Comparative Literature Commons^™

Globalization, Pedagogical Imagination, And Transnational Literacy, Ezra Yoo-Hyeok Lee

CLCWeb: Comparative Literature and Culture

In his article, "Globalization, Pedagogical Imagination, and Transnational Literacy," Ezra Yoo-Hyeok Lee explores the juncture of comparative literature, globalization and postcolonial studies as to how creative writers, literary critics, and cultural theorists respond to globalization and its challenges. Arjun Appadurai expounds that globalization has demanded new research conceptualization and invention in academia. Subsequently, Lee investigates methods through which educators and scholars in comparative literature take up such a demand. In turn, Lee proposes a transnational literacy which offers a responsible form of cultural explanation, through which to explore the interrelations between the national and the postcolonial or global paradigms, both …

Tropologies Of Tradition And (Post)Modernity In Nwagwu's Forever Chimes, James Tar Tsaaior

CLCWeb: Comparative Literature and Culture

In his article "Tropologies of Tradition and (Post)modernity in Nwagwu's Forever Chimes" James Tar Tsaaior explores Mark Nwagu's novel and postulates that the author succeeds in constructing a novelistic universe both concrete and fluid in its re-invention or re-fabrication of cultural traditions and identity formation processes. This universe is simultaneously traditional/indigenous and (post)modern. However, rather than to delineate these cultural formations through difference as oppositional categories, Nwagu suggests grounds for multicultural interactions and transactions. In this cultural schema, none of the cultures claims exclusive preserve or pre-eminence over the other as what exists is a democratic space for the …

Early Twentieth-Century Fashion Designer Life Writing, Ilya Parkins

CLCWeb: Comparative Literature and Culture

In her article "Early Twentieth-century Fashion Designer Life Writing," Ilya Parkins examines memoirs of major modernist fashion designers in the, finding that the genre is characterized by a strong geographic cleavage between France and America, overlain by perceptions of epistemic difference. She compares Elsa Schiaparelli's and Paul Poiret's work, finding that despite their differences, the opposition between France as a locale of abstract knowledge and America as a site of empiricism allows them to claim, as French designers, a certain privilege in a profession characterized by an unresolvable tension between art and commerce. The encroachment of American industrial models in …

Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki

CLCWeb: Comparative Literature and Culture

No abstract provided.

Science Fiction And A Rhetorical Analysis Of The 'Literature Myth', Kris Rutten, Ronald Soetaert, Geert Vandermeersche

CLCWeb: Comparative Literature and Culture

In their article "Science Fiction and a Rhetorical Analysis of the 'Literature Myth'" Kris Rutten, Ronald Soetaert, and Geert Vandermeersche discuss what we can learn from science fiction about cultural literacy in general and literary culture in particular. From a theoretical and methodological perspective the authors start from the work of rhetorician Kenneth Burke. First, the authors conceptualize literature as "equipment for living" followed by a discussion of science fiction as "equipment for living" based on a description of the genre as "satire by entelechy." Second, they analyze a selection of science fiction narratives using the "dramatistic pentad" as …

Translating Enlightenment: A Review Article Of New Books By Stockhorst, Vidal Claramonte, And Tortosa, Mónica Bolufer

CLCWeb: Comparative Literature and Culture

No abstract provided.

Echoes Of Sophocles's Antigone In Auster's Invisible, Kathleen Waller

CLCWeb: Comparative Literature and Culture

In her article "Echoes of Sophocles's Antigone in Auster's Invisible" Kathleen Waller discusses Paul Auster's Invisible, a novel that explores Deleuze's and Guattari's ontological idea of becoming in a virtual world versus merely living in the actual, physical world. Sexual and immortal desires in the protagonist's virtual world show a near achieved nothingness, or "a space which is unlimited" and filled with the being's energy, and a being who is becoming, a "univocal being" as a "free spirit" of energy. However, because these desires are only realized through a repression, Auster asks us not to go as far …

Chekhov As A Founder Of The Comedy Of A New Type, Vera Zubarev

CLCWeb: Comparative Literature and Culture

In her article "Chekhov as a Founder of the Comedy of a New Type" Vera Zubarev discusses Chekhov's innovations within the framework of general systems thinking and the predispositioning theory. To this end, the notion of the positional style is used as a subject of systems analysis. Zubarev postulates that Chekhov's innovative style signified a new era of thinking now known as systems thinking. The main principles of the style correspond to those offered by the positional style in chess speedily developed at the time Chekhov worked on his stories and plays. Chekhov's reconstruction of the comedic genre had nothing …

Marjory Scott Wardrop And Early Twentieth-Century Georgian History, Shorena Stoyer

CLCWeb: Comparative Literature and Culture

In her article "Marjory Scott Wardrop and Early Twentieth-century Georgian History" Shorena Stoyer presents documents and translations of Marjory Scott Wardrop (1869-1909), of hitherto unpublished manuscripts archived in the Wardrop Collection of the Oxford Bodleian Library. The manuscripts attest to Wardrop's role as an outside observer of matters Russian and Georgian in the early twentieth century and show her commitment to support the aspirations towards freedom by the Georgian people against tzarist invasion. Wardrop's manuscripts reveal valuable information about Russian and Georgian history, as well as Wardrop's views from a British angle. Thus, the Wardrop manuscripts are important for the …

Widows In Eighteenth-Century Romania: A Review Article Of New Books By Răsuceanu And Vintilă-Ghiţulescu, Silvia Dumitrache

CLCWeb: Comparative Literature and Culture

No abstract provided.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

La Patria Perdida O Imaginada: Translating Teodoro Torres In "El Mexico De Afuera", Ethriam Cash Brammer

Wayne State University Dissertations

ABSTRACT

LA PATRIA PERDIDA O IMAGINADA: TRANSLATING TEODORO TORRES

IN "EL MÉXICO DE AFUERA"

by

ETHRIAM CASH BRAMMER

December 2011

Advisor: Dr. Renata Wasserman

Major: English

Degree: Doctor of Philosophy

One resent result of the Recovery of the U.S. Hispanic Literary Heritage Project has been the "rediscovery" of the novel La patria perdida (1935), written by acclaimed Mexican journalist Teodoro Torres while in exile in the United States. This novel is a kind of Mexican-American Horacio Algiers tale, detailing the success story of Luis Alfaro, who is eventually able to create a utopian Mexican-American hacienda, called Buenavista, outside of Kansas …

翻译研究中的后殖民女性主义视角 : 自我反思的立场, Lijuan Chen

Lingnan Theses

女性主义和后殖民理论已于20 世纪80 年代介入翻译研究，并成为“效忠 取向”的翻译研究中的两大流派。但是，主流女性主义翻译研究和主流后殖民 翻译研究在缺乏自我反思立场的同时，在很大程度上分别体现了对种族维度和 性别维度的漠视，从而忽视了一些重要的研究问题。尽管已有极少数学者，从 结合性别和种族的后殖民女性主义视角看待了有关翻译现象，她们并没有考虑 将后殖民女性主义理论体系性地纳入翻译研究，同时也在很大程度上没有体现 自我反思。有鉴于此，本研究一方面以提出研究问题的方式，尝试体系性地将 后殖民女性主义理论纳入翻译研究，另一方面则以个案研究的方式，尝试如何 进行自我反思的后殖民女性主义翻译研究，并审视在很大程度上未被其他后殖 民女性主义学者所具体分析过的翻译现象。

在从后殖民女性主义视角提出一系列翻译研究问题之后，本研究继而选择 其中的两个问题作为个案研究对象，即考察西方女性主义出版社在出版第三世 界女性文本方面的翻译选材政治，以及西方女译者在处理第三世界女性主义文 本方面的翻译政治。在有关后殖民女性主义观点的启发下，以及在保持自我反 思立场的同时，本研究首先审视了美国女性主义出版社Aunt Lute Books 以及英 国女性主义出版社Virago Press，在翻译出版中国女性文本方面所体现的选材特 点。接着，本研究考察了美国白人女译者，在处理美籍华裔女作家严歌苓所著 《扶桑》中体现道家思想和佛教内涵的严歌苓式女性主义方面，所采用的翻译 方式。本研究表明，西方女性主义的话语殖民，西方女性主义与第三世界女性 主义之间及其背后文化理据之间的权力差异，以及相关主体所具有的白人女性 身份，以颇为复杂的形式，体现于涉及第三世界女性文本的翻译选材和翻译方 式。此外，通过上述讨论，本研究也展示了如何进行自我反思的后殖民女性主 义翻译研究，并凸显自我反思的翻译研究话语的内部冲突和暧昧之处。

译者是谁? : 译者的身份认同与翻译研究, Wenjing Li

Lingnan Theses

近年来翻译研究中的重要话题，如文化翻译、后殖民、女性主义、意识形 态、翻译的主体性和主体间性等，或多或少都与译者身份及其认同的问题有着 直接或间接的关联。身份的概念在翻译研究中虽被一再提及，却仍缺乏清晰的界定，有待深入探讨。

通过借鉴并整合社会心理学有关身份理论的假设和分析，本文在梳理评论相关研究成果的基础上对译者身份进行动态分析，由此提出译者身份的三种类型，即角色身份、群体身份和个人身份。本文首先从社会角色入手探讨译者的 角色身份和角色期待与阐释，以及翻译角色间的互动对话等相关问题，提出翻译主体间的角色互动以内部多重对话为主要形式，译者则通过角色扮演达成内部对话。随后，本文以性别身份为例探讨译者的群体身份，运用身份选择理论讨论在女性主义、性别与翻译结合的过程中出现的译者性别身份的不同表现形式，并特别考察了译者在翻译活动中的性别表演行为。再者，本文从译者主体创造性的角度出发讨论译者个人身份，以从事翻译活动的作家为例，系统阐述 了译者在再创作中表现出的与原作者之间创作与模仿的杂合冲突。随后，本文的重点转移至考察译者文化认同与民族国家的集体身份在翻译中的重新建构之间的关系，通过案例分析阐释译者在译文中表现出提升自我文化身份的倾向， 说明集体身份的改写与译者的个体认同的密切关系。此外，译者身份的社会期待与个体内化、身份杂合、多重身份的承诺和选择、身份表演、角色对话等一 系列相关问题本文亦有所涉及。

除了借鉴和改造社会心理学的身份理论并应用于翻译研究，本文还进行了大量的实证研究，包括D.H.Lawrence 的《狐》的三个中文译本的平行对比，美籍华裔作家谭恩美的《沉没之鱼》的中文译写现象和文本分析，《无题的风景》英译的译者注释分析，以及互联网自发翻译现象分析等，不仅作为对本文所提论点的有力支撑，同时还有助于扩展、深化和强化相关的理论话语。

形变与值变 : 论文学陌生化语言的翻译, Yongsui Peng

Lingnan Theses

“陌生化”(defamiliarization) 理论是二十世纪初俄国形式主义者Viktor Shklovskij 所提出。根据该理论，文学文本包含作者出于文学动因而扭曲常规语 言所致的偏离语言，这种语言被称为陌生化语言。陌生化语言除具有特殊文体效果外，还被用来深化文本的社会文化主题意义,历来是译者和翻译研究者关注 的对象。然而，由于受源语导向对等论和形式主义美学的束缚，以往研究者讨论文学陌生化语言翻译时带有约简和片面的倾向。他们只重形式而轻视或忽视 陌生化语言的文化意义，忽视目的语文本文化语境的特殊性，以致认为译者应该且可以通过“偏离对偏离”仿造陌生化形式、实现文学性对等。鉴于此，本研究深入分析跨文化语境下两种语言间的形式差异和文化意识形态差异对陌生 化语言翻译的影响，揭示从“偏离对偏离”到“陌生化形式仿造”再到“文学 性对等”这一推导的粗疏和内在矛盾，以此来批驳文学陌生化语言翻译就是要 仿造形式、再现文学性的观念。在此基础上，本文探讨了文学陌生化语言的几种翻译策略，提出这些策略并非转达文学性或文化意义，而是导致交互文化杂合，生成交互文化意识形态。

除绪论和结论外，全文共六章。第一章对陌生化理论作了整体介绍，第二 章主要关注有关源陌生化语言的阐释学，第三章着重讨论语言间的形式差异和目的语文本语境对仿造陌生化形式的制约，第四章和第五章探讨文化差异对源 陌生化语言翻译的影响以及不同翻译策略的文化意义生产，第六章讨论语言文 化差异使源陌生化语言翻译成为杂合，生产交互文化意识形态。本研究以理论 探究为主，以实例阐明为辅，采用多学科相融合 (multidisciplinary) 的研究方法，借鉴了英汉对比、文学理论、符号学和文体学等学科概念和/或理论原则。

Ambiguity And Morality In Jelinek's Bambiland, Andrea Bandhauer

CLCWeb: Comparative Literature and Culture

In her article "Ambiguity and Morality in Jelinek's Bambiland" Andrea Bandhauer begins by noting that the language of Elfriede Jelinek's play Bambiland (2004) is characterized by experimentation and a propensity for complex and ambiguous word plays. In this play, her critique of the media is directed against the international, or rather, Western press and its role in the Iraq war. The text of Bambiland, conceptualized as a "work-in-progress," in which Jelinek posed as an "embedded writer," started to appear on her website at the beginning of the war and Jelinek continued writing it through 2003. In the text of the …

Introduction To Ambiguity In Culture And Literature, Paolo Bartoloni, Anthony Stephens

CLCWeb: Comparative Literature and Culture

No abstract provided.

Blanchot And Ambiguity, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his article "Blanchot and Ambiguity" Paolo Bartoloni investigates the enigmatic and ambiguous turn of the famous Blanchotian statement "existence without Being." The intention of the article is to locate Blanchot's remark in the context of a discussion on history and its possible end, famously initiated by Alexandre Kojève in a lecture on 4 December 1937 at the College of Sociology in Paris; and provide insights into the difference that distinguishes Kojève's reflection on the end of history, Bataille's subsequent interpretation of it, and Blanchot's original conceptualization of a state of being suspended between nature and culture, history and the …

Ambiguity Now, Martin Harrison

CLCWeb: Comparative Literature and Culture

In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch.

Ambiguity, The Artist, The Masses, And The "Double Nature" Of Language, Elizabeth Rechniewski

CLCWeb: Comparative Literature and Culture

In her article "Ambiguity, the Artist, the Masses, and the 'Double Nature' of Language" Elizabeth Rechniewski discusses the function of the European intellectual elite through a close reading of two very different yet related books, John Carey's The Intellectuals and the Masses, and Pierre Bourdieu's Les Règles de l'art. Through a contrapuntal reading of the arguments of these two critics, she argues that Symbolist experiments may actually be read as reactionist; in celebrating art's supposed conquest of independence and refinement, they are replete with nostalgia for a time when the artist and the intellectual were able to ignore the pressure …

Silence, The Utmost In Ambiguity, Mario Perniola

CLCWeb: Comparative Literature and Culture

In his article "Silence, the Utmost in Ambiguity" Mario Perniola presents a historical perspective on the meanings and development of the term "ambiguity" from ancient Greek to the modern age. Perniola's perspective is not a review of different approaches and schools of thought; instead, he presents an alternative philosophical and aesthetic discourse he counter-poses to modern and contemporary cultural positions which he considers useful in order to explain the state of today's art and intellectual discourse. Perniola does so by stressing the significance of silence as the aesthetic attitude that combines contemplation and action. Drawing on the work of Pascal …

The Rhetoric Of Dilemma And Cavafean Ambiguity, Anthony Dracopoulos

CLCWeb: Comparative Literature and Culture

In his article "The Rhetoric of Dilemma and Cavafean Ambiguity" Anthony Dracopoulos examines the techniques of expression developed in Cavafy's poem "Young men of Sidon." By the beginning of the twentieth century, Cavafy, like other modernist poets, had become acutely aware of the human inability to grasp essence in its entirety and developed various techniques of expression to accommodate the polyphony of perspectives and the ambiguity inherent in modern society. The article argues that Cavafy structures a number of his poems in the form of binary oppositions or dilemmas. However, contrary to expectation, this form of expression does not aim …

Disambiguating The Sublime And The Historicity Of The Concept, Vrasidas Karalis

CLCWeb: Comparative Literature and Culture

In his article "Disambiguating the Sublime and the Historicity of the Concept" Vrasidas Karalis explores the notion of sublime or sublimity as the field of colliding signifiers and of experiential frameworks in conflict. Instead of treating the traditional notion as a structural element of style of ideology, he analyses it from the point of its contextual validation and its very historicity: what makes sublimity emerge is the extra-lingual unease, the existential dysphoria of the world outside the text, as refracted through specific works of art. Such dysphoria is expressed through ungrammatical language or/and through the attempt in specific moments in …

The Chi Complex And Ambiguities Of Meeting, Paul Carter

CLCWeb: Comparative Literature and Culture

In his article "The Chi Complex and Ambiguities of Meeting" Paul Carter develops a discussion of interpersonal encounters by mobilizing an apparatus of references, ranging from Jean Genet to Lévinas, Derrida, Bachmann, Merleau-Ponty, and Arendt. The hypothesis is that meeting another person entails and subsumes a non-meeting; a resistance and a refusal. The article pursues the ambiguity at the heart of encountering the other through an investigation of the urban spaces that are allegedly designed to invite and facilitate meetings. The argument put forward is that these spaces are paradoxically designed to avert encounters. This is especially true in the …

Ambiguity, Children, Representation, And Sexuality, Catharine Lumby

CLCWeb: Comparative Literature and Culture

In her article "Ambiguity, Children, Representation, and Sexuality" Catharine Lumby considers current and historical scholarly and popular debates about the representation of children, including concerns about their sexualisation in such representations. The article begins by examining images taken by photographers in the Victorian era, including Charles Dodgson and Julia Cameron, and asks not only how the gaze of the photographer frames the child but how the child returns the adult gaze. Lumby seeks to problematize our understanding of the ways in which images "sexualize" children. Drawing on the work of James Kincaid, it examines discourses that frame children as, on …

On Ambidextrousness, Or, What Is An Innovative Action?, Brett Neilson

CLCWeb: Comparative Literature and Culture

In his article "On the Ambiguity of Ambidextrousness, or, What is an Innovative Action?" Brett Neilson explores the significance of the fact that the technical equality of the hands is realized above all in the act of manual labor, revisiting an influential essay by Robert Hertz, a student of Emile Durkheim and associate of Marcel Mauss, published in 1909 and entitled "The Pre-Eminence of the Right Hand." In his text, Hertz argued that the basic spatial distinction between the left and right hand acquires the polarity of a social hierarchy owing not to the physiology or psychology of motor asymmetry …

Ambiguity, The Literary, And Close Reading, David G. Brooks

CLCWeb: Comparative Literature and Culture

In his article "Ambiguity, the Literary, and Close Reading" David G. Brooks approaches the matter of literary ambiguity from two directions: firstly by presenting the question of what we might learn if we look at ambiguity not so much from the angle of the author as that of the reader, a question which may appear obvious and inoffensive on the surface, but which becomes intricate and captivating as Brooks, arguing that literary ambiguity cannot be discussed without attention to the idea of close reading, peels layer upon layer of commonsensical assumptions away from reading practice, to arrive at the point …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki

CLCWeb: Comparative Literature and Culture

In her article "Japanese Science Fiction and Conceptions of the (Human) Subject" Maria Poulaki discusses the crisis that almost all essentialist categorizations have been facing in late modernity, in the context of which science fiction texts offer fertile ground to investigate the transitions brought about with the intensified invasion of the "human self" by its "nonhuman other." The analysis of a Japanese science fiction film draws a seemingly paradoxical connection between the Japanese version of modernity and self-identity with the relevant "Western" articulations found in the work of Bruno Latour and Alain Badiou. This connection points at a broader re-conceptualization …