Classical Archaeology and Art History Commons^™

Staging Reception / Perception: Transhistorical Bi-Directional Dialogues Between Etruscan Visual Cultural Objects And Giuseppe Penone's Contemporary Sculptures, Shelby Morgan

University Honors Theses

I use the occasion of the March 2024 exhibit,"Vulci. Goods for Mankind. Goods for Gods." at Milan's Luigi Rovati Foundation to consider how the museum's staging of Etruscan visual material cultural objects and contemporary sculptures by Italian artist Giuseppe Penone prompts viewers to perceive transhistorical bi-directional dialogues between the viewer and material culture as well as between the ancient and contemporary objects themselves.

Via a close reading of the exhibition while leveraging the three frameworks of aura, imprint and classical reception I analyze how the staging of the hypogeum creates a place of atmosphere. I argue this is done through …

Jadughar: The House Of Magic, Dhruvi A. Shah

Masters Theses

Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …

An Alignment Of Absences: The Medicalization Of Death And Its Implications On Archaeological Methodology, Makayla J. Bowman

Departmental Honors & Graduate Capstone Projects

Absence describes something that is "expected, wanted, or looked for [but] is not present or does not exist," (Merriam-Webster Dictionary 2026). The archaeological discipline interacts with absence in many profound ways, largely in its study of the past dead. This paper focuses on the ways in which the medicalization of death has influenced, limited, and misaligned archaeological methodology, and how the result of those methodologies produces archaeological analysis that is absent of or misrepresents our understanding of life, personhood, and our position within a greater, interconnected biosphere. Thus, I present an anthropological critique of the ways in which death and …

What Bombs Cannot Occupy: Memory, Heritage, And War In Ukraine, Dalton D. Conden

The Penguin Review

Air-raid sirens have become part of the daily soundscape in Ukrainian cities. They interrupt meals, classes, conversations, and sleep. When they blare, people gather what they can and move quickly sometimes to shelters, sometimes to basements, sometimes nowhere at all. Families lock their doors without knowing whether they will ever turn the key again. Children carry backpacks filled with whatever seemed important in the moment: a photograph, a stuffed animal, a book pulled hastily from a shelf. Around them, buildings that once anchored everyday life—churches, museums, historic neighborhoods— have been damaged or destroyed.

Artifacts As Ambassadors: How Archaeological Artifacts Dictate Modern Diplomatic Relations And Repatriation, Emma Boyd

Honors Papers and Posters

In this thesis, I examine and re-center the roles of archaeological artifacts and conceptions of ownership in global politics, drawing on debates about cultural heritage and diplomacy. This thesis will emphasize debates around ownership and repatriation, articulating their value in international relations and diplomacy between Western countries and postcolonial nations, as well as between federally recognized Native American Indigenous Tribes and the United States government. The thesis review takes the Elgin Marbles, arguably the most debated subject, as a model for my case study analysis. I will explore complications driven by conversations of repatriation. Overall, this thesis will propose theories …

An Ideological Target Through The Archaeological Archive: The Islamic State’S Destruction Of Palmyra And Its Impact On Local Syrian Identity, Tristen A. Leone

Pomona Senior Theses

This paper investigates how Palmyra's multicultural archaeological archive incited ISIS's destruction of the site during the Syrian Civil War through an analysis of sepulchral and religious architectural structures and onomastic practices. In contributing the cultural heritage scholarship, this paper places the motives of Islamic extremist groups in conversation with intellectual discourse around the multicultural identities of the Ancient Near East during the Roman Imperial Period. Further, through anthropological methodological frameworks and the photographic archive of excavation efforts at Palmyra, I aim to center modern local communities' experiences of living on and near an archaeological site like Palmyra. In consulting modern …

The Tomb Of Andraemon And Colophonian Burial Culture, Emily Brophy

Bound Away: The Liberty Journal of History

The ancient city of Colophon is surrounded by extensive necropoleis from the Mycenaean, Geometric, and Classical periods of Greek history. Long before the necropoleis’ modern rediscovery, Pausanias described his encounter with the tomb of Andraemon in the 2nd century CE. Searching for Andraemon’s tomb using specific details from Pausanias’s Descriptions of Greece, as well as geographic and archaeological evidence, firmly places the tomb within a complex burial culture surrounding the site of ancient Colophon in modern-day Izmir, Turkey.

Ritual And Revolution: Rethinking Roman Women’S Influence On Religion, Katlin Smith

Masters Theses, 2020-current

This thesis challenges the long-standing portrayal of Roman women as passive figures. Focusing on the mid-to-late Roman Republic and early Empire (264 B.C.E.–180 C.E.), it argues that women were active participants in Roman society, particularly through their engagement in religious life. Drawing on the theory of “lived religion,” this study highlights how religion offered Roman women opportunity to interact with both domestic and public spheres in socially acceptable means. Religion allowed women to exercise influence, power, and autonomy otherwise denied to them in political or legal contexts. Through a combination of textual analysis and material evidence, such as inscriptions and …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

Practical Necromancy For Beginners: A Short Incomplete Opinionated Introduction To Artificial Intelligence For Archaeology And History Students, Shawn Graham

Digital Press Books

Many feel bewildered and quietly embarrassed that they don’t know more about how AI technology works, where it came from, or even how to get started. Start here.

Practical Necromancy represents Shawn Graham’s vision for how we should treat large language model (LLM) artificial intelligence applications. Graham advocates approaching these technologies as a necromancer. In antiquity, the figure of the necromancer lay outside the boundaries of official religion, talking not with gods but with the mournful echoes of ghosts. Practical Necromancy explores ways of surfacing the ghosts that lurk in AI technology. Graham suggests that the most useful thing we …

[Review Of The Book Querns And Mills In Mediterranean Antiquity. Tradition And Innovation During The First Millennium Bc, By N. Alonso, T. J. Anderson, L. Jaccottey]., Jared T. Benton

Art Faculty Publications

[First paragraph] Querns and Mills in Mediterranean Antiquity (hereafter QMMA) is the publication of an EAA (European Association of Archaeologists) session on querns held in Barcelona in 2018. The purpose of the session—and by extension the volume—was to fill a gap by studying the smaller, hand-operated millstones, which have received less attention than their larger Roman-era and medieval counterparts. A second aim was to begin a conversation about standardizing the study of millstones, and particularly querns, in terminology and methodology.

Examining State Development In West Africa, Through Senegal And Nigeria, Kasandra L. Housley

All-Inclusive List of Electronic Theses and Dissertations

This paper studies the relationship between the state and armed conflict in West Africa with an emphasis placed on the value, influence, and role of social institutions on the long-term stability of the West African state. The countries of the Republic of Senegal and Nigeria represent the primary focus of the paper. Comparisons are made of the history of each country/state and experience with socio-political conflict in an effort to explain the penultimate place of social as opposed to legalistic or political influences responsible for the long term survival of the independent state in West Africa. The central question explored …

Increasing The Accuracy Of The Military‟S Post-Deployment Mental Health Screening Strategies, Daniel Fass

All-Inclusive List of Electronic Theses and Dissertations

The author investigated the prevalence rates of mental health problems reported by college students and compared them with previously existing data on active duty, reserve, and National Guard Operation Iraqi Freedom veterans. Participants completed the mental health portion of the Post-Deployment Health Re-Assessment and an additional questionnaire in which the effect of a drug use screen was explored. Subjects were also asked about their intentions to seek mental health or substance abuse treatment and how anonymity affected their treatment seeking and reporting accuracy. Results indicate similar and at times higher rates of mental health problems in the sample of college …

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

The Authors

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Short professional biographies of the Contributors: Dimitra Andrianou, Giacomo Bardelli, Magali An Berthon, Tina Boloti, Cecilie Brøns, Ana Cabrera-Lafuente, Francesca Coletti, Roxana Coman, Catarina Costeira, Cristina Cumbo, Camilla Cziffery Nielsen, Klara Dankova, Anna Maria Desiderio, Kerstin Droß-Krüpe, Arianna Esposito, Astrid Fendt, Nade Genevska Brachikj, Francisco B. Gomes, Judith Goris, Audrey Gouy, Karina Grömer, Morten Grymer-Hansen, Mary Harlow, Susanna Harris, Sophia Larissa Hayda, Angela Huang, Floor Huisman, Alina Iancu, Zofia Kaczmarek, Marisa Kerbizi, Meghan Korten, Tetiana Krupa, Karolina Anna Kulpa, Lena Larsson Lovén, Ronja Lau, Yuliia Lazorenko, Susanne Lervad, Petra Linscheid, Christina Margariti, Maria João Melo, Elena Miramontes Seijas, Leyre Morgado-Roncal, …

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …

Displaying And Experiencing Dress Identities In Museums: Case Studies From The Etruscan Period To Modern Times, Karina Grömer, Astrid Fendt, Morten Grymer-Hansen, Anna Zimmermann, Kayleigh Saunderson, Camilla Cziffery Nielsen, Francisco B. Gomes

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Dress, clothes, and accessories receive and give meaning through their nearness to the human body. As P. Stallybrass writes: “Bodies come and go: the clothes that have received those bodies survive.” It is through the close interaction between dress and person that they both receive their meaning. Clothes shape the human body, and we in return shape our clothes. Dress communicates class, gender, nationality, and marital status, and we leave behind parts of us in its smell, wrinkles, wear, and tear: “Clothes receive the human imprint.” Archaeological and historical dress — no matter how ancient — remain intrinsically linked to …

Red Dyes From West To East In Medieval Europe: From Portuguese Manuscript Illuminations To Romanian Textiles, Irina Petroviciu, Paula Nabais, Maria J. Melo

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Red is the color par excellence, its symbolism being linked with protection and magic through its primary attributes, fire and blood. It was the predominant color from the earliest times, certainly during the Greek and Roman periods and into Medieval Europe, until blue became a competitor around the 13th century. Mineral pigments, like iron oxides, were the first red sources, used to draw lines, dots, or spots on cave walls or stones. Later, other mineral red pigments were also exploited: Cinnabar, natural mercury sulfide, since the Neolithic, and realgar, arsenic trisulfide, in Ancient Egypt. Scientific investigation revealed that, although …

Searching For The Exotic: Textiles, Orientalism, And Identities, Ana Cabrera, Roxana Coman, Karolina A. Kulpa, Tim Parry-Williams

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles, with their economic, sartorial, and identity-constructing functions, have long been at the center of cultural discourses, whether narrative or visual. Objects of desire, but also objects of curiosity, textiles have been the topic of costume books, offered in diplomatic exchanges, collected by private collectors and museums alike, and have traveled, sometimes as sample books. Their Othering function did not only differentiate between members of different civilizations, but also the members of the same society, where clothing was used to signal rank and function. The case studies presented intend to elaborate further on the role and symbolism associated with textiles, …

Clothing In Transition: Social, Symbolic, And Legal Aspects Of Garments From Prehistory To The Early Byzantine Period, Tina Boloti, Francesca Scotti, Cristina Cumbo, Petra Linscheid

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Since ancient times, garments served a wide range of purposes: Either functional, providing protection by covering the body, or symbolic, as an element of non-verbal communication and marker of identity. In particular, this stimulates the development of specific characteristics in shape, decoration, or material composition, which generate distinctions among garments, as acknowledged by Roman jurists too.

These distinctions are determined by various factors. One important factor is the social meaning of clothing: There are garments for public life, garments expressing rank, garments suited for special professions, or garments intended for sacred/priestly rites reflecting particular religious symbols. And, of course, clothes …

Art As Ammunition: The Creative Response To Violence In Ireland, Emma Muchow

Soaring: A Journal of Undergraduate Research

This essay examines the role of murals in Northern Ireland during the Troubles, a period of sectarian violence from 1968 to 1998. It argues that these murals functioned as powerful instruments for both sides of the conflict, serving as a platform to express political ideologies, cultural identities, and lived experiences. The analysis draws upon scholarly works on art and conflict, historical accounts of the Troubles, and examinations of specific murals.

The paper explores the multifaceted role these murals played. It highlights how they served as reflections of the social, political, and cultural tensions of the time. Furthermore, it examines how …

Understanding Gold Textiles: Case Studies Of Gold Threads From The Bronze Age And Antiquity In Europe, Karina Grömer, Francesca Coletti, Francisco B. Gomes, Kayleigh Saunderson

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The production of textiles, in terms of weaving techniques, has a long history in Europe, and dates back to the Stone Age, the time during which the first farming communities arrived in the Mediterranean and Central Europe, in the 7th/6th millennium BC. The first evidence of textile tools, like spindle whorls and loom weights, demonstrate that people made an important step forward in mechanizing this craft, not only twisting fibers and interlacing strands purely by hand, but also inventing tools to increase efficiency. Through the development of textile techniques, we see the unleashing of enormous creative power that stimulated even …

“What’S In A Name?” Toponyms And Loanwords In European Textile Cultures, Dimitra Andrianou, Klara Dankova, Nade Genevska Brachikj, Angela Huang, Meghan Korten, Elena Miramontes, Jasemin Nazim, Marie-Alice Rebours, Joana Sequeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles as man-made products have been exchanged over distances for millennia. They can and have been produced almost anywhere; they are also, as a product, highly differentiated and quickly adjustable to changing demands. This brings with it naming practices to communicate about the goods in question. Textiles are labeled so that people can form expectations about them and rely on the reputation tied to the product’s identity. The terminology of textiles and textile items arises and develops in unison with technical innovations, discoveries, fashions, and trade patterns. Although the occurrence of toponyms e.g., in preindustrial trade (10th to 18th century …

The Terminology Of Soft Furnishings In Ancient Babylonia, Greece, And Rome: A Comparative Approach, Dimitra Andrianou, Elena Miramontes, Louise Quillien

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Various kinds of textiles were used to furnish domestic spaces in Antiquity, such as curtains, covers, hangings, pillows, cushions, mattresses, rugs, tapestries, tablecloths, and towels. These objects have practical and everyday functions, they embellish and add to daily comfort in the house and speak to the owner’s prosperity. Being made of perishable materials, furnishings have, on the whole, not survived in ancient Mesopotamia, Greece, and Rome. Apart from a few excavated pieces of textiles found in tombs, our information comes primarily from written testimonia and iconography.

It is thus essential to consider soft furnishings in their own right, in order …

Textiles, Dress And Politics: A Diachronic Perspective Through The Case Studies Of Ancient Rome And Medieval Iceland, Meghan Korten, Zofia Kaczmarek

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

People dress for more than just aesthetic reasons. Over the centuries, dress became a sign of human civilization, allowing us to identify the origin, gender, and status of the wearer. Textiles and clothing influence our body, posture, movements, and the way we are perceived by society. Textiles are also a tool used by people to further their agenda, that is why they found their place in the political life of many ancient and modern societies.

According to Michel Foucault, power can be understood as a set of activities influencing the life of the other: It provokes, forbids, or permits, but …

Presenting Past People: Storytelling Through Prehistoric Garment Reconstructions, Floor Huisman, Anna Zimmermann, Ronja Lau, Karina Grömer

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

This paper argues that we need to focus on past people (rather than just objects) in our narratives and museum displays to engage museum visitors more effectively. It will demonstrate that we can use a combination of well-researched physical and digital prehistoric garment reconstructions to implement more people-centered approaches also used in living history, which bring the past to life and allow visitors to literally come face-to-face with long-dead people. In this way, visitors can relate to past people on an emotional level, which helps them to learn much more about past life than many traditional displays. After outlining how …

Frontmatter For Textile Crossroads: Exploring European Clothing, Identity, And Culture Across Millennia, Kerstin Droß-Krüpe, Louise Quillien, Kalliope Sarri

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Title and copyright pages, Acknowledgments, Contents, Prefaces.

We believe this volume has the potential to contribute to the advancement of European scientific excellence and competitiveness, fostering a deeper understanding of the cultural, technological, and societal significance of textiles and clothing in shaping European identity and heritage through the millenia. We hope that the anthology will find a wide and interested readership, and that it will inspire many new research projects in the field of textile history.