Creative Writing Commons^™

Waimanalo Litany, Caroline Sinavaiana

Pacific Studies

This elegiac poem, “Waimanalo Litany,” written in memory of Mahealani Dudoit, is a lyrical meditation on loss, healing, and the sacred presence of place. With vivid imagery of ocean, land, and ancestral spirits, the poet weaves a prayerful plea for mercy and peace across beloved Pacific landscapes. The repeated invocations to the spirits of moana, Koʻolau, Makapuʻu, and Waimānalo evoke a sense of cultural rootedness and spiritual continuity, even amid physical pain and environmental disruption. It is both a personal tribute and a collective chant of remembrance.

My Pigeon, From The Samoan, Caroline Sinavaiana

Pacific Studies

This poem is a lyrical elegy expressing love, longing, and loss through the metaphor of a pigeon in flight. Rooted in Samoan tradition, it evokes a deep emotional landscape where nature mirrors the ache of separation. The forest becomes both a literal and symbolic space of mystery and mourning, as the speaker watches and waits in vain for a beloved who has disappeared. Through its gentle cadence and sensory imagery, the poem captures the enduring ache of absence and the hope—however faint—that love might return on silent wings.

Not Exotic, Lisa Kahaleole Hall

Pacific Studies

This sensual poem explores desire and self-discovery through the metaphor of mangoes—ripe, tart, messy, and irresistible. The speaker recalls the intense flavors and sensations of mango eating, paralleling them with a complex, bold woman who resists sweetness in favor of spice. It captures the tension between sharp edges and tender longing in a relationship that ripens slowly, but promises depth and heat in time.

Niudity (I-Iv), Teresia Teaiwa

Pacific Studies

The "Niudity" poem sequence by Teresia Teaiwa explores the layered metaphor of the coconut (niu) to reflect on identity, vulnerability, and postcolonial femininity in Oceania. The poems interweave bodily imagery with cultural symbolism—where the coconut’s husk, shell, and flesh represent stages of exposure, resilience, and inner worth. In playful yet poignant verse, Teaiwa deconstructs the idea of nudity into niudity—a state shaped not just by nakedness, but by misrecognition, resistance, and cultural disguise. Her fictional dictionary entries parody colonial linguistic authority while empowering indigenous reinterpretation. The final poem subverts expectations with sharp commentary on exploitation, voice, and …

Woven Worlds, Konai Helu Thaman

Pacific Studies

This poem beautifully portrays the act of weaving—both literal and metaphorical—as a shared practice of memory, creativity, and cultural continuity. The speaker reflects on how hands, once weaving traditional materials like voivoi (pandanus), now craft art through movement and color. Together, the weavers form a collective bond, connecting generations and geographies in a creative act that honors ancestral legacy and reimagines the world through shared expression.

2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond

Pacific Studies

An image of a woman with a poem.

The Social Construction Of Authorship: An Investigation Of Subjectivity And Rhetorical Authority In The College Writing Classroom, Johannah Rodgers

Dissertations, Theses, and Capstone Projects

Although we use the term author on a daily basis to refer to certain individuals, bodies of work, and systems of ideas, as Michel Foucault and other critics have pointed out, attempting to answer the question “What is an Author?” is by no means a simple proposition. And, starting from the position that there is no single, or definitive answer to this complex question, this dissertation seeks to contribute to the ongoing discussion of the genealogy of authorship by investigating the ways in which conceptions of the author have informed models of the writing subject in the field of rhetoric …

La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The African novel refers to a socio-political as well as a literary History, but does so with guile, expressing this History from an angle. Referring constantly to the social and human sciences, to the point of competing with them, the novel vacillates between dependency and autonomy. It thus proposes a specific knowledge of society, its functioning, and the individuals who constitute it. However, its true intention is not to copy the world, nor even to imitate its life, but to provide a miniaturized replica of both, and set itself up as a vast metonymic duplicate of a certain universe.

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.

Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

The theme of travel occupies an important place in African literature for two reasons. The earliest African writers wanted to substitute their own discourse for the one that had been produced by the West for centuries and which was long considered to be the sole legitimate discourse on Africa. By portraying African heroes and/or narrators who embarked on voyages to Africa or to Europe, African writers showed that the African too could be a traveler. The second reason is linked to generic considerations. Since the time of Don Quixote, the novel unfolds as an itinerary moving from one point to …

Mud Lakers: A Collection Of Stories, Muriel Kingery

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Charlotte Perkins Gilman: Then & Now, Maine Women Writers Collection, University Of New England

Maine Women Writers Collection Conferences

Program for the 2006 MWWC conference Charlotte Perkins Gilman: Then & Now.

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"

Cornbread & Sushi: A Journey Through The Rural South, John E. Lane, Deno P. Trakas

College Books

"This book is a collaborative product of the Cornbread & Sushi Seminar at Wofford College 2005-2006"

The seminar was led by the faculty members John Lane and Deno Trakas. The contributors (including Wofford students, faculty, and staff, and Southern authors) are: Austin Baker, Elizabeth Bethea, Butch Clay, Hal Crowther, Ivy Farr, Tom Franklin, William Gay, Frye Gaillard, Steve Harvey, Casey Lambert, Martin Lammon, John Lane, Lewis Lovett, Trish Makres, Karen Sayler McElmurray, Larry McGehee, Jim Morgan, Mary Mungo, Mark Olencki, Wilson Peden, Jason Rains, Hallie Sessoms, Ron Rash, Dori Sanders, Bettie Sellers, George Singleton, Lee Smith, Deno Trakas, Laura Vaughn, …

[Introduction To] Epic Revisionism: Russian History And Literature As Stalinist Propaganda, David Brandenberger, Kevin M. F. Platt

Bookshelf

Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution - figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov - "Epic Revisionism" tells the fascinating story of these individuals' return to canonical status during the darkest days of the Stalin era. An inherently interdisciplinary project, "Epic Revisionism" features pieces on literary and cultural history, film, opera, and theater. It pairs scholarly essays with selections from Stalin-era primary sources - newspaper articles, unpublished archival documents, short stories - to provide students and …

[Introduction To] Her Best Shot: Women And Guns In America, Laura Browder

Bookshelf

The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues.

Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from …

0749: Nelson Slade Bond Collection, 1920-2006, Marshall University Special Collections

Guides to Manuscript Collections

Nelson Slade Bond had a varied writing career that spanned 70 years. Primarily known for science fiction short stories, Bond also wrote plays, radio and television scripts, newspaper and magazine articles, poetry, public relations material, and books. The collection reflects the author's professional and personal lives consisting of writings, correspondence, business papers and financial records from 1925 to 2005. The collection was donated in four installments during and after Bond’s life from April 2006 to September 2007. The order in which the materials were received is maintained with only minor modifications. Input from Nelson Bond and his family members was …

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi

Présence Francophone: Revue internationale de langue et de littérature

This article studies the birth and manifestations of the tragic in Ahmadou Kourouma’s fiction. It demonstrates how the tragic in Kourouma’s novels, far from being a metaphysical feeling, stems from social realities and is closely related to the postcolonial system. In these novels, tragedy goes beyond the realistic depiction of catastrophic events and is further articulated in the characters’ political attitudes, their social life and cultural behaviour.

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005