Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Keyword
- Publication
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Other Classics
Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley
Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley
Montview Journal of Research & Scholarship
The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …
The Rhetoric Of The Civil War: Literary Devices Of The North And South, Kelsey Williams
The Rhetoric Of The Civil War: Literary Devices Of The North And South, Kelsey Williams
Senior Honors Theses
While both Northern and Southern antebellum writers employed religious imagery for their persuasive purposes, their specific rhetoric differed: Timrod pictured the South romantically, as the revival of Camelot even after the Confederacy’s death; Stowe, heavily influenced by her personal background, enacted emotion accompanied by an appeal to ethics in her fictional apologetic for the end of slavery in Uncle Tom’s Cabin. Although history handed both authors the opportunity to affect the nation’s trajectory, only Stowe achieved this feat, and she owes her triumph over Timrod, the victory of the North over the South, to her emotional rhetoric concerning slavery. …
Tale Of The Whale, Joel Schlaudt
Tale Of The Whale, Joel Schlaudt
Aidenn: The Liberty Undergraduate Journal of American Literature
In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon …