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Articles 1861 - 1875 of 1875
Full-Text Articles in Creative Writing
Sequoya Review, University Of Tennessee At Chattanooga
Sequoya Review, University Of Tennessee At Chattanooga
Sequoya Review
No abstract provided.
The Return, Bruce Roberts Mutard
The Return, Bruce Roberts Mutard
Research outputs 2014 to 2021
1943: Robert Wells has returned home from the war, having spent months in hospitals recovering from combat wounds. While being rehabilitated at Heidelberg Military Hospital, a series of visitors come to see him and, in the process, old wounds open, some close. What does seeing and doing the worst acts a human being can do to one another, do to a person?
Thirteen years after The Sacrifice, the follow-up story of Robert Wells concludes in this elegiac story of how the impact of war is felt, even far from the front lines.
Reed Magazine, Issue 153, Gale Acuff, Faith Adiele, Luis Aguilar, Sophia Apodaca, Pamela Baker, Maria Baranda, Lou Beach, William Brown, Shayna Bruce, Kait Burton, Sabah Carrim, Joy Castro, Manit Chaotragoongit, Anne Cheilek, Elizabeth Childs, Annie Christain, Eileen Collins, Sarah Dalton, Nam Das, Holly Day, Rozanne Di Silvestro, Hollie Dugas, Monique Ferrell, Forrest Gander, Marie Gethins, Cynthia Good, Van Hall Jr., Marina Hatsopoulos, Emma Hester, Brenda Hillman, Gail Hosking, Richard Hricko, Phillip Hurst, Stephanie F. Imbeau, Daniel M. Jaffe, Jeanne Julian, Dana Kotler, Ramiza Koya, S.K. Kruse, Jennifer Lothrigel, Kurt Luchs, Edward Matthews, Ryan Mcfadden, Cathleen Miller, Naomi Shihab Nye, Giorgio Parisi, Alan Michael Parker, Emmy Perez, Timothy F. Phillips, Andre Rubin, Daniel Saalfeld, Michael Sano, Faith Shearin, Robert Sondgrath, Richard Stim, Rodrigo Toscano, Fracisco Uribe, Katelyn Joy Wilkinson, Pat Willard, John Sibley Williams, Anni Wilson, Tiarra Wu, Jamayka Young
Reed Magazine, Issue 153, Gale Acuff, Faith Adiele, Luis Aguilar, Sophia Apodaca, Pamela Baker, Maria Baranda, Lou Beach, William Brown, Shayna Bruce, Kait Burton, Sabah Carrim, Joy Castro, Manit Chaotragoongit, Anne Cheilek, Elizabeth Childs, Annie Christain, Eileen Collins, Sarah Dalton, Nam Das, Holly Day, Rozanne Di Silvestro, Hollie Dugas, Monique Ferrell, Forrest Gander, Marie Gethins, Cynthia Good, Van Hall Jr., Marina Hatsopoulos, Emma Hester, Brenda Hillman, Gail Hosking, Richard Hricko, Phillip Hurst, Stephanie F. Imbeau, Daniel M. Jaffe, Jeanne Julian, Dana Kotler, Ramiza Koya, S.K. Kruse, Jennifer Lothrigel, Kurt Luchs, Edward Matthews, Ryan Mcfadden, Cathleen Miller, Naomi Shihab Nye, Giorgio Parisi, Alan Michael Parker, Emmy Perez, Timothy F. Phillips, Andre Rubin, Daniel Saalfeld, Michael Sano, Faith Shearin, Robert Sondgrath, Richard Stim, Rodrigo Toscano, Fracisco Uribe, Katelyn Joy Wilkinson, Pat Willard, John Sibley Williams, Anni Wilson, Tiarra Wu, Jamayka Young
Reed Magazine
No abstract provided.
Ivy Dreams On, Emily Davis
Ivy Dreams On, Emily Davis
Theses and Dissertations
Ivy Dreams On is a realistic young adult novel which explores the effects of grief and trauma on adolescents through humor and non-traditional narrative. This book will appeal to readers of young and new adult, written in the spirit of Stephen Chbosky (The Perks of Being a Wallflower) and Laurie Halse Anderson (Speak).
There was no mystery to Ivy’s death: G’s sister was drunk, G’s sister was high, G’s sister fell off a cliff. But when D, an ex-friend and longtime target of G’s torment, insists that there’s more to Ivy’s death, G is reluctantly moved …
Robert Catherine, Sarah Nelson Rupp
Robert Catherine, Sarah Nelson Rupp
Theses and Dissertations
Robert Catherine is an experimental augmented reality novel engaged in the speculative realist question: What is the point to anything if everything?
A perverted and downwardly mobile Richmond millennial man quarantined because of the Coronavirus writes a series of creative non-fiction essays for his girlfriend about suicide, panic attacks, ADHD, DNA testing, capitalism, depression, and sexual repression.
Fool's Rest, Aidan Quinlan
Fool's Rest, Aidan Quinlan
Theses and Dissertations
The text calls itself a guide, but it is no guide. From the genre of guide, it borrows the outlines and silhouettes and lines between things and spaces and ideas. It lingers on the shadows of its subject(s); it is attentive to the periphery of its world; but it cannot take you there. There is no there. It lacks the authority of the guide; it lacks the lucidity, the efficiency, the false totality of the guide; it lacks the confidence.
The guide embodies its own anxieties. This makes sense, as its reason to exist was born on the one-way highway …
A Story About A Girl With Snakes For Hair, Kate M. Turner
A Story About A Girl With Snakes For Hair, Kate M. Turner
Theses and Dissertations
My work is autobiographical. I use various art making processes to create a visual archive of my life. By abstracting these memories and experiences, I can examine how culture works surrounding issues of identity. This is my story.
The Program, Aaron Douglas Estrada
The Program, Aaron Douglas Estrada
Theses and Dissertations
In my work, I explore the engineering of identity and socioeconomics that are programed into Black and Brown communities. I refer to this as “The Program”. The Program validates, breaks, codes, and critiques the system that divided us. The Program is identifying with the struggle of growing up in a system that is programmed to see you fail. So if you get caught up in that system it’s a natural death within the program. But you can break and make your own program. If you stick to the program.
The paper's use of language is coded. Text has been written …
Today I Finally Cried, Harriet Norcross
Today I Finally Cried, Harriet Norcross
AWE (A Woman’s Experience)
No abstract provided.
Like Her, Kayla Bach
Awake, Waverly Swan Hart
Moving From Image To Narrative To Voice, Eileen Landis-Groom
Moving From Image To Narrative To Voice, Eileen Landis-Groom
Publications
As I review rubrics used for evaluating writing in my institution, I notice how voice often is a low priority or nonexistent criterion. Writing, however, with a voice awakens a reader; writing without a voice numbs the reader. Beginning with an image and moving to a narrative may provide writers with a voice, as it has for me. This article is a contemplation resulting from my own writing on the importance of images in generating not only a narrative but also a voice, in other words, a sense that a unique individual is conversing with another, the reader.
Sing, Woman!, Emma Marie Spencer
Sing, Woman!, Emma Marie Spencer
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.