Classical Literature and Philology Commons^™

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

Woven Words In The Iliad: Gender, Narrative, And Textile Production In The Scholia Of The Venetus A Manuscript, Anne-Catherine Schaaf

College Honors Program

The work of previous scholars has established powerful connections between the process of creating textiles and process of epic oral composition. I build on disparte sources from the fields of archaeology and philology and analyze how the scholia in one epic manuscript of the Iliad, the Venetus A, treat this issue and with a focus on how it interplays with gender, specifically the female characters in the Iliad who produce textiles. I focus on a few major sections of scholia and important scenes of weaving in the Iliad. The key female characters in the novel, both divine and human nearly …

Ἔπος: A Musical Concept Album Adaptation Of Homer’S Iliad, Blaike Cheramie

Scripps Senior Theses

This thesis project is a musical concept album adaptation of Homer’s classical epic the Iliad. Inspired by musicals like Hadestown, Les Miserables, and Hamilton as well as movies like O Brother Where Art Thou and musicians like Bob Dylan, this album seeks to enter the genre of Classical Reception Studies. The album consists of seven tracks all referencing moments within the poem, written from the perspective of the characters to inspire empathy within the audience. The content of this thesis includes detailed chord charts and audio demos of each song, as well as analyses of the lyrical, musical, and thematic …

Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity, Dante G. King

Senior Independent Study Theses

This independent study examines Vergil’s Aeneid and Ovid’s Heroides and Metamorphoses with regard to Aeneas and Turnus as analogues for Roman citizens and Italic provincials respectively. As this project is primarily concerned with textual investigation, philological analysis of Vergil and Ovid’s texts takes center stage and is supplemented by contemporary material evidence and secondary scholarship in foundation narratology, identity, and political theory. So, whereas Vergil characterizes Aeneas as a dominant hero destined to found a new home for his people, the proto-Roman Trojans, and Turnus as a rebellious but ultimately ineffectual Italic monarch, Ovid presents the former as a detestable …

Homer’S Thebes: Epic Rivalries And The Appropriation Of Mythical Pasts, Elton T. E. Barker, Joel P. Christensen

Publications and Research

Homer’s Iliad and Odyssey are the only early Greek heroic epics to have survived the transition to writing, even though extant evidence indicates that they emerged from a thriving oral culture. Among the missing are the songs of Boeotian Thebes.

Homer’s Thebes examines moments in the Iliad and Odyssey where Theban characters and thematic engagements come to the fore. Rather than sifting through these appearances to reconstruct lost poems, Elton Barker and Joel Christensen argue that the Homeric poems borrow heroes from Thebes to address key ideas—about politics, time, and genre—that set out the unique superiority of these texts in …

Epic Performance Through Invenção De Orfeu And ‘An Iliad:’ Two Instantiations Of Epic As Embodiment In The Americas, Patrice Rankine

Classical Studies Faculty Publications

The body is a problem for epic performance: as a text, epic absents the body, and such absence is a barrier to the modern audience’s full participation. The modern poet might attempt to resolve this issue in one of two ways, either by using the absence as a rhetorical strategy or, alternatively, by reintroducing the body into performed epic. Jorge de Lima’s Invenção de Orfeu (The Invention of Orpheus) (1952) presents one extreme in addressing the absence of the poet’s body, through textual strategies, in his celebration of the literary condensation of past epics as embodiment. By contrast, …

Virgil's Aeneid: Subversive Interpretation In The Commissioned Epic, Nicole Moore

Conspectus Borealis

No abstract provided.

Two Papyrus Fragments Of The Odyssey, James G. Keenan

Classical Studies: Faculty Publications and Other Works

The two papyri edited below are housed in the Rare Books Department of the Bancroft Library on the University of California's Berkeley campus. Of Roman date, they were summarily described on page 303 of The Tebtunis Papyri Vol. II and have listings in Roger A. Pack's Greek and Latin Literary Texts from Greco-Roman Egypt. The collations which follow are based upon P. von der Muihll's edition (Basel 1946). For fragment no. 1, pertinent excerpts from the apparatus criticus of that edition are reproduced.