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Menyoal Rajah Dan Pasaduan Dalam Struktur Teks Carita Pantun Baduy, Endin Saparudin, Atiqotul Fitriyah, M. Yoesoef, Fitria Sis Nariswari, Alfian Siagian
Menyoal Rajah Dan Pasaduan Dalam Struktur Teks Carita Pantun Baduy, Endin Saparudin, Atiqotul Fitriyah, M. Yoesoef, Fitria Sis Nariswari, Alfian Siagian
Paradigma: Jurnal Kajian Budaya
This article explores the text structure of Kanekes (Baduy) carita pantun, focusing on the presence of rajah, previously understood as the beginning and end of the text (functioning as 'prayers and supplications' to the ancestors). Through analysis of documentation from J.J. Meijer (1891), Wim van Zanten (1977), as well as recent fieldwork (2022-2023), it was found that the rajah was not always in this position. This research uses an ethnographic approach and was conducted in August-October 2022 and September-October 2023 in Kanekes, Leuwidamar, Banten. Nine informants who work as pemantun and responders were recruited. Data were obtained through interview and …
The Transformation Of R.A. Kosasih's Mahabharata Wayang Comics Design: Comparison Of The 1955 Version With The 1975 Version, Iwan Gunawan
The Transformation Of R.A. Kosasih's Mahabharata Wayang Comics Design: Comparison Of The 1955 Version With The 1975 Version, Iwan Gunawan
International Review of Humanities Studies
Mahabharata was an epic Hindu story that has been adapted to comics for so many times, by many comic artists. R.A. Kosasih, was one that was known for his mastery in creatingWayang Comics, and Mahabharata was his best creation. He created two versions of Mahabharata comics. The first was in 1955, published by Melodi and the second in 1975, by Maranatha. The storylines were basically the same, but there were differences not only in formats or spelling system, but in the visual narratives. The pictures in Maranatha version were designed in a more up dated style in comics. In the …