Comparative Literature Commons^™

Front Matter

Quidditas

No abstract provided.

Writing And Rewriting Early Modern History: Five Sixteenth-Century English Chroniclers, Barrett L. Beer, Andrea Manchester

Quidditas

In the field of early modern historical writing, sixteenth-century English chronicles have been regarded as an outdated medieval form, and they and their authors have suffered in comparison with later works influenced by Renaissance humanism. Yet in the Tudor period, chronicles, especially the smaller, abridged versions, enjoyed a substantial readership and were reprinted multiple times—very often with revisions. The nature of and motivation behind these revisions reveal much about the varying personal priorities and backgrounds of the chroniclers as well as the readership for which they were writing. This study focuses on five sixteenth-century chroniclers, Thomas Cooper, Robert Crowley, Richard …

Re-Envisioning Reproduction: Dividing Life From Death In Charles Etienne’S De La Dissection, Miranda Mollendorf

Quidditas

Charles Estienne’s De la Dissection des parties du corps humain (1546) presents the uterus not only as a site of generation and life, but also putrefaction and death. Estienne first writes about the uterus as a surgical site where life and death converge and must be separated, and then as an anatomical site where pain and pleasure are divided because of Galenic theories about the uterus that involve generation and corruption. In spite of frequent attempts to visually quarantine the uterus from the rest of the body with a printed inset, these surgical and anatomical separations between life and death …

Delno C. West Award Winner 2011

Quidditas

James H. Forse

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual conference.

Work As A Manifestation Of Faith In The English Nunnery: Barking Abbey, Essex, Terri Barnes

Quidditas

This paper discusses various occupations held by nuns in the late-medieval and early-modern English convent, and argues that while the nuns did have extraordinary opportunities for self-management when compared to secular women, nuns carried out those responsibilities in part as extensions and expressions of their faith. This paper looks at offices held by the nuns at Barking Abbey in Essex, from the late Medieval period up to the Abbey’s dissolution in the sixteenth century as a result of the shifting political and religious sands under King Henry VIII. Barking Abbey was a large, wealthy institution that needed capable administration, and …

Robert Yaxley, Tudor Physician, Phyllis Johnson Walton

Quidditas

On the 22nd day of the month of October, 1540, Robert Yaxley, doctor of Physic of the city of London, dwelling in the parish of St. Michael in Cornhill, made his last will and testament. (Although a recent statute allowed for transfer of real property by will, any land owned by Dr. Yaxley would almost certainly have been held in trust and not subject to the terms of his will.) After bequeathing his soul to Almighty God, his blessed mother, Saint Mary, and all the company of heaven, and his body to be buried in the churchyard of St. Michael’s, …

Hostis Antiquus Resurgent: A Reconfigured Jerusalem In Twelfth-Century Latin Sermons About Islam, Todd P. Upton

Quidditas

This paper investigates how Christian writers from late antiquity through the twelfth century transformed explanations of encounters with Middle Eastern peoples and lands into a complex theological discourse. Examinations of sermons and narrative sources from antiquity through the first century of Crusades (1096-1192) serve as evidentiary bases because of the polemical way in which Pope Urban II’s 1095 sermon at Clermont defined Muslims. In that sermon, chroniclers recorded that the pope rallied Frankish support for an armed pilgrimage by disparaging Muslims who had overrun Jerusalem and the Holy Sites – calling them a “race utterly alienated from God” (gens …

Allen D. Breck Award Winner 2011

Quidditas

Michael Call

The Breck Award recognizes the most distinguished paper presented by a junior scholar at the annual conference.

The Changing Portrayal Of Sir Thomas More’S Life, Gary Cirelli

Quidditas

Sir Thomas More is an important figure in European intellectual history. During his lifetime, he was known throughout Europe as an accomplished thinker, writer, and lawyer. His devotion to the Church, pious lifestyle, and dramatic execution at the hands of Henry VIII made him a Catholic martyr, leading to his canonization in 1935. The facts of his remarkable life, his status among early modern Humanist intellectuals, friendship with Erasmus, his written works, like his famous Utopia, make it unsurprising that numerous scholars have written about More and analyzed his works. However, many of these scholars do not fully address …

Walters Ms W720: Chapters To Be Observed By The Singers Of The Cappella Giulia (1574), Ilona Klein

Faculty Publications

The manuscript W720 that bears the title Capitoli che hanno da osseruare gli Cantori della Cappella di San Pietro is an unstudied and unpublished document held in the archives of the Walters Art Gallery in Baltimore, Maryland. As one of the earliest surviving written texts of its kind, W720 documents in detail the rules that the singers of the Julian Chapel had to obey during the year 1574. The following critical edition of the manuscript and the accompanying English translation are intended to provide materials that will assist Renaissance specialists in a number of areas (art history, philology, history, musicology, …

Marilynne Robinson's Gilead As Modern Midrash, Robert J. Taggart

Theses and Dissertations

It is the intent of this project to show that Marilynne Robinson's novel Gilead might be profitably read within the context of the rabbinical exegetical tradition of midrash. It examines Gilead as a midrashic retelling of the Abraham story in the Bible, and shows how reading it in this light illuminates some of the key theological and social concerns at play in the novel. Midrash offers a unique model for reading Gilead because it combines elements of intertextuality, narrative theology and formal exegesis. Since midrash provides the framework for such a reading of Gilead, the first chapter discusses some …

Aesthetic Self-Reliance: Emersonian Influence On American Art, Adrienne Lynn Rumsey

Theses and Dissertations

This essay is an examination of the influence of Ralph Waldo Emerson on the development of American art through his essays, specifically his writings on nature and self-reliance. Through emphasizing individual potential, Emerson also influenced the visual arts. Instead of following the required formula in Europe of attending certain ateliers and seeking prestigious patronage, American artists, namely the Luminists and the Ashcan School, sought to address the issues of their day and portray life as it existed around them. Each of these groups formed during periods of time when American society was shifting and the American identity was evolving. Through …

Tensions Between Word And Image In Amalie Skram's Professor Hieronimus, Benjamin A. Bigelow

Theses and Dissertations

In her 1895 novel, Professor Hieronimus, Amalie Skram describes the struggle of Else Kant, a young mother and artist, against a tyrannical and apparently unfeeling doctor who keeps her at a Copenhagen asylum for more than a month against her will. Else feels terrorized by the constant surveillance to which she is subjected. This voyeuristic tendency in psychiatry is not only a reflection of Amalie Skram's own experience at a Copenhagen asylum, but is also indicative of a new psychiatric epistemology that understood visual observation as the key to ascertaining objective truth. Skram's novel is thus read against the …

Paradox And Paradise: Conflicting Perspectives On Race, Gender, And Nature In Aminata Sow Fall's Douceurs Du Bercail, Catherine Gardner Guyon Van Uitert

Theses and Dissertations

In my thesis, I examine Aminata Sow Fall's sixth novel Douceurs du bercail "The Sweetness of Home" through three lenses: race, gender, and nature. I analyze the way Sow Fall approaches each of these three areas in terms of paradox to emphasize her understanding of the complexity of these issues and her reluctance to outline them rigidly. Instead of putting forth hard opinions about how race, gender, or nature should be understood, Sow Fall exhibits a propensity to allow each area to remain complicated. I study why she allows racial, gendered, and environmental paradoxes to circulate around one another in …

Crosses, Flowers, And Toads: Classic Maya Bloodletting Iconography In Yaxchilan Lintels 24, 25, And 26, Kirsten Rachelle Steiger

Theses and Dissertations

The lintels of Yaxchilan Structure 23 seem to be a demonstrable case wherein specific symbols are singled out and deliberately used in an ordered sequence. Taken together as a unified series, Yaxchilan Lintels 24, 25, and 26 summarize the multi-step process of royal autosacrifice. An iconographic study of the huipil patterns depicted on these lintels yields a better understanding of complex bloodletting iconography and the way in which depictions of ceremonial autosacrifice reinforce Classic Maya beliefs relating to the divine role of Maya elite in eliciting communion with the gods and the subsequent rebirth of the cosmos. The rich iconography …

Book Review, W. Reed Smith, Norman C. Rotham, Pedro P. Geiger, Laina Farhat-Holzman

Comparative Civilizations Review

No abstract provided.

Ghouls, Hell And Transcendence: The Zombie In Popular Culture From "Night Of The Living Dead" To "Shaun Of The Dead", Jasie Stokes

Theses and Dissertations

Considering the amount of media created around the zombie and the sustained interest in its role in our society, we can clearly see that a cultural phenomenon is underway, and it is important for us to question this phenomenon in order to gain some understanding of how and why its appeal has stretched so far. The zombie is somehow enthralling, and it is my opinion that this is in part because the zombie is a study of what it means to be human in the postmodern world. My main purpose here is not to ask why zombies are popular or …

Front Matter

Quidditas

No abstract provided.

Politics And Play: The National Stage And The Player King In Shakespeare’S Henry V And Macbeth, Kristin M.S. Bezio

Quidditas

This article examines the intersection between theatrical and political discourse in early modern England. It argues that that the dialog surrounding early modern discourses of monarchy intersects specifically with theatrical notions of performance by means of the social contract implicit in English Common Law. The link between the political stage and the theater is perhaps most transparent in the metaphor of the theatrum mundi. Because the theatrum mundi requires the active participation of the audience, they must always be included in the theatrum mundi as participatory citizens in its illusory world. They are drawn into the conversation between stage …

Putting On The Garment Of Widowhood: Medieval Widows, Monastic Memory, And Historical Writing, Katherine Clark

Quidditas

The idea of the widow in communal memory and historical writing was a resonant and multi-faceted concept for monastic writers of the Middle Ages. This essay focuses on the function and meaning of widowhood in two examples of early medieval historical writing, by one male and one female author, to illustrate how monastic authors engaged significant and enduring aspects of widowhood during the Western European Middle Ages to construct institutional histories. Images of female memory and widowed piety (especially because the widow represented the Church who awaited her spouse, Christ) were useful in describing the experiences of women who held …

Cognition And Recognition In King Lear, Act Iv. Scene Vii, Jenny Rebecca Rytting

Quidditas

Although King Lear’s half-line “You are a spirit I know” (IV.vii.49) has no internal punctuation in the Folio or Quarto versions of Shakespeare’s play, most modern editors add a comma between the words “spirit” and “I.” This spurious comma forces the line to be interpreted to mean “I know that you are a spirit” rather than “You are a spirit that I know,” whereas, without punctuation, both interpretations are viable. I argue that the latter reading is not only possible, based on Shakespeare’s syntactical practices, but also preferable, based on both the immediate context of the line and the theme …

Satire In Boaistuau’S Théâtre Du Monde, Alison Baird Lovell

Quidditas

Le Théâtre du monde [Theater of the World] (1558) of Pierre Boaistuau was an encyclopedic compilation in three books presenting a litany of vices and miseries in human life; the book proved to be an early modern “bestseller” and was reproduced in many editions and translations across Europe. Boaistuau, the first editor of the tales of Marguerite de Navarre, also edited other story collections, besides investigating religious matters, early modern science and medicine including prodigies and monsters, and other developing forms of knowledge. The Théâtre du monde manifested topoi including the theatrum mundi with its vast spectacle displayed …

The Right Stuff: Habitus And Embodied Virtue In Sir Gawain And The Green Knight, Alice F. Blackwell

Quidditas

One of the themes weaving in and out of Sir Gawain and the Green Knight is that of virtue: Gawain’s shield proclaims his virtue, yet at the end of the Green Chapel scene, he exclaims vice has destroyed his virtue, leaving him “faulty and false.” This scene has troubled critics and students, however, for many consider his reaction excessive for his default on the rules of a courtly game. The present paper contends that the notion of virtue written for Gawain naturalizes embodied virtue. While both religious and lay writers tended to argue that one possessed predisposition to moral or …

Review Article: Quidditas And Medieval Studies Today, Erin Felicia Labbie

Quidditas

Medieval studies today may be precisely characterized by quidditas. The Aristotelian term quidditas became central to the development of medieval scholastic inquiry in the West when, in 1066 Anselm of Canterbury wrote the Monologion. This eleventh-century foray into the revival of Aristotelian thought is also seen in Porphyry’s third-century translations of Aristotle and in Boethius’ sixth-century concern with universals elaborated in his commentaries on universals and categories. For Anselm and the developing model of medieval scholastic thought, the Monologion and its immediate successor, the Proslogian, assert a double discourse of the difference between quidditas and haeccitas, …

Saints And The Social Order: Alexander Barclay’S The Life Of St. George, Maggie Gallup Kopp

Quidditas

This paper examines The Life of St. George, Alexander Barclay’s 1515 translation of a humanist Latin prose poem. Barclay, who styled himself a laureate in the tradition of Lydgate, adapts laureate poetic practice in order to address a noble audience in a bid to gain court patronage. Barclay’s emendations and additions transform the hagiography of England’s patron saint into a commentary on traditional English ideals of citizenship and good governance, aimed at an audience comprised of both common citizens and noble elites, including, as this paper argues, the young king Henry VIII.

Allen D. Breck Award Winner (2010)

Quidditas

Kristin M.S. Bezio

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference of the Rocky Mountain Medieval and Renaissance Association

“Hand Hand Shooke”: Compassionate Touch In George Chapman’S Hero And Leander, Patricia Davis Patrick

Quidditas

Chapman begins his continuation of Marlowe’s Hero and Leander by announcing that he intends to “censure the delights” which the lovers have enjoyed without the sanction of ceremony. However, the narrator does not maintain this attitude of stern judgment. As readers of Chapman’s Hero and Leander have often noticed, the narrator continuously shifts his tone, sometimes censuring the lovers and sometimes sympathizing with them. Chapman’s poem is thus as deeply concerned with the problem of appropriate compassion as it is with the containment of Eros. The narrator’s vacillation between censure and compassion can be fruitfully considered by examining early modern …

Banishing Ganymede At Whitehall: Jove’S “Loathsome Staines” And Fictions Of Britain In Thomas Carew’S Coelum Britannicum, Jessica Tvordi

Quidditas

Thomas Carew’s masque Coelum Britannicum, performed at Whitehall on Shrove Tuesday of 1634, deploys an image of conjugal perfection in order to codify a fiction of national union. Not only are Charles I and Henrietta Maria models of moral and political comportment powerful enough to reform the profligate court of Jove, their harmonious marriage also provides the inspiration for reconciliation between England, Scotland, and Ireland. In order to assert this fiction of unification, the masque invokes images of sexual transgression, symbolically enacts their removal, and equates the strength of Britain with the absence of the deviant monarch, James I. …

“Talk Of Marriage” In Northwest England: Continuity And Change In Matrimonial Litigation, 1560-1640, Jennifer Mcnabb

Quidditas

This article suggests that the matrimonial culture of northwest England from 1560 to 1640 was marked by a complex range of strategies, values, and processes that emphasized matrimony as a performative process. While present-tense language of consent created, in the words of sixteenth-century lawyer Henry Swinburne, the “Substance and indissoluble knot of Matrimony,” people in the northwest consistently identified other words, actions, and attitudes that also communicated matrimonial intent. Litigation from the diocese of Chester’s two consistory courts features considerable “talk of marriage” by litigants and deponents and reveals an enduring emphasis in the northwest on public performance of matrimonial …

Full Issue

Quidditas

No abstract provided.