Comparative Literature Commons^™

Le Temps Dans Le Marat/Sade (1) De P. Weiss, Zohra Makach

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The Time in Marat/ Sade by P. Weiss

Time is an essential element of the dramatic work. The play is part of the duration, there are events that last a certain time, during intermissions, and behind the scenes at the same time as on stage. Of course, we must recognize that the notion of time in the theater is very complex. It isdifficult to grasp in a single concept. In general, in the theatrical genre, we find two or even three temporalities. The scenic present which represents the dramatic time, the continuous time, of the representation, then the time of …

Temps Et Fonctionnement Textuel Chez Rachid Mimouni, Najib Redouane

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Time and Textual Functioning at Rachid Mimouni

The temporal dimension is a variable as important as space, and it is far from lacking in interest in the work of Rachid Mimouni. In fact, the issue of time considered as a structuring factor of the event representations which punctuate the story (1) is at the very heart of his romantic enterprise. To show how temporality exercises a locating and regulating function in the Mimounian text, we distinguish four temporal aspects to which the author focuses in his writing universe: romantic time, lived time, historical time and social time.

Légendes Khair-Eddiniennes Entre Errance Et Paraboles D'Une Mémoire Mythique, Rachida Saigh Bousta

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Khair-eddin Legends between Wandering and Parables of a Mythical Memory

The story that one apprehends through the canvases of the Khair-Eddin in routes, the south, the wandering and the buried place remain the matrix entities of all his reflection and the preferred space of the myths and legends which torment and subjugate the thought of the author. Agoun'chich's itinerary, in Legendeet Vie by Agounchich (1), carries at its extremity this tension towards the Southern wandering which mobilizes the fictional journey as much as the charge and discursive determinations. The story, as a whole, seems underpinned and substantially exalted by the …

L'Écriture De Soi Au Féminin Pluriel Dans L'Amour, La Fantasia Et Vaste Est La Prison De Assia Djebar, Fatima Ahnouch

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The Writing of Oneself in the Feminine Plural in Love, Fantasia and Vast is the Prison of Assia Djebar

In this article about Assia Djebar I propose about her experience of writing as a woman, to see how the writing of oneself takes in her meaning in a subversive deviation. Compared to the initial norms of the autobiography and to explain finally how the image of the woman in Love, Fantasia and Vast is the Prison is between two states of presence, namely a real closing and an imaginary opening.

Autobiographie Et Altérité, Abdelkhaleq Jayed

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Autobiography and Alterity

We proposein this paper that we are going to read and attempt to make a the oretical examination of the question of alterity and its relation to individual consciousness in a literary genre which seems to us that it arouses it in a particular and intense way: autobiography. Indeed, the autobiography, as a document of the ego and an attempt to construct identity through and in writing, raises a certain number of questions relating to the problematic ofalterity, intrinsic as well as extrinsic.

«Le Blanc Poétique Ou Le Blanc De Ia Mémoire Dans Harrouda De Tahar Ben Jelloun», Jamal El Qasri

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The Poetic White or the White of MemoryinHarrouda byTabarBen Jelloun

Harrouda seems to exploit the double status of white, by its incorporation and linear prose and versified poem. However, the essential is elsewhere: it consists in the use of an unusual white, rarely adopted in poetry and even less in prose, which at times enters the space of the text,until finally monopolizing it. How does this white appear? And at what gold- Does the organization of signification respond?

L'Étrangeté De Meursault Dans L'Etranger De Camus, El Houssine Diane

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The strangeness of Meursault in The Stranger by CamusThe strangeness of Meursault in The Stranger by Camus

The Stranger by Camus, published in 1942 has given the rise of several controversies and criticisms. The proliferation of publications on the subject of this remarkable story removes its scope both literary and philosophical by studying a set of criticisms reserved for this book. We were able to prepare this file which deals with the question of the foreigner.

"توسديد والتاريخ من خلال مؤلفه "الحرب البيلبونيزية, عبد السلام التايب

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Tusdeed and History through his Book The Peloponnesian War

This research deals with the life, production, and historical method of the historian Tusdeed by standing at the historical truth, his philosophy of history, and the art of writing that distinguished him.

Chistes Y Juegos De Palabras En La Tesis De Nancy De Ramón J.Sender (Aproximación Semiótica), El Hassane Boutakka

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In this paper we propose to study the serniotic structure of some of these humorous passages, to discover what makes their humor, from a perspective of serniotic analysis of its narrative component, and to examine, later, some of the ludic manipulations that Sender makes of language to produce comic effects.

La Teoría De La Imaginación Poética En La Greguería De Ramómez De La Serna, Mohamed Abrighach

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The Theory of Poetic Imagination in La Grégueria de Romanmez de la Serna

The article deals with how Ramon Gomez sees Gregueria as a theory that breaks with the poetic imagination linked to avant-garde movements, and celebrates the irrational, the ambiguous, the arbitrary and above all the functional symmetry. . In both cases, this theory is an invitation to deviate from the everyday norm towards an exceptional poetic sense of things

Gabi Martínez, El Último Cronista De Marruecos Del Último Milenio, Mohamed Abrighach

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Gabi Martinez the Last Moroccan Chronicler of the Last Millennium

In this article we attempt to analyze the representation by Gabi Martinez of Morocco and all that is Moroccan. His vision stands in midway thorough textual researches of typical stories to tell an exotism which exalts the sensuality which the country evolves in people. In both cases, the indifference of the author towards the culture, the history and the reality of Morocco remains considerable.

Le Relativisme Culturel Dans La Littérature Féminine Contemporaine: Mernissi, Djebar, Et Carter, Touria Nakkouch

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Culture Relativism in Contemporary Feminine Literature: Mernissi, Djebar, and Carter

One of the literary phenomena which keenly attract the attention of researchers drawing on contemporary feminine literature is the very articulate return on the part of the woman writer to the origins of her culture. This return is addressed in particular to the fundamental components of a culture namely art, history, religion, and myth. Just to name some examples, one finds in the Maghreb feminine literature of the quotations of Koranic verses or passages of the Hadith as in Fatima Mernissi; adaptations of writings on art, theology or history as …

La Portée Sapientielle De La Maxime Chez Paul Valéry, Ou La Résurgence Des Modèles Moraux, Rachida Bouznakari

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The firmness of maxim in Paul Valéry

Or the resurgence of moral models

This article is a thematic analysis of some maxims from the first volumes of the "Cahiers", where Paul Valéry engages in a real activity of moralist. His maxims enumerate the commonplace characteristics: life, happiness, morality, vices and virtues, love, death, individuality and humanity in general.

Quelques Réflexions Sur Le Périple D'Hannon, Mohamed Mustapha Boudribila

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Some Thoughts on Hannon's Journey

Hannon's periple is considered, by some authors, as the birth certificate of the written history of the Marne. This observation is due to the almost total lack of written documents on the ancient Marne. Indeed, apart from the Libyan or Amazigh inscriptions and some indirect indications scattered throughout the ancient Greco-Latin and Egyptian works, we do not find any written documents on the ancient Marne. It is therefore very important to be interested in the document of Hannon's periple. However, this document raised and continues to raise several questions and interpretations that we will try …

Le Hussard Sur Le Toit: Du Roman À L' Écran, Driss Aissaoui

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The Hussar on the Roof: from the Novel to the Screen

The Hussar on the Roof, afilm by Jean -Paul Rappeneau based on Giono's novel whichhas the same title, was well received when it was released on the screens in France in 1995. The majority of critics acclaimed the work of the French filmmaker; but the success is not unanimous.

Duras: Ecrire Ou Ne Pas Écrire, Lamia Benjelloun

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Duras: To write OR not to write

Marguerite Donnadieu, Marguerite Duras, Duras, Marguerite, M.D.: how to name it Secret or shameless, militant or narcissistic, sublime or pathetic: how to describe it?Singular and transgressive, like its author, Marguerite Duras's work arouses fascination or rejection, for some marked by austere demands, for others full of easy seductions. Rornanciere, playwright, director and scriptwriter of many films' ", the character of Marguerite Duras has profoundly marked the intellectual landscape of her time and often obscures or blurs the reading of her works. Bewitching and sometimes vaticinating, her own voice has well often covered up …

L'Étranger Dans Les Voix De Marrakech D'Elias Canetti Ou "L'Autre" C'Est "Moi", Abderrazzak El Abbadi

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The Stranger in The Voices of Marrakech by Elias CANETTI or "the other" Is "me"

This article reflectsthrills and unusual experiences of the French writers in Morocco during the period of the protectorate (1912 - 1956) through the prisms of politics and everyday life; constructing an ambivalentdiscourse: a discourse on the Other, the Moroccan, and another on oneself comforting and stimulating a spirit of emulation even in crisis at that time.

البعد الشرعي الإبداعي في سرديات ابن الموقت من خلال رحلته المراكشية, محمد الطوكي

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The Creative Legal Dimension in the Narrations of Ibn al-Muwaqit Through his Marrakech Journey

This article deals with defining the journey of Ibn Al-Muwaqit. It provides some narration references affecting his writing. The article also explains the strangeness and imaginativeness character of the journey and the accompanying legal hints related to it starting from its title.

La Créativité Métaphorique En Amazigh, Mohamed Sguenfle

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Metophocric creativity in Amazigh

The concept of neology can be defined as an enrichment which affects a given language at different levels, phonological, morphological, syntactic and semantic, Semantic neology is a special case of polysemy; a new meaning for an already existing unit. This is a change which affects the meaning without a concurrent change in the signifying form of the lexeme.

Les Italiques Et Le Style Indirect Libre: Sur Le Chemin De La Parodie Intertextuelle, Sad Slamti

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Lethalics and the free indirect style: on the road to intertextual parody

Literary works would have a memory. Here is a postulate which would make us consider intertextuality as "a library where each trans / elm text. others which modify it. The author, to borrow an expression from Umberto Eco, should certainly "die so as not to interfere with the progress of his work" His death without his knowledge, since it can be buried even during his lifetime, is in any case a theoretical commitment which allows the dialogue between the texts to be enriched and to always make this …

L'Image De La Femme Occidentale Dans "Un Ami Viendra Vous Voir" (1967) Et "Mort Au Canada" (1975) De Driss Chraibi, Abderrahim Bentaibi

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The image of the western woman in "A Friend Will Come See You" (1967) and "Death in Canada" (1975) by Driss Chraibi

If the theme of the Arab woman is often treated by the Maghreb novelists of French language, that of the Western woman on the other hand occupies a derisory place, It is true that several Maghreb authors present the foreign woman, French in this case, in the role of a wife thanks to whom the Maghreb man feels adopted in some way by an enchanting West as evidenced by Ma f oi abode (1958) by Tunisian Hachemi Baccoucheou …

Élévation Note Sur M.Leftah, Hassan Wahbi

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If the beautiful is frightening in its threatening proximity according to certain philosophers, the frightening in turn accesses an order of value; the first by the radicalism of what it is in itself, by its effects of obsessive or exclusive fascination, the second by what it undergoes in the framing of language and art, additionally dressed forms that make him close, representable, raising questions around the truth of the real, the humanity of man or the "lowering of his type"

The Subversive Power Of Signifying And The Ambivalence Of Modernity In Richard Wright's Native Son, Lahoussine Hamdoune

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Richard Wright's novel Native Son (1940) is more often than not dealt with as a distinguished instance of African-American protest literature being lacking in terms of literariness and narrative techniques. While it is true that protest literature’s overemphasis on the socio-political is usually costly, at least as much as the authenticity of the characters and the literariness of a literary work are concerned, the many readings of Native Son looking at it almost exclusively within this frame hardly do justice to the work. A return to Henry Louis Gates's theory of Signifying posited in his seminal book The Signifying Monkey: …

Toni Morrison's Beloved: The Story Of The Wandering Negro Spirit And Its Four Battling Souls, Abdelmajid Ridouane

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In the African-American literary tradition, the return to the past is an all-pervading organic strategy which is endowed with crucial but quite ambivalent meanings. African Americans experienced quite a unique condition that conflated geographical trauma with temporal nostalgia. Within this general framework, I will try to demonstrate how in Toni Morrison's highly acclaimed and Nobel Prize winning novel Beloved (1987), the multi-facetted strategies deployed to invoke the past occur on two levels: the inner-text's discursive and border-crossing interplay of the past and the present temporal/spatial settings, and the outer-text’s ambivalent free-floating interplay of four literary and geographical antecedents.

The Representation Of Moroccan Otherness In Edith Wharton's In Morocco, Khadija Belhiah

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Edith Wharton's In Morocco, written in 1920, is considered one of the classics of American travel literature. It is Wharton's account of her one-month journey through Moroccoin1917.In this book, which relies on colonial French historiography, Wharton explores Morocco and its people, recording her encounter with and impressions of a non-Western culture. She describes Moroccan cities and architecture, provides accounts of religious ceremonies and ritual dances, and depicts the Sultan's palaces and the "mysterious» world of his harem. As a travel narrative dealing with Morocco, Wharton's In Morocco is representative of Orientalist discourse and is informed by an intent to see …

The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine

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Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …

محمد الكغاط بين هاجس التجريب والارتجال المسرحي, سعيد كريمي

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Muhammad Al-Kaghat between the obsession with experimentation and theatrical improvisation

This study deals with the experience of Muhammad al-Kaghat in experimentation in the theater by researching the term from the two angles of language and convention, theatrical experimentation as a revolution and an explosion of theater constants, theatrical moving and comprehensive experimentation with al-Kaghat, research in meta-theatre, and black comedy.

Issues In Translating Tarifit Tales, Hanan Bennoudi

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Oral literature is a sold as man; it has existed in the Amazigh language for many centuries. Among the innumerable genres of oral literature, folktales( Tinfasin Tarifit) remain the most important because they have played an important role in touching the heart of our collective being and permitted to people, young and old, to shift beyond the boundaries of reality. However, Tarifit tales have remained terrain cognita to this day because they were shutdown and stuffed in the family and village context.

Mots Et Noces Amazighs Rituel Du Mariage Dans Le Sud-Ouest Du Maroc, Abdallah El Mountassir

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Amazigh words and weddings

Marriage ritual in southwestern Morocco

The study that we present here concerns the ethnolinguistic analysis of wedding songs collected in four rural localities of the Tachelhit geographical area: Tafrawt, Ayt l) .md, lmi-n-Tanut and JdawTanan. All these localities are located in mountainous areas: the western slope of the western Anti-Atlas (Tafrawt and Ayt l) .md) and the western High Atlas (lmi-n-Tanut and ldawTanan). These songs, called in tachelhittanggift, accompany the entire stage of the wedding ritual

الشعر الأمازيغي التقليدي بسوس : محاولة في التصنيف, محمد أفقير

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Traditional Amazigh poetry in Sous: an attempt at classification

This article aims to provide illuminations on the Amazigh poetry in Sssus through the poetry of Ahwash, the poetry of Asous, the poetry of Tazarrat, Tankift, the poetry of Tamazight, and the poetry of Rawais.