Classical Literature and Philology Commons^™

Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers

Dissertations, Theses, and Capstone Projects

Mirroring its many definitions, the concept of hybridity has historically been a highly fraught one, with creatures such as the centaur or the satyr alternately treated as wild and wise. Defined as a “mixed entity,” the English word “hybrid” derives from the ancient Greek hybris, a term with several connotations, including wanton violence, lust, or outrage. The word is also synonymous with “hubris,” or excessive pride. Hybris also developed additional meanings, referring to a deed of excess, an attempt to rise above one’s station, or the desire to surpass the gods. More positively, hybris may also be translated as …

Affecting Civil War: The Poetics Of Fear In Lucan’S Bellum Civile, Irene R. Morrison-Moncure

Dissertations, Theses, and Capstone Projects

This dissertation argues for the importance of fear in the Bellum Civile, Lucan’s Neronian epic narrating the civil war between Caesar and Pompey (49 – 48 BCE). Previous scholars have acknowledged the centrality of fear in Lucan’s poetic program, having related it to the Aristotelian theory of pity and fear (catharsis) and to the use of affective rhetorical devices in historiographic writing. However, there has been no extended analysis on the programmatic role of fear in Lucan’s historical epic. I examine therefore how Lucan represents fear in its multifaceted forms and analyze how the representation of these forms complicates Lucan’s …

Cynic And Epicurean Parrhesia In Horace's Epodes 5 & 6: Appropriating A Parallel Philosophical Debate For Poetic Purposes, Kent Klymenko

Dissertations, Theses, and Capstone Projects

Within Horace's fifth and sixth Epodes there is a juxtaposition of canine imagery. This imagery parallels two different interpretations of the philosophical concept of parrhesia or frank speech. Horace examines the parrhesia of Cynicism and contrasts it with the parrhesia of Epicureanism. After establishing Horace's philosophical influences, I engage in a close reading of the two poems through the lens of these competing philosophical interpretations of the same concept. I make the argument that Horace is using his knowledge of philosophy to make a larger poetic point. Although Horace's own stance on parrhesia favors Epicureanism, to the extent that one …

Footnotes To Footnotes: Whitehead's Plato, Nathan Oglesby

Dissertations, Theses, and Capstone Projects

This dissertation examines the presence of Plato in the philosophical expressions of Alfred North Whitehead (1861-1947). It was Whitehead who issued the well-known remark that “the safest general characterization of the European philosophical tradition is that it consists in a series of footnotes to Plato" -- the purpose of this project is to examine the manner in which Whitehead positioned himself as one such footnote, with respect to his thought itself, and its origins, presentation and reception.

This examination involves: first, an explication of Whitehead’s cosmology and metaphysics and their ostensibly Platonic elements (consisting chiefly in the Timaeus); second, investigation …

Tragedy And Theodicy: The Role Of The Sufferer From Job To Ahab, Nora Carroll

Dissertations, Theses, and Capstone Projects

The character of Job starts in literature, a trope and archetype of the suffering man who potentially gains wisdom through suffering. Job’s characterization informs a comparison to Sophocles’ Oedipus Rex, Shakespeare’s King Lear, Milton’s Paradise Lost, and finally Melville’s Moby-Dick. These versions of Job rally, fight, and rebel against a universe that was once loving and fair towards a more chaotic and nihilistic one. Job’s suffering is on the mark of all tragedy because he not only experiences a downfall, he gains wisdom through universalizing his torment. The Job trope not only stresses the role of suffering, it …

Writing Indigenous Identity In Herman Melville And Joseph Conrad's Polynesian And Malay Archipelago Novels, Catherine L. Black

Dissertations and Theses

The thesis of this paper is that cross-cultural writing can be done with the right methods of communication, such as engaging narrator and education—or simply sensitive, imaginative writing. Herman Melville and Joseph Conrad’s five books set in the Polynesian and Malay Archipelagos—Typee and Omoo and the Malay Trilogy (Almayer’s Folly, An Outcast of the Islands, and The Rescue)— are used as master models of how to write indigenous characters with rich characterization in pivotal roles, even circa 1846 and 1896. The unique perspective and technique by which they did this is explored, a technique and perspective not …

Vim Parat: Patterns Of Sexualized Violence, Victim-Blaming, And Sororophobia In Ovid, Melissa Marturano

Dissertations, Theses, and Capstone Projects

My dissertation argues for the importance of understanding the depiction of sexualized violence and rape in the Roman poet Ovid’s extensive corpus through the modern feminist concepts of victim-blaming (blaming victims of sexual abuse for their own abuse) and sororophobia (female figures participating in misogyny). It explores sexualized violence and rape in Ovid long-form, examines the discernible patterns that emerge and the deviations from them as he depicts that violence throughout his texts, and more importantly, introduces victim-blaming and sororophobia into an analysis of these patterns. Despite the fact that previous scholars have done substantial analyses of the patterns of …

Recognizing Freedom: Manumission In The Roman Republic, Tristan Husby

Dissertations, Theses, and Capstone Projects

Roman manumission was at the center of three different groups: the Roman state, Roman slave-owners, and freeborn Romans who did not own slaves. I draw upon G.F.W. Hegel, Orlando Patterson, Judith Butler, and Pierre Bourdieu to describe Roman manumission as a ritualized practice that transforms a slave’s life from unlivable to livable. The term “unlivable” comes from the philosopher Judith Butler, who developed it in conversation with Hegel’s master/slave dialectic and the term “social death,” which sociologist Orlando Patterson used to describe slavery. Hegel and Patterson’s thoughts on the movement and experience of freedom are useful for theorizing Roman slavery …

Aeschylean Drama And The History Of Rhetoric, Allannah K. Karas

Dissertations, Theses, and Capstone Projects

This dissertation demonstrates how the playwright Aeschylus contributes to the development of ancient Greek rhetoric through his use and display of πειθώ (often translated “persuasion”) throughout the Oresteia, first performed in 458 BCE. In this drama, Aeschylus specifically displays and develops πειθώ as a theme, a goddess, a central principle of action, and an important concept for his audience to consider. By tracing connections between Aeschylus’ innovations with πειθώ and later fifth and early fourth century conceptions of Greek rhetoric, I argue that Aeschylus plays a more important role in the development of practical principles and concepts of the …

The Epic Of Gilgamesh: Selected Readings From Its Original Early Arabic Language. Including A New Translation Of The Flood Story, Saad D. Abulhab

Publications and Research

This book introduces the earliest known literary and mythology work in the world, the Epic of Gilgamesh, in its actual language: early Classical Arabic. It provides a more accurate translation and understanding of the important story of the flood, one of the key stories of the monotheistic religions. In this book, the author was able to decipher the actual meanings and pronunciations of several important names of ancient Mesopotamian gods, persons, cities, mountains, and other entities. He was able to uncover the evolution path of the concept of god and the background themes behind the rise of the monotheistic religions. …

Publication In Martial's Time And The Publication Of His Works, Jack Kaufmann

Dissertations, Theses, and Capstone Projects

I have attempted in this thesis to broadly discuss the nature of literary publication in classical times, characterized by (a) the lack of printing presses or any other means to make multiple copies of a work except by writing out each copy by hand, and (b) the lack of any copyright or other protection of a writer’s work. These factors led to a very different concept of publishing than our modern one. I have then focused on the epigrams of Martial (ca. 40 A.D. – 103 A.D.) in particular, because (a) his epigrams contain a wealth of information relating to …

Western Classics In Modern Japan (German), Frank Jacob

Publications and Research

A presentation paper (invited guest lecture) delivered at the Institute of Ancient History at Marburg University, Germany, July 12, 2016.

Feral And Isolated Children From Herodotus To Akbar To Hesse: Heroes, Thinkers, And Friends Of Wolves, Karl Steel

Publications and Research

"In 1304, a small child of Hesse was taken by wolves, and lived with them for a while, eating well, learning to run on all fours, perhaps joining them in their raids on sheep and humans, until he was taken by hunters and forced to live, unhappily, in human society, compelled to learn to walk upright, and exhibited as a spectacle. This account, almost certainly legendary, belongs to a small set of similar stories of feral children from roughly the same time, which, unlike so many modern accounts of wild children, are not about isolation, deprivation, or a catastrophic separation …

A Passage From Brooklyn To Ithaca: The Sea, The City And The Body In The Poetics Of Walt Whitman And C. P. Cavafy, Michael P. Skafidas

Dissertations, Theses, and Capstone Projects

This treatise is the first extensive comparative study of Walt Whitman and C. P. Cavafy. Despite the abundant scholarship dealing with the work and life of each, until now no critic has put the two poets together. Whitman’s poetry celebrates birth, youth, the self and the world as seen for the first time, while Cavafy’s diverts from the active present to resurrect a world whose key, in Eliot’s terms, is memory. Yet, I see the two poets conversing in the crossroads of the fin de siècle; the American Whitman and the Greek Cavafy embody the antithesis of hope and dislocation …

Why Are Grimms' Fairy Tales So Mysteriously Enchanting?, Ana Neophytou

Dissertations and Theses

No abstract provided.

Variations On A Theme: Contemporary Memorials To Harriet Tubman, Elise Anne Geltzer

Dissertations and Theses

No abstract provided.

Ovid's Pentheus: An In-Depth Guide For Students And Teachers To A King's Anger And Fiery Oration, Benjamin Joffe

Dissertations, Theses, and Capstone Projects

Born out of my years of using traditional commentaries for Latin and Greek texts, both for myself as a student learning the language anew and then as a teacher sharing my experience with others &mdash and still learning the language years later &mdash this in&ndashdepth guide to Ovid's version of the story of Pentheus I have conceived as a reimagining of the genre, at once a vehicle designed to allow students to navigate their own ways through the literature and also a tool for building their analytical skills to apply liberally, earnestly, and enthusiastically to other Latin and Greek texts, …

Senecan Tragedy And Virgil's Aeneid: Repetition And Reversal, Timothy Hanford

Dissertations, Theses, and Capstone Projects

This dissertation explores the relationship between Senecan tragedy and Virgil's Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil's epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. This study is organized according to three main themes that are argued to have strong intertextual aspects: repetition of the past, victor and vanquished, and maius nefas, or greater crime. In each case Seneca tragicus is seen to take a theme …

The Interchange Of Plain Velar And Aspirate In Kronos/Chronos: A Case For Etymological Equivalence, Roberto Peter Bongiovanni

Dissertations, Theses, and Capstone Projects

Despite the current state of uncertainty regarding the etymology of Kronos, the equivalence long familiar to the ancients between Kronos and Chronos is still a moot point. Arguments denying their etymological equivalence can no longer firmly rely on linguistic arguments. It is therefore necessary to examine the validity of the time-honored interpretation of Kronos as the personification of Time. The solution to this problem is of considerable importance to Classical studies, since it will not so much as contribute to a better understanding of the myth of Kronos, as the interpretation of Kronos as Time is already familiar from ancient …