Other Classics Commons^™

Boston Discusses The Massacre, Jean C. O'Connor

The Montana English Journal

Teachers may use this chapter from The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution as a short story for grades 7 – 12., to explore themes of interpersonal conflict, conflict resolution, and the value of law.

The chapter “Boston Discusses the Massacre” is taken from The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution (Knox Press, 2020), and used with permission. James Lovell, teacher at the Boston Latin School, discusses the pivotal events of March 5, 1770. As the conflicts that become the American Revolution begin a group of …

The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker

AWE (A Woman’s Experience)

No abstract provided.

Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright

MSU Graduate Theses

Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …

Global Engagement At The United Nations: Lessons From Ancient Greece For Our Modern Times, Jason M. Schlude

Classics Faculty Publications

The present political moment in America is rife with irony. One example, revealing a battle for America’s soul, involves two speeches recently delivered at the opening of the 73rd United Nations General Assembly.

From The Boston Stone Jail, 1775, Jean C. O'Connor

The Montana English Journal

Primary sources can open doors to stories we can only imagine. I share the discovery of an actual letter written by American patriot James Lovell in September of 1775, the more startling because in my research for my historical fiction novel The Cause I had already read a clerk-written version of the letter. I encourage teachers to utilize primary sources to entice their students’ development of narrative, and offer links to excellent sources from the Montana Historical Society.

The Rhetoric Of The Civil War: Literary Devices Of The North And South, Kelsey Williams

Senior Honors Theses

While both Northern and Southern antebellum writers employed religious imagery for their persuasive purposes, their specific rhetoric differed: Timrod pictured the South romantically, as the revival of Camelot even after the Confederacy’s death; Stowe, heavily influenced by her personal background, enacted emotion accompanied by an appeal to ethics in her fictional apologetic for the end of slavery in Uncle Tom’s Cabin. Although history handed both authors the opportunity to affect the nation’s trajectory, only Stowe achieved this feat, and she owes her triumph over Timrod, the victory of the North over the South, to her emotional rhetoric concerning slavery. …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

How Hostile Was The Space Race? An Examination Of Soviet-American Antagonism And Cooperation In Space, Mitchell Mundorff

Lewis Honors College Capstone Collection

It is commonly accepted that the United States and the Soviet Union competed, and did not cooperate, with one and other between World War II and the collapse of the USSR in the early 1990s. This is problematic, due to several joint projects undertaken by the two nations during this period, and especially the Apollo-Soyuz Experimental Test Project. Analysis of contemporary and secondary sources shows that though there was a large degree of competition between these superpowers, the idea of working together was proposed several times before it became a reality. Once the nations decided to move forward with Apollo-Soyuz, …

Framing Identity: Repudiating The Ideal In Chicana Literature, Michael A. Flores

All NMU Master's Theses

In the 1960s Rodolfo “Corky” Gonzalez penned his now canonical, epic poem “I Am Joaquin.” The poem chronicles the historic oppression of a transnational, Mexican people as well as revolutionary acts of their forefathers in resisting tyranny. Coinciding with a series of renewed, sociopolitical campaigns, collectively known as the Chicano Movement, Gonzales’ poem uses vivid imagery to present an idealized representation of Chicanos and encouraged his reader to engage in revolutionary action. Though the poem encourages strong leadership, upward mobility, and political engagement the representations of women in his text are misogynistic and limiting.

His presentation of the “black-shawled …