Creative Writing Commons^™

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

Writing The World: Ursula K. Le Guin And Margaret Atwood’S Literary Contributions To Ecofeminism, Melissa Messer

Mahurin Honors College Capstone Experience/Thesis Projects

Along with the philosophical writings of ecofeminism’s greatest proponents and critics, the growth of ecofeminist philosophy has relied heavily on fiction writers. The term ecofeminism was coined in 1975, and the following year ecofeminism found fertile ground for exploration and growth in March Peircy’s science fiction novel, Woman on the Edge of Time (1976). The social, academic, and literary trends leading up to the emergence of ecofeminism, however, began well before 1975. Both Ursula K. Le Guin and Margaret Atwood are speculative fiction authors whose work before and after 1975 examines important ecofeminist topics and contributes to the growth of …

Le Lecteur Face Aux Stéréotypes : Entre Participation Et Distanciation, Valérie Lotodé

Présence Francophone: Revue internationale de langue et de littérature

In some of Rachid Boudjedra’s novels, the study of stereotyped representations proves particularly operational to define the interaction between virtual reader and characters. This article aims to analyze the reader’s reactions to stereotypes. It also attempts to show how the reader oscillates between a participatory reading – during which, recognizing a traditional ideological speech, he is charmed by fiction – and a distancing reading. By means of the analysis of female and male archetypes, this paper will also reveal the implicit reader’s face, and more specifically his/her sexual identity.

Gestures Toward Cross-Species Reciprocal Relations In Contemporary Poetics, Mary Newell

Reconstruction: Studies in Contemporary Culture

In this essay, I explore some embodied bases of ethical attitudes toward human/ animal exchanges in the texts of three contemporary authors: Mary Oliver, Heller Levinson, and Adrienne Rich. Since other species share with humans varieties of agency, sentience, and purposive activity, I suggest that reciprocity is a fundamental aim in cross-species relations. Phenomenological philosopher Maurice Merleau-Ponty depicts the correlation between embodied actions and attitudes, for example, between the hand movement of grasping and an appropriative attitude toward the natural world. His concept of reciprocity, grounded in the experience of one hand touching another, provides a reference for encounters that …

Eve's Side, Rebecca Lauren Gidjunis

English Theses & Dissertations

Imagine that Eve came to earth one day to tell her side of the creation story. Perhaps she'd say that she came first, not Adam, or tell us that God is actually a matronly woman, with round hips and sagging breasts. Maybe she'd sing of sensuality, body, and female wisdom.

Unfortunately, most of us in Judeo-Christian theology have been privy to only one side—Adam'. By allowing Eve and her daughters to speak, I claim women's stories as essential to our overall understanding of the divine. In Eve 's Side, I allow women to see themselves in God and God …

The Social Construction Of Authorship: An Investigation Of Subjectivity And Rhetorical Authority In The College Writing Classroom, Johannah Rodgers

Dissertations, Theses, and Capstone Projects

Although we use the term author on a daily basis to refer to certain individuals, bodies of work, and systems of ideas, as Michel Foucault and other critics have pointed out, attempting to answer the question “What is an Author?” is by no means a simple proposition. And, starting from the position that there is no single, or definitive answer to this complex question, this dissertation seeks to contribute to the ongoing discussion of the genealogy of authorship by investigating the ways in which conceptions of the author have informed models of the writing subject in the field of rhetoric …

Ivy Leaves, 2007, Ivy Leaves Editorial Staff

Ivy Leaves

The 2007 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jessica Sopolosky, Charlie Grant, Phyllis Goins, Joshua Rigsby, Robbie Cobb, Wayne Cox, and Eric Whitlock.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Ivy Leaves, 2006, Ivy Leaves Editorial Staff

Ivy Leaves

The 2006 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jill Ayers, Cassie Kolasky, Maghan Lusk, Ashley McAdams, Jess Sopolosky, Danielle Webb, Kristy Eppolito, Wayne Cox, and Eric Whitlock.

[Introduction To] Her Best Shot: Women And Guns In America, Laura Browder

Bookshelf

The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues.

Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from …

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Alien(Ating) Naturecultures: Feminist Sf As Creative Science Studies, Helen Merrick

Reconstruction: Studies in Contemporary Culture

“Alien(ating) Naturecultures” examines the potential of feminist science fictions to act as “cross-cultural” narratives in encounters between the humanities and sciences. Merrick argues that the conjunction of disciplines figured by the term “science fiction” bears re-examination as a resource for science studies, and a potential mediator in science-humanities dialogues.

Specifically, Merrick asks, when we are concerned with critiquing and unpacking technoscientific practices, cultures and knowledges, what can more creative forms such as science fiction (sf) offer? Such questions about “naturecultures” are intimately connected to the ways we construct and understand “life,” the “human” and difference in the discourses of Science. …

Contact: Little Orphan Ellie, Andrew Gordon

Reconstruction: Studies in Contemporary Culture

By featuring a woman scientist as protagonist, Contact (1997) is a welcome change in the largely male-dominated territory of American science-fiction film. The astronomer Dr. Ellie Arroway is an exceptional woman for recent SF film: a brilliant, dedicated visionary who defies the male scientific establishment, goes it alone, risks her career and life for her beliefs, and succeeds in the end by taking a dangerous journey to the stars to contact intelligent extraterrestrial life. Although the movie is largely faithful to the novel by Carl Sagan, it deviates from the novel in certain critical respects which end up making Contact …

Oy Science Fiction: On Genre, Criticism, And Alien Love: An Interview With Marleen S. Barr, Marlene S. Barr, Ximena Gallardo C., C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

Marleen S. Barr is a pioneer of feminist science fiction criticism and a leader in the fight against the ghettoizing influences of genre-labeling in literary criticism. While the noteworthy Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press, 1992) has been praised as Barr's seminal work in feminist science fiction criticism and theory, it is in Genre Fission: A New Discourse Practice for Cultural Studies (U of Iowa P, 2000) where she takes on literary critics' discriminatory practices against genre fiction in general and fantasy and science fiction in particular.

Beyond Cyborgs?, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[First paragraph]

What should we expect from a special issue on women and science fiction at a time when people compare Secretary of State Condoleezza Rice to the psychotic robot chick in Metropolis? We might want a forward-looking and hip post-post fem analysis of how the future is now, but one of the paradoxes of mainstream sf is that, when it comes to Woman, its future visions still mostly project the prejudices of the past.

A Place Between Heaven And Hell, Holley Barker

Theses, Dissertations and Capstones

After twenty-some years of marriage, routine, and living life without feeling, time finally catches up to Effie Crunkleton, giving her the opportunity to confront a haunting past (her hell) which thwarts peace of mind (her heaven). As inner and outer voices lure Effie to a nearby cemetery (actually found at Twin Falls State Park), she exposes herself to a lifetime of suppressed memories and emotions that have taken place in the fictional Appalachian town of Coal Hollow.

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

Mother Jones: A Dichotomy Of Feminity, Amanda Viana

Undergraduate Review

No abstract provided.

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.

Ivy Leaves, 2002-2003, Ivy Leaves Editorial Staff

Ivy Leaves

The 2003 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Bailey, Christin Bradley, Sarah Colson, Rich Gregory, Jason Johnson, Joshua Poe, Annabelle Robinson, Jay Strickland, Renee Tanner, Aaron Archibald, Tanner Capps, Ada Ezeokoli, Jessica Gregory, Kurtis Miller, Wayne Cox, and Jane Dorn. Cover art by Sarah Colson.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Establishing An Elsewhere In Contemporary American Women's Autobiography, Jennifer Alena Gingerich

Theses, Dissertations and Capstones

“Establishing an Elsewhere in Contemporary American Women’s Autobiography” explores women’s self-writing and the ways in which it offers another story or an elsewhere in the genre of autobiography. This elsewhere is distinct from traditional or conventional autobiography or, more specifically, how traditional autobiography has come to be understood. The project outlines various ways contemporary American women autobiographers deal with the issues of fragmentation (the lack of a coherent self), truth and lying (the self as a construction), and interconnectedness with others (the self as communal) when they write about themselves. It is both an analytical and creative thesis in which …

Feathers And Hair, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) Plucking chickens the kosher way is quite an art. According to the laws of kashrut) a chicken should not be cooked or even brought close to a source of heat until it is kashered-bled, salted, and rinsed. The use of fire to sear feathers or hot water to loosen quills is absolutely forbidden. Poultry processors today use the force of air to pluck feathers for kosher markets; but when I lived in Iran, during the '60s and '70s, this job had to be done manually.

Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner

English Faculty Publications

An orphan is mistreated by a cruel surrogate family. The orphan is special, however, and with the intervention of kind and magical parental substitutes, rises to dizzying heights and achieves a happy ending. It’s a familiar tale, from “Cinderella” to Harry Potter —the difference is all in the details. In two fairy tale films of the 1980s and 1990s, those details remove the Cinderella story from the realm of fantasy. Ashpet and Ever After take pains to “realize” Cinderella—to remove almost all elements of magic and fantasy and to imagine, instead, what might make such a story real. Both incorporate …

Blood Lines, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) The salty ocean air was pleasantly mixed with smoke rising from gas grills using volcanic stones, plain old-fashioned ones using regular coals, and smokers using mesquite wood chips. As my American husband and I stepped out of our car and walked around to the back yard of the Bechars, the only African Sephardi family in Virginia Beach that Fourth of July, the aroma of sizzling hot dogs and hamburgers stirred our appetite. In her all- American neighborhood, Sonia welcomed us with a platter of spicy Tunisian meat and herbs rolled in phyllo dough and fried to perfection. I …