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Articles 481 - 510 of 1324
Full-Text Articles in Comparative Literature
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
CLCWeb: Comparative Literature and Culture
In her article "Documentation and Fiction in Hameiri's Accounts of the Great War" Tamar S. Drukker discusses the only surviving Hebrew-language docu-novel of the Great War, written by Avigdor Hameiri (1890-1970), a Hungarian Jewish officer. His 1930 memoir The Great Madness is a wartime personal journal about his life at the Russian front. Many of the episodes described in The Great Madness receive a more styled treatment in Hameiri's wartime short stories which appeared in three collections during the 1920s. These stories are sometimes surreal, symbolic, and carefully crafted. Drukker's study of Hameiri's wartime life writing and his literary rendition …
Women's Wartime Life Writing In Early Twentieth-Century China, Li Guo
Women's Wartime Life Writing In Early Twentieth-Century China, Li Guo
CLCWeb: Comparative Literature and Culture
In her article "Women's Wartime Life Writing in Early Twentieth-Century China" Li Guo discusses military diaries, prison memoirs, and autobiographical reportages. These documents offer rich insights into the political endeavors and military mobility of women. Guo analyzes Bingying Xie's 1928 war diary about the Chinese nationalists' northern expedition, Langi Hu's 1937 book about anti-Japanese activism, and Lang Bai's 1939 reportage about the Sino-Japanese War and argues that these texts allow women to reconfigure the discourse of nation through experimental life writing in order to develop the genre with tales of valor, hope, struggle, and heroism. Guo argues that contrary to …
Narrating Wartime Rapes And Trauma In A Woman In Berlin, Agatha Schwartz
Narrating Wartime Rapes And Trauma In A Woman In Berlin, Agatha Schwartz
CLCWeb: Comparative Literature and Culture
In her article "Narrating Wartime Rapes and Trauma in A Woman in Berlin" Agatha Schwartz examines the reception of the controversial wartime diary published anonymously first in 1954 in English translation. The book is a narrative representation of the mass rapes committed by Red Army soldiers during the siege of Berlin in 1945. Schwartz argues that A Woman in Berlin's portrayal of the rapes and the rapists, although not unbiased, leaves room for the initiation of the healing of trauma and forgiveness. Schwartz reflects on how life writing, particularly by women about a difficult chapter of German history …
"Being Singular Plural" In Chi's 巨流河 (The Great-Flowing River), Tsu-Chung Su
"Being Singular Plural" In Chi's 巨流河 (The Great-Flowing River), Tsu-Chung Su
CLCWeb: Comparative Literature and Culture
In his article "'Being Singular Plural' in Chi's巨流河 (The Great-Flowing River)" Tsu-Chung Su explores the way Pang-yuan Chi organizes her life stories in her 2009 autobiography. Born in Mainland China, Chi is a renowned Taiwanese editor, scholar, and writer who started her autobiographical novel at age 81. In her text Chi describes life stories in a war-torn era, features her migration from the north to the south (1930 to 1950), her experiences in the Second Sino-Japanese War (1937-1945) and the Chinese Civil War (1927-1950) culminating in her successful academic career in Taiwan (1950-). Chi's life stories are infiltrated with …
En-Gendering Memory Through Holocaust Alimentary Life Writing, Louise O. Vasvári
En-Gendering Memory Through Holocaust Alimentary Life Writing, Louise O. Vasvári
CLCWeb: Comparative Literature and Culture
In her article "En-gendering Memory through Holocaust Alimentary Life Writing" Louise O. Vasvári aims to underline the cultural and gendered significance of the sharing of recipes as a survival tool by starving women in concentration camps during the Holocaust and the continuing role of food memories in the writing of Holocaust survivor women she considers a genealogy of intergenerational remembrance and transmission into the postmemory writing of their second generation daughters and occasionally their sons. Vasvári argues that the study of multigenerational Holocaust alimentary life writing becomes important today because as direct survivors of the Holocaust disappear there is a …
History Or Fictionalized Truth In Fenyő'S Diary Az Elsodort Ország (A Country Swept Away), Judy Young
History Or Fictionalized Truth In Fenyő'S Diary Az Elsodort Ország (A Country Swept Away), Judy Young
CLCWeb: Comparative Literature and Culture
In her article "History or Fictionalized Truth in Fenyő's Diary Az elsodort ország (A Country Swept Away)" Judy Young examines Miksa Fenyő's diary as an example of life writing with particular emphasis on the intermingling of the documentary, testimonial elements with the self-reflexive, literary, and fictive ones which give this diary its particular flavor. A founder of the literary journal Nyugat (The West), Fenyő was at home in the literary world, as well as in economic and political life. His diary covers the period from 1944 when nazi Germany occupied Hungary and Fenyő had to go into hiding to 1945 …
Introduction To Life Writing And The Trauma Of War, Louise O. Vasvári, I-Chun Wang
Introduction To Life Writing And The Trauma Of War, Louise O. Vasvári, I-Chun Wang
CLCWeb: Comparative Literature and Culture
No abstract provided.
African American Masculinity In The Wartime Diaries Of Two Vietnam Soldiers, Sharon D. Raynor
African American Masculinity In The Wartime Diaries Of Two Vietnam Soldiers, Sharon D. Raynor
CLCWeb: Comparative Literature and Culture
In her article "African American Masculinity in the Wartime Diaries of Two Vietnam Soldiers" Sharon D. Raynor discusses an unpublished diary (1967-68) written by her father, Louis Raynor with the diary (1965-66) of David Parks that was revised and published as a memoir. By contextualizing the traditions of African American autographical writing and wartime diaries, Raynor analyzes how African American masculinity permeates the autobiographical structure in the Raynor and Parks diaries as each soldier interweaves a collective experience with a unique personal experience in the Vietnam War. The Vietnam experience challenged their ideologies about racial politics, but affirmed their masculine …
Selected Bibliography For The Study Of Life Writing, Louise O. Vasvari, I-Chun Wang
Selected Bibliography For The Study Of Life Writing, Louise O. Vasvari, I-Chun Wang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Utopian And Dystopian Literature: A Review Article Of New Work By Fokkema; Prakash; Gordin, Tilley, Prakash; And Meisig, Barnita Bagchi
Utopian And Dystopian Literature: A Review Article Of New Work By Fokkema; Prakash; Gordin, Tilley, Prakash; And Meisig, Barnita Bagchi
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To The Work Of Uygur Poet Bakhtiya, Dilfuza Rozieva, Anna Oldfield
Introduction To The Work Of Uygur Poet Bakhtiya, Dilfuza Rozieva, Anna Oldfield
CLCWeb: Comparative Literature and Culture
In their article "Introduction to the Work of Uygur Poet Bakhtiya" Dilfuza Rozieva and Anna Oldfield introduce Ilya Bakhtiya's (1932-1987) work. For writers like Bakhtiya, the task was to create a Kazakh Uygur print culture that combined their ethnic heritage with their new reality in the Soviet Union. Bakhtiya published in a variety of genres including lyric, satire, and children's literature in vernacular Uygur. Importantly, Bakhtiya's texts merge and bridge identities in both graceful and appealing ways overcoming the required Soviet context and continuing to inspire Uygurs today.
Agency, Desire, And Power In Schnitzler's Dream Novel And Kubrick's Adaptation Eyes Wide Shut, Ari Ofengenden
Agency, Desire, And Power In Schnitzler's Dream Novel And Kubrick's Adaptation Eyes Wide Shut, Ari Ofengenden
CLCWeb: Comparative Literature and Culture
In his article "Agency, Desire, and Power in Schnitzler's Dream Novel and Kubrick's Adaptation Eyes Wide Shut" Ari Ofengenden explores Arthur Schnitzler's novella and Stanley Kubrick's adaptation to offer insights into the ways in which desire disrupts and clashes with social structures (i.e., family, relationships, and society in general). Ofengenden shows how the dynamic in which disruptive desire is ideologically narrativized back into acquiescence with the status quo. Ofengenden interprets the narrative of the film as unique intuitions into action and agency where sources of agency are opaque to the subject and arise by an impenetrable combination of desire …
Paradigms Of Communication In Performance And Dance Studies, Nicoleta Popa Blanariu
Paradigms Of Communication In Performance And Dance Studies, Nicoleta Popa Blanariu
CLCWeb: Comparative Literature and Culture
In her article "Paradigms of Communication in Performance and Dance Studies" Nicoleta Popa Blanariu approaches from an interdisciplinary perspective the measure in which performing arts (theater, music, ballet, Indian classical dance, folk dance, etc.), as well as ritual performance constitute a corpus that may be analysed by means of theoretical and conceptual tools in communication studies and semiotics. Popa Blanariu analyses the relation between signification and communication in performing arts, between different codes and artistic expressions through which these are realized, between verbal and the other artistic "languages," and takes into consideration how "linguistic" functions manifest themselves within "languages" specific …
A Cross-Cultural Approach To Brokeback Mountain, Jono Van Belle
A Cross-Cultural Approach To Brokeback Mountain, Jono Van Belle
CLCWeb: Comparative Literature and Culture
In her article "A Cross-Cultural Approach to Brokeback Mountain" Jono Van Belle draws on insights from film theory and cultural narratology in order to analyse Annie Proulx's short story "Brokeback Mountain" and its filmic adaptation by Ang Lee. Van Belle's analysis is about how culturally different worldviews play a role in the construction of meaning by audience and she links the different narrative levels of semantics, genre typology, and worldviews in the short story and the film to the scholarship of the story. Further, Van Belle argues that worldviews and the problematics of gayness represented in "Brokeback Mountain" and …
Why Jin's (金庸) Martial Arts Novels Are Adored Only By The Chinese, Henry Yiheng Zhao
Why Jin's (金庸) Martial Arts Novels Are Adored Only By The Chinese, Henry Yiheng Zhao
CLCWeb: Comparative Literature and Culture
In his article "Why Jin's Martial Arts Novels Are Adored Only by the Chinese" Henry Yiheng Zhao posits that while the martial arts novel has a long history in China and that its modern school boasts of a number of authors of extraordinary popularity. Yong Jin (金庸) is the best known among them and his novels are read by Chinese wherever they are. Yet, English translations of his works have failed to impress. Zhao attempts to find out what is uniquely Chinese in Jin's novels and that makes his literary achievements ignored in the rest of the world. Zhao posits …
Radnóti, Blanchot, And The (Un)Writing Of Disaster, Jennifer Anna Gosetti-Ferencei
Radnóti, Blanchot, And The (Un)Writing Of Disaster, Jennifer Anna Gosetti-Ferencei
CLCWeb: Comparative Literature and Culture
In her article "Radnóti, Blanchot, and the (Un)writing of Disaster" Jennifer Anna Gosetti- Ferencei applies Maurice Blanchot's notion of disaster to the Holocaust poetry of Miklós Radnóti (1909-1944). Radnóti's work contemplates a catastrophic present and brings authorial experience and the writing self to the fore. Blanchot's thought may help us to understand Radnóti's poetry, yet paradoxically so, since the poems repel Blanchot's central formulations about the passivity and sacrifice of the author and, in his reflections on Kafka, about the uncertainty of death. Gosetti-Ferencei's study shows that despite divergences Blanchot's treatment of writing and authorship illuminates these themes in Radnóti's …
Rewriting, Ideology, And Poetics In Goldblatt's Translation Of Mo Yan's 天堂蒜薹之歌 (The Garlic Ballads)", Ping Du, Lili Zhang
Rewriting, Ideology, And Poetics In Goldblatt's Translation Of Mo Yan's 天堂蒜薹之歌 (The Garlic Ballads)", Ping Du, Lili Zhang
CLCWeb: Comparative Literature and Culture
In their article "Rewriting, Ideology, and Poetics in Goldblatt's Translation of Mo Yan's 天堂蒜薹之歌 (The Garlic Ballads)" Ping Du and Lili Zhang analyze Howard Goldblatt's translation of the novel in order to explore literary "rewriting" in translation. Du and Zhang posit that Goldblatt's translation reflects ideology in concealing, discarding, rewriting, and even losing some part in his translation. Further, they argue that the translation of the novel has beenperformed based on specific aspects of poetics including the musical charm of Chinese ballads and their unique cultural images.
Introduction To The Study Of Chinese Literature In The Anglophone World, Shunqing Cao
Introduction To The Study Of Chinese Literature In The Anglophone World, Shunqing Cao
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Reception Of Mao's 'Talks At The Yan'an Forum On Literature And Art' In English-Language Scholarship, Qilin Fu
CLCWeb: Comparative Literature and Culture
In his article "The Reception of Mao's 'Talks at the Yan'an Forum on Literature and Art' in English-language Scholarship" Qilin Fu examines the three waves of the reception of Mao Zedong's 1942 text. Fu elaborates on the understandings of Mao's ideas about literature and art and discusses the changes depending on historical and political contexts. Fu argues that the changes are explicit or implicit representations of cultural politics ranging from an anti-communist criticism based on Cold War ideology to the concerns of literary theory and the cultural critique of discourse in the context of globalization.
About English-Language Scholarship On Humor In Ancient Chinese Literature, Peina Zhuang, Lei Cheng
About English-Language Scholarship On Humor In Ancient Chinese Literature, Peina Zhuang, Lei Cheng
CLCWeb: Comparative Literature and Culture
In their article "About English-language Scholarship on Humor in Ancient Chinese Literature" Peina Zhuang and Lei Cheng present an overview of scholarship by English-language Sinologists on humor. Zhuang and Cheng argue that while English-language scholars have played a path-breaking role in making prominent an important aspect of ancient Chinese literature, their studies also display weaknesses including questionable choices of source material, decontextualized analysis, or even mistranslation. They posit that the study of humor in ancient Chinese literature ought to be performed in a contextual perspective including linguistics, literary history, society, politics, etc.
Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang
Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang
CLCWeb: Comparative Literature and Culture
In her article "Han's (韓邦慶) Novel海上花列傳 (The Sing-Song Girls of Shanghai) and Urbanity in Late Qing Shanghai" Xiaojue Wang discusses the relationship between the urban milieu in the foreign concessions of Shanghai and the late Qing courtesan culture through a critical reading of Bangqing Han's (韓邦慶1856-1894) novel The Sing-Song Girls of Shanghai. Wang argues that Han's novel is a significant departure from traditional vernacular fiction in three aspects: 1) its illustration of the connection between courtesan culture and the rising modern city, 2) its portrayal of emergent female subjectivity and female space in the late Qing, …
Bibliography For The Study Of Chinese Literature In The Anglophone World, He Lin
Bibliography For The Study Of Chinese Literature In The Anglophone World, He Lin
CLCWeb: Comparative Literature and Culture
No abstract provided.
Mapping Chinese Literature As World Literature, Yingjin Zhang
Mapping Chinese Literature As World Literature, Yingjin Zhang
CLCWeb: Comparative Literature and Culture
In his article "Mapping Chinese Literature as World Literature" Yingjin Zhang revisits the challenge of mapping Chinese literature as world literature in three steps: 1) he delineates of positions of view as proposed by Western scholars who engaged in rethinking world literature(s) in the age of globalization, 2) evaluates consequences of such a new mapping for Chinese literature and tests a different set of "technologies of recognition" (Shih) in the context of Chinese versus Sinophone studies, and 3) returns to the notion of world literature(s) by considering issues of language and translation and entertains a new vision of mobility via …
About Chinese-Western Comparative Poetics: A Review Article On Liu's, Miner's, Owen's, And Yip's Work, Yina Cao
CLCWeb: Comparative Literature and Culture
No abstract provided.
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song
CLCWeb: Comparative Literature and Culture
In his article "Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography" Weijie Song examines Yong Jin's post-1949 Hong Kong chivalric imagination of imperial Beijing and beyond during the Ming-Qing Dynastic transition and the dialects of inclusive exclusion and exclusive inclusion. In Cold War Hong Kong, Jin charted a wide range of chivalric activities: intruding into the political center embodied by the Forbidden City (the "Great Within") and fleeing to peripheral regions such as Xinjiang's Islamic community, the overseas kingdom in Brunei in Southeast Asia, and an unknown place somewhere inside Yangzhou. Song argues that Jin's literary topography suggests a …
Chinese Literature's Route To World Literature, Hongtao Liu
Chinese Literature's Route To World Literature, Hongtao Liu
CLCWeb: Comparative Literature and Culture
In his article "Chinese Literature's Route to World Literature" Hongtao Liu argues that Goethe's theory of world literature based on the conflicting and unifying values of cosmopolitanism and localism has fueled Chinese literature's desire to join world literatures. Proposed by Zhenduo Zheng with the notion of the "unification of literature" at the beginning of the twentieth century and developed in the 1980s, the "global elements of twentieth-century Chinese literature" in the twenty-first century, this notion remains a feature of Chinese literature's global trajectory. Liu argues that although the experience of a number of transitions, China's pursuit remains relevant and translation …
About The Chinese School Of Comparative Literature, He Lin, Danqing Huang
About The Chinese School Of Comparative Literature, He Lin, Danqing Huang
CLCWeb: Comparative Literature and Culture
In their article "About the Chinese School of Comparative Literature" He Lin and Danqing Huang discuss the development of the Chinese school of comparative literature since the 1980s. Lin and Huang describe how based on traditions in Chinese literary history, comparatists constructed a system of theoretical frameworks and methods. They argue that the Chinese School should not be criticized as "Chinacentric" just for the fact that its practitioners perform Chinese-Western comparative studies within its own historical and cultural context. Further, they defend the Chinese School by examining the achievements it has made in comparative poetics and the study of reception …
Localization, Globalization, And Traveling Chinese Culture, Chengjun Wang, Junhong Ma
Localization, Globalization, And Traveling Chinese Culture, Chengjun Wang, Junhong Ma
CLCWeb: Comparative Literature and Culture
In their article "Localization, Globalization, and Traveling Chinese Culture" Chengjun Wang and Junhong Ma discuss three main channels of the "traveling" of Chinese culture to the outside world. Focusing on the situation of bilingualism (i.e., Chinese and English) and the need of spreading Chinese literature and culture especially in the English-speaking world, Wang and Ma argue for "localization and globalization." Further, Wang and Ma argue that in order to narrow the gap of the cultural divide between China and the West. In addition to the need for bilingualism especially in the case of translation, they posit that especially the writing …
Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao
Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao
CLCWeb: Comparative Literature and Culture
In his article "Variation Theory and Reception of Chinese Literature in the English-Speaking World" Shunqing Cao introduces "variation theory" he developed and suggests that the framework can be applied in studying the dissemination and reception of Chinese literature in the English-speaking world. Cao argues that cultural and literary differences produce variations in literary exchanges among different cultures and variation theory concentrates on these variations. With unique perspectives on variation in translation, cultural misreading, and domestication, variation theory is a useful theoretical framework and methodology for the study of the reception of Chinese literature in the English-speaking world.
Designations Of Poetry In Translations Of Liu Xie's (劉勰) Work On Literary Genres, Ying Liu
Designations Of Poetry In Translations Of Liu Xie's (劉勰) Work On Literary Genres, Ying Liu
CLCWeb: Comparative Literature and Culture
In her article "Designations of Poetry in Translations of Liu Xie's (劉勰) Work on Literary Genres" Ying Liu discusses how Liu Xie (劉勰 465-521 AD) in his文心雕龍 (Wenxin diaolong) followed the tradition of The Book of Songs (詩經) and synthesized the original concept of sung (genre of classical poetry) in the Book of Songs with some later variations and thus constructed and shaped the notion of the genre sung. Liu analyses translations by selected scholars and explores the subtle nuances between sung and its English counterparts historically including "ode," "panegyric," "eulogy," and "hymn" in …