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Articles 31 - 37 of 37
Full-Text Articles in Classical Literature and Philology
Interpreting The Republic As A Protreptic Dialogue, Peter Nielson Moore
Interpreting The Republic As A Protreptic Dialogue, Peter Nielson Moore
Theses and Dissertations--Philosophy
Protreptic is a form of rhetoric, textual and oral in form, which exhorts its recipients to reorient their lives both morally and intellectually. Plato frequently portrays Socrates' use of this rhetoric with interlocutors who are enticed by the moral and political views of figures from Athens' intellectual culture. During these conversations Socrates attempts to persuade his interlocutors to reorient their lives in a way that conforms more closely to his own moral and intellectual practice of philosophy. Plato's depiction of protreptic, however, also exerts a protreptic effect on readers of his dialogues. Plato's writing thus performs a dual function, simultaneously …
Epic Performance Through Invenção De Orfeu And ‘An Iliad:’ Two Instantiations Of Epic As Embodiment In The Americas, Patrice Rankine
Epic Performance Through Invenção De Orfeu And ‘An Iliad:’ Two Instantiations Of Epic As Embodiment In The Americas, Patrice Rankine
Classical Studies Faculty Publications
The body is a problem for epic performance: as a text, epic absents the body, and such absence is a barrier to the modern audience’s full participation. The modern poet might attempt to resolve this issue in one of two ways, either by using the absence as a rhetorical strategy or, alternatively, by reintroducing the body into performed epic. Jorge de Lima’s Invenção de Orfeu (The Invention of Orpheus) (1952) presents one extreme in addressing the absence of the poet’s body, through textual strategies, in his celebration of the literary condensation of past epics as embodiment. By contrast, …
The Puzzle In Babrius's Prologue, Kristin Mann
The Puzzle In Babrius's Prologue, Kristin Mann
Classical Studies Faculty publications
The idyllic description of the Golden Age in the prologue is false and unrealistic, whereas his dark and violent fables show the truth, a contradiction designed to instruct readers to figure out for themselves the moral of each fable.
Localizational Evidence For The Restoration Of Rigvedic *Mimihí ‘Measure’.” In Vina Diem Celebrent: Studies In Linguistics And Philology In Honor Of Brent Vine, Dieter Gunkel
Classical Studies Faculty Publications
The purpose of this study is to provide new evidence for the existence of the 2 sg present active imperative *mimihí ‘measure’ in the Rigveda. Controlling to an extent for the effects of morphosyntax, I show that the poets do not localize the forms transmitted as mimihí in the meter similarly to the way that they localize forms of the same metrical/phonological shape, e.g. did¯ıhí ‘shine’, ´si´s¯ıhí ‘sharpen’, gr.n. ¯ıhí ‘sing’. Instead, they localize them like forms of the shape *mimihí , e.g. kr.n. uhí ‘make’, ´sr.n.uhí ‘hear’, tanuhi ‘stretch’. Thus we should restore *mimihí . I then …
Writing Indigenous Identity In Herman Melville And Joseph Conrad's Polynesian And Malay Archipelago Novels, Catherine L. Black
Writing Indigenous Identity In Herman Melville And Joseph Conrad's Polynesian And Malay Archipelago Novels, Catherine L. Black
Dissertations and Theses
The thesis of this paper is that cross-cultural writing can be done with the right methods of communication, such as engaging narrator and education—or simply sensitive, imaginative writing. Herman Melville and Joseph Conrad’s five books set in the Polynesian and Malay Archipelagos—Typee and Omoo and the Malay Trilogy (Almayer’s Folly, An Outcast of the Islands, and The Rescue)— are used as master models of how to write indigenous characters with rich characterization in pivotal roles, even circa 1846 and 1896. The unique perspective and technique by which they did this is explored, a technique and perspective not …
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
College of Graduate Studies: Theses & Dissertations
C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …
Zero To Hero: Elite Burials And Hero Cults In Early Iron Age Greece And Cyprus, Alina M. Karapandzich
Zero To Hero: Elite Burials And Hero Cults In Early Iron Age Greece And Cyprus, Alina M. Karapandzich
Senior Independent Study Theses
Adulation of heroes, including the flawed, militaristic, authoritative men of Homeric epic, was an important feature of ancient Hellenic culture. This phenomenon is reflected in cults and shrines built in the Archaic period. How did these so-called “hero cults” form, and can Early Iron Age (EIA) elite burials form a connection between the tomb cults of the Late Bronze Age (LBA) and the hero cults of the Archaic and later Classical periods? The purpose of this study is to examine EIA burials whose elite goods and archaeologically visible tombs reflect the burial of a “heroic” person. In doing so, I …