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Articles 14341 - 14370 of 21523
Full-Text Articles in Creative Writing
Supernatural Studies, Bridget Haley
Supernatural Studies, Bridget Haley
Digressions: Literary & Art Journal
No abstract provided.
The Watermark: A Journal Of The Arts - Vol. 17 - 2007, University Of Massachusetts Boston
The Watermark: A Journal Of The Arts - Vol. 17 - 2007, University Of Massachusetts Boston
The Watermark: A Journal of the Arts (1993-2014)
No abstract provided.
Poems Of Fun And Failure
SWITCH
Poems of Fun and Failure is an exploration of the complex experiences of failure presented in a series of eight poems.
Gaze Of The Self, Benjamin A. Deblock
Gaze Of The Self, Benjamin A. Deblock
Seton Hall University Dissertations and Theses (ETDs)
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Edward The Saint, Elena G. Mailander
Evolution Of A Turtle, Marisa E. Trettel
Breaking The Surface: Rewound, Daniel R. Strein
Loose Lips Of Liquor, James G. Buckley
Enough, Lara K. Grieco
Stutter, Karen Hendershot
I See Monsters, Amy E. Butcher
Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar
Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar
World Languages and Cultures Faculty Publications
For an author who likes to cross borders Guillermo Gómez-Peña (1955) has certainly reached audiences in both the U.S. and Mexican artistic, literary, theoretical, and political arenas. Now, with the advent of more technological mediums such as the Internet, the borderless artist makes use of the global fetish that, in theory, reaches a global community. As a prelude to his performances, workshops, conferences and lectures, Gómez-Peña’s collaborative webiste engages his readers in video-poetic selections, and hypertext poetic medley with topics that are sure to catch their interest with poems such as "Apocalypse," "Sexo," "Militias," and the video-poems "Apocalypse" and "Califas." …
Villanelle, Maria Southerton
Gone To Graveyards, Joseph J. Cook
Clumsy, Caitlin A. Clarke
Attachment, Eric T. Canzano
Untrue To Form, Lauren R. Barrett
Masticate, Andrew P. Young
Hurry, Samuel D. Harrison
“Out From Gens Romulum Into The Weal-Kin”: Re-Locating Modernist Poetics In David Jones’ AnathéMata And Basil Bunting’S Briggflatts, Lucie Boukalova
“Out From Gens Romulum Into The Weal-Kin”: Re-Locating Modernist Poetics In David Jones’ AnathéMata And Basil Bunting’S Briggflatts, Lucie Boukalova
Dissertations and Theses @ UNI
In the decades following its publication in 1922, T.S. Eliot's Waste Land has become an epitome of the modernist sensibility and situation. This thesis challenges the poem's dominance and dictate over the canon of modernist poetry persisting in the academic discourse and general cultural awareness. Focusing on two post-WWII sequences by Eliot's younger contemporaries, David Jones' s Anathemata (1952) and Basil Bunting's Briggflatts (1966), this study explores alternative models and inspirative sources of the modernist poetic sequence. Through the constant comparison and contrast with Eliot's earlier articulation of the modern historico-cultural circumstance, Jones' and Bunting's specific foci and methods emerge …
Gloves, José Angel Araguz
Gloves, José Angel Araguz
Faculty Publications
This poem by José Angel Araguz originally appeared in Rattle. It was also featured in Ted Kooser's American Life in Poetry Project (Column 196); Kooser served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
The Strange, Charles Hartman
The Strange, Charles Hartman
English Faculty Publications
Presents the poem "The Strange," by Charles O. Hartman. First Line: fungus raised by the night's rain; Last Line: thread cubic miles of humus.
Westview: Vol. 25, Iss. 2 (Fall/Winter 2006)
The Food Bank, Suzanne Walsh
Unwritten Laws, Kevin Collins
The Distance Between Shadow And Hour, Judson Simmons
William Eagle Feather Gives Lavinia Burden A New Name, Robert Cooperman
William Eagle Feather Gives Lavinia Burden A New Name, Robert Cooperman
Westview
No abstract provided.
Contributors, Westview Staff
Hans Bethe At Cornell, Daniel R. Schwarz