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Articles 31 - 42 of 42

Full-Text Articles in Comparative Literature

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward Apr 2014

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

In a world in which what counts as knowledge is predominantly restricted to the measurable and the calculable, those elements of human experience which elude and exceed these parameters are often ignored and discounted. In this course, we will examine questions of the sublime, the uncanny, and the speculative as treated in literature, psychoanalysis, and philosophy in order to think and write critically about them. Here, we will consider the possible extent to which an openness to such experiences can enrich our lives.


Course Syllabus (Fa13) Coli 211 Literature & Psychology: "Power, The Subject, And Technological Rationality", Christopher Southward Oct 2013

Course Syllabus (Fa13) Coli 211 Literature & Psychology: "Power, The Subject, And Technological Rationality", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description and Objectives:

In this course, we will examine mechanisms of power and the processes by which these produce categories of subjectivity. Theoretically speaking, we will begin by considering these processes at the level of society and then dwell on their human experience at the level of the psyche. Here, we will aim to discover processes by which the subject reproduces conditions of domination by power at the level of psychic experience. Power-practices assume their condition of possibility by positing, on the one hand, that the category of the subject is a priori existent and, on the other, that …


Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro Jan 2012

Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

The short-lived revue válvula, published in Caracas in 1928, was symbolic of the cursory invasion of Futurism into Venezuela, and of the fate of the avant-garde in that country between the 1920s and 1930s. At a time, when the nation was struggling to shake itself from the patriarchal influence of the caudillo Juan Vincente Gómez (1857-1935), and was simultaneously on the eve of a shift from an agricultural to an oil-based economy, artistic avant-garde movements arrived in cultural centres such as Caracas and Maracaibo not with the boom and thunder appropriate to war-loving Futurism but, rather, trickled in slowly, gradually …


Songs And Intellectuals: The Musical Projects Of Alain Locke, Alejo Carpentier, And Mário De Andrade, Luiza Franco Moreira Sep 2011

Songs And Intellectuals: The Musical Projects Of Alain Locke, Alejo Carpentier, And Mário De Andrade, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.


“Disagreement As Duty: On The Importance Of The Self And Friendship In Cavell's Moral Philosophy.”, Jeroen Gerrits Jul 2010

“Disagreement As Duty: On The Importance Of The Self And Friendship In Cavell's Moral Philosophy.”, Jeroen Gerrits

Comparative Literature Faculty and Student Scholarship

This essay focuses on the significance of disagreem ent in what Cavell has coined“Emersonian” perfectionism. This moral outlook hold s that everyday moral duties andchoices, unlike epistemological cases, ultimately r est on our personal assessment andjustification of an action. It is therefore possible (and likely) that disagreements point notto moral incompetence, but to a conflict of desires – crucially including a conflict of onesown desires. As a consequence, the demand of making oneself intelligible is a primary andconstant moral duty, without which we lose sight of the means of coming to an agreement.Perfectionism further assumes that, since people ar e …


Contextos E Pistas: Um Editorial De Pensamento Da América, Luiza Franco Moreira Jul 2010

Contextos E Pistas: Um Editorial De Pensamento Da América, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.


Frente Conjetural: Escritores Brasileños De Izquierda Y El Estado Novo, Luiza Franco Moreira May 2010

Frente Conjetural: Escritores Brasileños De Izquierda Y El Estado Novo, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

En el diario oficial del Estado Novo, la dictadura liderada por Getúlio Vargas en Brasil entre 1937 y 1945, un grupo de intelectuales organizaron una sección cultural, «Pensamento da América», dedicada a publicar traducciones de escritores de toda América. Basado en trabajo de archivo, este artículo reconstruye la trayectoria de esta sección cultural, desde un antifascismo y latinoamericanismo más bien en sordina durante 1941, hasta su papel de apoyo a la política exterior de Vargas durante la guerra, de 1942 en adelante. El artículo se ocupa, sobre todo, de explorar los contextos que abrieron el camino y establecieron los límites …


Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro Jan 2010

Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

Abstract: This essay treats the Venezuelan avant-garde and its historical development through the poet María Calcaño (1906-1956). An analysis of Calcaño’s work reveals how her erotic avant-gardism was excluded from male-dominated avant-garde literary circles in Venezuela in the 1920s and the 1930s. Rather than analyzing the Latin- American avant-garde as a product of European vanguardisms, I show how Calcaño’s poetry draws upon women’s physical and erotic experience to generate a new female- authored avant-garde poetic corpus. Calcaño therefore produces work that illustrates the poetic expression of women’s identity in Venezuela. She is the first poet who breaks with poetic forms …


A Lua E O Domador: Símbolos Literários E Divisões Sociais Na Poesia Nacionalista De Cassiano Ricardo E Leopoldo Marechal, Luiza Franco Moreira Jun 1998

A Lua E O Domador: Símbolos Literários E Divisões Sociais Na Poesia Nacionalista De Cassiano Ricardo E Leopoldo Marechal, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.


Yourcenar's Les Vagues: Changing The Rhythm Of The Waves, Amy L. Cooper May 1988

Yourcenar's Les Vagues: Changing The Rhythm Of The Waves, Amy L. Cooper

Graduate Dissertations and Theses

No abstract provided.


The Dramaturgy Of Sławomir Mrożek, Regina Grol-Prokopczyk Jan 1973

The Dramaturgy Of Sławomir Mrożek, Regina Grol-Prokopczyk

Graduate Dissertations and Theses

The focus of this dissertation is the dramaturgy of Sławomir Mrożek. The study was triggered by a striking disproportion in Mrożekian criticism. There is a multitude of minor articles and reviews, but not a single monographic study devoted to the dramatist and his work. Such a state of affairs resulted from some accidental factors. In Poland where Mrożek is very well known and appreciated, the official ban imposed on him during the past five years precluded any book on him from appearing. In the West, the absence of a full-length critical study on Mrożek might be attributed to the fact …


The Imagery Of Time And Season In The German Baroque And Romantic Poetry, Jane Muenzer Mehl Jan 1973

The Imagery Of Time And Season In The German Baroque And Romantic Poetry, Jane Muenzer Mehl

Graduate Dissertations and Theses

Historians of German literature generally agree that the decisive turning point in the reappraisal of German Baroque literature was largely due to Heinrich Wölfflin’s seminal study Renaissance und Barock: Eine Untersuchung über Wesen und Entstehung des Barockstils in ltalien (1888). This monograph on the development of architecture in Rome represents the first significant attempt to distinguish Renaissance and Baroque art using purely structural terms. In it Wölfflin rejects an Aristotelian view of art as the imitation of nature and redefines art history as the study of artistic styles of different epochs, nations, and individuals, expressing distinct philosophies of life, aspirations, …