Comparative Literature Commons^™

Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu

CLCWeb: Comparative Literature and Culture

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.

The Question Of Nation And Nationalism In Chinese Postcolonialism, Yuyu Wu

CLCWeb: Comparative Literature and Culture

This paper examines the impact of postcolonial theory in China on the question of the nation from historical and genealogical perspectives. China first encountered Jameson’s third-world national allegory and Edward Said’s Orientalism, which were quickly assimilated into the framework of the China/West dichotomy. Then Homi Bhabha’s ideas of national identity and cultural hybridity were utilized in studying Chinese ethnic minorities and identity construction. From the earlier views of postcolonialism as cultural resistance to cultural production now, Chinese postcolonial studies have acquired new energy for growth.

Reflections On Political Policies And Statements In Arts And Literature In Prc, Jiangang Yang, Gongyan Jiang

CLCWeb: Comparative Literature and Culture

This paper investigates the political policies and statements in arts and literature in the People’s Republic of China (1949-present). The Chinese Communist Party (CCP) has always taken arts and literature as essential parts of its political and ideological rule, and, as such, they constitute a distinct Chinese model or Chinese path in the studies of arts and literature in the modern world. This paper examines the four stages of the political discourse and statements of literature: (1) as an engine of the revolutionary machine in the Mao era (1949-76); (2) as an object of aesthetic appreciation in the decade of …

The Moscow-Yan’An-Beijing Mode Of Chinese Literary Theory, Song Li, Ping Liu

CLCWeb: Comparative Literature and Culture

This paper examines the genealogy of Chinese literary theory under the Chinese Communist Party (CCP), in terms of Moscow-Yan’an-Beijing Modes from the inception of the CCP to the present. The focus of this paper is the state-sanctioned textbooks of literary theory and criticism from the beginning of the PRC to the present. The story of these textbooks tells us as much about the complex entanglement of Chinese Marxism or Maoism with Soviet Marxism, i.e. Leninism and Stalinism in the Mao era as about the powerful, on-going impact of that ideological lineage today.

Reinventing China: Mao’S Ideas On National Form, Wei Li

CLCWeb: Comparative Literature and Culture

This paper explores Mao Zedong’s conceptualization of “national form” during the 1930s-1940s as a reinvention of imagining China. Mao takes premodern and indigenous China as the Other in translating the theory of “class-nation” of the twentieth century international communist movement into a discursive practice for creating a new nation. Sinicization (中国化) or “making Chinese,” therefore, is not merely the representation of national language and culture of China, but the performative discourse that reinvents the “Chinese nation” via affective (aesthetic) politics. Such aesthetic, emotive, and affective “form” reconstructs time and space, and symbolically produces the subject of revolution. This reconstructed China …

Althusser’S Maoism-Machiavellianism And The Maoist “People”/“Masses”As A China Question Of Western Theory, Fang Yan

CLCWeb: Comparative Literature and Culture

Mao’s concept of “people”/“masses” has entered Western theoretical production as the “China Question of Western Theory.” This article argues that it is necessary to rethink Althusser’s conception of “people”/“masses” from a Maoist-Machiavellian perspective. The factual overlapping of Althusser’s Maoist heyday and his increased interest in Machiavelli makes it necessary to conduct a Maoism-Machiavellianism cross-reading of Althusser’s theoretical works, although Althusser’s Maoism exceeds his Machiavellianism on some occasions. Such an overlapping resulted in Althusser’s reconfiguration of a notion of “people”/“masses” that is conjunctural, non-deterministic and non-humanist, which led to his theses of the New Prince/Principality, the supremacy of class struggle, masses-make-history, …

“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang

CLCWeb: Comparative Literature and Culture

China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …

Introduction: China Question Of Western Theory, Kang Liu

CLCWeb: Comparative Literature and Culture

No abstract provided.

Books And Imaginary Being(S): The Monstrosity Of Library Classifications, Melissa Adler, Greg Nightingale

Proceedings from the Document Academy

Thomas Jefferson sold his personal library and its classified catalog to the Library of Congress after the original library was burned in the War of 1812. He viewed the act of submitting his collection to the U.S. Congress as a means to inscribe his legacy and political agenda into the intellectual and cultural realm of the nation. Jorge Luis Borges was both a municipal librarian and the Librarian for the National Library of Argentina, as well as a prolific fiction and poetry writer. Borges’s fictions are a kind of catalogue in and of themselves, in which all books, all ideas, …

Bibliometric Analysis Of The Literature In The Field Of Information Technology Relatedness, Ilham M, Anis Eliyana, Praptini Yulianti

Library Philosophy and Practice (e-journal)

This bibliometric describe Information Technology Relateness is defined as the use of information technology infrastructure and information technology management processes betweeWas this submission previously published in a journal? Bepress will automatically create an OpenURL for published articles. Learn more about OpenURLsn business units together. There is not much research on Information Technology Relateness by providing a big picture that is visualized from year to year. This study aims to map research in the field of Information Technology Relateness with data from all international research publications. This study performs a bibliometric method and analyzes research data using the Services Analyze …

Providence Lost: Natural And Urban Landscapes In H. P. Lovecraft's Fiction, Dylan Henderson

Graduate Theses and Dissertations

S. T. Joshi, the preeminent scholar of weird fiction, considers H. P. Lovecraft a “topographical realist,” noting that, in his later fiction, Lovecraft creates realistic and painstakingly detailed settings. In “Providence Lost: Natural and Urban Landscapes in H. P. Lovecraft’s fiction,” I explore the significance of Lovecraft’s topographical realism and trace its evolution through Lovecraft’s career. I argue that Lovecraft’s early fiction, the tales, that is, that he wrote from 1917 to 1924 under the influence of Edgar Allan Poe and Lord Dunsany, pays little attention to the natural landscape, though Lovecraft does, in story after story, allude to fabulous, …

From The Womb To The Word: Pregnancy And Pregnancy Metaphors In 16th And 17th Century English Literature, Kelly S. Westeen

Graduate Theses and Dissertations

This dissertation employs a feminist theoretical lens in exploring the gendered uses of pregnancy and pregnancy metaphors in the production and dissemination of literary works in early modern England. By also examining the history of the printing press and the role it played in gendered textual production, early modern constructs of family and the role of mothers, as well as obstetric medicine and childbirth, I aim to demonstrate that mothering and authorship were congruent activities for female writers. Conversely, I argue that male writers of the period who employed metaphors of gestation did so not to try to claim biological …

The Economy Of (Dis)Honor In The Americas: A Transnational Rupturing Of American Literature Through Faulkner, García Márquez, And Silko, Clayton Neil Cobb

UNLV Theses, Dissertations, Professional Papers, and Capstones

Honor is misunderstood within popular culture, but it is also misunderstood within academic contexts. This is due to a decoupling of the term from its long historical significance, a significance that must not be ignored. That is because honor in the Americas is a structure of the hemisphere’s colonial legacy, its manifestation in the cultural fabric a result of the invasion of the continents by European settlers and colonizers. In the case of history, philosophy, and social science, the study of honor is beginning to undergo appropriate theorization to recognize that legacy; however, within literary studies disciplines, critical understanding of …

An Investigation Into The Differences Between English And Arabic Position And Order Of Adjectives: A Contrastive Study With Pedagogical Implications, Walid Amer

Al Jinan الجنان

Lots of studies have been done on the position and order of adjectives in English. However, as far as my knowledge is concerned, no analytical and contrastive study has been conducted on this point in English and Arabic. Thus, this paper reviews the latest studies done on the position and order of adjectives in English and Arabic. Then, it describes the differences between the position and order of adjectives in both languages. The study also touches upon pedagogical implications for teaching adjectives in English. Here, it is believed that the Arab learners of English encounter great difficulty in constructing sentences …

Late Postmodernism, Nicholas Brown

CLCWeb: Comparative Literature and Culture

No abstract provided.

Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Minimal Politics Of Autonomy, Myka Tucker-Abramson

CLCWeb: Comparative Literature and Culture

No abstract provided.

Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne

CLCWeb: Comparative Literature and Culture

No abstract provided.

Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer

CLCWeb: Comparative Literature and Culture

No abstract provided.

Admiring Autonomy, Fabio Akcelrud Durão

CLCWeb: Comparative Literature and Culture

No abstract provided.

When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias

CLCWeb: Comparative Literature and Culture

No abstract provided.

Aesthetics Today, Fredric Jameson

CLCWeb: Comparative Literature and Culture

No abstract provided.

«Astrología Y Genealogía De Poder En La Vida Es Sueño De Calderón De La Barca Y La Comedia Anónima El Vaticinio Cumplido: La Estrella De Inglaterra.», Carmela V. Mattza

Faculty Publications

¿En qué medida la relación entre astrología y genealogía de autoridad y poder presente en la comedia calderoniana puede servirnos para estudiar otras comedias áureas de temas parecidos? ¿Hasta qué punto la presencia de esos discursos genealógicos puede echar luz sobre el uso de la comedia como propaganda? A manera de respuesta, en la presente comunicación presentada en el congreso de la Asociación Internacional de Siglo de Oro celebrado en Madrid en 2017, me propongo estudiar y comparar la función del eclipse en La vida es sueño, la comedia paradigmática de Calderón, con la que aparece en la comedia …

Introduction – Formes Narratives Et Co-Production Dans Les Cinémas Des Pays Arabes, José Moure, Elie Yazbek, Wissam Mouawad

Regards

Malgré la reconnaissance, surtout ces dernières années, et le succès de certains films arabes sur la scène internationale, et malgré l’augmentation remarquable du nombre de festivals de cinéma dans les pays arabes, ce qui reflète un intérêt toujours grandissant dans ces pays pour le cinéma, les industries cinématographiques dans cette région du monde restent en général peu développées...

Le « Cinéma D’Auteur » De Palestine : Expérimentations, Circulations, Émancipations, Marion Slitine, Charlotte Schwarzinger

Regards

This article explores the stakes of the “cinema d’auteur” in Palestine and intends to analyze the constraints and opportunities that this cinema allows, through two case studies that question the cinematographic creation of Palestinian directors in exile. The first is a feature-length film, Recollection by Kamal Aljafari, a filmmaker from “Palestine of 48” who self-produced his film; the second, Dégradé by Arab and Tarzan Nasser, two directors from Gaza, benefited from an Arab-European co-production. While these two examples have very distinct characteristics, their comparative trajectories make it possible to raise more general questions related to the interactions between creation, production …

Le Cinéma Libanais Coproduit : Écarts Et Variations, Noha Maroun

Regards

Lebanese filmmakers often choose particular narrative forms for their co-produced movies. Either they deviate from traditional screenplay writing or they develop a lot of thematic variations. The margins of freedom, creativity, and inventiveness therefore increase globally in Lebanese co-produced cinema. To what extent are these new narrative forms adapted to the destabilized Lebanese geopolitical context? How do documentaries, dramas, and road movies establish a kind of Lebanese identity and memory in these movies, leading to their frequent selection in European and international film festivals?

Résumé

Les cinéastes-auteurs libanais choisissent souvent des formes narratives particulières pour leurs films coproduits. Ils oscillent …

La « Condition Des Femmes » Au Maghreb Fait Recette Sur Le Marché Du Film Européen ! 1990-2019, Patricia Caillé

Regards

This article examines the commercial and symbolic valorisation of Maghrebi films on the European market, looking at film admissions, film criticism, and academic discourses. It explores the position and the significance of films made with Maghrebi funding in Europe, while focusing more specifically on films on the condition of women, and films by women filmmakers. Comparing the circulation of Tunisian and Moroccan films in Europe, it highlights the recurring narrative tropes of these films and shows how films on the condition of women became the lead product on the French market. These films brought more success to male than to …

Possibilité Du Filmage Documentaire Des Marges Berbères Au Maroc : Cas Comparés Des Tournages Clandestins De « La Longue Journée » (Mohamed Abbazi, 1969) Et D’« Amussu » (Nadir Bouhmouch, 2019), Marie Pierre-Bouthier

Regards

This paper explores two filmic attempts at compensating for the invisibility in which Amazigh people and struggles are kept in Morocco. Both films and filmmakers experimented with shooting and production plans, devices, and film forms that should best convey these realities. With a 50-year interval between the two, both attempts share the ambition to go against the limitations imposed by the “Centre Cinématographique Marocain”, resorting to clandestine shooting and supported by an international network. In particular, both attempts were made possible by a detour through California (USA). The Breadwinner (1969) is an unfinished documentary by Mohamed Abbazi, dedicated to the …

La Guerre Civile Libanaise Au Cinéma Et Les Circulations Transculturelles, Thomas Richard

Regards

The trajectories of Lebanese film directors and their work, characterized by a strong international dimension and by their insertion within the art film networks, bear the mark of interactions between local and global visual and memorial norms linked to these trajectories, in a globalized cultural environment. These films, though enriched by this international dimension, may appear to develop their narrative following the demands of international festival audiences, risking that these demands become constraints, and at the risk of possible loss of contact with local audiences.

Résumé

Les circulations des cinéastes libanais et de leurs œuvres, fortement marquées par une dimension …

Production Locale Et Coproductions Européennes Des Films D'Auteur Dans Le Cinéma Turc Contemporain, Hilal Ahiskali

Regards

Since its birth, Turkish cinema has gone through different eras that have allowed it to progressively evolve towards an author cinema. Even though it took longer than for European cinema, certain contemporary Turkish directors today manage to nourish themselves not only from the aesthetics and theory of European cinema but also from their own cinematic culture called Yeşilçam. This is the result of their cinematographic approaches, their independent productions, and European financial support. These production sources have allowed Turkish directors to choose the subjects of their films to work on their art, rather than serve the commercial expectations of …