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Articles 1531 - 1560 of 1875
Full-Text Articles in Creative Writing
Tonic Immobility, Jessica Turney
Salt, As A Love Letter, Michelle Mcmillan-Holifield
Pretoria, South Africa, 1945, Natasha Deonarain
Four For A Boy, Kate Hanson Foster
Untitled (Still Life), Lee Krasner, 1938, Lisa Beech Hartz
Untitled (Still Life), Lee Krasner, 1938, Lisa Beech Hartz
Nelle (literary magazine)
p. 63
Vision Test In The First Grade, Jennifer Martelli
Chicken, Virginia Bell
Wild Things, Kerry Madden
Nelle 3 (End Matter), Nelle Staff
Depression Cento, Kate Hanson Foster
Fragmentation, Amber Adams
Alabama, Hannah Aizenman
Library Fire, Andrea Jurjevic, Marko Pogacar
Topsy Turvy, Sandra Beasley
Whitehouse, Texas, Cydnee Devereaux
Dear Editor Who Sent Me A Tiered Rejection, Sean Thomas Dougherty
Dear Editor Who Sent Me A Tiered Rejection, Sean Thomas Dougherty
Birmingham Poetry Review
p. 105
A Son Might Say, Lisa Fay Coutley
Venice Nocturne, Matthew Porto
Why We Remember The Martyrs, Stephen Kampa
Ride Along, Leona Sevick
Make Jesus Great Again, Stephen Kampa
1 Of November, K B. Thors, Soledad Marambio
Virginia Woolf In The Air, Hannah Baker Saltmarsh
Virginia Woolf In The Air, Hannah Baker Saltmarsh
Birmingham Poetry Review
pp. 183-184
The Pediatrician Tells Us A Story, K B. Thors, Soledad Marambio
The Pediatrician Tells Us A Story, K B. Thors, Soledad Marambio
Birmingham Poetry Review
p. 193
Ambulance, Sean Singer
Hemings Family Tour, Artress Bethany White
The Last Visit, Nicholas Molbert
Boats For Women, David Gilson
Birmingham Poetry Review 47 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review 47 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. 233-253
Shadow Smoke: A Nonfiction Collection On Memories Lost, Taken, And Storied, Sarah Ann Canterbury
Shadow Smoke: A Nonfiction Collection On Memories Lost, Taken, And Storied, Sarah Ann Canterbury
Theses, Dissertations and Capstones
Shadow Smoke investigates the neuroscientific nature of memory and memory’s role/ authority in creative nonfiction as an illustration of how the genre lays the process of memory bare and accurately models the mind’s process of memory. The scholarship as well as body of creative works revolve around the understanding and tension of memory being a creative process which is explored through genre discussions, neuroscientific studies, and individual creative works. Shadow Smoke consists of four braided nonfiction essays and five nonfiction vignettes to form a collection on memories lost, taken, and storied framed by a critically researched introduction assessing the collection’s …