Comparative Literature Commons^™

The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration, Beverley Rilett

Department of English: Faculty Publications

This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of …

Yet More Cather-Knopf Correspondence, Melissa J. Homestead

Department of English: Faculty Publications

Some years ago many of us were excited by the discovery of a cache of Willa Cather’s correspondence with publisher Alfred A. Knopf that had been in the hands of Peter Prescott, one of the succession of would-be biographers of Knopf. He died before he completed it. These letters are now held in the Barbara Dobkin Collection in New York City. Before these materials came to light, researchers, including the editors of the Willa Cather Scholarly Edition, had relied on a strange and fragmentary “memoir” Knopf wrote of his relationship with Cather based on his correspondence files with her, and …

George Eliot In Romantic Biofiction, Beverley Rilett

Department of English: Faculty Publications

Dinitia Smith’s The Honeymoon is the first complete biofiction of the woman enduringly known by her masculine pen name, George Eliot. It tells the story of a precocious provincial English girl who challenges the conventions of her middleclass upbringing as she pursues a writing career in Victorian London, moves in with an alreadymarried man, becomes one of the greatest living British novelists, and then marries John Cross, a man twenty years her junior whom she’d long called “nephew.” Whether or not Eliot’s brief marriage to Cross constituted a “happy ending” depends on how you interpret the harrowing incident that took …

Review: Shakespeare’S Stage Traffic: Imitation, Borrowing And Competition In Renaissance Theatre. Janet Clare., Kelly Stage

Department of English: Faculty Publications

Shakespeare’s Stage Traffic is a fit title for Janet Clare’s investigation of Shakespeare and his theatrical environment. While her subtitle outlines the key practices that underpin her readings of Shakespeare’s plays, their co-texts, and their competition, the idea of traffic best encapsulates the complexity of the relationships that Clare charts. As she writes, Shakespeare’s Stage Traffic may enable “a more conjoined critical study of the plays of the early modern stage — one that will take into account the networks of influence, exchange, and competition of stage traffic that make up the matrix essential for talent to flourish” (267). Her …

Willa Cather Editing Sarah Orne Jewett, Melissa J. Homestead

Department of English: Faculty Publications

“In reading over a package of letters from Sarah Orne Jewett,” Willa Cather wrote in her preface to the Mayflower Edition of The Best Stories of Sarah Orne Jewett (1925), “I find this observation: ‘The thing that teases the mind over and over for years, and at last gets itself down rightly on paper—whether little or great, it belongs to Literature.” Cather’s private letters and her public statements in the form of essays, interviews, and speeches testify abundantly that Jewett had teased Cather’s mind over and over in the years following her friend and mentor’s death in 1909. Furthermore, as …

Nebraska's Wedding Crasher, Jennine Capó Crucet

Department of English: Faculty Publications

My building thinks of itself as Lincoln's premier wedding venue. I was not told this when I signed the lease. A glitch of duct work sends the sounds of every single party straight through the exhaust fan of my apartment's bathroom, so loud and clear that I can hear the names of everyone in the wedding party as they are announced -- not just in the bathroom, but from the living room. I can hear when people are clapping, can hear the claps as individual sonic events: I can almost always make out the crisp echo of the last person …

Palpable Hits: Popular Music Forms And Teaching Early Modern Poetry, Stephen M. Buhler

Department of English: Faculty Publications

Recent pedagogical scholarship has engaged strenuously with the use of YouTube and other online platforms in the literature classroom. Stephen O’Neill, for one, champions video-sharing and similar media “in the interests of fostering various experiential, collaborative and peer-learning scenarios,” especially in tandem with the “array of Shakespeare content, which can potentially illuminate and deepen [learners’] understanding of the text and its diverse contexts” (190). In this essay, I discuss the advantages of sharing for this purpose online materials that have been developed by artists, instructors, students, and others—specifically, materials with a musical orientation. Along the way, I shall explain my …

Biopolitical Education: The Edukators And The Politics Of The Immanent Outside, Roland K. Vegso, Marco Abel

Department of English: Faculty Publications

The article examines the relationship of biopower and cinema through the analysis of a specific film, Hans Weingartner’s The Edukators (2004). It argues that in the age of biopower, resistance to power cannot be conceived of in terms of a radical outside to power. Rather, biopolitical resistance must take place on the terrain of this power itself, that is, within the field of life. Therefore, what we call the “viral” politics of The Edukators must be interpreted precisely in this context. The film argues that the exhaustion of political paradigms inherited from the past century forces us to take the …

George Henry Lewes, The Real Man Of Science Behind George Eliot’S Fictional Pedants, Beverley Rilett

Department of English: Faculty Publications

This paper demonstrates that George Eliot drew on George Henry Lewes’s actual experience as an emerging scientist in her depiction of two fictional scholars, Edward Casaubon of Middlemarch and Proteus Merman, a lesser-known character from the chapter entitled “How We Encourage Research” in her final work, Impressions of Theophrastus Such. After Thomas Huxley published a devastating review of Lewes’s first book of science, Comte’s Philosophy of the Sciences, the evidence suggests that Lewes became highly focused on disproving his critics and earning lasting recognition as a scientist, a feat he expected to achieve with his five-volume series, Problems …

Buried In Plain Sight: Unearthing Willa Cather’S Allusion To Thomas William Parsons’S “The Sculptor’S Funeral”, Melissa J. Homestead

Department of English: Faculty Publications

In January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction, The Troll Garden, a collection of stories about art and artists. In the story, the body of sculptor Harvey Merrick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompanied by his friend and former student, Henry Steavens. Cather criticism has long been concerned with identifying real-world prototypes for characters and situations in her fiction, and two such prototypes have been unearthed for “The Sculptor’s Funeral.” First, the return by train of the …

The Transatlantic Village: The Rise And Fall Of The Epistolary Friendship Of Catharine Maria Sedgwick And Mary Russell Mitford, Melissa J. Homestead

Department of English: Faculty Publications

In June 1830, the American novelist and short-story writer Catharine Maria Sedgwick used the imminent London publication of her novel Clarence as a pretext for initiating a correspondence with the British author Mary Russell Mitford. In her first letter to Mitford, Sedgwick addressed her as “My dear Miss Mitford,” a violation of epistolary decorum in a letter to someone to whom she had not been introduced (FOMRM, 155).¹ As Sedgwick protested, however, “I cannot employ the formal address of a stranger towards one who has inspired the vivid feeling of intimate acquaintance, a deep and affectionate interest in …

Courtly Connections: Anthony Sherley’S Relation Of His Travels (1613) In A Global Context, Kaya Sahin, Julia Schleck

Department of English: Faculty Publications

This article revisits Anthony Sherley’s Relation of his travels into Persia (1613), reading the text within the larger context of early modern Eurasia. It highlights the ways in which at least one European traveler sought and found not alterity, but commensurable structures, social roles, political ideologies, and personal motivations in the Islamic polities to the east and emphasized these connections to his European readers. Furthermore, in making the case that Sherley’s narrative is informed by local actors in Safavid Persia, it maintains that a certain level of Eastern knowledge is present within Western texts from this period and awaits scholarly …

Networking With Middleton And Jonson: Theater, Law, And Social Documents, Kelly Stage

Department of English: Faculty Publications

In the lines above, the lawyer Tangle seems to be listing the tools of his trade, various legal documents he uses regularly. However, the list names more than just documents; it also labels the stream of blood trickling out of Tangle’s arm as he is forced into a purgative healing. Quieto, a lawyer-cum-healer, prescribes a bloodletting because Tangle’s long association with ink has infected him and the only way to cure him of poisonous legal practice is to drain him. Quieto confirms his diagnosis with the protagonist, Phoenix, who looks into the basin catching the blood and exclaims “This, why …

Courtly Connections: Anthony Sherley’S Relation Of His Trauels (1613) In A Global Context, Julia Schleck, Kaya Sahin

Department of English: Faculty Publications

Despite various attempts by literary theorists and historians to find more integrative ways of studying early modern societies and cultures, fairly essentialist notions of the difference between Europe and the rest of the world continue to persist in scholarship. The assumption of fundamental differences then leads to a search for sundry misperceptions, misunderstandings, mischaracterizations, and other skewed representations in early modern texts, particularly in those produced by European travelers. Similarly, studies on cultural, ideological, religious, and intellectual exchanges have not always been able to transcend approaches that solely focus on encounters, a word that sometimes implies haphazard meetings and difficult …

Taking My Parents To College, Jennine Capó Crucet

Department of English: Faculty Publications

I was a first-generation college student as well as the first in our family to be born in America — my parents were born in Cuba — and we didn’t yet know that families were supposed to leave pretty much right after they unloaded your stuff from the car. We all made the trip from Miami, my hometown, to what would be my new home at Cornell University. Shortly after arriving on campus, the five of us — my parents, my younger sister, my abuela and me — found ourselves listening to a dean end his welcome speech with the …

Willa Cather, Sarah Orne Jewett, And The Historiography Of Lesbian Sexuality, Melissa J. Homestead

Department of English: Faculty Publications

Since the publication of Surpassing the Love of Men in 1981 and Sharon O'Brien's biography Willa Cather: The Emerging Voice in 1987, Cather's fiction has been subjected to scores of queer readings. These readings are, in many respects, premised on a very different understanding of gender, sexuality, and identity than Faderman and O'Brien deploy in their biographical identifications of Cather as a lesbian. Nevertheless, these queer readings rest upon a biographical foundation, and in particular upon an understanding of Cather as secretive, private, and afflicted with shame. Eve Kosofsky Sedgwick, in an influential reading of The Professor's House that inspired …

American Novelist Catharine Sedgwick Negotiates British Copyright, 1822–57, Melissa J. Homestead

Department of English: Faculty Publications

American novelist Catharine Maria Sedgwick had an unusually long career and her books were reprinted in Britain in a variety of circumstances and formats. Both her first novel, A New-England Tale (1822), and her last, Married or Single? (1857), appeared in London editions arranged by her or her American publishers, as did many of her books in between (including travel, children’s and conduct books). However, her works also appeared in unauthorized reprints. Sedgwick thus makes an interesting case study of how law and custom regulated the reprinting of American literary texts in Great Britain after 1820. Focusing on the British …

“The Other One”: An Unpublished Chapter Of Sarah Orne Jewett’S The Country Of The Pointed Firs, Melissa J. Homestead, Terry Heller

Department of English: Faculty Publications

Sarah Orne Jewett’s The Country of the Pointed Firs (1896) has long been central to literary critical debates about the nature and character of American literary regionalism. In the early 1990s, some New Historicist critics aligned the emergence of the literary movement with the rise of tourism as two means by which urban elites defined themselves as a socially and racially privileged class in the postwar nation. In an influential analysis of the mutually reinforcing development of the literary marketplace and class and cultural hierarchies, Richard Brodhead describes regionalism in Cultures of Letters (1993) as evidencing “an elite need for …

Teaching Attentive Reading And Motivated Writing Through Digital Editing, Amanda A. Gailey

Department of English: Faculty Publications

Though English departments, including my own at the University of Nebraska, have been teaching digital humanities (DH) courses for over a decade, hyperbolic claims about the perils and promises of using computers in the study of literature continue to appear in the press. A piece in the Los Angeles Review of Books likens the algorithms used by some digital humanities methods to fascism (Marche). Another, in The Huffington Post, compares the rise of digital humanities to “our uncritical acceptance of drone attacks” (Mohamed). On the other hand, digital humanists such as Franco Moretti, who famously promote “distant reading” as opposed …

Victorian Sexual Politics And The Unsettling Case Of George Eliot’S Response To Walt Whitman, Beverley Rilett

Department of English: Faculty Publications

George Eliot and Walt Whitman, two of the most influential writers of the nineteenth century, are rarely discussed in relation to one another. They did not correspond, nor did either writer ever cross the Atlantic. There may have been several degrees of separation between Eliot and Whitman personally, but even from a distance, the two writers influenced each other’s careers. There has been some misconception that Eliot disdained and discounted Whitman. This essay seeks to refute that assumption by examining the context in which Eliot appeared to reject him. Perhaps more significantly, this essay breaks new critical ground by attributing …

Walt Whitman And Civil War Washington, Kenneth M. Price

Department of English: Faculty Publications

Walt Whitman famously described his visits to thousands of wounded Civil War soldiers in Memoranda During the War, a volume with a largely ignored subtitle: "Written on the Spot in 1863-'65." I want to highlight that subtitle and its emphasis on space and time-its geo-temporal specificity-to ask what it meant to have a writer of Whitman's sensibilities thrust into the nation's capital city in the final three years of the war, when it had become a city of hospitals. More wounded soldiers were treated in Washington, DC, than in any other city, and Whitman, a visitor to dozens of hospitals, …

Clcweb: Comparative Literature And Culture, Gregory E. Rutledge

Department of English: Faculty Publications

In his article "Race, Slavery, and the Revaluation of the T'ang Canon" Gregory E. Rutledge re-evaluates—from the purview of African Diaspora literary studies—historiography that considers the place of East African slave lore in T'ang Dynasty fiction. Julie Wilensky's "The Magical Kunlun and 'Devil Slaves': Chinese Perceptions of Dark-skinned People and Africa before 1500" (2002), a revision of Chang Hsing-lang's "The Importation of Negro Slaves to China Under the T'ang Dynasty (A.D. 618- 907)" (1930), is pivotal since it occupies the nexus between European-American, East-Asian, and African-Diasporic canons and policies. Rutledge situates Wilensky's and Chang's works in the context of Edward …

Veiled Movements In The Vale Of Esthwaite, Jack Vespa

Department of English: Faculty Publications

The Vale of Esthwaite (1787), Wordsworth's first sustained effort at original composition, was first 1940 by Ernest De Selincourt in Poetical Works of Wordsworth as an example of the juvenilia. Among scholars who have treated the De Selincourt version of the poem, Geoffrey Hartman's account in Wordsworth's Poetry, 1787-1814 is the fullest, which argues that The Vale of Esthwaite turns upon the mind of a poet enthralled by nature despite signs that his imagination may well be independent of nature (76-89). Other treatments of De Selincourt's edition appeared in F. W. Bateson, Paul Sheats, Thomas Weiskel, James Averill, Jonathan Wordsworth, …

Willa Cather, Edith Lewis, And Collaboration: The Southwestern Novels Of The 1920s And Beyond, Melissa J. Homestead

Department of English: Faculty Publications

In Willa Cather: A Memoir, Elizabeth Shepley Sergeant makes Edith Lewis, with whom Cather shared a home for nearly four decades, a relatively minor character in Cather’s life, and yet occasionally, Lewis moves to the forefront. Describing Cather’s “personal life” in the 1920s, Sergeant notes that when she visited their Five Bank Street apartment,

Edith Lewis, who now worked at the J. Walter Thompson Company, was always at dinner. One realized how much her companionship meant to Willa. A captain, as Will White of Emporia said … must have a first officer, who does a lot the captain never knows …

Review Of Janine Barchas, Matters Of Fact In Jane Austen: History, Location, And Celebrity, Laura White

Department of English: Faculty Publications

Janine Barchas’s thought-provoking study of Austen’s naming practices unearths a wealth of historical antecedents for Austen’s characters and posits an Austen whose gamesmanship with the names of persons and places rivals the knowingness and playfulness of James Joyce. In earlier decades, such a highly ambitious and wide-reaching work could not have been accomplished except through protracted antiquarian research. Web scholarship, however, has made it possible for Barchas to uncover in a relatively short time a remarkable array of the many interconnected historical figures bearing such names as Wentworth, Darcy, Vernon, Ferrars, Allen, and Dashwood whose heroic exploits, political machinations, tragic …

The Shape Of Catharine Sedgwick's Career, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Maria Sedgwick published her first novel in 1822 and her last in 1857. Her productivity slackened in the 1850S, as aging weakened her eyesight and arthritis made it difficult to write clearly. However, from 1822 through the 1840s, she published multiple works of prose fiction (tales, sketches, novellas, or novels) nearly every year. Despite this extraordinary record of productivity, Sedgwick regularly appears in literary history as the author of a single work, Hope Leslie (I827), her historical novel about relations between the Puritans and the native inhabitants of New England. A few other women authors before and contemporary with …

Cold War Legacies In Digital Editing, Amanda A. Gailey

Department of English: Faculty Publications

The editorial methods developed during the Cold War professionalized scholarly editing and appealed to new ideas about the relationship between American academics and the government by aligning with the supposedly value-neutral goals and methods of the behavioral sciences, much to the discomfort of many humanists. Some of the implicit assumptions underlying midcentury editorial methods persist in digital editing, and may risk positioning digital editions as marginalized scholarship within the digital era, just as print scholarly editions became widely considered second-rate scholarship in the twentieth century.

Uncle Tom’S Cabin In The National Era: Commentary On Chapter 1 And 2, Melissa J. Homestead

Department of English: Faculty Publications

In the first chapter of Uncle Tom’s Cabin, Stowe warns her readers that the “indulgence” of slave owners and the “affectionate loyalty” of the slaves themselves towards their masters have misled some observers to believe the “poetic legend” of slavery as a benevolent “patriarchal institution.” She does not deny the genuineness of these emotions, but she warns that “the shadow of a Law” makes a mockery of the human relationships that develop between masters and slaves: “So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a …

Fishermen, Chigozie Obioma

Department of English: Faculty Publications

We were fishermen.

Father first called us so after he whipped us sore for fishing at the Ala stream in the summer of May 1995. Earlier that year, the bank had transferred him from our hometown of Akure to Yola, a volatile and violence-prone city in the north of Nigeria. Father wouldn't move us with him so he lived apart and visited only once in two weeks, always coming at midnight on Fri- days and disappearing at dawn on Sundays. Each time he returned, mother would detail how the house had fared in his absence - a breakdown of home …

Introduction: A Tale Of Our Own Times, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Sedgwick and the American Novel of Manners

In his preface to his novel of manners Home as Found (1838), James Fenimore Cooper repeats what were already commonplaces about American society as the subject matter for fiction. Lamenting "that no attempt to delineate ordinary American life, either on the stage or in the pages of a novel, has been rewarded with successful he admits Home as Found is another such attempt but professes he has "scarcely a hope of success. It would be indeed a desperate undertaking, to think of making anything interesting in the way of a Roman de …