Comparative Literature Commons^™

Interaction Entre Le Langage Et La Narration Dans Les Égarements Du Cœur Et De L’Esprit De Crébillon Fils, Manel Rebhi

Dirassat

The interaction between literature and linguistics must be thought of as permanent round trips: on the one hand linguistics can be useful for the study of literary texts; on the other hand, literature is itself likely to give a subject, a very rich field of investigation to linguistics. We will focus on analyzing some theories of linguistic enunciation applied to the Misguidances of the heart and mind of Crébillonfils, a memoir-novel published in 1736. Our goal was only to highlight the literarity or the poetics of the Crebillonian text through certain constants of the speech act common to the characters …

La Pratique Intermédiale, Vers Une Nouvelle Approcheinterdisciplinaire : Perspectives Théoriques Et Pratiques Scripturales, Cas De La Télévision Et Dutéléphone Dans L’Œuvre De Fatou Diome, Le Ventre De L’Atlantique (2003), Youssef El Habachi

Dirassat

In the digital age, new literary forms are emerging within the post-modernist novel, particularly in french. The latter, whose aesthetic and formal construction, increasingly draws on media or artistic motifs that orient literary writing towards new aesthetic and discursive practices that break with structuralist formalism, most often based on the classic narrative schema of Julien Greimas or the actantial schema of Vladimir Propp. Thus, we are talking today about the interdisciplinary or polydisciplinary, hydrid or transcultural text, wich integrates paraliterary motifs such as the media with the aim of creating a new “vision of the world” based on exchange and …

Etude De La Bruyère Et De Youssouf Amine Elalamy : Peindre Les Mœurs D’Une Société, Fatima_Zahrae El Moatacime

Dirassat

Writer of several works of short form, Youssouf Amine Elalamy has a work written in Moroccan Arabic تقرقيب الناب which literally means chatter. This work depicts individuals in portraits inspired by Moroccan society. Like the famous classical philosopher La Bruyère, Elalamy depicts society in various fragments, devoted to different human types. تقرقيب الناب has countless points in common with The Characters. In Elalamy work, like La Bruyère, each portrait is introduced by the first name of the character described. Except that with Elalamy we are dealing with double portraits, he builds them in diptychs. The writer adds to the …

Etude Sémantique Des Isotopies Dans Le Discours Des Femmes D’Aît Znassen En Chantant Eṣ-Ṣǝff, Naima Boujemaaoui, Mohammed Kembouche, Mohammed Elbouziki

Dirassat

This article takes stock of a reflection on the different isotopic relationships woven in the song of women eṣ-ṣeff by Aît Znassen. This reflection is essentially based on the analysis of five isotopies, namely generic, specific, mixed, inherent and afferent isotopies. The study of these isotopies has shown that, although they have points in common insofar as they are all based on the recurrence of one or more semes, they have, in exchange, points of divergence, due to the fact that each of them has a property that distinguishes it from other isotopies. This analysis also made it possible to …

Déréalisation Du Monde : Simulacre Et Facticité Dans La Société Marchande Moderne. Etude Du Phénomène À La Lumière Des Œuvres De Michel Houellebecq, Omar Benjelloun

Dirassat

The Western world today employs an ignominious strategy to induce individuals to favor form over substance, appearance over meaning, and purpose over being. Reality should be wrapped up, truth concealed, authenticity discarded in favor of rapacious advertising that has one and only objective: to induce society to consume.

Discours Romanesque, Médiation Et Vivre-Ensemble, Ahmed Bouftouh

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This article is concerned with an intercultural mediation whose three poles are the novelistic discourse, the literary critic and the audience. In other words, by calling upon theoretical contributions from semiotics and ethical criticism, we intend to see what a literary criticism dedicated to living together would consist of. More precisely, we first highlight the focal points that the literary critic, being in a median position between a work of fiction and its potential receiver, would be expected to make explicit. In a second step, we show how a work on textual values would be necessary for a successful intercultural …

Le Discours Sur La Modernité Dans L’Œuvre D’Abdelwahab Meddeb, Azzelarab Touda

Dirassat

Any discourse on modernity involves the way of being, thinking and creating and remains strongly linked to the political, ideological and cultural climates that saw it born and evolve, hence thoughts and expressions managed, ipso facto, either in the relationship of fidelity to genealogical belonging, or in that of hospitable overcoming with regard to the other. However, strangely, the discourse on modernity of the writer-poet and essayist Abdelwahab Meddeb is driven by a faithful infidelity with regard to his auroral scene. This duality permeates the Meddebian work of dyonysism and apollinism under the aegis of modernity which frames, at …

Discours Institutionnel Dans L’Espace Universitaire Marocain : De La Réforme À La Transformation, Mohammed Essbai, Mohammed Atmani

Dirassat

The Moroccan university has undergone successive reforms targeting the architecture of training, curricula and teaching practices. Each time, a different discourse is used to give a new breath to the desired change. In 2021, the university space is hosting a program to accelerate the transformation of the ecosystem, known as the ESRI 2030 Pact. Discursively, each departmental initiative is presided over by new concepts that reflect the directions advocated by decision makers in the sector.

تحولات الشعرية المغربية بين العهدين الوطاسي والسعدي تجربة الشاعر سعيد بن علي الحامدي ت973 ه نموذجا, رشيد كناني

Dirassat

Moroccan poetics has taken multiple paths that have embodied transformations in its history that have touched the essence of the structure of poetry. The most important transformations are perhaps those that affected the structure of Arabic poetry in Morocco between the Wattasid and Saadian eras. Arabic poetry in Morocco will adhere to the origins of the Arabic poem in its clearest doctrines with the Saadian period, thus realizing the link between Moroccan poetry and oriental poetry in the times of its prosperity, and circumventing what the structure of the Arabic poem in the Morocco in the era of Al-Wattasin reached …

La Traduction Des Expressions Idiomatiques Par Équivalent Idiomatique, Chakib Lbaidi, Amal Arrame

Dirassat

Fixed expression and idioms are part of the translated discourse. They are ready-made constructions that summarize an idea or a concept by using outstanding formulas. Translate these expressions is a big challenge for the translator. Thus, a well done translation does not mean mastering the linguistic skills of both languages, since the text does not contain just linguistic facts. It is also about culture, emotions, connotations, style and the author’s genius. Formulaic language often presents significant issue in translation just as well as finding a fixed expression as equivalent.

أثر الاستراتيجيات ما وراء المعرفية في تنمية الكفاية اللغوية لمتعلمي المرحلة الثانوية من ذوي الإعاقة السمعية: دورة التعلم الخماسية والتساؤل الذاتي نموذجاا, الحسين أوباها, محمد الفران

Dirassat

This study, which is part of doctoral research into applied linguistics, aimed to identify the impact of using metacognitive learning strategies on developing linguistic competence for deaf learners in LALLA ASMAE foundation for deaf children in Rabat-Morocco. using descriptive and quasi-experimental methodologies approaches, on experimental group learned by metacognitive strategies, and control group by an ordinary method. And Mykle Bust test for diagnosis of learning disabilities and the Linguistic competence test (examined its psychometric stabilities). The results showed significant differences at (α 0.05) in favor of the experimental group, and no statistically significant differences at (α 0.05) due to the …

Les Personnages Dans La Reclusion Solitaire De Tahar Ben Jelloun (Approche Sémiologique), Najib Wasmine

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The Characters In Tahar Ben Jelloun’s Solitary Reclusion (semiological approach)

“For a semiological status of the character-'D is the title of a study by Philippe Hamon in which he traces the fundamental lines of a semio-Jogy of the character. He distinguishes it from historical, sociological, psychological, psychoanalytical and logical approaches. Conceived as a sign inscribed in the text, which is a system of linguistic signs, the character is the subject of a theoretical elaboration. Several criteria define its status: the “discontinuous signifier” or “label” (set of marks relating to the character dispersed in the text), the “discontinuous signified” (the meaning …

F. Scott Fitzgerald Et La Poetique De «L'Inacheve» Dans The Great Gatsby, Rachid El Hamri

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F. Scott Fitzgerald and the Politics of

“THE UNFINISHED” IN THE GREAT GATSBY

It seems that every writer, when he tries to close a story, always obeys the same purpose: not to bring a conclusion to his text as a whole, but rather to specify that he has nothing more to say, that he can't or doesn't mean anything anymore. The concept of incompleteness. - which is only an internal border - offers an example of the "void" that it is possible to study in Literary texts. Formerly, writers spoke of this incompletion as a reality inherent in the very …

On Grammaticality Judgement Tasks In Second Language Acquisition Reasearch, Brahim Simour

Dirassat

The purpose of the present article is to consider some important metho- dological problems having to do with the techniques of elicitation of inter- language (henceforth IL) data. Researchers in Second Language Acquisition (SLA) generally make use of two main sorts of data: intuitional data and tex- tual data. The former broadly refer to learner's metalinguistic judgments and represent the dominating trend in the eighties, whereas the latter consist pri- marily of learner productions and were dominating in the seventies. Here, we will be particularly interested in the elicitation of intuitional data because of two fundamental reasons : the first …

Analyse De «Ben» Dans Le Dlscours De Migrants Arabophones Travaillant En France), Hassan Boujghagh

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Analysis of "BEN" in the Story of Arabic -Speaking Migrants Working in France

We propose here to examine in the discourse of a group of Arabic-speaking migrants (working in the North of France for about twenty years), the functioning of one of the markers that the speaker has the possibility of inserting in an utterance where, often for reasons of difficulty of formulation but also for different reasons, the spoken chain has been interrupted. Almost all of these phenomena are part of a group of elements called “conversation structuring markers” by Roulet et al. (1985), “discourse support” by F. Deloffore …

الصورلوجيا الأدبية محاولة ضبط تاريخية ونقدية, عبد النبي ذاكر

Dirassat

Literary Loggia pictures: an Attempt to Adjust Historical and Monetary

This article deals with the writer Jean-Marc Moura and his excellence in the field of loggias and presents the elements of the translated article by talking about images as literary loggias and defining the image, social imagination, ideology and utopia.

الأدب الحساني بين القديم والحديث, العتيك الطالب بويا

Dirassat

Hassani Literature between Ancient and Modern

This article deals with the definition of Hassani poetry through the basic unit of the poem and includes poetic examples of the purpose of praise and the attendant intersections with classical Arabic poetry, and examines the forms of its development, ancient and modern.

Eloge De I'Absent, Hassan Wahbi

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Raise of the Absent

Behind the meaning stifled by the oblivion of things and events, by the fragmentation of duration, there is the figure and the fatal enigma of self-identity. Each life is first of all a silence, a postponement of the intimate word, the re verse of a voice, a "limbee" presence. Whoever decides to write about oneself knows well that his exercise is the temptation to take in the trap of words this silence, this setback, this limbo, this murmuring obscurity.

Regards Sur Le Sens Du Temps Et De L'Espace Dans "The Great Gatsby" De F.Scott Fitzgerald (1896-1940), Rachid El Hamri

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Looks into the Sense of Time and Space inThe Great Gatsby by F. Scott Fitzgerald(1896-1940)

The Great Gatsby has been the subject of several critical studies, but an acevery interesting pact remains somewhat unexplored, namely a semio-approach tick of this masterpiece. In this article, we propose to examine two fundamental elements for grasping the character of the hero: time and space.

L'Autobiographie Entre Deux Traditions, Najib Wasmine

Dirassat

The Autobiography between two Traditions

It is here a contribution to the reflection around the autobiographical practice in Maghrebin literature of the French language, a practice which is placed between two literary and cultural traditions, if not more. The most obvious at least are the French tradition, and more generally Western, the Maghreb tradition, and more generally Arab.

Politics And Creative Writry: Conrad's "Nostromo" And "The Secret Agent" & "Warren's" All The King's Men, Nofal Lotfi

Dirassat

All through this paper, some three core texts are made use of ; namely, Joseph Conrad's Nostromo (1904) and The Secret Agent (1907), and Robert Warren's All the king's Men(1946). However, the discussion is by no means confined to these three works; a broader outlook is in fact required to cope with thedifferent aspects that relate to are search of this kind.This is perhaps why the present paper will have to go beyond the core texts and attempt to find elsewhere other salient points that can meaningfully add to the main ideas contained in the research.

The Ancient's View Of The Poet And Poetry, Brahim Soussi

Dirassat

The poet’s position in society has always been much discussed throughout the ages and inall civilizations.Thus the poet is accepted and receives praise sometimes, but is rejected and banished from society at other times. The poet's oscillation between these two extremes has always existed and will exist, it seems, as long as there is poetry. However, these two contradictory attitudes towards the Poet and Poetry have never received complete consensus from the different classes of society. The absence of this agreement, no doubt, denotes the necessity of the poet's voice for some and its danger fo rothers.

L'Univers Emblématique Du Mythe Dans Nedjma De Kateb-Yacine, Maria Makhfi-Jaouad

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The Emblematic Universe of the Myth in Nedjma by Kateb-Yacine

In this impenetrable symbolic maquis that is the novel Nedjma,the mythical word taken in the demonic cadence of a rebellious writing that is sometimes disconcerting breaks down the fiction creating an unusual world; produced plural representation thus enhancing the cryptogram-poetry. Poetry in movement destined to deliver the mythical word to greed; Changed fantasies of the author. Ardent symbolism and mystical breath will animate the episode of Nedjma.

Le Temps Dans Le Marat/Sade (1) De P. Weiss, Zohra Makach

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The Time in Marat/ Sade by P. Weiss

Time is an essential element of the dramatic work. The play is part of the duration, there are events that last a certain time, during intermissions, and behind the scenes at the same time as on stage. Of course, we must recognize that the notion of time in the theater is very complex. It isdifficult to grasp in a single concept. In general, in the theatrical genre, we find two or even three temporalities. The scenic present which represents the dramatic time, the continuous time, of the representation, then the time of …

Temps Et Fonctionnement Textuel Chez Rachid Mimouni, Najib Redouane

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Time and Textual Functioning at Rachid Mimouni

The temporal dimension is a variable as important as space, and it is far from lacking in interest in the work of Rachid Mimouni. In fact, the issue of time considered as a structuring factor of the event representations which punctuate the story (1) is at the very heart of his romantic enterprise. To show how temporality exercises a locating and regulating function in the Mimounian text, we distinguish four temporal aspects to which the author focuses in his writing universe: romantic time, lived time, historical time and social time.

Légendes Khair-Eddiniennes Entre Errance Et Paraboles D'Une Mémoire Mythique, Rachida Saigh Bousta

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Khair-eddin Legends between Wandering and Parables of a Mythical Memory

The story that one apprehends through the canvases of the Khair-Eddin in routes, the south, the wandering and the buried place remain the matrix entities of all his reflection and the preferred space of the myths and legends which torment and subjugate the thought of the author. Agoun'chich's itinerary, in Legendeet Vie by Agounchich (1), carries at its extremity this tension towards the Southern wandering which mobilizes the fictional journey as much as the charge and discursive determinations. The story, as a whole, seems underpinned and substantially exalted by the …

L'Écriture De Soi Au Féminin Pluriel Dans L'Amour, La Fantasia Et Vaste Est La Prison De Assia Djebar, Fatima Ahnouch

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The Writing of Oneself in the Feminine Plural in Love, Fantasia and Vast is the Prison of Assia Djebar

In this article about Assia Djebar I propose about her experience of writing as a woman, to see how the writing of oneself takes in her meaning in a subversive deviation. Compared to the initial norms of the autobiography and to explain finally how the image of the woman in Love, Fantasia and Vast is the Prison is between two states of presence, namely a real closing and an imaginary opening.

Autobiographie Et Altérité, Abdelkhaleq Jayed

Dirassat

Autobiography and Alterity

We proposein this paper that we are going to read and attempt to make a the oretical examination of the question of alterity and its relation to individual consciousness in a literary genre which seems to us that it arouses it in a particular and intense way: autobiography. Indeed, the autobiography, as a document of the ego and an attempt to construct identity through and in writing, raises a certain number of questions relating to the problematic ofalterity, intrinsic as well as extrinsic.

«Le Blanc Poétique Ou Le Blanc De Ia Mémoire Dans Harrouda De Tahar Ben Jelloun», Jamal El Qasri

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The Poetic White or the White of MemoryinHarrouda byTabarBen Jelloun

Harrouda seems to exploit the double status of white, by its incorporation and linear prose and versified poem. However, the essential is elsewhere: it consists in the use of an unusual white, rarely adopted in poetry and even less in prose, which at times enters the space of the text,until finally monopolizing it. How does this white appear? And at what gold- Does the organization of signification respond?

L'Étrangeté De Meursault Dans L'Etranger De Camus, El Houssine Diane

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The strangeness of Meursault in The Stranger by CamusThe strangeness of Meursault in The Stranger by Camus

The Stranger by Camus, published in 1942 has given the rise of several controversies and criticisms. The proliferation of publications on the subject of this remarkable story removes its scope both literary and philosophical by studying a set of criticisms reserved for this book. We were able to prepare this file which deals with the question of the foreigner.