Classical Literature and Philology Commons^™

Epic Performance Through Invenção De Orfeu And ‘An Iliad:’ Two Instantiations Of Epic As Embodiment In The Americas, Patrice Rankine

Classical Studies Faculty Publications

The body is a problem for epic performance: as a text, epic absents the body, and such absence is a barrier to the modern audience’s full participation. The modern poet might attempt to resolve this issue in one of two ways, either by using the absence as a rhetorical strategy or, alternatively, by reintroducing the body into performed epic. Jorge de Lima’s Invenção de Orfeu (The Invention of Orpheus) (1952) presents one extreme in addressing the absence of the poet’s body, through textual strategies, in his celebration of the literary condensation of past epics as embodiment. By contrast, …

Localizational Evidence For The Restoration Of Rigvedic *Mimihí ‘Measure’.” In Vina Diem Celebrent: Studies In Linguistics And Philology In Honor Of Brent Vine, Dieter Gunkel

Classical Studies Faculty Publications

The purpose of this study is to provide new evidence for the existence of the 2 sg present active imperative *mimihí ‘measure’ in the Rigveda. Controlling to an extent for the effects of morphosyntax, I show that the poets do not localize the forms transmitted as mimihí in the meter similarly to the way that they localize forms of the same metrical/phonological shape, e.g. did¯ıhí ‘shine’, ´si´s¯ıhí ‘sharpen’, gr.n. ¯ıhí ‘sing’. Instead, they localize them like forms of the shape *mimihí , e.g. kr.n. uhí ‘make’, ´sr.n.uhí ‘hear’, tanuhi ‘stretch’. Thus we should restore *mimihí . I then …

Dignity In Homer And Classical Greece, Patrice Rankine

Classical Studies Faculty Publications

Woven into the distress of Homeric epic, which often laments the terrors of war, the violence of passion, and the desperation of life, are records of ancient customs that hint at a deep respect for culture and human worth. To take but one example, recall Hector's refusal to take wine from his mother when he is bloody from battle. This moment is apt to strike modern readers as trivial. In fact, it reifies important ancient distinctions between war and peace, home and battlefield, and the equally ancient sentiment that to everything, there is a season. In this case, no matter …

Iambic Metapoetics In Horace, Epodes 8 And 12, Erika Zimmerman Damer

Classical Studies Faculty Publications

When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry, he celebrates his adaptation of Archilochean iambos to the Latin language. He further states that while he followed the meter and spirit of Archilochus, his own iambi did not follow the matter and attacking words that drove the daughters of Lycambes to commit suicide (Epist. 1.19.23–5, 31).¹ The paired erotic invectives, Epodes 8 and 12, however, thematize the poet’s sexual impotence and his disgust during encounters with a repulsive sexual partner. The tone of these Epodes is unmistakably that of …

From Anthropophagy To Allegory And Back: A Study Of Classical Myth And The Brazilian Novel, Patrice Rankine

Classical Studies Faculty Publications

“Let it be remembered that events narrated in this chronicle – full of veracity, albeit lacking in brilliance – took place during the worst years of the military dictatorship and the most rigid censorship of the press. There was a hidden reality, a secret country that didn’t get into the news. The newsrooms of newspapers and radio and television stations found themselves restricted to covering generally unexpected events. Their editorial pages were reduced to unconditional praise for the system of government and those who governed.” Jorge Amado

In the epigraph above, the narrator of The War of the Saints, …

Investigating Rigvedic Word Order In Metrically Neutral Contexts, Dieter Gunkel, Kevin Ryan

Classical Studies Faculty Publications

1. Swappable bigrams 1.1 We extract all swappable bigrams from the RV

• Both orders are metrically equivalent e.g. dháne hité (7x) ~ hité dháne (2x) "when the stake is set" • Regardless of whether both orders are attested e.g. śárma yaccha (8x) ~ yaccha śárma (0x) "extend shelter"

Gender Reversals And Intertextuality In Tibullus, Erika Zimmerman Damer

Classical Studies Faculty Publications

This paper argues that Tibullus’ practice of altering the gender of his intertextual references destabilizes gender as a biological, social, and even grammatical category in his elegies. In 1.8, Tibullus draws on images of women’s adornment from Callimachus, Philitas, and Propertius to create the opening image of the puer Marathus. In 2.6, Tibullus draws from Catullus’ lament for his brother in carmen 101 as he describes Nemesis’ dead young sister and demonstrates his technical skill in manipulating the flexibility of grammatical gender in Latin.

Recent Work On Tibullus, Erika Zimmerman Damer

Classical Studies Faculty Publications

This introduction provides an overview of Tibullus’ life, his poetry, and his style, and offers a bibliographical survey of emerging critical trends in interpreting this relatively neglected Roman elegist.

Odysseus As Slave: The Ritual Of Domination And Social Death In Homeric Society, Patrice Rankine

Classical Studies Faculty Publications

Eumaeus, in his first protracted exchange with Odysseus in Homer's Odyssey, goes a long way towards conveying what it means to be a slave in Homeric society. Disguised, Odysseus is a guest to Eumaeus, but he is also a beggar who could become a dependent in the same way that Eumaeus had. Emphasising that guests and beggars are sacred to Zeus (14.56-8), Eumaeus talks about his role in Odysseus' household. His labour (14.66) increased his master's holdings, yet Eumaeus' focal point, the way in which he frames his speech is not labour, per se, but honour and power. …

Black Apollo? Martin Bernal's Black Athena: The Afroasiatic Roots Of Classical Civilization, Volume Iii, And Why Race Still Matters, Patrice Rankine

Classical Studies Faculty Publications

This chapter provides a discussion of Martin Bernal's third volume of Black Athena, published in 2006, with a view toward Bernal's continued relevance in a changing social, political, and intellectual landscape. Previous criticisms of Bernal's work to the contrary notwithstanding, I argue that Bernal examples the scholarly methods for historical inquiries about the past, particularly as they concern cultural heritage and cultural appropriation. The case of an African Apollo might resonate to those interested in African heritage, and even in a postcolonial context where hybridity trumps “origins,” the study of Apollo's African analogs leads us down many productive paths. …

On The Idea Of Reflexive Rhetoric In Homer, Mari Lee Mifsud Jr.

Rhetoric and Communication Studies Faculty Publications

When Henry Johnstone and I translated this passage, we wondered to what extent we could say that Odysseus persuades himself to endure. Is Odysseus involved in self-persuasion, what Johnstone has termed reflexive rhetoric, when he deliberates? Answering this question led us to explore related questions such as, does Odysseus have a "self" to which his deliberation/persuasion can be addressed? If so, how do we know that Odysseus actually persuades himself when he deliberates? If Odysseus does persuade himself, can we say he practices rhetoric on himself? Can we even talk of rhetoric in Homer? Through this essay, I wish …

Aristotle's Critique Of Mimesis: The Romantic Prelude, Terryl Givens

English Faculty Publications

The most notable element of Plato's theory of art, or at least the most memorable, is his censorship of poetry from the ideal state (Republic III: 398; X: 607). However Plato's argument is construed, it is enlightening to note the domestication to which it is invariably subjected. Since Aristotle's theory is eminently more amenable to our contemporary appreciation for art, and, in one form or another, is judged more central to the history of Western literature, Plato's attack is dispensed with after due characterization as ironic, unmanageably ambiguous, valid only in a most limited context, or excusable in the light …