Creative Writing Commons^™

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.

Kate 2006 Spring, Ladan Osman, Sarah Jacobson, Mac Mcgowan, Vanessa Casella, Julie Eaton, Allison Hayes, Jennifer Roberts, Christeen Stridsberg, Glenna S. Jackson, Laura Naso

Kate

Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust

Ivy Leaves, 2006, Ivy Leaves Editorial Staff

Ivy Leaves

The 2006 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jill Ayers, Cassie Kolasky, Maghan Lusk, Ashley McAdams, Jess Sopolosky, Danielle Webb, Kristy Eppolito, Wayne Cox, and Eric Whitlock.

On Becoming A Family: Melanie's Story Of Benjamin's Adoption, 2002, Melanie Springer Mock

Faculty Publications - Department of English

Excerpt: "I became a mother in the back of a taxi cab.

No sit-com cliché, this. The taxi was a late-model, jacked up Honda, its plush chairs bedecked by delicate white doilies. Traffic dared not impede my driver, a silently brooding young man who weaved between Cyclos and motorcycles freighted by fruit, vegetables, live chickens, entire families. I sat tensely in the backseat, holding my son, incredulously wondering into what I had just gotten myself."

Kate 2006 Winter, Colleen Tappel, Barbara Dewitt, Jen Knox, Whitney Prose, Amber Robertson, Ruth Garrett, Christeen Stridsberg, Shannon Lakanen, Mac Mcgowan, Julie Eaton, Abby Gaurd, Sarah Jacobson, Geetha Nagarajan, Jane Wu, Suzanne Ashworth, Jennifer Roberts, Glenna S. Jackson

Kate

Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust

The Game's Afoot: Images Of Infinite Games In Samuel Delany's Trouble On Triton, Marc R. Zaldivar

Reconstruction: Studies in Contemporary Culture

Games are frequently used in speculative literature as a metaphor for real-world activities. In Trouble on Triton, Samuel Delany uses several sorts of games in order to explore complex systems of modeling and interrelationships between fiction and reality, extending a tradition in science fiction of placing games at the very center of social reality. Zaldivar's essay seeks to define some of the concepts of game theory that can be used to understand this complex novel and its representation of human social life. In particular, Zaldivar explores finite and infinite games and their uses within a deconstructive theoretical framework. A …

On Brian Attebery’S Decoding Gender In Science Fiction, C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The premise of Decoding Gender in Science Fiction is, as Brian Attebery states in the first chapter, that “Science fiction is a useful tool for investigating habits of thought, including conceptions of gender. Gender, in turn, offers an interesting glimpse into some of the unacknowledged messages that permeate science fiction” (1). What we have in Decoding Gender in Science Fiction is the most comprehensive analysis of gender tropes in Science Fiction from its origins in Gothic literature to today. Attebery states in his introduction that he was surprised to find there was no historical study of the development …

On Justine Larbalestier’S The Battle Of The Sexes In Science Fiction, Joe Bisz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Science Fiction, writes author Justine Larbalestier, has always told the tale of the battle between the sexes. The battle can be witnessed from afar, as in the grainy 1930’s letter columns in old sci-fi magazines like Astounding where quarrels over innate sexual differences were published and debated, or from up close in today’s literature. Larbalestier declares that the goal of her book is to illustrate how necessary and important this former, pre-70’s period of science fiction (1926 to 1973) is to contemporary feminist science fiction. The pre-70’s time period has been consistently ignored by critics, who fixate on …

What Have Bagels Got To Do...?, Michael Kula

Reconstruction: Studies in Contemporary Culture

“What Have Bagels Got to Do with Midwesternness?” is a creative nonfiction essay that examines the way my own “exile” from the Midwest has influenced my writing and my self-concept, and how, in turn, my writing has subsequently altered my perspective on the regional label “Midwestern.” Drawing from sources ranging from Charles Baxter to James Baldwin to the 1970’s film, Breaking Away, the essay examines how it is not only the “place” itself that shapes us as writers, but perhaps more importantly, our own filtered view of that “place.”

Incarceration Nation: Investigative Prison Poems Of Hope And Terror [Book Review], Lisa M. Tillmann Ph.D.

Faculty Publications

The author reviews the book Incarceration Nation: Investigative Prison Poems of Hope and Terror by Stephen John Hartnett.

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.

Review Of Jennifer Government, By Berry Max, David Banash

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.

A Match Made In Heaven: How Singles And The Church Can Live Happily Ever After, Wendy Widder

Alumni Book Gallery

Singles and the church may seem to go together like a grilled steak at a vegetarian party but God has a radically different plan . . . one where everyone truly belongs in the family of God.

Ivy Leaves, 2002-2003, Ivy Leaves Editorial Staff

Ivy Leaves

The 2003 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Bailey, Christin Bradley, Sarah Colson, Rich Gregory, Jason Johnson, Joshua Poe, Annabelle Robinson, Jay Strickland, Renee Tanner, Aaron Archibald, Tanner Capps, Ada Ezeokoli, Jessica Gregory, Kurtis Miller, Wayne Cox, and Jane Dorn. Cover art by Sarah Colson.

Writing The Lives Of Others: The Veterans Project, Sandra Young

English Faculty Publications

This essay describes an advanced composition course in which the students studied the ethics, politics, history, and rhetorical strategies involved in writing the lives of others. The heart of the course was a service-learning project that introduced college juniors and seniors to veterans of World War II and the Korean and Vietnam Wars. The students interviewed, wrote brief biographies, and transcribed the wartime stories of a group of veterans from a local American Legion post and its women’s auxiliary. The stories were collected in a volume made available to local American Legion posts, veterans hospitals, and libraries in Connecticut.

Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka

English Faculty Publications

Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …

Ivy Leaves, 2001-2002, Ivy Leaves Editorial Staff

Ivy Leaves

The 2002 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Ada Ezeokoli, Aliya George, LaTonya Scott, Joyce Stein, John Lyons, Keith Babinchak, Matt Baston, Chastity Baxley, Carla Carter, Stacy Coleman, Lashanda Salters, Laura Wolfe, Wayne Cox, and Jane Dorn. The cover art for this edition included several different designs by Matthew Baston, Stacy Coleman, Lashonda Salters, Laura Wolfe, Keith Babinchak, and Chastity Baxley.

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …

Review Of Punktown, By Jeffrey Thomas, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

No abstract provided.

A Corner Of Maine, Richard Card

New England Journal of Public Policy

The author talks about his grandfather and the memories he had of him as a child. He speaks of his grampy's war time and the cottage he would visit.

Men Kissing, Lisa M. Tillmann Ph.D.

Faculty Publications

The author, a heterosexual woman, uses the theme of men kissing to show relational dynamics in her fieldwork community, a network of gay male friends. Political implications of public same-sex kissing also are discussed. At the time the events described in "Men Kissing" occurred (1997) and for six more years, it was not legal for persons of the same sex to be intimate in Florida and 13 other states.

Ivy Leaves, 2000-2001, Ivy Leaves Editorial Staff

Ivy Leaves

The 2001 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Torrie Clark, Aliya George, Jane Hawley, Latonya Scott, Ryan Wehmeyer, Matt Baston, Adrienne Hamon, Jessica Hathcock, Wayne Cox, and Susan Wooten. Cover art by Alicia Fincher.

"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe

English Faculty Publications

Talking to Reginald McKnight is like scanning an imaginary worldwide radio dial. At any given moment he can transform his pleasant speaking voice into a raspy, aged, Middle Eastern-by-way-of-New York accent - or a deep Southern drawl. In an instant he can switch from a precise West African dialect to hip, urban street lingo, and then effortlessly segue back to his normal voice. McKnight says he "hit the ground running" as a mimic, and his talent was broadened as he lived all over the United States as the son of an Air Force sergeant. His time spent on the road …

Living Whole Without A Better Half, Wendy Widder

Alumni Book Gallery

An unabashed celebration of the wholeness of single life lived within the will of God. Using the lessons of Bible characters, the author shows singles how to find abundance in life instead of letting it slip away while waiting for marriage.

Ivy Leaves, 1999-2000, Ivy Leaves Editorial Staff

Ivy Leaves

The 2000 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Fyock, Aliya George, Kisha Thompson, Jason long, Nichole Chestnut, Matt Clark, Manny Diaz, B.J. Prince, Katie Blake, Heather Burges, Beth Dotson, Demarcus Kilgore, Kim Langston, Heather Vaughn, Susan Wooten, and Wayne Cox. Cover art by Nichole Chestnut.

Ivy Leaves, 1998-1999, Ivy Leaves Editorial Staff

Ivy Leaves

The 1999 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Asa Moran, Christopher Fyock, Jennifer Brown, Andy Burleson, Brian Gaines, David Parker, Emily Reese, Jill Roberts, Heather Rollins, Jeanna Simmons, Susan Wooten, and Wayne Cox. Cover art by Jill Roberts.

Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner

English Faculty Publications

We are--almost all--born into families, born into relationship. Like Mary Ann Evans, I was born a little sister--but had I encountered her "Brother and Sister" sonnets at twelve, I might have thrown the book across the room. George Eliot's fantasy of a perfected brother-sister relationship in these sonnets rings hollow and yet resonates profoundly with me. As a little sister myself, I wonder what could make the relationship--so often fraught with competition, envy, and neglect, yet potentially so richly rewarding--seem so powerfully right, so important to and adult woman's self-identification? For the narrator of the sonnets is certainly an adult …