Comparative Literature Commons^™

Civilizational Trauma And Value Nihilism In Boccaccio's "Decameron", David J. Rosner

Comparative Civilizations Review

No abstract provided.

Andrew Targowski, The Deadly Effect Of Informatics On The Holocaust, Peter Hecht

Comparative Civilizations Review

No abstract provided.

Barry Cunliffe, Europe Between The Oceans: 9000 Bc To Ad 1000, Laina Farhat-Holzman

Comparative Civilizations Review

No abstract provided.

John Keegan, The First World War, Laina Farhat-Holzman

Comparative Civilizations Review

No abstract provided.

Glimpses Of World War Ii In Denmark: Memory And History In Frayn's Copenhagen And Sibbern's Resistance Scrapbook, Adriana Pinegar

Theses and Dissertations

The relationship between history and memory is long and complex. While some theorists argue that they are at odds with one another, this thesis explores the necessary relationship between the two. Using Michael Frayn's 1998 play, Copenhagen, and the scrapbook of a Danish police officer and resistance fighter during World War II, the author posits the central role of uncertainty in the negotiation of individual memory and history. The position of the observer or witness to history affects the way the past is remembered and recorded. Individual witnesses, even and perhaps especially where they stray from the accepted historical narrative, …

Dionysus In Spain: The New Divinity In Unamuno’S San Manuel Bueno, Mártir, David Delbar, Roger Macfarlane

Journal of Undergraduate Research

Few characters are as enigmatic as the protagonist of Miguel de Unamuno’s San Manuel Bueno, mártir, and many scholars have attempted to discern the motivations of the saintly Catholic priest who does not believe in an afterlife. Because of the overt biblical allusions in the text and the personal struggles of the author with the Catholic faith, many approach the novella and its protagonist with a Christian interpretation, ignoring Unamuno’s extensive classical background. While Unamuno clearly modeled don Manuel as a Christ figure, he also embedded Dionysian characteristics that have thus far been unexamined in academic treatises of the …

Turn Of The Century Sweden And The Ecological Imaginarytopic Modeling Ecological Thought In Swedish Nature Texts, Benjamin Holt, Dane Christensen, Dr. Christopher Oscarson

Journal of Undergraduate Research

The roots of ecology in Scandinavia begin with the botanist Linnaeus in the 18th century, who developed the notion of the economy of nature. Throughout the 19th century, proto-ecologists carried the movement that would eventually be recognized as a legitimate and viable science, studying the interaction between organisms and their environment. Leading up to the turn of the century, the climate in Scandinavia was ripe for organizations to emerge such as the Svenska Turistföreningen (Swedish Tourist Society) and the Svenska Naturskyddsföreningen (Swedish Nature Protection Society), both of which are committed to improving and preserving nature in Sweden.

A Digital Epigraphic Database: Partnership With Duke Collaboratory For Classics Computing, Nozomu Okuda, Dr. Roger Macfarlane

Journal of Undergraduate Research

Digital epigraphic databases can be of interest to scholars who study the past. Epigraphy — a word which combines the two Greek roots epi-, meaning “above” or “on,” and graphe, meaning “writing” — is the study of inscriptions. Among the epigraphic publications are commemorations, dedications, proclamations, and even general information, all of which were engraved upon more or less permanent media. Thus, those messages from the past continue to convey information in the present, thereby making epigraphy an important aid to scholarship of the past. Despite the longevity of inscriptions, their media may be too large, fragile, or …

A New Approach To Museum Exhibits, Allison Rietz, Kerry Soper

Journal of Undergraduate Research

This project deals with museum exhibits, the primary cultural product used to justify a museum’s existence; they are also the face of the museum that the public sees. However, because museums are a mix of visual and literary aspects, the point of an exhibit can often get lost in an attempt to include a “Wow Factor”, which may not even relate to the exhibit. And if the exhibits do not appeal to visitors or are confusing, fewer people will come to visit, making it necessary for exhibits to be clear for their audience.

Pherc. 698 Cr. 3-4: A New Edition, Justin Asay Barney

Theses and Dissertations

The following is a new edition of PHerc. 698 cr. 3-4, including an introduction, English translation and commentary. An in-line reprint of PHerc. 19, including a new English translation, is also included for continuity of thought and language.

Finnishness And Colonization In Akseli Gallen-Kallela's Representations Of Africa, Camille Kathryn Richey

Theses and Dissertations

Akseli Gallen-Kallela is often discussed as the national painter of Finland, as one who helped define Finnishness when Finland was still a colonized area of Russia. However, his trip to Africa from 1909-1911 shows where Gallen-Kallela acts as a pictorial colonizer himself, not only sympathizing with the Africans but representing them through a European cosmopolitan lens, as purer and closer to nature, but still inferior. The assumptions inherent in his representations of Africa reveal that Gallen-Kallela is not only a colonized subject but a colonizer of his own country.

State Of Love And Love Of State In Chaucer's Epic, Troilus And Criseyde, Robert Allen Fuller

Theses and Dissertations

Chaucer scholars have long recognized the generic complexity of Troilus and Criseyde, but they have tended to read it primarily as a tragedy or romance or as a text whose genre is sui generis. The following essay attempts to read Troilus and Criseyde as an epic and to articulate how such a generic lens would reorient readings of the text. To do so, fresh definition is given to the term “epic,” and insights from genre theory are drawn upon. Ultimately, Troilus and Criseyde is an epic poem because it invests within the composite hero of two lovers the fact that …

Mary Elise Sarotte, The Collapse: The Accidental Opening Of The Berlin Wall, Basic Books, 2014. Barry Rubin And Wolfgang G. Schwanitz, Nazis, Islamists, And The Making Of The Modern Middle East, Yale University Press, 2014., Laina Farhat–Holzman

Comparative Civilizations Review

No abstract provided.

Elevating The Other: A Theoretical Approach To Alexander Mcqueen, Keri Rowe

Theses and Dissertations

This thesis examines the relationship between art and fashion in order to first, justify fashion as an art form, and second, demonstrate the applicability of critical theory to the study of fashion through an examination of Alexander McQueen's Spring/Summer 2006 menswear collection, titled “Killa,” presented in Milan, Italy, in 2005. “Killa,” loosely based on William Golding's 1954 novel Lord of the Flies and its 1963 film adaptation, opens with crisp, white, tailored suits worn by neatly groomed models. Steadily throughout the collection, these tailored suits are exchanged for wide-legged, cropped shorts, and tanks in browns and beiges. By the end, …

Betende Hande: Albrecht Durer's Self-Portrait As A Gothic Church, Christine Heathcote

Theses and Dissertations

In 1508 Albrecht Dürer, famed German printmaker and Nürnberg citizen, was commission by Jakob Heller of Frankfurt to paint a large altarpiece for a new church. The Heller Altarpiece was the second commission of the printer since his training in Venice, Italy (1504-1507) to paint like an Italian master. In order to prepare for such a commission, Dürer spent over a year creating drawings of black ink and white chalk on blue Venetian paper to serve as inspiration for the large painting. However once the painting was complete, the artist held onto these ink and chalk drawings as part of …

The Terrifying And The Beautiful: An Ecocritical Approach To Alexandre Hogue's Erosion Series, Ann K. Hartvigsen

Theses and Dissertations

This thesis explores the work of Texan painter Alexandre Hogue, and specifically how his 1930s Erosion Series, paintings of wind-ravaged farms during the Dust Bowl, promotes environmental attitudes long before America had a well developed ecological language. It analyzes the Erosion Series in the context of Hogue's personal land ethics and those of his artistic contemporaries, showing that the 1930s series strives to depict the devastation caused by both drought and aggressive farming practices. A comparison of Hogue's work to Regionalist artists like Thomas Hart Benton and Grant Wood reveals that Regionalists' depictions of land during the 1930s created an …

The Matriarchal Nimbus: Matthäus Gutrecht The Younger's The Holy Kinship, Camille J. Jacobsen

Theses and Dissertations

In The Holy Kinship (1500-1510), the artist Matthäus Gutrecht the Younger defies convention by portraying the importance of matriarchy, via the semiotics of the nimbus. Within Christian art, the nimbus has been widely used as a signifier of divinity. Saints and angels, as well as members of the Holy Family, are often depicted nimbed in the history of art. In particular, men of divine status are frequently nimbed, as Christianity was predominantly patriarchal. However, there are several cases in which women are also represented with this divine signifier. One work in which the nimbus as a signifier of matriarchal status …

Reevaluating The New Testament Text Of Didymus The Blind: An Examination Of The New Testament References In P. Byu 1, Michael Robert Trotter

Theses and Dissertations

In 1941 a large cache of papyri preserving the writings of Origen and Didymus the Blind were discovered in Tura, Egypt. 43 years later 22 signatures from the Tura papryi containing Ps. 26:10–29:2, 36:1–3 from Didymus the Blinds' commentary on Psalms were acquired by Brigham Young University. These signatures remain unpublished at present. This paper examines Didymus' use of the New Testament in this hitherto unpublished section of his commentary and seeks to reevaluate past scholarship on the New Testament text of Didymus in light of this new data. In addition to providing an inventory of all the New Testament …

Delno C. West Award Winner (2015)

Quidditas

Elizabeth Dolly Weber

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

De Syon Exierit Lex Et Verbum Domini De Iherusalem’: An Exegetical Discourse (C. 400-C. 1200) That Informed Crusaders’ Views Of Jews, Todd P. Upton

Quidditas

This paper assesses how medieval Christian writers transformed encounters with Middle Eastern peoples such as the Jews into a complex theological discourse via the medium used by Pope Urban II in 1095 to launch the First Crusade, the Latin sermon. It argues that a hitherto unnoted homiletic tradition about Jews originated in Late Antiquity and the Early Middle Ages based (1) on exegetical polemics that stretched back centuries in Christian theology, and (2) on a discernible chronicle and sermon tradition that depicted Jews in varying degrees of apologia based on a prophesied role as “witnesses” to the eschatological expectations of …

The Role Of Rumor And The Prodigal Son: Shakespeare’S Sources And Fathers And Sons In The Second Henriad, Steven Hrdlicka

Quidditas

This article challenges traditional, critical interpretations of Shakespeare’s character Prince Hal by examining changes Shakespeare makes to sources he used, in particular the anonymous play Famous Victories of Henry V. Shakespeare does not portray a “prodigal” Prince Hal character as has often been argued by critics, but instead carefully follows Holinshed’s observations that the prince was virtuous in youth and that rumors about the prince’s supposed prodigal behavior were spread by those who were in the service of Henry IV. These rumors were aimed to cause conflict between father and son. Shakespeare’s inclusion of these two important details found in …

The Sin Eater: Confession And Ingestion In The Romance Of Renard, Elizabeth Dolly Weber

Quidditas

The “Confession of Renard,” Branch XIV of the twelfth-century animal epic Roman de Renart (Romance of Reynard the Fox) explores the potential risks of the rite of confession, including the danger of whetting the appetite of the sinner by having him recount and re-live his delicious past sins. The fact that Renard, the “repentant” sinner, actually eats his confessor, suggests not only that merely talking about sin, particularly sexual sin, is a perilous business, but also that confession, like digestion, is a transformational process for both the penitent and the confessor.

Full Issue

Quidditas

No abstract provided.

Literary Docudrama In The Classroom: Teaching With John Hatcher’S The Black Death: A Personal History, Ginger Smoak, Jennifer Mcnabb

Quidditas

John Hatcher’s The Black Death: A Personal History is an unconventional text. It recounts the experience of plague by a single, extraordinarily well-documented village in Suffolk, England: Walsham le Willows. While such a focus perhaps seems fairly standard of case studies or microhistory, Hatcher’s book is more than a narrow treatment of a corner of England. In a preface entitled “The Nature of This Book,” he opens with a discussion of both his journey toward the realization that he wanted to write a markedly different sort of treatment of the Black Death than present in extant scholarship and a rather …

Front Matter

Quidditas

No abstract provided.

Symbiotic Werewolves And Cybernetic Anchoresses: Premodern Posthumans In Medieval Literature, Jennifer K. Cox

Quidditas

This paper examines how individual agency in medieval society might be expanded through posthuman configurations; in so doing, it pushes the boundaries of traditional practices in medieval research to include more contemporary ideas. Although as scholars, we must avoid anachronistic readings of these texts, ignoring modern thinkers like N. Katherine Hayles (How We Became Posthuman) and Donna Haraway (“A Cyborg Manifesto”) too easily disregards their valuable – and timeless – insights. While the term “posthuman” can evoke images of cyborgs or superhuman mutants using wormholes to traverse space and time, this pop culture perspective often overlooks less technoscientific examples of …

Domestic Cruelty: Saevitia And Separation In Medieval France, Kristi Diclemente

Quidditas

This article examines the role cruelty played in marriage separation cases in fourteenth-century Paris. Cruelty was an effective and relatively successful means for women to initiate separation litigation. The archdeacon’s court regularly cited saevitia as a reason for its decision to legally separate marriages. Marital cruelty, however was a complicated issue and what constituted cruelty was not defined within the text. Through an examination of the use of saevitia in the legal cases,in conjunction with contemporary exempla of abusive marriages, such as the vita of Godelieve of Gistel, the author finds that it was a complicated term representing a variety …

Allen D. Breck Award Winner (2015)

Quidditas

Alaina L. Bupp

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

“I Am I”: The Allegorical Bastard In Shakespeare’S King John, Alaina Bupp

Quidditas

Shakespeare’s King John provides readers with a particularly interesting, though relatively unexamined character: Philip Falconbridge, the bastard. This character exists somewhere between the allegorical forbears of medieval morality plays and the intensely interior specificity of the likes of Hamlet. Philip begins the play with a specific, though fictional, identity, but consciously decides to become allegorical. We can see this transformation at the intersection of text and context, of the words spoken by Philip as he becomes Bastard (the allegorical figure) and the First Folio’s construction of that transformation. Bastard employs particular rhetoric to firstly shed his old, specific identity and …

Front Matter

Comparative Civilizations Review

No abstract provided.