

collectively convened,

pondered,

Shared.”

Alice Walker


On Being Seen Or For Those Who Break Like Me, Shanisha K. Branch Apr 2021

On Being Seen Or For Those Who Break Like Me, Shanisha K. Branch

English Theses & Dissertations

The nature of truly seeing is something I’ve had a hard time grappling with. If you understand the difficultly of seeing and wanting others to see you that same, then these pages are for you.


Capable, Arianna Elise Miller Apr 2021

Capable, Arianna Elise Miller

Theses and Dissertations

"CAPABLE” is a full-length manuscript of poetry. The speaker of the manuscript interrogates her family’s past, specifically the past of her father. The speaker details how her grandmother abandoned her father as a young boy. This story of abandonment, and its aftermath, is expressed through portraits of the speaker’s family members. The most prevalent theme—freedom to choose one’s own path despite familial obligations—is seen through the grandmother’s leaving and the speaker’s own sexual experiences. Both the grandmother and speaker make decisions that alienate them from their families. Their experiences are juxtaposed in a way that presents the grandmother as a …


(Trans)Form: Spoken Word As Queer And Transgender Testimony, Kaileigh/Wesley Strobel Mar 2021

(Trans)Form: Spoken Word As Queer And Transgender Testimony, Kaileigh/Wesley Strobel

Undergraduate Distinction Papers

(Trans)form will explore the importance of spoken word poetry in and for the queer and transgender community. Especially underscoring the significance of public voice in a culture that often wants to conceal or minimize the lived lives of LGTBQIAP+ people. (Trans)form will be a collection of self-authored spoken word poems that are influenced by—and in dialogue with—powerful transgender spoken word authors. The project will open with an essay on the importance of spoken word poetry and voice.


الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي Mar 2021

الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي

Dirassat

Title : The controversial foundations for interpreting the problem of al-Maari's poetry between Batalyawsi and Ibn al-Arabi

The poetry of Abu Al-Alaa Al-Maari is distinguished for its interactive and argumentative context. In addition, it is rich in interpretative capabilities. In addition, Al-Maari’s poetry has a brilliant interpretive potential that establishes the literary rule. Accordingly, it aims at analyzing the foundations of dispute between Abd Allāh Ibn Muḥammad al-Baṭalyawsī and Abu Bakr Ibn al-Arabi who were famous for interpreting poetic discourse. As far as Abu Al-'Ala al-Ma'ari is concerned; the reality of his poetry resides in an …


The Erasure Of Black Women, Tamara D. Anderson, Maya Anderson Mar 2021

The Erasure Of Black Women, Tamara D. Anderson, Maya Anderson

#CritEdPol: Journal of Critical Education Policy Studies at Swarthmore College

To what do we owe Black women? Everything. To be Black and female in America means that you are ignored, silenced, and sometimes erased. the very fabric of history would be quite different for all of us without the contributions, tears, blood, and love of Black women. As a result of the intersection of patriarchy and white supremacy, Black women are too often left exhausted, overworked, and left out of the historical narrative. This multi-modal creative work is a call to action to end the erasure of Black women with scholarship, visual art, and poetry.


Ode To Chuck, Zane Bell Jan 2021

Ode To Chuck, Zane Bell

Arrow Rock

No abstract provided.


Ocean, Arianna Amann Jan 2021

Ocean, Arianna Amann

Arrow Rock

No abstract provided.


Poem For A Fieldmouse, Chelsea Harlan Jan 2021

Poem For A Fieldmouse, Chelsea Harlan

CutBank

No abstract provided.


Fire Map: California, Oregon And Washington, Hannah Dierdorff Jan 2021

Fire Map: California, Oregon And Washington, Hannah Dierdorff

CutBank

No abstract provided.


Blessed Are The Dead That The Rain Rains On, Kelle Groom Jan 2021

Blessed Are The Dead That The Rain Rains On, Kelle Groom

CutBank

No abstract provided.


It's Almost Tomato Season And You Know What That Means, Catherine Ragsdale Jan 2021

It's Almost Tomato Season And You Know What That Means, Catherine Ragsdale

CutBank

No abstract provided.


Lighthouse Haiku, Sara Anne Hook Jan 2021

Lighthouse Haiku, Sara Anne Hook

Graduate Scholarship and Professional Work

Inspired by the lighthouses of the Sable Points Lighthouse Keepers Association (SPLKA).


Ode To The Crafty Foxes, Sara Anne Hook Jan 2021

Ode To The Crafty Foxes, Sara Anne Hook

Graduate Scholarship and Professional Work

This is a poem written in 2021 by graduate student Sara Ann Hook.


Ludington North Breakwater, Sara Anne Hook Jan 2021

Ludington North Breakwater, Sara Anne Hook

Graduate Scholarship and Professional Work

This is a poem written in 2021 by graduate student Sara Ann Hook. originally published in the Sable Points Beacon Newsletter by the Sable Points Lighthouse Keepers Association (SPLKA).