Comparative Literature Commons^™

"I Am Not Alive": A Bionian Reading Of Life And Death In Balzac's Le Colonel Chabert And Tynianov's Podporuchik Kizhe, Andres Meraz

Comparative Literature M.A. Essays

This essay investigates the themes of life and death in Balzac’s novel, Le Colonel Chabert (1832), and Tynianov’s novella, Podporuchik Kizhe (1927). In these works, life and death are as much socio-political and legal constructs as they are organic or ontological states—that is, the chronological, biological beginning and ending of a “life.” In other words, life and death become conceptual spaces into which one may enter, or from which one may be excluded. Additionally, this essay asserts that while the approach taken in one text may to be a kind of conceptual inversion of the approach taken in the other, …

The Wailing Of The Streets: Novelistic Form And The Everyday In Voyage In The Dark And Voyage Au Bout De La Nuit, Tutkunur Vatansever

Comparative Literature M.A. Essays

In 1911, before the increased attention to everyday life in critical theory, György Lukács contemplated the concept of trivial life and its relation to literary form. The recent theories of everyday life like that of Blanchot – emphasizing its formlessness and defiance of subjectivity – invite us to address the variance in the modernist novelistic form in the framework that Lukács outlined. In Voyage in the Dark by Jean Rhys and Voyage au bout de la nuit by Louis-Ferdinand Céline, both published in the 1930s, the pain and suffering of everyday life on the streets diffuse into the form of …

“Whenever We Crossed A Mountain / On This Earth, Yet Another One Appeared”: Circumstantial Poetry In ʿAbd Al-Ghanī Al-Nābulusī’S (D. 1143/1731) Travelogues, Tom J. Abi Samra

Comparative Literature M.A. Essays

This essay identifies an early modern aesthetic that mobilizes the mundane to make a point about the world or the grandiose. Through a close reading of the poetry in the travelogues of the 17th-century Ottoman Damascene scholar ʿAbd al-Ghanī al-Nābulusī (d. 1143/1731), this essay identifies, theorizes, and historicizes early modern Arabic circumstantial verse—what the 19th-century French poet Stéphane Mallarmé calls vers de circonstance. By drawing on Mikhail Bakhtin’s concept of the “chronotope,” this essay shows how the poetry in Nābulusī’s travelogues fits within, and sometimes advances, their linear narrative. If poetry is expected to transcend the chronotope in which …

“For Now We See In A Mirror, Dimly”: Dialectical Wholeness In Oshii Mamoru’S Ghost In The Shell, Mari Aida

Comparative Literature M.A. Essays

This essay argues that Oshii Mamoru's 1995 animated film Ghost in the Shell, while indicating possible alliances with the political interests of cyberfeminism, ultimately advocates for the oppositional agenda of dialectical wholeness. Foundational texts of cyberfeminism, such as Donna J. Haraway's "A Manifesto for Cyborgs," have criticized narratives of isolation and a return towards a primordial wholeness implicit in Euro-American scientific culture. In the context of these texts, the cyborg symbolizes a departure from such narratives and guides the political project of reimagining epistemological boundaries. However, despite its apparent alignment with such projects, Ghost in the Shell dramatizes and …

The Idyllic Houses Of Collective Trauma Reading Home And World War Ii In Ian Mcewan’S Atonement And Jenny Erpenbeck’S Heimsuchung, Victoria Wirtz

Comparative Literature M.A. Essays

This essay investigates the themes of home, homeland and belonging in Ian McEwan’s Atonement and Jenny Erpenbeck’s Heimsuchung. Both works encourage critical reflection on the nostalgia for Home, in exposing that the idea of such is all too often based on an ideological concept and social exclusion. Using Mikhail Bakhtin’s theory of the ‘Idyllic Chronotope', I identify the houses of both narratives as spaces that allow for the uncorrupted preservation of their families' values and traditions. However, as the concept of ‘home’ is embedded in their owners’ belief in national supremacy, their residencies are revealed as realms of collective, social …

This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski

Independent Student Projects and Publications

This Effeminate Stranger: Dionysus’ Gender in Translation and Performance explores the possible interpretation of the character of Dionysus in Euripides’ Bacchae as genderqueer, specifically nonbinary. The project consists of a translation of the Bacchae from Ancient Greek into English which pays special attention to instances where Dionysus’ character is treated as somewhere between or outside of the traditional male-female gender binary, including placing emphasis on the god’s “effeminate” appearance and ability to influence other people to act across gendered lines. The groundbreaking translation refers to Dionysus with they/them pronouns rather than the traditional he/him and embraces this surprisingly well-evidenced reading …

The City Of Nightmares: Occultism, Ecstasy, And The Literature Of Late-Victorian London, Sophie Labenski

Comparative Literature M.A. Essays

While the relationship between Gothic motifs and anxieties about transgressive sexuality at the end of the 19th century is well understood, most of the scholarship written on this topic takes the idea of the supernatural for granted, or sees it as a way of establishing the links between monstrosity and sexuality. In this essay

I turn to the work of Arthur Machen in order to recontextualize the supernatural aspects of the late-Victorian Gothic literature in regard to the forms of credulity that inform the occult. While texts like Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde …

Out Of The Gutter, Into The Gram: A Comical Message And A Digital Medium, Tala Majzoub

Comparative Literature M.A. Essays

By analyzing three different comics on Instagram by the Lebanese political cartoonist, the Art of Boo, this essay argues that comics generate political meaning through emulating the medium of Instagram on the one hand, and by inviting the audience to become active participants on the other. Although a lot has been written about digital activism and political cartoons in the Arab world, little has been theorized about what makes this form of political artistic expression and dissent powerful on digital platforms. By drawing on Scott McCloud’s Understanding Comics, this essay demonstrates that the medium of comics operates as a …

Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick

Dartmouth College Master’s Theses

In this article, I explore the Spanish writer Carmen Martín Gaite’s affinity with Virginia Woolf’s modernism. In particular, I analyze the modernist theme of alienation so prominent in Woolf’s To the Lighthouse that Martín Gaite expresses in her novel El cuarto de atrás (The Back Room). To do so, I provide historical analysis of Woolf’s and Martín Gaite’s respective cultures to contextualize the ways in which the writers treat modernization as an alienating condition of modernity in the novels. I focus on Woolf’s depiction of estrangement experienced by the characters Mrs. Ramsay and Lily Briscoe from To the …

Translatio Materiae: Spenser, The Humanists, And A Poetics Of Matter, Victoria Florio Pipas

Dartmouth College Master’s Theses

In this paper, I propose that sixteenth-century humanist descriptions of Rome’s decay, together with paradigms of translatio imperii and studii, shaped Edmund Spenser’s poetic conceptualization of matter. I identify a new translatio in Spenser’s corpus, translatio materiae—matter’s movement or change—born from Spenser’s contact with Joachim du Bellay’s sonnet sequence, Les Antiquitez de Rome (1553). Translatio materiae runs through Spenser’s corpus as depicted matter’s resurrection from states of decay into material afterlives as narrative object or poetic device. Where early humanists, with recourse to the division between earthly mutability and heavenly permanence, lament Rome, Spenser favors matter’s potential for …

Re-Imagining Digital Things: Sustainable Data In Medieval Manuscript Studies, Michelle R. Warren, Neil Weijer

Dartmouth Scholarship

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. We describe the website’s lifecycle as well as our progress so far in creating a new dataset for the Brut corpus, “Re-Imagining History,” part of the ongoing project “Remix the Manuscript: A Chronicle of …

Spaces For Becomings? Heterotopic Fictions In Preciado’S Testo Yonqui, Caroline King

Dartmouth College Master’s Theses

This article examines the possibilities and limits of gender becomings in Paul Preciado’s book Testo yonqui (Testo Junkie). A genre-fluid “body-essay,” his text theorizes a departure from gender through contemporary medicine. Following Preciado in his self-administration of testosterone, the book labels today’s reality a “pharmacopornographic era,” a new iteration of Foucault’s biocapitalism. After designating Preciado’s self-generated transformations as becomings, I explore how the book’s heterotopic spaces––including its genre––facilitate Preciado’s forward-moving gender identity. A Foucauldian term, heterotopia has not yet been applied to Testo Junkie, however it offers insight into the book’s potential to motivate individuals to …

Remix The Manuscript: A Chronicle Of Digital Experiments (2015-2020), Michelle R. Warren

Other Faculty Materials

Remix the Manuscript is a digital humanities research project centered around a single medieval manuscript, the Dartmouth Brut Chronicle (Rauner Codex MS 003183). This ongoing experiment with digital tools uses this one example to explore one broad question: How are the digital tools available today determining what we will know 100 years from now about things that happened 1000 years ago?

Interlingual Morphology And Wakean Topology, Stephen Valeri

Dartmouth College Master’s Theses

As an example of limit literature (literature that exhausts the entirety of what is possible in a given form), Finnegans Wake has been an inspiration for the theories of figures like Kristeva and Derrida to reveal the structural and linguistic operations of texts generally. In defamiliarizing the processes of word formation, the Wake compels us to attend to morphology’s structuring role in a work. My project focuses on Phillipe Sollers and Stephen Heath’s French translation of part of the concluding section of James Joyce’s Finnegans Wake to observe how the attempt to approximate Joyce’s interlingual morphology in translation contributes to …

Banal/Queer/Spectacular: Reframing Blue Is The Warmest Color, Sophie Frank

Comparative Literature M.A. Essays

In this essay, I interrogate visual representations of a lesbian love story in Jul’ Maroh’s graphic novel Le bleu est une couleur chaude and its film adaptation by director Abdellatif Kechiche, La vie d’Adèle : Chapitres 1 et 2. By studying the diegesis of each work’s opening scene, I reveal that the graphic novel embodies Barthes’s concept of a writerly text, or one that requires its reader to produce its meaning, while the film, as a readerly work, constructs a passive viewing experience for its audience. I argue that each author’s narratological approach exemplifies the particular manner in which they …

Sites Of Interpretation In The “Gaza” Of Johannes De Alta Silva, James Johnson

Dartmouth College Master’s Theses

This essay places the reader at one of three sites of interpretation in Johannes de Alta Silva’s “Gaza,” located at the levels of 1) story, 2) frame narrative, and 3) reader. Identifying these levels as distinct spaces within which interpretation unfolds, I examine the level of the reader to demonstrate how the text explicitly shapes the reader’s role. Composed c. 1200 CE, “Gaza” is one of ten stories in Alta Silva’s Dolopathos, which forms a part of the larger medieval tradition known as The Seven Sages. Drawing upon concepts from narratology (Genette, Prince) and the phenomenology of reader response …

Hideous Men In The Age Of #Metoo: On Wallace, Puig, And The Specter Of Misogyny, Sage Engberg

Comparative Literature M.A. Essays

No abstract provided.

Cite-Seeing: Parody, Narrative Desire, And Enchanted Castles In Orlando Furioso And Don Quijote, Diego Fleitas

Comparative Literature M.A. Essays

No abstract provided.

Goblin Market : Visuality, Adaptations, And The Price Of Transformation, Michaela Jordan

Comparative Literature M.A. Essays

No abstract provided.

Milton, Racine And The Turn Towards Biblical Tragedy: Thinking History In Athalie And Samson​, Michel Klante

Comparative Literature M.A. Essays

No abstract provided.

Modern Theoretical Approaches To Medieval Translation, Michelle R. Warren

Dartmouth Scholarship

This chapter explores some of the ways in which modern literary theory opens insights into medieval European translations. Rather than drawing a distinction between theoretical approaches that apply to medieval studies and those that do not, I will explore a few examples that might in turn inspire readers to their own insights. It is my hope that over time readers of this Companion to Medieval Translation will posit many more modern theoretical approaches to medieval translation than can be suggested here. We might even imagine that some of the particularities of medieval European theories of translation could themselves be codified …

Enchantingly Disenchanted: Failed Interpellation In Darwish And Kafka, Samir Abdalla Taha

Comparative Literature M.A. Essays

No abstract provided.

Cracking The Old China: Karl Marx And The Chinese Civil War, Yan Liu

Comparative Literature M.A. Essays

No abstract provided.

On The Phantoms Of (Nietzsche’S) Woman And The Matter Of God, Raiany Romanni

Comparative Literature M.A. Essays

No abstract provided.

Graphic Self-Care In Alison Bechdel’S Are You My Mother? And Dominique Goblet’S Faire Semblant C’Est Mentir, Meghan A. Collins

Comparative Literature M.A. Essays

No abstract provided.

Political Phlebotomy: The Poetics And Politics Of Blood In Giambattista Marino’S La Strage Degliinnocenti, Evan Strouss

Comparative Literature M.A. Essays

No abstract provided.

Mapping The Streets Of London: Location And Dislocation In Early Dickens, Yihong Zhu

Comparative Literature M.A. Essays

No abstract provided.

Creating An Imaginary: Reading Aimé Humbert’S Le Japon Illustré, Marian Candela Baptiste

Comparative Literature M.A. Essays

No abstract provided.

Singing The Femme Fatale; Or, Materiality Under Erasure, Marcus Pyle

Comparative Literature M.A. Essays

No abstract provided.

Translation As Re-Signification: How Playboy Transformed A Pushkin Poem Into An Artifact Ofthe Cultural Cold War, Tetiana Savchynska

Comparative Literature M.A. Essays

No abstract provided.