Comparative Literature Commons^™

Muslim Science As The Source Of The Portuguese Age Of Discoveries, Joseph Abraham Levi

CLCWeb: Comparative Literature and Culture

In his article "Muslim Science as the Source of the Portuguese Age of Discoveries" Joseph Abraham Levi analyses the Jewish, mostly Sephardic, and Islamic contributions to science and their legacy in Iberia, particularly present-day Portugal. Using as a springboard the countless contributions to the sciences brought by Muslims to the Iberian Peninsula, southern France (mainly Provence), Sardinia, Sicily, and the rest of southern Italy, as well as other parts of the Mediterranean, Levi concentrates on the key role that Muslim scholars had, oftentimes assisted by their Sephardic Jewish counterparts, in training the scientific researchers of the then-burgeoning young Portuguese nation, …

China As The Other In Odoric's Itinerarium, Dinu Luca

CLCWeb: Comparative Literature and Culture

In his article "China as the Other in Odoric's Itinerarium" Dinu Luca discusses the various ways in which the otherness of China is approached and integrated in the fourteenth-century travel text associated with Franciscan friar Odoric of Pordenone. Luca explores the multiple ways in which the text can be examined in relation to Odoric, his travels, and his text. Luca takes vision as a unifying trope and explores the meanings it acquires (sight, concept, projection) as Odoric abandons the familiar space of wonder and confronts the otherness of China. Several well-known episodes are discussed and one particular exchange (known …

Reading Wordsworth With Hegel And Deleuze, Douglas Berman

CLCWeb: Comparative Literature and Culture

In his article "Reading Wordsworth with Hegel and Deleuze" Douglas Berman reexamines Wordsworth poem, The Ruined Cottage, in terms of the importance of the Pedlar, who serves as the witness and singular moral authority in the text. Berman focuses on the inherent tension between impermanence, as exemplified by the trope of wandering, and the redemptive vision which shapes the ending of the second version of the poem (1798). While recognizing the strength of earlier critics, particularly the New Historicists, who emphasized Wordsworth's displacement of social and material reality into nature, Berman argues that wandering, both in its physical form, and …

Forgács's Film And Installation Dunai Exodus (Danube Exodus), Zsófia Bán

CLCWeb: Comparative Literature and Culture

In her article "Forgács's Film and Installation Dunai exodus (Danube Exodus)" Zsófia Bán analyzes film maker and video artist Péter Forgács's film The Danube Exodus (1998) and compares it with the installation Dunai exodus. A folyó beszédes áramlatai (Rippling: Currents of the River) (2002). Combined with additional materials, the two works are based on footage by ship captain Nándor Andrásovits documenting two successive journeys of forced displacement aboard his vessel, the Queen Elizabeth. Bán's analysis includes the 1939 event of the Jewish exodus from Slovakia to the Black Sea with the eventual goal of reaching Palestine followed by …

Makine's Postmodern Writing About Exile, Memory, And Connection, Mary Theis

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In her article "Makine's Postmodern Writing about Exile, Memory, and Connection" Mary Theis explores the implications of some of the many literary epiphanous moments that Andreï Makine shares with his readers in his neo-Romantic metaphysical literary quest to transcend lyrically the limitations imposed by our human condition. The analysis of this theme in Makin's literary career features several of his most important novels, his one play, and his subsequent meta-utopian reflections in Alternaissance, written under the pen name Gabriel Osmonde.

Miłosz's Quest For Affirmation And His Reflections On Us-American Culture, Joel J. Janicki

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In his article "Miłosz's Quest for Affirmation and His Reflections on US-American Culture" Joel J. Janicki discusses Czeslaw Miłosz's writings in exile devoted to his home in California. Miłosz, a Polish Lithuanian poet, essayist, and historian of literature, after experiencing five years of the nazi regime in Warsaw and six years of Stalinized rule in post-World War II Poland, threw himself "into the abyss" of exile. Miłosz's writings and translations have served as a bridge between the Polish and Anglo-Saxon cultures seldom encountered on such a scale. At the same time, his ability to look at a distance, his sensitivity …

Nádas's A Book Of Memories And Central European Journeys, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Nádas's A Book of Memories and Central European Journeys" Steven Tötösy de Zepetnek discusses theoretical, literary, political, social, etc., aspects of travel in Péter Nádas's novel. "Travel" in the novel represents both a conceptual and lived experience at a time when travel between the East and the West in Europe was restricted and when a person hailing from the "East" considered a journey to the West a complex and ideological matter. Further, the aspect of urbanity, that is, cultural and social spaces and the journey and what such entails in terms of ideology, points of origin, knowledge, …

Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan

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In her article "Metropolitan (Im)migrants in the 'Lettered City'" Stacey Balkan employs Ángel Rama's discussion of audience as a means of analyzing a Latin American diaspora that exists beyond the "rational periphery" of the state. Herein, the term diaspora is redefined as a translocal phenomenon wherein the metropolitan (im)migrant moves from rural margin to urban center. Normative definitions of exile — persons displaced from autonomous nation-states — are likewise scrutinized in the context of what the Rama terms a post-contemporary "city of letters." This post-contemporary city is the subject of what Mabel Moraña refers to as a "subaltern boom" — …

New Forms Of Contemporary Aesthetics: A Review Article Of New Works By Camerotti And Quaranta, Marina Mantini

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No abstract provided.

Evans's The Turducken And Chekhov's The Seagull, Brian R. Johnson

CLCWeb: Comparative Literature and Culture

In his article "Evans's The Turducken and Chekhov's The Seagull" Brian R. Johnson approaches The Turducken as a travesty of The Seagull, examining six iconic scenes from The Seagull, in order to explore the satirical effect of the altered scenes. In December of 2008, Bedlam Theatre of Minneapolis presented The Turducken, "a holiday dinner theater spectacular inspired by Anton Chekhov's The Seagull." Playwright Josef Evans takes Chekhov's 1895 work and turns the classic piece into a musical and farcical satire. The plot of The Turducken follows the plot of The Seagull, and some scenes …

Barthelme's "Paraguay," The Postmodern, And Neocolonialism, Daniel Chaskes

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In his article "Barthelme's 'Paraguay,' the Postmodern, and Neocolonialism," Daniel Chaskes explores the analytic opportunities afforded by conjoining globalizing critical approaches with a story by an author who has often been circumscribed by the postmodern rubric. Donald Barthelme's "Paraguay," written the summer after Nelson Rockefeller's fact-finding mission to South America in 1969, provides a chance to consider modes of anti-colonial critique in Barthelme's work. It also offers examples of a more self-reflective criticism aimed at the U.S. counterculture and the indeterminacies of postmodernism. Chaskes reads "Paraguay" with the aim of understanding Barthelme's hemispheric interest and he investigates the multiple cultural …

Intercultural Approaches To Cities And Spaces In Literature, Film, And New Media: A Review Of New Work By Manzanas And Benito And López-Varela And Neţ, Ana María Martín Castillejos

CLCWeb: Comparative Literature and Culture

No abstract provided.

Evoking A Memory Of The Future In Foer's Everything Is Illuminated, Doro Wiese

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In her article "Evoking a Memory of the Future in Foer's Everything is Illuminated" Doro Wiese discusses Jonathan Safran Foer's novel. In the text a photograph plays a decisive role: the image of two young people drives the Jewish American Jonathan to visit the Ukraine. The photograph is presumably of Jonathan's grandfather Safran and a woman named Augustine who saved Safran's life during a nazi raid of his village: the photograph becomes an ekphrasis, a description of a visual work of art in another medium which transforms the generic characteristics of written and photographic representations. According to Anselm …

Egypt's Police State In The Work Of Idris And Mahfouz, David F. Dimeo

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In his article "Egypt's Police State in the Work of Idris and Mahfouz" David F. DiMeo examines how two leading twentieth-century authors of politically committed fiction addressed an angry generation's confrontations with former members of the oppressive state police apparatus. Yusuf Idris's The Black Policeman (1962) and Najib Mahfouz's al-Karnak (1974) remain particularly relevant as today's Egyptian activists confront the vestiges of the former regime's security forces. Using Mikhail Bakhtin's theory of the carnival as a paradigm for analysis, DiMeo examines how both texts present sharp contrasts between hollow quests for public revenge through purges and a genuine overturning of …

Metaphor Translation As A Tool Of Intercultural Understanding, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "Metaphor Translation as a Tool of Intercultural Understanding" Ipshita Chanda takes up specific cases of metaphor translation as a methodological exercise towards understanding intercultural exchange. Chanda's study is based on a semiotic and linguistic understanding of metaphor as a signifying and cognitive device. When a metaphor is translated from one linguistic-literary field into another, the process of translation itself yields some specific operational steps for studying inter- and cross-cultural relations. Here, translation is not proposed as a framework but as practical method: the translation of metaphor becomes an exercise in strategy for the pedagogy of …

Aesthetics In Gao's Soul Mountain, Mabel Lee

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In her article "Aesthetics in Gao's Soul Mountain" Mabel Lee analyses Nobel Laureate 2000 Xingjian Gao's aesthetics. Transnational conglomerates today control the book industry from publishing house to bookshop and through aggressive market strategies they exert considerable influence on readers. Nonetheless, there are writers who refuse to capitulate to market demands and seek only to actualize their aesthetic ideas in the creation of literary texts. One such writer is Gao, author of the novel Soul Mountain. Lee posits that Gao's aesthetics is founded on the close interrogation of both Chinese and European models and practices and explores specific …

Nostalgia In Oral Histories Of Israeli Women, Yael Zilberman

CLCWeb: Comparative Literature and Culture

In her article "Nostalgia in Oral Histories of Israeli Women" Yael Zilberman explores the narration of nostalgia of elderly women about the city of Be'er Sheva. In their narration, the subjects of the study create textual and spatial practices which are engendered and create analogies between the city, their maturing/ed bodies, and by-gone youth. Further, the grief owing to the perceived condition of the city intensifies the idealized description of the city and the longing for its past. Zilberman's study brakes new ground in that the study of urban experience within folklore is a lesser explored field as the urban …

Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson

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In her article "Victims of the City in Novels of Zola and Dostoevsky" Marta Wilkinson argues that urbanity in its nineteenth-century setting functioned as the culpable agent in criminal behavior found in Dostoevsky's Crime and Punishment and in several of Zola's Rougon-Macquart novels. Wilkinson an analysis of the novels based on Merlin Coverly's concept of psychogeography which supports the extension of the cityscape as an integral part of the novels' characters. Further, Wilkinson illustrates how in Zola's and Dostoevsky's novels the city reigns triumphant as characters fall victim to disease, drink, or are left with desperate choices: in Dostoevsky's novel …

Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee

CLCWeb: Comparative Literature and Culture

In her article "Contemporary US-American Satire and Consumerism (Crews, Coupland, Palahniuk)" J.C. Lee focuses on contemporary satire's potential (or lack thereof) for change, reform, or rebellion through an investigation of works by Harry Crews, Douglas Coupland, and Chuck Palahniuk, all of which target consumerism. The said writers employ satire not to initiate rebellion or cultural change, but to reflect the problematic role of institutions in modern life and, in turn, the potential, even hope, for personal growth. Lee's analysis of texts by Crews, Coupland, and Palahniuk is intended to question satire's potential as a form of cultural critique and institutional …

Memory, Identity, And Narration: A Book Review Of New Work By Assmann And Conrad And Tilmans, Vree, And Winter, Simona Mitroiu

CLCWeb: Comparative Literature and Culture

No abstract provided.

Blood, Organs And Other Tissues For Sale: Diamela Eltit's Impuesto A La Carne And The Afterwards Of The Neoliberal Development In Latin America., Wanda I. Ocasio- Rivera

Hispanic Studies Publications

Abstract

Blood, organs and other tissues for sale: Diamela Eltit's Impuesto a la carne and the afterwards of the neoliberal development in Latin America.

As Marx elaborated in Capital: Volume I at the moment human labour is sold, the subject participates in an ominous plot where she/he becomes a commodity. In a capitalist mode of production, the subject’s alienation from his/her humanity occurs because the individuals can only express labor through a privately-owned system of production in which he/she is an instrument, an object. This dehumanization process submits the subject under the exchange transactions of the market, where labor value …

Narratives Of Loss And Order And Imaging The Belgian Landscape 1900-1945, Bruno Notteboom, David Peleman

CLCWeb: Comparative Literature and Culture

In their article "Narratives of Loss and Order and Imaging the Belgian Landscape 1900-1945" Bruno Notteboom and David Peleman analyze a number of publications on landscape, focusing on narratives constructed by means of landscape images published in Belgium. With the work of Jean Massart and Emile Vanderwelde as a point of departure, Notteboom and Peleman discuss popularizing publications in the fields of botany, agricultural education, and tourism, as well as an urban planning. They address the three realms of landscape narratives defined by Matthew Potteiger and Jamie Purinton as story, context/intertext, and discourse. Notteboom and Peleman distinguish three recurrent operations …

The Erotic Conception Of Ancient Greek Landscapes And The Heterotopia Of The Symposium, Jo Heirman

CLCWeb: Comparative Literature and Culture

In his article "The Erotic Conception of Ancient Greek Landscapes and the Heterotopia of the Symposium" Jo Heirman discusses the conception of natural landscapes in ancient Greek lyric poetry from the seventh until the fifth century BC and its ideological background. Heirman analyzes lyric poems by Sappho, Ibycus, and Theognis in which landscapes of fields, gardens, and meadows are presented. Heirman's analysis reveals a recurrent erotic pattern in the conception of ancient Greek landscapes constructed as places which suggest various forms of eroticism ranging from lesbian desire to homosexuality. Further, Heirman discusses the preoccupation with eroticism by suggesting a connection …

English Architectural Landscapes And Metonymy In Hollinghurst's The Stranger's Child, Bart Eeckhout

CLCWeb: Comparative Literature and Culture

In his article "English Architectural Landscapes and Metonymy in Hollinghurst's The Stranger's Child" Bart Eeckhout analyzes Alan Hollinghurst's novel in light of Hollinghurst's interest in architectural representation. Eeckhout analyzes the novel's principal scenario of architectural change in the course of the twentieth century and postulates that Hollinghurst employs unconventional genre codes and queers the social realist novel, the family saga, and the country house novel. Eeckhout analyzes The Stranger's Child as a comedy of metonymies which impresses upon its readers the structural necessity of diverse perspectives, labyrinthine metonymical constructions, and the dynamics of place. Further, Eeckhout argues that Hollinghurst …

Blurring The Boundaries Between City And Countryside In Photography, Steven Jacobs

CLCWeb: Comparative Literature and Culture

In his article "Blurring the Boundaries between City and Countryside in Photography" Steven Jacobs discusses how, in recent decades, a new landscape has emerged in which the differences between city and countryside have been blurred. As a result, the urbanized environment is increasingly viewed and interpreted as a landscape. It is because of the hybridity of this contemporary cityscape that urban planners such as Mirko Zardini have argued for a revaluation of the notion of the picturesque linked with a sensitivity to irregularity and a mixture of the cultural and the natural. Since the late 1960s, the post-urban landscape has …

Landscape, Culture, And Education In Defoe's Robinson Crusoe, Geert Vandermeersche, Ronald Soetaert

CLCWeb: Comparative Literature and Culture

In their article "Landscape, Culture, and Education in Defoe's Robinson Crusoe" Geert Vandermeersche and Ronald Soetaert discuss Daniel Defoe's Robinson Crusoe as a narrative that translates nature and our dealings with it into a literary text. Vandeermeersche and Soetaert postulate that the novel can be read as a quintessential fable of humans' cultivation of nature and the creation of individuality, which, at the same time, provides its readers with strategies for describing processes such as education. Robinson Crusoe and its characters, metaphors, and scenarios function in the "auto-communication" of culture as an enduring equipment for living (Burke), a company …

Introduction To New Work On Landscape And Its Narration, Sofie Verraest, Bart Keunen

CLCWeb: Comparative Literature and Culture

No abstract provided.

Bibliography Of Work On Landscape And Its Narration, Sofie Verraest, Bart Keunen

CLCWeb: Comparative Literature and Culture

No abstract provided.

Towards An Urban Narrative Layers Approach To Decipher The Language Of City Films, François Penz

CLCWeb: Comparative Literature and Culture

In his article "Towards an Urban Narrative Layers Approach to Decipher the Language of City Films" François Penz investigates how film narratives may provide us with the perceptual tools to grasp complex urban phenomena. He posits that, in order to elicit the mechanisms that make up the projected image of city films, new analytical tools need to be devised. Penz demonstrates that the cinematic image is composed of a succession of narrative layers and suggests that the eye of the unsuspecting film spectator encounters a succession of narrative layers recomposed seamlessly into a single movie image on the screen. Penz …

Tell-Tale Landscapes And Mythical Chronotopes In Urban Designs For Twenty-First Century Paris, Bart Keunen, Sofie Verraest

CLCWeb: Comparative Literature and Culture

In their article "Tell-tale Landscapes and Mythical Chronotopes in Urban Designs for Twenty-first Century Paris" Bart Keunen and Sofie Verraest outline a methodology for the examination of narrative structures projected onto landscapes and exemplify it by analyzing four urbanist projects submitted for the international workshop for Greater Paris launched by President of France Nicholas Sarkozy in 2009. Keunen and Verraest focus on phantasmagorical urban spaces considered to be profane remnants of what Ernst Cassirer referred to as "mythical thought." Since the spatiotemporal structure of these phantasmagorical places is understood as fundamental to their affective appeal and seductiveness, they are treated …