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Classical Archaeology and Art History Commons™
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- Ancient History, Greek and Roman through Late Antiquity (5)
- History of Art, Architecture, and Archaeology (5)
- Art and Design (4)
- Sculpture (4)
- Contemporary Art (3)
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- History (3)
- Other History of Art, Architecture, and Archaeology (3)
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- American Studies (2)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (2)
- Art Practice (2)
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- Film and Media Studies (2)
- Fine Arts (2)
- Museum Studies (2)
- Other Film and Media Studies (2)
- Political History (2)
- Printmaking (2)
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- United States History (2)
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Articles 1 - 13 of 13
Full-Text Articles in Classical Archaeology and Art History
Queering The Future Through Speculative Drag: Posthumanism, Critique, And Queer Worldbuilding In The Art Of Devan Shimoyama, Maximiliano Mamani, And Sin Wai Kin, Finley Hayes Cowlishaw
Queering The Future Through Speculative Drag: Posthumanism, Critique, And Queer Worldbuilding In The Art Of Devan Shimoyama, Maximiliano Mamani, And Sin Wai Kin, Finley Hayes Cowlishaw
Graduate Research Theses & Dissertations
Contemporary queer artists enact futures that resist abjection and reevaluate the state of our hierarchical classifications of human beings by invoking posthuman drag - constructed assemblages of identities - and combining them with speculative fiction, mythologies, and folklore. Devan Shimoyama, a queer bi-racial Black-identified artist, drags images of parts of his body to present queer Black masculinity in multitudes of ways while simultaneously imbuing them with magical powers and crafting their mythological origins. Maximiliano Mamani, a queer Indigenous Argentinian artist and performer, invokes the historical and political figure of eighteenth-century rebel Bartolina Sisa in his drag persona, Bartolina Xixa, as …
Artistic Representation And Self Esteem, Brianna Davis
Artistic Representation And Self Esteem, Brianna Davis
Honors College Theses
Dependent upon the constructs of the perception of self and the viewpoint of others, humans base the value of their self esteem on outer perspectives rather than internal ones. For this thesis in particular, the outer perspective to be examined is representation in the field of the arts. This thesis project explores the process of self esteem, artistic representation in the arts, how one affects the other, a history of the correlation between the two, and ways to inform and educate the masses with the tools necessary to advance representation in the arts thus raising the self esteem of its …
Wearing Your Heart On Your Sleeve: Expressing Hecuba’S Emotions In Artistic Retellings, Marie Gruver
Wearing Your Heart On Your Sleeve: Expressing Hecuba’S Emotions In Artistic Retellings, Marie Gruver
Undergraduate Research Awards
Hecuba has famously been regarded as the secondary character of the Fall of Troy and not as the maternal symbol of the city’s downfall itself as she deserves. Forever the overlooked heroine, I argue that it is not Euripides’ Hecuba per se, but readings of her story by empathetic artists, creators, and scholars of different time periods are who create new interpretations of Hecuba’s role within her own myth. As artistic renditions have progressed through time, Hecuba’s grief itself has become the central focus of the illustrated retellings of her story.
Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth
Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth
Senior Honors Projects, 2010-2019
"Adoration and Art" focuses upon religious artifacts from the ancient Mediterranean and explores what these artifacts reveal about the religious practices and sacred spaces of their cultures. This Honors College capstone consisted of an exhibition through the Lisanby Museum utilizing artifacts from the Madison Art Collection. This text is the full exhibition catalog compiled by the student through her research as an intern for the Lisanby Museum.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers
Museum Studies Theses
Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …
Roman Archaism In Depictions Of Apollo In The Augustan Period, Alisha Sanders
Roman Archaism In Depictions Of Apollo In The Augustan Period, Alisha Sanders
Honors Projects
At the end of the first century BCE, in order to spread the values and concepts that he wanted to perpetuate in his new political order, Augustus Caesar revived an archaistic art style based on that of the archaic period of ancient Greece. It was in this time that the Roman Empire was being established, and Augustus was taking sole power of the Roman world. This study is focused on works that include depictions of Apollo because one of the first and most studied examples of Augustus’s use of Roman archaism was the decorative program of the Temple of Apollo …
Art As Propaganda In Ancient Greece: The Feeding Of The Greek Soldier’S Ego, Judith M. Lamb
Art As Propaganda In Ancient Greece: The Feeding Of The Greek Soldier’S Ego, Judith M. Lamb
Undergraduate Research Awards
The stories of an all-female warrior race had long been told and depicted in artistic forms prior to sixth century Greece. These tales, that may have had some basis in real life events, were eventually woven into the cloak of influence that the classical Greeks wore in their rally to control the world around them. Many of these accounts focused on the overpowering strength of Greece’s military and their soldier heroes, such as Achilles. In Achilles’ case, in battle against the Amazon Queen Penthesilea at Troy, artistic depictions of the accounts of the struggle became less about the struggle between …
Defacement Of Life, Ryan Hester
The Reconciliation Of Fatness And Beauty In Art: An Activist Manifesto, Jamie Zeffery
The Reconciliation Of Fatness And Beauty In Art: An Activist Manifesto, Jamie Zeffery
Art 525/Art History 5290 Papers
No abstract provided.
Human Interaction, Timothy Hicks
Human Interaction, Timothy Hicks
Art 525/Art History 5290 Papers
No abstract provided.
Beyond The Blinds: On Power And Subversion, April N. Baca
Beyond The Blinds: On Power And Subversion, April N. Baca
Art 525/Art History 5290 Papers
No abstract provided.
Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley
Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley
Student Scholarship
Ancient artworks which represent classical Greek myths most commonly depict the story's climax. Their subjects reveal that the ancient Greeks' taste for dramatic storytelling matched their reverence for each divine entity's embodiment, whether it was a natural phenomenon or an abstract concept. The former of these traits dominate the visual portrayals of the Pluto and Persephone myth, as can be seen in many artworks where the ancient Greeks chose to depict the moment where Pluto theatrically abducts Persephone and sweeps her away to the underworld. In fact, in visual art, it was characteristic of the Greeks to stress the exciting …