Classical Literature and Philology Commons^™

The Reliable Revisionist, Caitlyn Schaffer

Philosophy: Student Scholarship & Creative Works

The present text explores how the topic of head and heart is much more complicated than one would expect, according to Paul Henne and Walter Sinnot-Armstrong, contributors of Neuroexistentialism. “Does Neuroscience Undermine Morality” aims at figuring out the problem of which moral judgments we can trust, judgments from one’s head (revisionism) or judgments from one’s heart (conservatism). My hypothesis suggests the opposite of the authors, I believe that if you are a revisionist, your first order intuitions are reliable. After setting the framework, I make three main arguments. (A.) If you are able to self-correct then you can identify errors …

Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley

Montview Journal of Research & Scholarship

The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …

Literature Of The Self In Foucault: Parrhesia And Autobiographical Discourse, Álvaro Luque

CLCWeb: Comparative Literature and Culture

In his article "Literature of the Self in Foucault: Parrhesia and Autobiographical Discourse" Álvaro Luque Amo analyzes the framework of Foucault’s study of the technologies of the self. In his study, Michel Foucault analyses the practices of self-writing in the Graeco-Roman period. From this perspective, Foucault approaches the texts of classical authors to interpret what he calls a process of ethopoiesis, or construction of the subject: a subject who tells the truth about himself in the text. Foucault introduces concepts and ideas that are essential to understanding the evolution of autobiography and literature of the self. This article studies …

Musical “Covers” And The Culture Industry: From Antiquity To The Age Of Digital Reproducibility, Babette Babich

Articles and Chapters in Academic Book Collections

This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of the mass consumer but also a reflection on the ghostly time-space of music in the broadcast world. A brief allusion to Rilke complements a similarly brief reference to Jankelevitch’s “ineffable.”

Early Pyrrhonism As A Sect Of Buddhism? A Case Study In The Methodology Of Comparative Philosophy, Monte Ransome Johnson, Brett Shults

Comparative Philosophy

We offer a sceptical examination of a thesis recently advanced in a monograph published by Princeton University Press, entitled Greek Buddha: Pyrrho’s Encounter with Early Buddhism in Central Asia. In this dense and probing work, Christopher I. Beckwith, a professor of Central Eurasian studies at Indiana University, Bloomington, argues that Pyrrho of Elis adopted a form of early Buddhism during his years in Bactria and Gandhāra, and that early Pyrrhonism must be understood as a sect of early Buddhism. In making his case Beckwith claims that virtually all scholars of Greek, Indian, and Chinese philosophy have been operating under flawed …

Footnotes To Footnotes: Whitehead's Plato, Nathan Oglesby

Dissertations, Theses, and Capstone Projects

This dissertation examines the presence of Plato in the philosophical expressions of Alfred North Whitehead (1861-1947). It was Whitehead who issued the well-known remark that “the safest general characterization of the European philosophical tradition is that it consists in a series of footnotes to Plato" -- the purpose of this project is to examine the manner in which Whitehead positioned himself as one such footnote, with respect to his thought itself, and its origins, presentation and reception.

This examination involves: first, an explication of Whitehead’s cosmology and metaphysics and their ostensibly Platonic elements (consisting chiefly in the Timaeus); second, investigation …

Interpreting The Republic As A Protreptic Dialogue, Peter Nielson Moore

Theses and Dissertations--Philosophy

Protreptic is a form of rhetoric, textual and oral in form, which exhorts its recipients to reorient their lives both morally and intellectually. Plato frequently portrays Socrates' use of this rhetoric with interlocutors who are enticed by the moral and political views of figures from Athens' intellectual culture. During these conversations Socrates attempts to persuade his interlocutors to reorient their lives in a way that conforms more closely to his own moral and intellectual practice of philosophy. Plato's depiction of protreptic, however, also exerts a protreptic effect on readers of his dialogues. Plato's writing thus performs a dual function, simultaneously …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Nietzsche’S Digital Alexandrians: Greek As Musical Code For Nietzsche And Kittler, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Feral And Isolated Children From Herodotus To Akbar To Hesse: Heroes, Thinkers, And Friends Of Wolves, Karl Steel

Publications and Research

"In 1304, a small child of Hesse was taken by wolves, and lived with them for a while, eating well, learning to run on all fours, perhaps joining them in their raids on sheep and humans, until he was taken by hunters and forced to live, unhappily, in human society, compelled to learn to walk upright, and exhibited as a spectacle. This account, almost certainly legendary, belongs to a small set of similar stories of feral children from roughly the same time, which, unlike so many modern accounts of wild children, are not about isolation, deprivation, or a catastrophic separation …

A Question Of Sin And Responsibility: Exploring Innocence In Dante, Cassandra Stephenson

Global Tides

Dante’s use of the word innocent—referring to infants who died soon after birth—presents a unique perspective on the spiritual hierarchy of The Divine Comedy. Though labeled as innocent, Dante’s infants are nonetheless excluded from Paradise. Concurrent mentions of innocence and original sin raise the question of the meaning of Dante’s innocence and its implications on the concepts of true choice, merit, and ignorance. These combined factors determine infants’ placement in Limbo or just below Paradise, and they help further a complete understanding of Dante’s theology and work as a whole.

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …

Our Liberation And The Liberation Of Our Images: Friedrich Schiller And The Politics Of The Image, Peter W. Rosenberger

Student Publications

In this paper, I will compare the aesthetic philosophies put forward in Friedrich Schiller’s On the Aesthetic Education of Man and Plato's Republic. Using Schiller's more robust aesthetic philosophy and its political import, I will argue that the government of Plato's Republic would not create freedom for its citizens. Then, I will carry Schiller's aesthetics and politics forward to argue, using Freud and a number of thinkers who champion Freud’s work, that economic interests can also limit the freedoms of a nation's citizens. Finally, I will argue that Schiller's aesthetic philosophy can deliver a political freedom free from the state …

Nietzsche's Antichrist: The Birth Of Modern Science Out Of The Spirit Of Religion, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche argued that the Greeks were in possessions of every theoretical, mathematical, logical, and technological antecedent for the development of what could be modern science. But if they had all these necessary prerequisites what else could they have needed? Not only had the ancient Greeks no religious world-view antagonistic to scientific inquiry, they also lacked the Judeo-Christian promissory ideal of salvation in a future life (after death). Subsequently, when Greek culture had been irretrievably lost, what Nietzsche regarded as the "decadent" Socratic ideal of reason ultimately and in connection with the preludes of religion and alchemy developed into modern science …

The Ubiquity Of Hermeneutics, Babette Babich

Articles and Chapters in Academic Book Collections

To understand Nietzsche in the context of hermeneutics is to understand not only Nietzsche’s philosophy of interpretation (Figl 1982a, 1984) but his perspective on perspective (Cox 1997) or “perspectivalism” (Babich 1994: 116f). In turn, given his background familiarity with hermeneutic methodology, this also corresponds to Nietzsche’s own approach as an interpreter of texts and antiquity as of the life, the culture, the history of ancient Greece (see the range of contributions to Jensen and Heit 2014 as well as Ugolini 2003; Figl 1984; and Pöschl 1979). And to do this, just to the extent that Nietzsche specifically reflects on interpretation …

Becoming And Purification: Empedocles, Zarathustra’S Übermensch, And Lucian’S Tyrant, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman or Übermensch should be read in correspondence with the context of its (terminological) origination in Lucian’s satirical dialogue Kataplous, referring to the journey of the soul from its life on earth into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate, traditionally the journey is downward journey and the human soul does not tend to be translated to regions above its former station (the literal meaning of the Übermensch). The Kataplous …

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Cornelius Aurelius: The Upcycling Humanist - A Study Of The Libellus De Patientia, Samantha James

Theses and Dissertations (Comprehensive)

Cornelius Aurelius’ Libellus de Patientia (MS Leiden, UB, Vulcanius 66 f.45r-f.57v. [1524]), in terms of the author’s reception of the Manipulus florum, reveals much about the development of Northern Humanism, in the context of late medieval scholasticism and the Reformation. By thoroughly examining Libellus de Patientia, this paper will discuss Aurelius’ use of numerous quotations derived from the Manipulus florum as evidence of how this text should be situated in terms of intellectual continuity vs. change during this turbulent period with regards to the intellectual context of medieval scholasticism and renaissance humanism.

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Working Papers

No abstract provided.

Politics And Heidegger: Aristotle, Superman, And Žižek, Babette Babich

Articles and Chapters in Academic Book Collections

This essay discusses Heidegger's thinking on the political and technology in the context of metaphysics in an age that is increasingly directed to both technology and the imaginary or the virtual. The context of Aristotelian phronesis is traced back to Aristotle's youth in Macedonia and the circumstance of war and world conquest, to the allure of a comic book character (that would be the Action Comic's figure of Superman) and the cinematic seduction of a pair of eyeglasses to conclude with a review of Latour's network actants and Žižek on Marxism (and Occupy Wall Street).

Nietzsches Hermeneutische, Phänomenologische Wissenschafts-Philosophie. Unzeitgemäße Betrachtungen Zu Altphilologie Und Physiologie, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Sloterdijk’S Cynicism: Diogenes In The Marketplace, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The Philosopher And The Volcano, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche's Zarathustra echoes Empedocles' as orator or speaker especially if reviewed in terms of Empedocles' esoteric Katharmoi or Purifications. This essay reads Zarathustra teaching of the eternal return of the same as the teaching of going to ground, that is: death and rebirth, arguing that death is present at the start and already at work in the section entitled The Adder's Bite. Indeed it is the explicit subtext of the overman.

Like Empedocles, Nietzsche's Zarathustra tells us that the human being is something that should be overcome. and thus it makes a difference that we hear Zarathustra proclaim this teaching …

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Articles and Chapters in Academic Book Collections

Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in …

Zu Nietzsches Statuen: Skulptur Und Das Erhabene, Babette Babich

Articles and Chapters in Academic Book Collections

Metaphern aus dem Feld der Bildhauerein kommen überraschend oft bei Nietzsche vor: von der Statue als einem Ideal von Unweglichkeit ebenso wie von der Skulptur als einer Metapher der Selbst-Darstellung, bis hin zu Nietzsches ikonoklastischer Klärung: wie mit dem Hammer zu philosophieren sei.

In Bezug auf die griechische Platik sowie Nietzsche’s Texte argumentiert die Autorin mit Nietzsche gegen eine damals und noch heute weit verbreitete Auffassung, wonach wir solche Statuen fast unvermeidlich aus einem jüdisch-christlichen Gesichtspunkt betrachten. Außerdem geht sie besonders ein auf Nietzsches Beschwörung der Skulptur in dem Zarathustra-Abschnitt Von den Erhabenen.

The Philosopher And The Volcano, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Articles and Chapters in Academic Book Collections

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

Zu Nietzsches Stil, Babette Babich

Articles and Chapters in Academic Book Collections

Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …

The Archaeology And Translation Of Greek Tragedy : Tragedy And The Emotions, Daniel Edward Gremmler

Legacy Theses & Dissertations (2009 - 2024)

The history of interpreting Greek tragedy and the emotions is a history of logos. Tragedy, however, is poiēsis and speaks the language of muthos. This project approaches popular interpretations of tragedy and the emotions as problems of translation between various discourses: between Greek and English, past and present, historical and transhistorical, logos and muthos. After identifying the ways in which logos clashes with logos from Plato and Aristotle to Hegel and modern classicists, we suggest a new framework through which the emotional effect of tragedy, the tragic pleasure, can be understood: the thaumon and the deinon (wondrous and terrible).