Ancient Philosophy Commons^™

Plato's Republics: A Dramatic Interpretation Of The Early Cities In Plato's "Republic", Simeon Burns

LSU Doctoral Dissertations

This dissertation will demonstrate a new methodological approach to reading Plato’s Republic. I develop and apply a dramatic, dynamic hermeneutic to Book II and part of Book III in the text. This method holds that each speech is the product of a preceding agreement or disagreement between two speakers. Agreements lead to the argument’s advancement and disagreements result in a regression to a previous agreement from which to restart the exchange. The focus section is largely on the early exchange Socrates has with Adeimantus. I argue that Socrates is an unwilling participant in the famous discussion on the meaning …

Emotion In Plato's Trial Of Socrates, Thomas W. Moody

Dissertations, Theses, and Capstone Projects

My dissertation argues that Plato composed the figure of Socrates as a three-dimensional literary character who experiences and confronts emotions in ways that other studies have overlooked. By adopting a dramatic, non-dogmatic mode of reading the dialogues and emphasizing the literary elements of the texts and their dramatic connections, this dissertation offers a new and compelling portrait of Socrates in the dialogues that relate his finals weeks of life: Theaetetus, Euthyphro, Apology, Crito, and Phaedo. This study in turn provides new insights into the genre of Plato’s texts and demonstrates how he exploited the dramatic …

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …

Platonic And Confucian Theories On Music-Parallels And Differences, Christian Moreno

Honors Thesis

Music has always been an important part of humanity, and with the advent of the Axial Age, the period between the 8^th and 3^rd centuries BC where new ways of thinking emerged in a wide range of cultures, two of humanity’s greatest thinkers in Plato and Confucius, would apply their thoughts and theories to music. By examining their opinions of music in their written texts, especially Confucius’ Analects and Plato’s Republic, as well as modern scholarship on the subject like the work of philosopher Mark Muesse, one can gain an insight into the general thinking of these …

Learning To Read In The Theaetetus: The Recuperation Of Writing In Plato's Philosophy, Luke Lea

Foreign Languages & Literatures ETDs

In my thesis, I take up the popular question of the status of writing in Plato’s dialogues, but from a fresh perspective. Instead of approaching the question of writing head-on, I attend to the philosophical message about reading presented by two dialogues, the Phaedrus and the Theaetetus. My thesis offers interpretations of two individual dialogues whose emphasis on writing and reading as both literary themes and philosophical problems ensure that the overall meanings of these dialogues cannot be reached without attention to this subject.

Although I examine the dialogues in isolation, believing that the setting and characters unique to …

Footnotes To Footnotes: Whitehead's Plato, Nathan Oglesby

Dissertations, Theses, and Capstone Projects

This dissertation examines the presence of Plato in the philosophical expressions of Alfred North Whitehead (1861-1947). It was Whitehead who issued the well-known remark that “the safest general characterization of the European philosophical tradition is that it consists in a series of footnotes to Plato" -- the purpose of this project is to examine the manner in which Whitehead positioned himself as one such footnote, with respect to his thought itself, and its origins, presentation and reception.

This examination involves: first, an explication of Whitehead’s cosmology and metaphysics and their ostensibly Platonic elements (consisting chiefly in the Timaeus); second, investigation …

Interpreting The Republic As A Protreptic Dialogue, Peter Nielson Moore

Theses and Dissertations--Philosophy

Protreptic is a form of rhetoric, textual and oral in form, which exhorts its recipients to reorient their lives both morally and intellectually. Plato frequently portrays Socrates' use of this rhetoric with interlocutors who are enticed by the moral and political views of figures from Athens' intellectual culture. During these conversations Socrates attempts to persuade his interlocutors to reorient their lives in a way that conforms more closely to his own moral and intellectual practice of philosophy. Plato's depiction of protreptic, however, also exerts a protreptic effect on readers of his dialogues. Plato's writing thus performs a dual function, simultaneously …

Peri Algeos: Pain In Aeschylus And Sophocles, Anda Pleniceanu

Electronic Thesis and Dissertation Repository

This thesis is an examination of physical pain in ancient tragedy, with the focus on three plays: Aeschylus’ Prometheus Bound and Sophocles’ Philoctetes and Trachiniae. The study unfolds the layers of several conceptual systems in order to get closer to the core—pain and its limits in tragedy. The first chapter aims to show that Aristotle’s model for the analysis of tragedy in his classificatory tract, the Poetics, centered on the ill-defined concept of mimesis, is an attempt to tame pain and clean tragedy of its inherent viscerality. The second chapter looks at the dualist solution advanced by Plato …

Truth And Falsehood In Plato's Sophist, Michael Oliver Wiitala

Theses and Dissertations--Philosophy

This dissertation is a study of the ontological foundations of true and false speech in Plato’s Sophist. Unlike most contemporary scholarship on the Sophist, my dissertation offers a wholistic account of the dialogue, demonstrating that the ontological theory of the “communing” of forms and the theory of true and false speech later in the dialogue entail one another.

As I interpret it, the account of true and false speech in the Sophist is primarily concerned with true and false speech about the forms. As Plato sees it, we can only make true statements about spatio-temporal beings if it …

Collapsing The Philosophy/Rhetoric Disjunct: Nietzsche, Plato And The Perspectival Turn, Ned Vankevich

Institute for the Humanities Theses

Often overlooked within the standard views of academe lie hidden a number of tacit assumptions. Until the time of Nietzsche, the status of rhetoric as a discourse formation in Western intellectual history was often colored by the unflattering view generated by Plato in a number of his dialogues. In this thesis I present a case that revisits Plato and Nietzsche with an eye toward understanding the reasons why these two highly influential figures in contemporary philosophy adopt the views they advocate. In doing so, I attempt to illumine the reason Plato forms a fundamental split between philosophy and rhetoric and …