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Articles 121 - 150 of 909
Full-Text Articles in Comparative Literature
Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker
Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker
CLCWeb: Comparative Literature and Culture
The Syrian Assad regime used prisons as tools of domination. As such, prisons had the power not only of active repression but also as places of detention and disappearance for Syrians. The expansion of political detention in Syria over fifty years transformed prison into a living being in the sense that prison became a part not just of Syrians' political life, but also of their social identity. One can recognize it in voices, attitudes, lifestyles, and even written and oral culture. Syrian cities are full of weapons since a large area of the urban space is inhabited by the buildings …
From Prison To The World: A Comparative Reading Of Naji’S Hirz Mikamkim (Rotten Evidence, 2020) And Abd El-Fattah’S You Have Not Yet Been Defeated (2021), Teresa Pepe
CLCWeb: Comparative Literature and Culture
This article analyses Ahmed Naji’s Hirz Mikamkim (Rotten Evidence) and Alaa Abd el-Fattah’s You Have Not Yet Been Defeated through the lens of ‘prison literature’, that is “literary works produced in, about, or through the experience of political detention” (Taleghani 13). Comparing them to previous forms of prison literature from Egypt, it shows that both books depart from the social-realistic mode that has prevailed throughout the 20th century. Rather they renovate the genre with aesthetic traits drawn from postmodern and digital literature, exemplified by autofictional or anonymous modes of authorship and co-authorship, narrative fragmentation, and bodily exposures. These aesthetic …
Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg
Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg
CLCWeb: Comparative Literature and Culture
Although the interconnectedness of Russian and Arabic literatures has been demonstrated by Soviet/Russian and, to a limited extent, Western Arabists, this research remains limited to a few names. However, the role that the Russian/Soviet literary tradition had in shaping contemporary genres of Arabic literature is complex and diverse. This is, for instance, the case with prison literature—Russian/Soviet literature has a long tradition of turning to the topic of imprisonment. It was Dostoyevsky, who turned to the genre of katorzhnaya proza (prison literature) and popularized it. Later, Tolstoy, Chekhov, and Gorky dedicated a number of their influential literary works to further …
Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli
Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli
CLCWeb: Comparative Literature and Culture
This article captures the literary shift that accompanied the transformation of the nature of political imprisonment in Morocco in the last twenty years. Focusing on the new victims of state violence, who fall within two categories: prisoners accused of terrorism and those accused of heinous sexual crimes, this article argues that the emergence of these new criminal profiles has led to the establishment of a transnational “Multimedia Prison Literature” (MPL). Drawing on the cases of Ali Arras, a Belgian-Moroccan whom Spain delivered to Morocco for terrorist charges, and Mohamed Hajib, a German-Moroccan citizen whom Germany extradited to his country of …
The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri
The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri
CLCWeb: Comparative Literature and Culture
Moroccan prison narratives have been credited with major political and social changes, yet their existential value is equally worth acknowledging. The prison narratives of Aziz Binebine, Mohamed Raiss, Malika Oufkir, and Fatna El Bouih, to mention but a few, are fraught with existentialist patterns that are uncovered upon reading them comparatively. One pattern that persists through these narratives is the absurdity of liberation. Borrowing Camus’ concept of the absurd, this article highlights the absurdity of the post-prison chapter for being nothing more than an extension of the prison episode that makes the impossibility of freedom acutely felt. The absurdity of …
Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour
Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour
CLCWeb: Comparative Literature and Culture
This article examines the prison literature of the Palestinian intellectual Walid Daqqa who has been serving a life sentence for resistance since 1986 in Israeli prisons. From the depth of his experience he writes about his conceptualization of captivity, colonial violence, the resistance of the Palestinian political prisoners in the Israeli prison system and the construction of Palestinian national imagination in his book Consciousness Molded: or The Re-Identification of Palestinian Torture (2010) Published in Arabic and his first young adults novel The Story of the Oil’s Secret (Ḥikayat Sir al-Zeit) published in 2018 in Arabic. Daqqa has become …
Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj
Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj
CLCWeb: Comparative Literature and Culture
This article discusses writings by Palestinian political prisoners and the broader body of prison literature situating them as practices of ‘smuggling freedom’ from Israel’s carceral regime, shedding light onto their political and social meaning. Through discussing writings by prisoners, the article points to a long history through which Palestinian prisoners confronted the Israeli regime’s torture and violent practices, and its broader project of eliminating the political nature of captivity. The article argues that prisoners’ writings reveal much about the dynamics of carceral power and violence, and the logic behind the confrontation practices used by prisoners in Palestine and beyond. These …
New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus
New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus
CLCWeb: Comparative Literature and Culture
No abstract provided.
For The Love Of Subtitling: Analysing The Challenges In Audio-Visual Translations Of Rocky Aur Rani Kii Prem Kahani, Haritima Sharma
For The Love Of Subtitling: Analysing The Challenges In Audio-Visual Translations Of Rocky Aur Rani Kii Prem Kahani, Haritima Sharma
Living in Languages
Any form of audio-visual media utilises specific stylistic elements in order to represent the reality within which the media form is situated. These representations occur through the language and iconography of the media form, which works on stereotypical features that the audience can easily identify. Forming a pivotal part of the media, these representations must be rendered in the translations for a linguistically and culturally diverse audience. Audio-Visual Translation (AVT) has been used since the 1930s to make media accessible. Of the various modalities, subtitling has emerged as the most widespread mode of AVT due to time and cost benefits. …
The Rescue Of Wahutedew’Á And The Epistemological Reforestation: An Analysis Of Time In A Terra Dos Mil Povos, By Kaká Werá Jecupé, Ivo Cruz
The Coastal Review
It is estimated that in 1500, the year the Portuguese arrived in America, there was a population of 2,431,000 inhabitants, according to historian John Hemming (1978), who occupied the lands that we now know as Brazil. These peoples had their own culture whose cosmology was destroyed and erased over time by a violent process of colonization. Even though entire groups were decimated, much of their influence is still alive in Brazilian culture. This influence can be found in vocabulary, cuisine, and even religious practices. With the aim of rescuing ancestral narratives and knowledge of various native peoples, Kaká Werá Jecupé …
Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani
Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani
The Coastal Review
Building upon comparative principles, this semantic reading of Jun’ichirō Tanizaki’s essay In Praise of Shadows and J.M.G. Le Clézio’s early writings illustrates how both the Franco-Mauritian author and the Japanese writer problematize modern Western perception laden with concepts stifling flexible imagination through the mysterious worldview of light/darkness. They also simultaneously express the hope that another way of life leading to liberation is possible. Delving into the spiritual confinement of the subject, they demonstrate how keeping rich creativity within one’s heart can be an escape from a stagnant society. Albeit in very different mediums, Tanizaki and Le Clézio assert that the …
Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison
Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison
Antioch University Dissertations & Theses
This study investigates whether white supremacy structures, embodied in Hollywood’s predominantly white leadership, drive negative portrayals of Black women in 31 mainstream American films from 2009 to 2024. Employing a mixed-methods approach—quantitative content analysis, qualitative content analysis (QCA), and narrative methodology—I code portrayals for racism, patriarchy, heterosexism, colorism, and internalized racism, classifying them as progressive (e.g., empowered roles), regressive (e.g., subservient stereotypes), or hybrid. Guided by Critical Race Theory and intersectionality, the analysis examines narrative structures, character agency, symbolism, and dialogue to uncover intersectional patterns (e.g., race, gender, class) across three periods: 2009–2013, 2014–2018, and 2019–2024. Across these periods, cultural …
Words And Stardom: Modernist Poetic Responses To Asta Nielsen, Karl E. Toepfer
Words And Stardom: Modernist Poetic Responses To Asta Nielsen, Karl E. Toepfer
Open Educational Resources
This essay discusses how four modernist poets portrayed the Danish movie star Asta Nilesen (1881-1972). German Hans Schiebelhuth (1895-1944) describes the "demonic" power of Nielsen's image to awaken dark aspects of his adolscent personality. For the Flemish poet Paul van Ostaijen (1896-1928), Nielsen's cinematic image provokes a radical shattering of language into extravagant "word-images." Danish writer Rudolf Broby-Johansen (1900-1987) linked Nielsen's image to a radical (Marxist) critique of oppressive sexual politics within a capitalist society. German Franz Behrens (1895-1977) composed a lengthy, expressionist ode to Nielsen from the perspective of one who actually worked as a screenwriter in the German …
The Sudden Deluge: Parasite, Matthew 24:36-51, And Immanent Apocalyptic Imagery, Diana Abernethy
The Sudden Deluge: Parasite, Matthew 24:36-51, And Immanent Apocalyptic Imagery, Diana Abernethy
Journal of Religion & Film
Bong Joon Ho’s 2019 film Parasite shares significant imagery with the apocalyptic teachings in Matthew 24:36-51. Both feature oblivious carousers before a flood, sleeping homeowners, and domestic workers caught unaware by a returning homeowner. This article argues that this shared imagery gives Parasite an apocalyptic edge that intensifies the film’s warnings about potential consequences of extreme economic disparities in capitalism. This article develops this argument by (1) highlighting the apocalyptic features of Matthew 24:36-51; (2) describing the convergence of imagery between Parasite and Matthew 24:36-51; and (3) exploring how the film’s apocalyptic edge illuminates urgent and latent dangers of extreme …
Ang Dalumat At Parikala Ng “Liwanag” At “Dilim” Sa Loob At Labas Ng Lente Ng Kamera (The Concepts And Paradoxes Of “Liwanag” And “Dilim” Within And Beyond The Camera Lens), Jay Jomar F. Quintos
Ang Dalumat At Parikala Ng “Liwanag” At “Dilim” Sa Loob At Labas Ng Lente Ng Kamera (The Concepts And Paradoxes Of “Liwanag” And “Dilim” Within And Beyond The Camera Lens), Jay Jomar F. Quintos
Akda: The Asian Journal of Literature, Culture, Performance
Sinisiyasat ng sanaysay na ito ang dalumat at parikala na nakapaloob sa “liwanag” at “dilim” sa imahinasyong pangkultura sa Pilipinas. Sa ganang ito, tinutukoy ko ang iba’t ibang balon ng sanggunian tulad ng epiko, pasyon, materyal na pangrebolusyon, at pelikulang katatakutan upang matunton kung papaano nabago ang kayarian ng mga elemento ng “liwanag” at “dilim.” Susuriin ko ang anim na episodyo mula sa serye ng pelikulang katatakutang Shake, Rattle, and Roll na tahasang naghahayag ng “liwanag” at “dilim” sa paraan nito ng pag-iilaw at pagsasalaysay. Sa ganitong konteksto ng pagsusuri maaaring makita ang mariing artikulasyon at pag-unawa sa kung minsa’y …
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
CLCWeb: Comparative Literature and Culture
In her article "The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity", Andrea R. Bellot examines the remembrance of the Malvinas/Falklands War (1982) through cultural texts for children, presenting a comparative analysis of post-war narratives from both the United Kingdom and Argentina. Through a detailed exploration of "The Tin-Pot Foreign General and the Old Iron Woman" by British author and illustrator Raymond Briggs (1984), and the Argentine TV cartoon show "La Asombrosa Excursión de Zamba en las Islas Malvinas" (2012), broadcasted on Paka Paka, Bellot discusses how collective memory and national identity are crafted and contested …
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
CLCWeb: Comparative Literature and Culture
In her article “All Men Are Brothers: Pearl S. Buck’s Translation of Shui Hu Zhuan and its Effects on Her Writing Career,” Zhihui Sophia Geng focuses on Pulitzer Prize winner and Noble Laureate Pearl Sydenstricker Buck’s All Men Are Brothers, her translation of the classical Chinese novel Shui Hu Zhuan. She examines the reception of her translation and analyzes the significance of All Men Are Brothers to Buck’s literary career. By providing the first complete translation of Shui Hu Zhuan to an English-speaking audience, Buck made a significant cultural contribution to the United States and English-speaking cultural spheres. The …
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
CLCWeb: Comparative Literature and Culture
In her article "Engaging China: Beckett’s Debt to Pound, Giles, and Laloy," Lidan Lin examines Ezra Pound’s influence on Samuel Beckett. In their dealings with China, Pound and Beckett are both indebted to such sinologists and cultural transmitters as Ernest Fenollosa, H. A. Giles, Louis Laloy, and Laurence Binyon who introduced Chinese culture, literature, and arts to the Western world through translation and their writings about China. Lin situates the Pound-Beckett connection in the broad cultural context of the early 20th century. She argues that while modernism’s turn to China as a cultural paradigm was collectively brought about by …
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
CLCWeb: Comparative Literature and Culture
In his article “Translation as Creative Writing: Rewriting The Chinese Maze Murders in Contemporary China,” Xiaoquan Raphael Zhang examines four groups of selected writings centered on one of Robert van Gulik’s more well-known Judge Dee novels, The Chinese Maze Murders (written first in English but not published until 1956). Different from most publications on van Gulik and his novels, Zhang examines the impact of censorship and self-censorship on the writing, rewriting, and (re)adapting, “literal” and “liberal/free” translation of the Judge Dee stories traveling between Chinese and English, between China and the West, for Chinese and non-Chinese audiences. Focus is given …
Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu
CLCWeb: Comparative Literature and Culture
In her article “Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences,” Yuqun Fu discusses Li Ch’ing-Chao’s Ci-poems and her identity as a woman intellect in the patriarchal and feudal Song Dynasty of China. Due to Kenneth Rexroth’s feminist perspective and Sappho complex as well as his own pursuit to excel in the hipster stylistics of the newly prospering Beat writers, Rexroth turns to the Eastern women poets to fuel his own cause, especially in his idiosyncratic way of interpreting and translating Li Ch’ing-Chao. His translation focuses on gender identity and …
Desire As A Framework For Adaptation: Examining Aku No Hana As An Unconventional Adaptation Of Les Fleurs Du Mal, Zoe Dalley
All Graduate Reports and Creative Projects, Fall 2023 to Present
In this project, I began by arguing that the 2009 to 2014 manga series Aku No Hana by author and artist Shūzō Oshimi should be considered an unconventional adaptation of the 19th century collection of poems Les Fleurs Du Mal by French poet Charles Baudelaire. I then turned my analysis to the practice of adaptation more broadly, using desire, a central theme to both of my chosen primary texts, as my lens through which I examined some of the central complexities and paradoxes inherent to adaptation, such as the simultaneous expectation of textual faith and a new authorial vision. I …
Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic
Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic
Publications and Research
Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …
The Animated Cinema Of Bruno Bozzetto, Emilia Gambardella
The Animated Cinema Of Bruno Bozzetto, Emilia Gambardella
Dissertations, Theses, and Capstone Projects
The principal aim of this dissertation is to insert Italian animator Bruno Bozzetto into the established narrative of Italian cinema. Although in American and British Film Studies animation has enthusiastically been at the center of many important conversations for the last thirty years, animation has received scant attention within Italian Studies. As such, in the dissertation I discuss a selection of Bozzetto’s animations in relation and comparison to live-action Italian films of the same decades which have been discussed and written about extensively. My dissertation fills this gap in Italian cinema scholarship by drawing on interdisciplinary sources to locate Bozzetto …
When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon
When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon
Dissertations, Theses, and Capstone Projects
In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …
The Golden Age Of Mexican Cinema, Daniel Galindo
The Golden Age Of Mexican Cinema, Daniel Galindo
Publications and Research
This presentation is about the film called María Candelaria (1943), a film of the cinema of the golden age of Mexico that shows the lifestyle of the people of that time, more than anything it shows how women were reviled in the macho society. The Golden Age of Mexican Cinema is a period of brilliance in the history of Mexican cinema, which began in 1936-1956.
Aguaaaa!!!, Cory Villegas
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Influence Of Narrative On Interior Architectural Film Visualizations: A Case Study Of Dune, Tatem Criner
Influence Of Narrative On Interior Architectural Film Visualizations: A Case Study Of Dune, Tatem Criner
Interior Design Undergraduate Honors Theses
The following investigation is a case study of the popular classic novel DUNE, written by Frank Herbert in 1965, and its successive cinematic iterations about the nature of the translation of architectural visualizations through communicative mediums, literature and film. The investigation sought to answer the following questions: “To what extent do descriptions of interior architecture influence a film adaptation’s interpretation of built visualizations?” and “Can written narratives of interior environments be an effective tool to generate physical interior architecture?” The methodology process began by selecting three scenes from the novel and their successive cinematic interpretations. The cinematic interpretations included …
Mending Wounds: A Reparative Feminist Analysis Of The Japanese Film Series Guinea Pig, Mikayla Walker
Mending Wounds: A Reparative Feminist Analysis Of The Japanese Film Series Guinea Pig, Mikayla Walker
Comparative Literature M.A. Essays
Guinea Pig (ギニーピッグ) is an anthology series of six body horror films created and released in Japan from 1985 to 1990, all connected by a common theme of bodily experimentation and destruction. The series has maintained a controversial legacy due to its portrayal of intense misogynistic violence. However, upon closer examination, the films reveal subtle moments of patriarchal critique when viewed as a cohesive unit. Using Cynthia Freeland’s framework for creating feminist readings of horror films and Eve Sedgwick’s concept of reparative reading, this research aims to highlight those moments of subversion in order to create a more progressive feminist …
Sauron: Weirdly Sexy, Robert T. Tally Jr.
Sauron: Weirdly Sexy, Robert T. Tally Jr.
Journal of Tolkien Research
A popular meme depict Galadriel and Frodo admitting that Sauron is "weirdly sexy," a humorous allusion to The Rings of Power’s Halbrand. The show's controversial revelation of Halbrand as Sauron highlights the differences between Tolkien’s construction of Second and Third Age Sauron as an attractive or admirable leader compared to Peter Jackson’s portrayal of him as a monster or disembodied fiery eyeball. This, in turn, has implications for the geopolitical order of Middle-earth in which many people legitimately might wish to be on Sauron’s side. Acknowledging Sauron's "sexiness" may allow us to see Tolkien's world system in a new …