Classical Literature and Philology Commons^™

Prometheus The Trickster: Prophecy, Power, And Deception, Chris Griglack

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article interprets Aeschylus’s Prometheus Bound through the lens of trickster mythology, arguing that Prometheus functions as an atypical trickster deity whose primary tool is not deception of appearance but foreknowledge of fate. Rather than opposing Zeus through force, Prometheus manipulates divine power by controlling access to prophecy, transforming knowledge itself into a means of resistance. His gift of fire to humanity and his refusal to disclose the prophecy of Zeus’s downfall are shown to be parts of a single strategy: the calculated use of foreknowledge to constrain a tyrannical ruler. In this reading, prophecy operates less as an immutable …

A Crown In Death: An (Expanded) Dramaturgical Approach To The Trojan Women Of Euripides, Stephanie Lester

Montview Journal of Research & Scholarship

In the action-packed, visually-oriented market for modern media, some may assume a 2,400-year-old Greek tragedy to be slightly past its expiration date, especially if it features little to no action onstage like in Euripides’ The Trojan Women. However, it is important to remember that literature is lost when the world fails to cherish it, so if a text survives that long, it may be worth another cursory glance. In this case, that glance involved a full dramaturgical study featuring qualitative script analysis of multiple translations of The Trojan Women with related texts to explore context, themes, common literary devices, and …

Myth Rewrites: Do We Need A Reboot?, Livia M. Nocito

Interdivisional Studies Honors Papers

As myth rewrites have permeated popular culture in recent years, the alterations made to their narratives have shifted the original meanings of the ancient texts. They have sought to provide a modernized retelling for readers of a new age to enjoy while simultaneously attempting to hold a mirror to a society that has remained patriarchal and redeems the narrative. By analyzing the three iterations of Medusa’s origins, as well as The Odyssey and it’s newest musical adaptation, “EPIC: The Musical,” myth rewrites are proven to not only be beneficial to introducing new audiences to ancient mythology, but also finds its …

Mythic Arcana - A Tarot And Mythology Guidebook, Kiya Whitaker

English Student Scholarship

Mythic Arcana is part of my senior thesis show and the culmination of my writing and design journey at the college. It is a creative spin on the Major Arcana tarot deck and features mythological characters from around the world. Tarot is used for spiritual guidance, and the Major Arcana cards represent the Soul’s journey from naivety and vast potential (starting with 0, the Fool) to success and fulfillment (ending with 21, the World).

Enjoy this celebration of our world's rich and diverse cultures. Immerse yourself in enchanting art and storytelling. Allow this work to bring you to the past, …

Justice For All: Moira, Tyche And Nemesis In The Marvel Cinematic Universe, Jason Osborne

Journal of Religion & Film

This article explores the ways in which the ancient concepts of moira, tyche, and nemesis permeate the films and series of the Marvel Cinematic Universe.

Eating People Is Might: Power And The Representation Of Anthropophagy In Antiquity, Christopher Weimer

Dissertations, Theses, and Capstone Projects

For several decades, scholars have read cannibalism in ancient texts as an ethnographic and rhetorical strategy to marginalize, minimize, demonize, or otherwise denigrate ‘the Other.’ It is seen as a characteristic of the wild, the savage, the uncivilized, and the bestial, something one attributes only to other people. This project challenges that assertion. In situating the many varied references to eating people in ancient Greek, Near Eastern, and Roman literature within their historical and generic contexts, I provide an alternative reading of the purpose of these accusations and stories. I argue that consumption of another is a statement of power, …

Searching For Hades In Archaic Greek Literature, Daniel Stoll

Electronic Theses and Dissertations

No single volume of mythological or philological research exists for Hades. In the one moment Hades appears in archaic Greek literature, speaking for only ten lines, Hermes stands nearby. Thus, to understand and journey to Hades is to reckon with Hermes’ close presence. As I synthesize research by writers from several different disciplines, may some light be brought into the depths. May we analyze Hades’ brief appearance in archaic Greek literature, examining how what I define as the “Hermetic” emits from his breath in the one moment he physically appears and speaks.

"The Greek Gods Don't Exactly Show Up For Their Kids' Basketball Games": Adapting Epic Convention Through Family Dramas In Rick Riordan's The Last Olympian, Hannah Mcginnis

Capstone Showcase

Rick Riordan's Percy Jackson and the Olympians saga bridges the gap between ancient myth and modern coming-of-age. In this article, the assertion that The Last Olympian is essentially an epic for the new generation invites an examination of the Homeric-heroic tropes and characteristics which are attributed to Riordan's characters. This analysis explains that through the combined motifs of time, age, and family, Riordan actively adapts and subverts these Classical conventions into a modern mythography for young readers.

Maternal Love Shown Through Punishment, Megan Donaty

Parnassus: Classical Journal

No abstract provided.

Argo Navis: A Drifting Circumambulation, Kyle D. Lemstrom

Critical and Creative Thinking Capstones Collection

This work is a tongue-in-cheek narrative journey through the creative process, using travel and mythology as vehicles for reflection, metacognition, and critical thinking around philosophy, literature, and contemporary art. As a process-oriented piece, it makes use of intentional constraints to force a kind of unfolding, to mimic the act of intellectual discovery, navigating dissonance and doubt. As a creative product, it is something akin to an afterimage, to persist as a vestige of accumulated learning. The piece wrestles with questions of personal agency, authority, knowledge and meaning, yet does not arrive at definitive answers.

Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta

Scripps Senior Theses

This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.

Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to …

Subverting A Mythology: Examining Joseph Campbell's Monomyth In The Fiction Of H. P. Lovecraft, Wesley Vandenbos

Masters Theses

American horror author H. P. Lovecraft's tales of monsters and madness, collectively known as the Cthulhu Mythos, have exploded in popularity in the last few decades and attracted both critical and casual interest. Inspired by his childhood mythological readings, Lovecraft created these chilling stories as a more modern version of ancient myths, drawing upon yet subtly altering the sources that influenced him. The author of this thesis draws attention to the differences between classic myths and the Cthulhu Mythos, using the monomyth of Joseph Campbell as a framework through which to view both ancient mythologies and Lovecraft's tales. This thesis …

Review Of D. Ogden, Drakōn: Dragon Myth And Serpent Cult In The Greek And Roman Worlds, Laura Gawlinski

Classical Studies: Faculty Publications and Other Works

Ogden’s latest book examines the serpents of myth and cult from Homer to hagiography. This is a wide-ranging investigation in which both the monster Typhon and the healing pareias snake of Asklepios find a place, as they and other drakontes are approached through literature, linguistics, and iconography. It is an ambitious project that sometimes falls short of that ambition: the separate threads don’t quite come together, and the nuances of important scholarly arguments are often glossed over in footnotes. It is more encyclopedic than interpretive, in Ogden’s words, a “descriptive handbook” (p. 1). As the first comprehensive work in English …