Other Classics Commons^™

"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff

History Faculty Publications

From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his quest is the destiny of Rome, whose …

20140904.2: Classical Studies, 1915-1984, College Of Liberal Arts

Guides to University Archives

These items include materials from the Department of Classical Studies at Marshall University from 1915-1984. Items were received in 2014 and include notable materials from the Classical Language Association, lecture slides, readings, suggested changes in the university calendar, and Marshall University News from May 30, 1984. This is not an exhaustive list. Please download the finding aid for a full list of contents

Framing Identity: Repudiating The Ideal In Chicana Literature, Michael A. Flores

All NMU Master's Theses

In the 1960s Rodolfo “Corky” Gonzalez penned his now canonical, epic poem “I Am Joaquin.” The poem chronicles the historic oppression of a transnational, Mexican people as well as revolutionary acts of their forefathers in resisting tyranny. Coinciding with a series of renewed, sociopolitical campaigns, collectively known as the Chicano Movement, Gonzales’ poem uses vivid imagery to present an idealized representation of Chicanos and encouraged his reader to engage in revolutionary action. Though the poem encourages strong leadership, upward mobility, and political engagement the representations of women in his text are misogynistic and limiting.

His presentation of the “black-shawled …

Sonata Divina Commedia (Part I: Inferno), Anthony Elia

Bridwell Library Research

Part 1 of planned 3-part violin and piano sonata modeled after Dante's "Divina Commedia." Part 1 "Inferno" is a wild modernist adventure for violin and piano, echoing the terrors of inferno. As the piece is incredibly virtuosic, the composer allows for variation, adaptation, and some minor changes if necessary for performers to execute the piece, as faithfully as they can. The work was written in honor of two superb musicians, who by random chance, the composer met or had connections with separately, before realizing the violinist (Mr. Kerr) and the pianist (Mr. Wallace) actually met and went to school together …

Mammonymy, Maternal-Line Names, And Cultural Identification: Clues From The Onomasticon Of Hellenistic Uruk, Stephanie Langin-Hooper, Laurie Pearce

Art History Research

The onomasticon of Hellenistic Uruk demonstrates that, in some cases, individuals with Greek names were included in otherwise Babylonian families. Often, such Greek names have been interpreted by scholars as evidence for Hellenization. This article suggests an alternate explanation, based on evidence throughout the family trees for a series of naming practices that focus on the perpetuation of names of female relatives and transmission of preferred family names through maternal lines. Particularly important to this discussion are the practices of mammonymy, a term coined here to refer to papponymy’s gendered parallel, i.e., the naming of a girl after her grandmother …

Ancient Greek Music: The Aulos And The Kithara, Carina Carbone

Honors Projects

The aulos was one of the foremost woodwind instruments in ancient Greece; likewise, the kithara was one of the foremost string instruments. They varied in both form and function throughout time and by region. Given the popularity of both instruments, there are many surviving art pieces which illustrate them and their uses. There are also surviving samples of the instruments themselves.

The Chimerae Of Their Age:Twelfth Century Cistercian Engagement Beyond Monastic Walls, Daniel J. Martin

Pomona Senior Theses

One of the great paradoxes of the medieval period is the Albigensian Crusade (1209-1225), in which monks of the Cistercian Order took an active and violent role in campaigning against the heretics of the Languedoc. Why, and how, did this order officially devoted to prayer and contemplation become one of the prime orchestrators of one of medieval Europe’s most gruesome affairs? This thesis seeks to answer that question, not by looking at the crusading Cistercians themselves, but at their predecessor Bernard of Clairvaux, who—I will argue—made the Albigensian Crusade possible by making it permissible for monks to intervene in the …