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Full-Text Articles in Comparative Literature
Nick Brwone Et Al., Ed. New Chinese Cinemas : Forms Identities, Politics, Zhiwei Xiao
Nick Brwone Et Al., Ed. New Chinese Cinemas : Forms Identities, Politics, Zhiwei Xiao
Journal of Modern Literature in Chinese 現代中文文學學報
This article reviews the book "New Chinese Cinemas: Forms, Identities, Politics", edited by Nick Browne, Paul Pickowicz, Vivian Sobchack, and Esther Yau.
Henry Y. H. Zhao. The Uneasy Narrator : Chinese Fiction From The Traditional To The Modern, Liangyan Ge
Henry Y. H. Zhao. The Uneasy Narrator : Chinese Fiction From The Traditional To The Modern, Liangyan Ge
Journal of Modern Literature in Chinese 現代中文文學學報
This article reviews the book "The Uneasy Narrator: Chinese Fiction from the Traditional to the Modern", written by Henry Y.H. Zhao.
重讀張愛珍的《秧歌》與《赤地之戀》, Der Wei, David Wang
重讀張愛珍的《秧歌》與《赤地之戀》, Der Wei, David Wang
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Playing On The Air : Recollections From A Hong Kong Childhood, Rey Chow
Playing On The Air : Recollections From A Hong Kong Childhood, Rey Chow
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
王宏志 :《思想激流下的中國命運——魯迅與"左聯"》與《文學與政治之間——魯迅.新月.文學史》, Yuanqing Gu
王宏志 :《思想激流下的中國命運——魯迅與"左聯"》與《文學與政治之間——魯迅.新月.文學史》, Yuanqing Gu
Journal of Modern Literature in Chinese 現代中文文學學報
此文評論王宏志著的《思想激流下的中國命運——魯迅與"左聯"》及《文學與政治之間——魯迅.新月.文學史》。
黃子平 :《革命.歷史.小說》, Jingyuan Zhang
黃子平 :《革命.歷史.小說》, Jingyuan Zhang
Journal of Modern Literature in Chinese 現代中文文學學報
此文評論黃子平著的《革命.歷史.小說》。
Kirk A. Denton, Ed. Modern Chinese Literary Thought : Writings On Literature, 1893-1945, Gang Yue
Kirk A. Denton, Ed. Modern Chinese Literary Thought : Writings On Literature, 1893-1945, Gang Yue
Journal of Modern Literature in Chinese 現代中文文學學報
This article reviews the book "Modern Chinese Literary Thought: Writings on Literature, 1893-1945", edited by Kirk A. Denton.
Building A National Literature In Modern China : Literary Criticism, Gender Ideology, And The Public Sphere, Yingjin Zhang
Building A National Literature In Modern China : Literary Criticism, Gender Ideology, And The Public Sphere, Yingjin Zhang
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Rey Chow. Primitive Passions : Visuality, Sexuality, Ethnography, And Contemporary Chinese Cinema, Wendy Larson
Rey Chow. Primitive Passions : Visuality, Sexuality, Ethnography, And Contemporary Chinese Cinema, Wendy Larson
Journal of Modern Literature in Chinese 現代中文文學學報
This article reviews the book "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema", written by Rey Chow.
Greater China And The Twenty-First Century, Chen, Eugene Eoyang
Greater China And The Twenty-First Century, Chen, Eugene Eoyang
Journal of Modern Literature in Chinese 現代中文文學學報
On the occasion of this meeting of Chinese comparatists, and as a conclusion of the fifth annual meeting of the American Association of Comparative Literature, I wish to offer some fin de siècle meditations and reminiscences along with some prospects, if not prophecies, about the future that awaits us in the twenty-first century.
From The Editor = 編者的話, Leo, Tak Hung Chan
From The Editor = 編者的話, Leo, Tak Hung Chan
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Cao Yu, 1910-1996, Aixue Wang
Cao Yu, 1910-1996, Aixue Wang
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
中國現代文學的整體維度及其局限, Zaifu Liu
中國現代文學的整體維度及其局限, Zaifu Liu
Journal of Modern Literature in Chinese 現代中文文學學報
本文我想借助文學維度這一視角進一步考察中國現代文學在審美內涵上有哪些缺陷和局限。這裏包括兩個問題:(1)作為審美主體的作家,他們的思考、想像、情感的維度層面有何局限;(2)作為審美成果的作品,它所展示的想像空間在維度上有何局限。在考察這一局限的同時,我還考察本世紀的作家為跨越 局限而作的努力,特別是八十年代之後的大陸新作家所作的努力。
Beyond Cultural And National Identities : Current Re-Evaluation Of The Kominka Literature From Taiwan's Japanese Period, Sung Sheng, Yvonne Chang
Beyond Cultural And National Identities : Current Re-Evaluation Of The Kominka Literature From Taiwan's Japanese Period, Sung Sheng, Yvonne Chang
Journal of Modern Literature in Chinese 現代中文文學學報
This paper is an offshoot of a larger, ongoing project that intends to deal with the relationship between various artistic formations and the dominant culture in Taiwan's post-1949 era. Though the lifting of martial law in 1987 has demarcated this era into two drastically different periods and a clearer contour of the new period seems to be just beginning to emerge in the mid-1990s, various cultural forces are still busily negotiating with each other. Nonetheless, there seems to be a general consensus as to what constitutes a core of the new dominant culture: the spirit of pen-t'u, or a nativist …