Open Access. Powered by Scholars. Published by Universities.®

Comparative Literature Commons™

Open Access. Powered by Scholars. Published by Universities.®

CLCWeb: Comparative Literature and Culture

Discipline
Keyword
Publication Year
File Type

Articles 1171 - 1200 of 1324

Full-Text Articles in Comparative Literature

Symbolism, Popular Drama, And Politics And Art In Belgium, 1886-1910, Joan Gross Sep 2003

Symbolism, Popular Drama, And Politics And Art In Belgium, 1886-1910, Joan Gross

CLCWeb: Comparative Literature and Culture

In her article "Symbolism, Popular Drama, and Politics and Arts in Belgium, 1886-1910," Joan Gross examines what effects the reign of terror in the Congo and the silence that masked it might have had on popular performance traditions and literary practices in Belgium. Gross examines a popular puppet play by Léopold Leloup and an essay by Maurice Maeterlinck, both of which are called The Massacre of the Innocents. The third text she explores is a parliamentary speech given by Émile Vandervelde in 1903 in which he protested brutal practices in the Congo. Gross explores the interconnections between these three disparate …

Go to article

Teaching Merchant-Class Virtues With Chushingura And The London Merchant, David S. Escoffery Jun 2003

Teaching Merchant-Class Virtues With Chushingura And The London Merchant, David S. Escoffery

CLCWeb: Comparative Literature and Culture

In his paper, "Teaching Merchant-Class Virtues with Chushingura and The London Merchant," David S. Escoffery examines the different styles of teaching merchant-class virtues in eighteenth-century Japan and England through an analysis of the classical Japanese play Chushingura and the didactic British play The London Merchant. He holds that in both Europe and Japan, the eighteenth century saw the rise of a whole new class, the middle class, to either economic or social power or both. That century was also a didactic age for the theatre. For the first time, the audience could see characters from the new merchant class on …

Go to article

Science, Sexuality, And The Novels Of Huxley And Houellebecq, Angela C. Holzer Jun 2003

Science, Sexuality, And The Novels Of Huxley And Houellebecq, Angela C. Holzer

CLCWeb: Comparative Literature and Culture

In her article "Science, Sexuality, and the Novels of Huxley and Houellebecq," Angela C. Holzer begins with an introduction to recent discourse about contemporary culture by Francis Fukuyama, notably in his book Our Posthuman Future (2001). Next, Holzer introduces twentieth-century literary representations of genetic engineering. Focusing on Huxley's Brave New World (1932) and on Houellebecq's Les Particules élémentaires (1998), Holzer discusses differences in "utopian" literature when linked to metaphysical aspects of reproduction and that are owing to changes in the life sciences and medicine. Further, Holzer explores the implications for poetics resulting from scientific developments and relates Houellebecq's perspectives to …

Go to article

Negotiating Boundaries In Divakaruni's The Mistress Of Spices And Naylor's Mama Day, Susana Vega-González Jun 2003

Negotiating Boundaries In Divakaruni's The Mistress Of Spices And Naylor's Mama Day, Susana Vega-González

CLCWeb: Comparative Literature and Culture

In her article, "Negotiating Boundaries in Divakaruni's The Mistress of Spices and Naylor's Mama Day," Susana Vega-González analyzes the intertextual connections between these two novels. In Vega-González's view, the texts discussed transcend their authors' different ethnic and ethno-cultural backgrounds and appeal to universalisms found in literature. Vega-González proposes that writing from a bi-cultural perspective, Indian American Chitra B. Divakaruni and African American Gloria Naylor share both content and stylistic features in their acclaimed novels. Their conscious effort to dissolve established boundaries as well as their ethno-cultural legacies leads these authors to a magic realistic approach, an apt means to reflect …

Go to article

Corpi, Murakami, And Contemporary Hardboiled Fiction, Cathy Steblyk Jun 2003

Corpi, Murakami, And Contemporary Hardboiled Fiction, Cathy Steblyk

CLCWeb: Comparative Literature and Culture

In her paper, "Corpi, Murakami, and Contemporary Hardboiled Fiction," Cathy Steblyk discusses comparatively texts by contemporary detective fiction writers, one an ethnic-minority US-American and the other Japanese. Steblyk proposes that in detective fiction since the late 1980s, morally or ethically contestable sites of history have been given a postmortem by contemporary authors who are interested in restoring the lost parts of cultural histories. Detective fictions by feminist US-Chicana author Lucha Corpi and Japanese writer Murakami Haruki show how recent fiction from around the globe uses the hardboiled genre for the purposes of exploring past injustices and offering revisionist histories. The …

Go to article

Adventure Tales, Colonialism, And Alexander Montgomery's Australian Perspective, Christine Doran Jun 2003

Adventure Tales, Colonialism, And Alexander Montgomery's Australian Perspective, Christine Doran

CLCWeb: Comparative Literature and Culture

In her paper, "Adventure Tales, Colonialism, and Alexander Montgomery's Australian Perspective," Christine Doran discusses an early nineteenth-century example of Australian literature dealing with Southeast Asia. The text analysed is about Borneo, in a collection of short stories by Alexander Montgomery entitled Five-Skull Island and Other Tales of the Malay Archipelago, published in Melbourne in 1897. In the paper, Doran's focus is on Montgomery's adventure tales and she situates the texts within their literary and cultural contexts. Montgomery's writing is then analyzed in the light of postcolonial scholarship. Doran argues that in several important ways this author's work runs counter to …

Go to article

Nobel In Literature 2000 Gao Xingjian's Aesthetics Of Fleeing, Mabel Lee Mar 2003

Nobel In Literature 2000 Gao Xingjian's Aesthetics Of Fleeing, Mabel Lee

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2000 Gao Xingjian's Aesthetics of Fleeing," Mabel Lee explores the aesthetic dimensions of Gao Xingjian's play Taowang (Fleeing 1990), and its significance in establishing the recurring motif of "fleeing" in Gao's later writings on literature. Lee argues that the intensely emotional times during which Gao wrote Fleeing were comparable to those seventy years earlier confronting May Fourth writers. Urging his compatriots not to be "bystanders," Lu Xun, the most influential of May Fourth writers, had chosen to allow his creative self to suicide, as shown in the prose-poems of Yecao (Wild Grass 1927). For …

Go to article

Cultures Matter: A Review Article Of Books By Harrison And Huntington, Segesváry, And Breckenridge, Pollock, Bhabha, And Chakrabarty, William H. Thornton Mar 2003

Cultures Matter: A Review Article Of Books By Harrison And Huntington, Segesváry, And Breckenridge, Pollock, Bhabha, And Chakrabarty, William H. Thornton

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Comparing Anew: A Review Article Of New Work By Kushner, Zhang, Halio And Siegel, And San Román, Nicoletta Pireddu Mar 2003

Comparing Anew: A Review Article Of New Work By Kushner, Zhang, Halio And Siegel, And San Román, Nicoletta Pireddu

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

And The 2002 Nobel Prize For Literature Goes To Imre Kertész, Jew And Hungarian, Steven Tötösy De Zepetnek Mar 2003

And The 2002 Nobel Prize For Literature Goes To Imre Kertész, Jew And Hungarian, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "And the 2002 Nobel Prize for Literature Goes to Imre Kertész, Jew and Hungarian" Steven Tötösy de Zepetnek presents an introduction to the recepient of the 2002 Nobel Prize in Literature, Imre Kertész, and his work. Tötösy de Zepetnek places Kertész's work in the context of Central European culture and within that in the genre of Central European Jewish memoir literature (but not autobiography). In Tötösy de Zepetnek's opinion the cultural and social relevance of Jewish memoir writing today is of particular importance precisely for the same reasons Kertész articulates when he says, "I am a survivor. …

Go to article

Nobel In Literature 2002 Imre Kertész's Aesthetics Of The Holocaust, Sára Molnár Mar 2003

Nobel In Literature 2002 Imre Kertész's Aesthetics Of The Holocaust, Sára Molnár

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2002 Imre Kertész's Aesthetics of the Holocaust," Sára Molnár discusses aspects of Nobel Laureate Imre Kertész's reception in Hungary. In her analysis, Molnár discusses aesthetic features of the author's use of language. Molnár's study illuminates the problem of authorship and questions relating to intersections of fiction and autobiography in Kertész's oeuvre. Molnár's argument is that although the author's personal history is indeed important in his texts, this "author" should not be identified with Kertész himself and that although Kertész's themes and subjects appear to be autobiographical, not even his diaries should or can be …

Go to article

The Horlas: Maupassant's Mirror Of Self-Reflection, Edward J. Lusk, Marion Roeske Mar 2003

The Horlas: Maupassant's Mirror Of Self-Reflection, Edward J. Lusk, Marion Roeske

CLCWeb: Comparative Literature and Culture

In their co-authored paper, "The Horlas: Maupassant's Mirror of Self-Reflection," Edward J. Lusk and Marion Roeske present a comparative analysis of three works of Maupassant: Lettre d'un fou, Le Horla of 1886, and Le Horla of 1887. The authors argue that these works form a trilogy by which Maupassant expresses his struggle to resolve the issues that seem to haunt him during the time that he pens the Horla trilogy. This introspective search is crafted around the failure of a mirror to provide a reflected image and the assessment of the likelihood that the strange events presented in the trilogy …

Go to article

Reading War With Nietzsche And Reading Nietzsche With Kant, Rimbaud, And Bataille, Adrian Gargett Mar 2003

Reading War With Nietzsche And Reading Nietzsche With Kant, Rimbaud, And Bataille, Adrian Gargett

CLCWeb: Comparative Literature and Culture

In his paper, "Reading War with Nietzsche and Reading Nietzsche with Kant, Rimbaud, and Bataille," Adrian Gargett discusses the aspects of poetry, communication, and notion that the apparition of Nietzsche manifested in Bataille is not a locus of secular reason but of necromantic religion: a writer who escapes philosophical conceptuality in the direction of unidentified zones, and dispenses with the "thing in itself" because it is an article of intelligible representation with no importance as a vector of becoming/of travel. Necromancy resists the transcendence of death opening territories of "voyages of discovery never reported." Against the strain of inert and …

Go to article

Translation Studies And Agamben's Theory Of The Potential, Paolo Bartoloni Mar 2003

Translation Studies And Agamben's Theory Of The Potential, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his article, "Translation Studies and Agamben's Theory of the Potential," Paolo Bartoloni discusses the interstitial space of translation by drawing on literary and philosophical preoccupations, especially Giorgio Agamben's notion of "potentiality." The first part of the article is devolved to defining and discussing "potentiality" and the significance that it has for a general re-thinking of translation theory. Bartoloni moves on to ask what would happen if the focus of translation shifts from the final product, or from the relation between the original and the translation, to the process of translating, that is the middle ground, the in-betweenness where two …

Go to article

"We Got Married" [Untitled Short Story], Rosa Liksom Dec 2002

"We Got Married" [Untitled Short Story], Rosa Liksom

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Liksom's Short Story "We Got Married" And (Finnish) Identity Construction, Kimmo Jokinen Dec 2002

Liksom's Short Story "We Got Married" And (Finnish) Identity Construction, Kimmo Jokinen

CLCWeb: Comparative Literature and Culture

In his paper, "Liksom's Short Story 'We Got Married' and (Finnish) Identity Construction," Kimmo Jokinen proposes the validity of common belief today that a shift into a late-modern era is taking place. It has often been claimed in contemporary sociological debates that our "post-industrial" life has become more thoroughly imbricated with culture and signs and sociologists, in their analyses of contemporary life, are interested especially in stories people tell, hear, and read. Based on readers' survey data in Finland, Jokinen analyses the ways in which Rosa Liksom's short story "We Got Married" is being employed in identity construction. For Jokinen, …

Go to article

Reading Liksom's Short Story "We Got Married" In Post-Communist Bulgaria, Kornelia Slavova Dec 2002

Reading Liksom's Short Story "We Got Married" In Post-Communist Bulgaria, Kornelia Slavova

CLCWeb: Comparative Literature and Culture

Kornelia Slavova, in her paper "Reading Liksom's Short Story 'We Got Married' in Post-communist Bulgaria," discusses the intricate interrelations of texts and social practices in postcommunist Bulgaria by analysing Rosa Liksom's short story read by sixty readers. Further, Slavova proposes the study of the uses of stereotypes in fiction and their discursive hardening in extratextual practices at times of radical political and cultural change. With this notion, she focuses on two major stereotypical patterns concerning gender and the supranational opposition East/West. Slavova argues that the latter function as palimpsest structures on which earlier bipolar representations from the communist Cold-War era …

Go to article

Reading Liksom's Short Story "We Got Married" In A Cultural And Political Perspective, Erkki Vainikkala Dec 2002

Reading Liksom's Short Story "We Got Married" In A Cultural And Political Perspective, Erkki Vainikkala

CLCWeb: Comparative Literature and Culture

In his paper, "Reading Liksom's Short Story 'We Got Married' in a Cultural and Political Perspective," Erkki Vainikkala examines Rosa Liksom's short story as well as one reader's response to the text. In Vainikkala's analysis, the short story is described as a structure of inversions and reversals where sequences are opened and cut short, standpoints are offered and taken back immediately, and where the code of realism is suggested but not carried out as the development of the story lacks convincing motivation. The resulting effect of exhaustion, evident also in the manifestation of pathological narcissism in the story, is seen …

Go to article

Reading Liksom's Short Story "We Got Married" In Post-Communist Estonia, Malle Järve Dec 2002

Reading Liksom's Short Story "We Got Married" In Post-Communist Estonia, Malle Järve

CLCWeb: Comparative Literature and Culture

In her paper, "Reading Liksom's Short Story 'We Got Married' in Post-communist Estonia," Malle Järve discusses the reception of Rosa Liksom's text in post-communist Estonia. After gaining independence, Estonians became exposed to varieties of literature including avant-garde texts which did not fit easily with the expectations and rules of interpretation developed during Soviet rule. Based on data collected in 1993 and 1998, Järve focuses on the cultural repertoire (discourses, stereotypes, values, literary expectations, etc.) used by readers while constructing meaning to the text, perceived predominantly as foreign/Other. Järve's objective is an attempt to explain: 1) who/what the Other in the …

Go to article

Cultural Studies And Cultural Text Analysis, Urpo Kovala Dec 2002

Cultural Studies And Cultural Text Analysis, Urpo Kovala

CLCWeb: Comparative Literature and Culture

In his article, "Cultural Studies and Cultural Text Analysis," Urpo Kovala discusses the role of textual analysis in cultural studies. He begins with a sketch of different conceptions of textual analysis within cultural studies by pointing to differences in the concepts of text and context themselves. Next, Kovala explores the reasons for including textual analysis as a category and method in cultural studies and in humanities and social sciences scholarship generally. Finally, Kovala sketches briefly a model for the cultural analysis of text where his main point is that the argument about the incompatibility of cultural studies and textual analysis …

Go to article

Introduction To Cultural Text Analysis And Liksom's Short Story "We Got Married", Urpo Kovala Dec 2002

Introduction To Cultural Text Analysis And Liksom's Short Story "We Got Married", Urpo Kovala

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Selected Bibliography Of Textual Analysis In Cultural Studies, Xianfeng Mou, Urpo Kovala Dec 2002

Selected Bibliography Of Textual Analysis In Cultural Studies, Xianfeng Mou, Urpo Kovala

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Liksom's Short Stories And The Ironies Of Contemporary Existence, Chris Pawling Dec 2002

Liksom's Short Stories And The Ironies Of Contemporary Existence, Chris Pawling

CLCWeb: Comparative Literature and Culture

In his paper, "Liksom's Short Stories and the Ironies of Contemporary Existence," Chris Pawling examines Rosa Liksom's short stories in her volume One Night Stands. Pawling proposes that Liksom's texts can be understood as postmodern pastiches (Jameson) of different literary voices which in turn are couched in an "affect-less" prose that attempt to inhabit the mental universe of the narrator/protagonist without necessarily endorsing any aesthetic or ethical point of view. Liksom's fictional universe is populated by individuals who are alienated from the life of predictable routines and are searching for "action" in scenes of low life in late-night city bars. …

Go to article

Poe Translated By Baudelaire: The Reconstruction Of An Identity, Anne Garrait-Bourrier Sep 2002

Poe Translated By Baudelaire: The Reconstruction Of An Identity, Anne Garrait-Bourrier

CLCWeb: Comparative Literature and Culture

In her paper, "Poe Translated by Baudelaire: The Reconstruction of an Identity," Anne Garrait-Bourrier argues that Poe and Baudelaire seem to have developed what could be described as a father-son or teacher-student relationship. Baudelaire devoted half of his life to the translation into his mother tongue of Edgar Allan Poe's tales and the other half to the creation of poetry which was inspired, to say the least, by the American writer. Garrait-Bourrier proposes that the influence Poe exerted is undeniable and particularly manifest in Les Fleurs du Mal, so akin to Poe's spirit of "spleen" and the systematic deconstruction of …

Go to article

Comparative Literature In An Age Of "Globalization", Lois Parkinson Zamora Sep 2002

Comparative Literature In An Age Of "Globalization", Lois Parkinson Zamora

CLCWeb: Comparative Literature and Culture

Lois Parkinson Zamora, in her paper "Comparative Literature in an Age of 'Globalization'," presents a definition of globalization and considers how its cultural and spatial displacements have, and might, change traditional disciplinary practices of comparative literature. Zamora discusses how contemporary Latin American writers dramatize and evaluate the forces of globalization in their fiction and she exemplifies her observations with texts by Carpentier, Borges, Paz, Fuentes, Puig, García Márquez, and Vargas Llosa. Further, the author proposes that the cultural specificity of fictions by contemporary Latin American writers may serve as an antidote to current processes of cultural homogenization.

Go to article

The Memoir And Representations Of The Self: New Books By Vlasopolos And Picard, Ralph Freedman Sep 2002

The Memoir And Representations Of The Self: New Books By Vlasopolos And Picard, Ralph Freedman

CLCWeb: Comparative Literature and Culture

No abstract provided.

Go to article

Investigative Spaces In The Poetry Of Pierre Reverdy, Jules Supervielle, And Henri Michaux, Hugo Azérad Sep 2002

Investigative Spaces In The Poetry Of Pierre Reverdy, Jules Supervielle, And Henri Michaux, Hugo Azérad

CLCWeb: Comparative Literature and Culture

In his paper, "Investigative Spaces in the Poetry of Pierre Reverdy, Jules Supervielle, and Henri Michaux," Hugo Azérad revisits the notion of poetic space and tries to re-examine it in a novel light. In so doing, Azérad re-adapts phenomenology, which tells us that space outreaches itself in the shape of an horizon of perception. But can we posit a space which would progressively do away with perceiver and perceived alike, a space which poetry (art?) can help establish? Azérad attempts to approach poetic space as if it were a utopian place of encounter, different from the physical or psychological dimensions …

Go to article

In Conversation With Itamar Even-Zohar About Literary And Culture Theory, Dora Sales Salvador Sep 2002

In Conversation With Itamar Even-Zohar About Literary And Culture Theory, Dora Sales Salvador

CLCWeb: Comparative Literature and Culture

Dora Sales Salvador presents, in "In Conversation with Itamar Even-Zohar about Literary and Culture Theory," the text of an interview with literary and culture theoretician Itamar Even-Zohar (Tel Aviv University). In the interview, Sales Salvador discusses with Even-Zohar his polysystem theory, a framework that emerges from the wish to foster open dialogue between different trends in culture research. The discussion suggests that there are assumptions shared by practitioners of cultural studies and Even-Zohar's culture research framework he has been developing since 1993. At the same time, the discussion reveals that it is also necessary and perhaps much more important to …

Go to article

Nolan's Memento, Memory, And Recognition, Adrian Gargett Sep 2002

Nolan's Memento, Memory, And Recognition, Adrian Gargett

CLCWeb: Comparative Literature and Culture

Adrian Gargett, in his paper "Nolan's Memento, Memory, and Recognition," analyses Christopher Nolan's film Memento. Gargett employs Deleuzian film theory in a general consideration of the relationship between thought and film. Gargett proposes that Memento acts as a type of intellectual stimulant that has the viewer deciphering a puzzle in process: what is identified in Memento is the way in which memory and the work of memory are presented in the film's narrative construct. In his analysis Gargett argues that memory is not added on; rather, it is already present, and that the Deleuzian abstract quality does not lie in …

Go to article

The Latin American Innovative Novel Of The 1920s: A Comparative Reassessment, Elizabeth Coonrod Martínez Jun 2002

The Latin American Innovative Novel Of The 1920s: A Comparative Reassessment, Elizabeth Coonrod Martínez

CLCWeb: Comparative Literature and Culture

In her paper, "The Latin American Innovative Novel of the 1920s: A Comparative Reassessment," Elizabeth Coonrod Martínez examines four early twentieth-century novels from four different Latin American countries. Coonrod Martínez pays particular attention to their innovation and rebellious breaking with tradition in the attempt to create new narrative. The paper includes comparisons of Arqueles Vela, Roberto Arlt, Martín Adán, and Pablo Palacio, and their novels of the 1920s, with works by James Joyce, Virginia Woolf, William Carlos Williams, Upton Sinclair, Ernest Hemingway, and Ezra Pound. In the paper, Coonrod Martínez also compares these early novels to celebrated novels of the …

Go to article

First Prev Next Last