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Ood For The Ghosts: Reading Ruin’S Being With The Dead With Nietzsche, Babette Babich

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A focus on roots, localizations, usurpations, and obliterations together with commemoration and different fields of scholarly research, along with a thematic focus on Homer’s Nykia, permit Hans Ruin to revisit the foundations of history in Being with the Dead. Ruin draws on cultural sociology, including the work of Alfred Schütz, as well as Heideggerian historicity and the dead of the distant past, including archaeology and ethnography, paleography and physical anthropology. Ruin also engages Michel de Certeau’s Writing of History and its focus on the other in a necropolitical account tracked through interdisciplinary fields. In my reading I supplement Ruin’s critical …

Musical “Covers” And The Culture Industry: From Antiquity To The Age Of Digital Reproducibility, Babette Babich

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This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of the mass consumer but also a reflection on the ghostly time-space of music in the broadcast world. A brief allusion to Rilke complements a similarly brief reference to Jankelevitch’s “ineffable.”

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

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No abstract provided.

Nietzsche’S Digital Alexandrians: Greek As Musical Code For Nietzsche And Kittler, Babette Babich

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No abstract provided.

Nietzsche's Antichrist: The Birth Of Modern Science Out Of The Spirit Of Religion, Babette Babich

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Nietzsche argued that the Greeks were in possessions of every theoretical, mathematical, logical, and technological antecedent for the development of what could be modern science. But if they had all these necessary prerequisites what else could they have needed? Not only had the ancient Greeks no religious world-view antagonistic to scientific inquiry, they also lacked the Judeo-Christian promissory ideal of salvation in a future life (after death). Subsequently, when Greek culture had been irretrievably lost, what Nietzsche regarded as the "decadent" Socratic ideal of reason ultimately and in connection with the preludes of religion and alchemy developed into modern science …

The Ubiquity Of Hermeneutics, Babette Babich

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To understand Nietzsche in the context of hermeneutics is to understand not only Nietzsche’s philosophy of interpretation (Figl 1982a, 1984) but his perspective on perspective (Cox 1997) or “perspectivalism” (Babich 1994: 116f). In turn, given his background familiarity with hermeneutic methodology, this also corresponds to Nietzsche’s own approach as an interpreter of texts and antiquity as of the life, the culture, the history of ancient Greece (see the range of contributions to Jensen and Heit 2014 as well as Ugolini 2003; Figl 1984; and Pöschl 1979). And to do this, just to the extent that Nietzsche specifically reflects on interpretation …

Becoming And Purification: Empedocles, Zarathustra’S Übermensch, And Lucian’S Tyrant, Babette Babich

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Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman or Übermensch should be read in correspondence with the context of its (terminological) origination in Lucian’s satirical dialogue Kataplous, referring to the journey of the soul from its life on earth into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate, traditionally the journey is downward journey and the human soul does not tend to be translated to regions above its former station (the literal meaning of the Übermensch). The Kataplous …

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

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It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

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This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Working Papers

No abstract provided.

Politics And Heidegger: Aristotle, Superman, And Žižek, Babette Babich

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This essay discusses Heidegger's thinking on the political and technology in the context of metaphysics in an age that is increasingly directed to both technology and the imaginary or the virtual. The context of Aristotelian phronesis is traced back to Aristotle's youth in Macedonia and the circumstance of war and world conquest, to the allure of a comic book character (that would be the Action Comic's figure of Superman) and the cinematic seduction of a pair of eyeglasses to conclude with a review of Latour's network actants and Žižek on Marxism (and Occupy Wall Street).

Nietzsches Hermeneutische, Phänomenologische Wissenschafts-Philosophie. Unzeitgemäße Betrachtungen Zu Altphilologie Und Physiologie, Babette Babich

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No abstract provided.

Sloterdijk’S Cynicism: Diogenes In The Marketplace, Babette Babich

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No abstract provided.

The Philosopher And The Volcano, Babette Babich

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Nietzsche's Zarathustra echoes Empedocles' as orator or speaker especially if reviewed in terms of Empedocles' esoteric Katharmoi or Purifications. This essay reads Zarathustra teaching of the eternal return of the same as the teaching of going to ground, that is: death and rebirth, arguing that death is present at the start and already at work in the section entitled The Adder's Bite. Indeed it is the explicit subtext of the overman.

Like Empedocles, Nietzsche's Zarathustra tells us that the human being is something that should be overcome. and thus it makes a difference that we hear Zarathustra proclaim this teaching …

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

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Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in …

Zu Nietzsches Statuen: Skulptur Und Das Erhabene, Babette Babich

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Metaphern aus dem Feld der Bildhauerein kommen überraschend oft bei Nietzsche vor: von der Statue als einem Ideal von Unweglichkeit ebenso wie von der Skulptur als einer Metapher der Selbst-Darstellung, bis hin zu Nietzsches ikonoklastischer Klärung: wie mit dem Hammer zu philosophieren sei.

In Bezug auf die griechische Platik sowie Nietzsche’s Texte argumentiert die Autorin mit Nietzsche gegen eine damals und noch heute weit verbreitete Auffassung, wonach wir solche Statuen fast unvermeidlich aus einem jüdisch-christlichen Gesichtspunkt betrachten. Außerdem geht sie besonders ein auf Nietzsches Beschwörung der Skulptur in dem Zarathustra-Abschnitt Von den Erhabenen.

The Philosopher And The Volcano, Babette Babich

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No abstract provided.

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

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To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

Zu Nietzsches Stil, Babette Babich

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Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …

Nietzsche’S “Gay” Science, Babette Babich

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Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …

Archilochus: First Poet After Homer, William Harris

Research Resources

Archilochus was known in ancient Greece, to everyone who knew anything about literature, as the first poet after Homer and Hesiod. To an educated Greek in the Fourth Century A.D. it would have seemed inexplicable to have to explain in a preface to the poems of Archilochus, who this famous poet was, when and where he lived and what kind of verse he wrote. Although no more precise about exact dates than we are, he would have placed Homer about four hundred years after the Trojan War, Hesiod somewhat later, and Archilochus in the time of Gyges, about or after …

Future Philology! By Ulrich Von Wilamowitz-Moellendorff - Translated By G. Postl, B. Babich, And H. Schmid, Babette Babich

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Ulrich von Ulrich von Wilamowitz-Möllendorff's

FUTURE PHILOLOGY! a reply to FRIEDRICH NIETZSCHE’S Ordinarius Professor of Classical Philology at Basel „birth of tragedy“

Translated by Gertrude Postl, Babette E. Babich, and Holger Schmid (Greek and Latin translations by Babette Babich and Holger Schmid. Additional corrections to the Greek by James I. Porter and Alexander Nehamas)