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Articles 721 - 750 of 1529
Full-Text Articles in Creative Writing
Fire, . Anonymous
"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower
"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
In this brief monograph based on her dissertation, Leslie Morris sets out to achieve a series of aims: to contest the alleged divide between Bachmann's poetry and prose, to counter "the myth of her apolitical poetic voice" (10), to address the presence and absence of history in her poetry, and, finally, to consider how to read Bachmann's poetic ceuvre in light of historical developments in Germany and Austria in the 1980s and 1990s. In a sense, Morris is also trying to rehabilitate post-war aesthetic modemism from a reductive, binary mode of criticism that separates aesthetics and politics. Following in the …
Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima
Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima
Latin American, Latino and Iberian Studies Faculty Publications
What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …
The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka
The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka
English Faculty Publications
“You know the horror of buying clothes” (L2 232), wrote Virginia Woolf to her sister in 1918. This statement takes us to the heart of early critical assumptions about Woolf and consumerism. Following good modernist principles, the argument ran, Woolf’s art was naturally above shopping, distinct from and even a reaction against consumer culture. More recently, critics such as Jennifer Wicke, Rachel Bowlby, and Reginald Abbott have unsettled this separation and have started to consider the complex relations among consumption, the market, and Woolf’s writing. Most of this attention, however, has focused either on selected essays or on Mrs. Dalloway …
From The Cantos, 1, David Staniunas
Atanilindalë, Sam Keyes
For Philip Larkin (Orchids), David Staniunas
Angles And Reflections, Db Ross
Untitled, Jay Karr
Unzipped, Molly Decker
Double-Decker, London (From The French Of Ezra Pound), David Staniunas
Double-Decker, London (From The French Of Ezra Pound), David Staniunas
The Messenger
No abstract provided.
I Will Take My Time As I Move To The East, Daniel Biegelson
I Will Take My Time As I Move To The East, Daniel Biegelson
The Messenger
No abstract provided.
Phone Call, Michelle Hucher
Communion, Christopher Robley
The Woods At Big Cypress, Lauren E. Cormier
Commuters, Peter Hughes
Going To Market, Christopher Robley
Lullaby, Michelle Pardee
Untitled, Viren Mascarenhas
Dark Secret, . Anonymous
Chocolate Chip Pancakes, . Anonymous
Wuthering Heights, Elisabeth Rose Gruner
Wuthering Heights, Elisabeth Rose Gruner
English Faculty Publications
Wuthering Heights is the only novel by Emily Brontë (1818-1848), one of three sisters who literary productions caused a minor sensation when they began appearing in the late 1840s. Born to Patrick Brontë, a Yorkshire clergyman, and his wife Maria, Emily, Anne, and Charlotte Brontë were precocious readers and writers. The three sisters spent years writing for their own pleasure and amusement, then published a volume of poetry in 1846. Fearing that the volume’s reception would be biased if the authors were known to be women, the sisters adopted the names Ellis (Emily), Acton (Anne), and Currer (Charlotte) Brontë. Their …
Tree Of Life, J. Carson Pulley
The Corsets, Daisy Decoster
Compromise For A Dependant Woman, J. Carson Pulley
Compromise For A Dependant Woman, J. Carson Pulley
The Messenger
No abstract provided.
Tonight A Streetlight, Daisy Decoster
Couchée, David Staniunas
Morning, Doug Boyle
Sestina For The 'Artist', Katherine Dixon