Comparative Literature Commons^™

Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks, Robert J. Randall

Providence: Studies in Western Civilization

No abstract provided.

Masters Of Death: The Ss Einsatzgruppen And The Invention Of The Holocaust, Raymond L. Sickinger

Providence: Studies in Western Civilization

No abstract provided.

Newton: The Making Of Genius, Francis P. Mac Kay

Providence: Studies in Western Civilization

No abstract provided.

The Last Kiss, Uma Devi Doraiswamy

All-Inclusive List of Electronic Theses and Dissertations

The Last Kiss. a creative thesis. tries to explore if true love and moral values. through the main character Sweetie, can lead to an individual's satisfaction and happiness in the real world. Also it focuses on the friendship between two contrasting characters, Sweetie and Flirtie. The title takes its name from the real first and last kiss that Sweetie gives to her lover, Dennis, before her tragic end. When Sweetie is pursuing her Ph.D. program, she meets Dennis, a professor who teaches English, and who is twenty years older than she. She is gradually attracted to him and assumes that …

Sol's: The Students Speak Up, William G. Gribbin

Faculty Publications and Presentations

No abstract provided.

The Enemy Within Islam, Laina Farhat-Holzman

Comparative Civilizations Review

The recent spread of political, radical Islam around the world has captured the attention of the secular world. This movement has launched a spate of violence and unrest, culminating in the al-Qaeda attack on the United States on September 11, 2001. Public interest in Islam has not been so keen since the Islamic Revolution in Iran in 1979—another event that took the world by surprise. Political observers have pinpointed the Saudis as the source of the problem. Not only were the majority of the terrorist bombers Saudi, but also they were thoroughly indoctrinated into the severe Muslim Wahhabi sect that …

Nobel In Literature 2000 Gao Xingjian's Aesthetics Of Fleeing, Mabel Lee

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2000 Gao Xingjian's Aesthetics of Fleeing," Mabel Lee explores the aesthetic dimensions of Gao Xingjian's play Taowang (Fleeing 1990), and its significance in establishing the recurring motif of "fleeing" in Gao's later writings on literature. Lee argues that the intensely emotional times during which Gao wrote Fleeing were comparable to those seventy years earlier confronting May Fourth writers. Urging his compatriots not to be "bystanders," Lu Xun, the most influential of May Fourth writers, had chosen to allow his creative self to suicide, as shown in the prose-poems of Yecao (Wild Grass 1927). For …

Cultures Matter: A Review Article Of Books By Harrison And Huntington, Segesváry, And Breckenridge, Pollock, Bhabha, And Chakrabarty, William H. Thornton

CLCWeb: Comparative Literature and Culture

No abstract provided.

Comparing Anew: A Review Article Of New Work By Kushner, Zhang, Halio And Siegel, And San Román, Nicoletta Pireddu

CLCWeb: Comparative Literature and Culture

No abstract provided.

And The 2002 Nobel Prize For Literature Goes To Imre Kertész, Jew And Hungarian, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "And the 2002 Nobel Prize for Literature Goes to Imre Kertész, Jew and Hungarian" Steven Tötösy de Zepetnek presents an introduction to the recepient of the 2002 Nobel Prize in Literature, Imre Kertész, and his work. Tötösy de Zepetnek places Kertész's work in the context of Central European culture and within that in the genre of Central European Jewish memoir literature (but not autobiography). In Tötösy de Zepetnek's opinion the cultural and social relevance of Jewish memoir writing today is of particular importance precisely for the same reasons Kertész articulates when he says, "I am a survivor. …

Nobel In Literature 2002 Imre Kertész's Aesthetics Of The Holocaust, Sára Molnár

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2002 Imre Kertész's Aesthetics of the Holocaust," Sára Molnár discusses aspects of Nobel Laureate Imre Kertész's reception in Hungary. In her analysis, Molnár discusses aesthetic features of the author's use of language. Molnár's study illuminates the problem of authorship and questions relating to intersections of fiction and autobiography in Kertész's oeuvre. Molnár's argument is that although the author's personal history is indeed important in his texts, this "author" should not be identified with Kertész himself and that although Kertész's themes and subjects appear to be autobiographical, not even his diaries should or can be …

The Horlas: Maupassant's Mirror Of Self-Reflection, Edward J. Lusk, Marion Roeske

CLCWeb: Comparative Literature and Culture

In their co-authored paper, "The Horlas: Maupassant's Mirror of Self-Reflection," Edward J. Lusk and Marion Roeske present a comparative analysis of three works of Maupassant: Lettre d'un fou, Le Horla of 1886, and Le Horla of 1887. The authors argue that these works form a trilogy by which Maupassant expresses his struggle to resolve the issues that seem to haunt him during the time that he pens the Horla trilogy. This introspective search is crafted around the failure of a mirror to provide a reflected image and the assessment of the likelihood that the strange events presented in the trilogy …

Reading War With Nietzsche And Reading Nietzsche With Kant, Rimbaud, And Bataille, Adrian Gargett

CLCWeb: Comparative Literature and Culture

In his paper, "Reading War with Nietzsche and Reading Nietzsche with Kant, Rimbaud, and Bataille," Adrian Gargett discusses the aspects of poetry, communication, and notion that the apparition of Nietzsche manifested in Bataille is not a locus of secular reason but of necromantic religion: a writer who escapes philosophical conceptuality in the direction of unidentified zones, and dispenses with the "thing in itself" because it is an article of intelligible representation with no importance as a vector of becoming/of travel. Necromancy resists the transcendence of death opening territories of "voyages of discovery never reported." Against the strain of inert and …

Translation Studies And Agamben's Theory Of The Potential, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his article, "Translation Studies and Agamben's Theory of the Potential," Paolo Bartoloni discusses the interstitial space of translation by drawing on literary and philosophical preoccupations, especially Giorgio Agamben's notion of "potentiality." The first part of the article is devolved to defining and discussing "potentiality" and the significance that it has for a general re-thinking of translation theory. Bartoloni moves on to ask what would happen if the focus of translation shifts from the final product, or from the relation between the original and the translation, to the process of translating, that is the middle ground, the in-betweenness where two …

Lolita Lebrón Y Minerva Mirabal: Mitificación Y Desmitificación Del Héroe Político, Antonio Medina-Rivera

World Languages, Literatures, and Cultures Faculty Publications

No abstract provided.

Chasing Demons: Female Villains And Narrative Strategy In Victorian Sensation Fiction, Heather Sowards

Theses, Dissertations and Capstones

This thesis explores Victorian sensation fiction and key authors who rely on essentialism, employing the classifications of either angel or demon to their literary female figures. Using Nina Auerbach's theories on these above categorizations and Helene Cixous's linguistic binaries, I examine the ways in which the narrators of Mary Elizabeth Braddon's Lady Audley's Secret, Sheridan Le Fanu's Uncle Silas, and Wilkie Collins's Heart and Science force this taxonomy onto the female villains who dominate the novels' themes. By looking closely at the narrative strategies, I conclude that these female characters themselves are proposing a very different sense of self or …

Allen D. Breck Award Winner: The Presence Of The Past: Shakespeare In South Africa, Natasha Distiller

Quidditas

In what ways has Shakespeare—as a collection of texts, as cultural capital, as a tool of a colonial education system as powerful as the bible and the gun—manifest in South African culture? Today I will sketch the presence of the past in a way which aims to draw out the South African in Shakespeare as much as the Shakespearean in South Africa. I do this following the post-colonial call to redress the imbalance of knowledges between the West and the Rest, and in order to break a simplistic cultural binary which posits “African,” colonized culture on one side and “European,” …

Review Essay: Alan Bray. The Friend, Garrett P.J. Epp

Quidditas

Alan Bray. The Friend. Chicago and London: University of Chicago Press, 2003. 380pp. Ill.

Al Niño Y La Voz A Ti Debida: Dos Realidades Ideales, Irune Del Rio Gabiola

Scholarship and Professional Work - LAS

PEDRO Salinas es el poeta moderno del amor influido tanto por el gusto renacentista, con alusiones implicitas a Jorge Manrique y Garcilaso, como por el gusto romintico -Espronceda o Becquer-. Su obra poetica se enmarca en tres fases claramente diferenciadas por Juan Marichal en Tres Voces de Pedro Salinas. "La primera que corresponde alas dos d6cadas 1913-1933, es la fase de lo que podrfamos denominar fase de encentraci6nl;a segunda, de 1933-1936, es la fase de lo que podrfamos denominar de descentracio6enn el th de la amada, y la tercera, de 1936 a 1951, es la fase final de sobre-centracioe6nn el …

Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda L. Damon-Bach, Allison J. Roepsch, Melissa J. Homestead

Department of English: Faculty Publications

This two-part bibliography has been built by consulting the Bibliography of American Literature (BAL) and the bibliographies compiled by Sister Mary Michael Welsh ("Catharine Maria Sedgwick: Her Position in the Literature and Thought of Her Time up to 1860," Ph.D. diss., Catholic Universiry of America, 1937) and Richard Banus Gidez ("A Study of the Works of Catharine Maria Sedgwick," Ph.D. diss., Ohio State Universiry, 1958); library cataloging records; and the personal records of Lucinda Damon-Bach and Melissa J. Homestead. In most cases, entries have been confirmed through books, periodicals, photocopies, or microfilm received through interlibrary loan. We were not able …

Front Matter

Quidditas

No abstract provided.

Pain For Pen: Gaspara Stampa's Stile Novo, Amy R. Insalaco

Quidditas

The Italian critic and scholar, Benedetto Croce (1866–1952) dismisses Gaspara Stampa's Rime (1553) thus:

She was a woman; And usually a woman, when she is not given to ape men, uses poetry and submits it to her affections because she loves her lover or her own children more than poetry. The lazy practice of women is revealed in their scanty theoretical and contemplative power.

For him, Stampa’s poetry is somehow inferior to her male counterpart’s poetry because it lacks “theoretical and contemplative power.” This essay will analyze aspects of Stampa’s poetry which disprove this claim.

Delno C. West Award Winner: Using And Abusing Delegated Power In Elizabethan England, James H. Forse

Quidditas

Queen Elizabeth's government, like most early modern European governments, was one that sought to extend its influence and power throughout the realm. But at the same time it possessed minimal financial resources and coercive machinery of power, and therefore, while it issued mandates, it had to depend upon local officials and individuals to whom it delegated power. Nor did Elizabeth’s government have any machinery of oversight to “watch-dog” those delegated powers. Only when issues came to the attention of the Privy Council after-the-fact did the government, occasionally, intervene to redress abuses of those delegated powers. Two areas in which these …

Review Essay: Valeria Finucci. The Manly Masquerade: Masculinity, Paternity, And Castration In The Italian Renaissance, Liz Horodowich

Quidditas

Valeria Finucci. The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance. Durham and London: Duke University Press, 2003. ISBN 0-8223-3065-2. $24.95 paper.

Full Issue

Quidditas

No abstract provided.

The Unfortunate Traveller And The Ramist Controversy: A Narrative Dilemma, Kurtis B. Haas

Quidditas

The narrative and rhetorical structure of Thomas Nashe's The Unfortunate Traveller has vexed its critics almost since its initial appearance in 1593. Most modern critics have followed a line something akin to that of G.R. Hibbard, who sees Nashe as a writer unable at times to distinguish his own voice from that of the narrator, Jack Wilton. Stephen Hilliard’s study of Nashe notes the critical tendency to see The Unfortunate Traveller as “a formless work, spun out by a careless author with no fixed purpose” and, though he chides such critics for ignoring its many virtues, grants that they likely …

Review Essay: Michelle P. Brown. The Lindisfarne Gospels: Society, Spirituality And The Scribe, Thomas Klein

Quidditas

Michelle P. Brown. The Lindisfarne Gospels: Society, Spirituality and the Scribe. Toronto: University of Toronto Press, 2003. xvi, 479 pp.

Symmetry And The Quest For Justice In Leonardo Sciascia’S Il Consiglio D’Egitto, Shiamin Kwa

East Asian Languages and Cultures Faculty Research and Scholarship

No abstract provided.

Review Of The Lifted Veil, Tim Heath

The George Eliot Review Online, ISSN: 2831-5375

It was perhaps Herbert Spencer in his Autobiography (1904) who first disseminated the myth that, though George Eliot will remain for posterity one of our finest novelists, her weakness was that she could not construct effective, dramatic plots. By implication, her stories would thus not be effective on the stage, without the commentary of her wise, omniscient narrator. Perhaps in consequence there have been fewer dramatic adaptations of George Eliot's work than those of other nineteenth-century novelists, including Jane Austen and Dickens - this despite, amongst others, an extremely distinguished silent film based on Romola, starring Lillian Gish, in 1924. …

Address Of Wreath-Laying In Poets' Corner, Westminster Abbey 20 June 2002, Margaret Wolfit

The George Eliot Review Online, ISSN: 2831-5375

Dear George Eliot

You don't know me - but I have been a great admirer of yours for a long time now, since I was at school in fact. I must have been very young when I first had parts of your novels read to me. Later when I was at boarding school I studied Silas Mamer for a literature exam - I can't recall my reaction to other authors at the time - but I know I wrote a letter home saying I thought George Eliot must be a wonderful person because my mother kept the letter.

After leaving …