Classical Literature and Philology Commons^™

The Benefit Of New Perspective: An Analysis Of Postcolonial Adaptation, Sara L. Tilbe

Electronic Theses & Dissertations (2024 - present)

In our modern world, the concept of literary adaptation is not unheard of. Each release of a new, popular text comes with an underlying chance that it will likely be snatched up by Hollywood executives to be told through a cinematic setting. However, there is less fanfare when it comes to the topic of literary adaptation, particularly of famous texts that are deemed “classic” of the literary canon. Usually, any news of a literary adaptation of a classic book is meant with polarizing views from the general public. Some welcome the change, excited for what a new author can bring …

Biblical Literacy And The Creative Mind, Michael Farrell

Undergraduate Honors Theses

Biblical Literacy and the Creative Mind will explore interpretation tracing the history of English literature back to biblical aspirations and its continued profound influence on Western human perspectives. It will examine the decline in adults reading literary texts and the diminishing number of English majors among prospective students. I am arguing for poetic interpretations over hermeneutic ones, which analyze what is structurally in a sentence to make a reader feel a certain way. I will use the theory of intertextuality, meaning a text comprises the consumption of past texts, to aid my argument. This theory underscores the importance of celebrated …

The Myths Of Plato: Socratic Kenosis And The Call Of Beauty, Daniel Edward Shirley

Master of Arts in Classical Studies

The myths of Plato have been inordinately subordinated to the “intellect” of Plato since the eighteen-thirties. The ancient Christian tradition of interpreting stories and scriptures with symbolic understanding serves as a potentially primary hermeneutical pattern that could correct the modern tendency of subconscious materialism. To restore the Platonic myths, there are two foundational arguments to be made about the myths. The first is that these myths are kenotic in function. Observing the Socratic call to self-emptying, especially in the cosmological image of the World Axis, challenges modern assumptions concerning the second goodness of Platonic myth. The second argument is the …

Towards Textile Narratives: A Cross-Over Perspective On Textile Imagery In Statuary, Iconography, And Literature, Leyre Morgado-Roncal, Juliane Müller, Marisa Kerbizi

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles and clothing constitute a fundamental element of our cultural past, present, and future. Therefore, they were also represented in many mediums, such as iconographic depictions and literature. Images are a source of visual and mental illustration and are often dependent on the viewer’s perspective. As a result, the representations of textiles convey social constructions and their cultural perception. Their study is the focal point of this article: The ways in which textiles and clothing are described by the imagery shown in Greek and Roman statuary and iconography, as well as in contemporary Albanian literature and mythology.

Representations illustrate the …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity, Dante G. King

Senior Independent Study Theses

This independent study examines Vergil’s Aeneid and Ovid’s Heroides and Metamorphoses with regard to Aeneas and Turnus as analogues for Roman citizens and Italic provincials respectively. As this project is primarily concerned with textual investigation, philological analysis of Vergil and Ovid’s texts takes center stage and is supplemented by contemporary material evidence and secondary scholarship in foundation narratology, identity, and political theory. So, whereas Vergil characterizes Aeneas as a dominant hero destined to found a new home for his people, the proto-Roman Trojans, and Turnus as a rebellious but ultimately ineffectual Italic monarch, Ovid presents the former as a detestable …

About Medieval Egyptian Historians, Zukhra Aripova

The Light of Islam

This article is dedicated to the life and work of historians of the Mamluk period (1250-1517) in Egypt and the rich heritage left by them. In the XIII-XV centuries, Egypt had a special place among the countries of the Middle East due to the activities of the Mamluks. The prestige of the Mamluk sultans increased due to their victories in the fght against the Crusaders and the Mongols in the Middle East. The establishment of Mamluk rule in the history of Egypt, the growth of the superiority of military Mamluks in the country, the rise of the Bakhrit Mamluk sultans …

The Exemplary Spartacus: Reception, Adaptation, And Reconstruction, Benjamin Franklin Howland

LSU Doctoral Dissertations

My project, “The Exemplary Spartacus: Reception, Adaptation, and Reconstruction,” focusses on various representations of the gladiator Spartacus. I assert that Spartacus has almost exclusively been and continues to be an exemplary figure, with an extensive and connected literary tradition, working as an empty signifier in differing temporalities and localities. I draw specific attention to a core issue in the study of Spartacus, namely, the plethora of modern representations of Spartacus in various genres, and the continuing influence these representations exert through their blurring of the historical figure with local themes and ideologies. Each draw from the same ancient sources, infusing …

Wollstonecraft Discussion Questions, Susan Lago, Alison Cimino, Ilse Schrynemakers, Susan Jacobowitz

Open Educational Resources

No abstract provided.

World Literature Ii: Digital Essay Project, Susan Lago, Alison Cimino, Ilse Schrynemakers, Susan Jacobowitz

Open Educational Resources

No abstract provided.

W.E.B. Dubois Ppt, Susan Lago, Ilse Schrynemakers, Susan Jacobowitz, Alison Cimino

Open Educational Resources

No abstract provided.

Engl 101 Discussion Questions On “Seeing” By Annie Dillard From Pilgrim At Tinker Creek, Susan Lago, Alison Cimino, Ilse Schrynemakers, Susan Jacobowitz

Open Educational Resources

No abstract provided.

Great Books: Teaching Anne Carson’S Translation Of Sappho, Susan Lago, Alison Cimino, Susan Jacobowitz, Ilse Schrynemakers

Open Educational Resources

No abstract provided.

Why Are Grimms' Fairy Tales So Mysteriously Enchanting?, Ana Neophytou

Dissertations and Theses

No abstract provided.

Compensations For Exile: A Lacanian Analysis Of Aeneas's Destiny And Dido's Tragedy In Virgil's Aeneid, Jessica Marie Hayes

Theses Digitization Project

This thesis will attempt to show that Dido's Tragedy, rather than reinforcing or celebrating a patriotic version of Homer's heroic code, offers a critical view of the suffering involved in the founding of a new nation, and thus of Aeneas's Destiny.

Aesthetic Revolutionaries : Picasso And Joyce, Joy M. Doss

Theses, Dissertations and Capstones

Picasso’s Cubist works and Joyce’s Ulysses transcend tradition, merge time and space, and radicalize form. By accomplishing these feats, the two men become seminal embodiments of Modernism. This thesis examines the conceptual and formal qualities shared by Cubism and Ulysses. With particular attention given to changing concepts of space and time, similarities between the works are related to four characteristics generally attributed to Modernism: deviance from tradition, an emphasis on form, fragmentation, and appropriation of popular culture. The monumental effects of these works on society are examined in the conclusion. The legacy of these aesthetic revolutionaries is unavoidable and continues …

The Psychomachia By Marcus Aurelius Prudentius, Translated From Latin With An Introduction, Peter Johnson

English Faculty Publications

This Masters thesis is an introduction to and prose translation of Prudentius’s Psychomachia. In the introduction, besides discussing personification allegory, I suggest that the synthesis of classical and Christian elements in the Psychomachia is a response to the historical phenomena of the times. The conflict between the Christian and pagan elements is important because it mirrors the action of the poem itself, in which the soul tries to cope with the presence of two battling opposite forces: the Virtues and the Vices. This internalized soul conflict is a personalized representation of 4^th Century Church history, during which intellectuals …

Tennyson's Debt To The "Morte D'Arthur", Sally Rodman Thompson

Student and Lippitt Prize Essays

Summary and critique of Alfred Lord Tennyson's blank verse poem, “The Idylls of the King” with discussion of the credit due to Sir Thomas Mallory’s “Morte D’Arthur” which inspired Tennyson's work.