Ancient History, Greek and Roman through Late Antiquity Commons^™

Contextualizing Egyptian-Themed Art In Pompeiian Shops, Kelsey Myers

The Ozark Historical Review

This project focuses on the art historical, architectural, and archaeological evidence outside the domus to investigate the multivalent messaging communicated by Egyptian imagery in Pompeii’s civic and commercial spaces. By examining the artifacts and images commissioned by traders and craftsmen in their production and shop spaces, this research offers a bottom-up approach to Roman culture and society to balance the textual based top-down perspective that has dominated the discipline. Focusing on foreign-themed objects and images in these spaces, this study also explores the reception and adoption of foreign/eastern influences by the lower social strata of Romans in a multiethnic empire.

Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning

All Theses

This project thesis is centered around coping with early onset childhood trauma through an autoethnography of narrative and art creation. The goal of this project is to understand more deeply how the art making process synthesizes or disrupts trauma sense-making through the introspective lens of the artist as scholar. The project consists of an interactive art exhibit and this written scholarly analysis of the creation and display of this exhibit. This includes an introduction to my life as a trauma survivor and Greek-American woman, informed by communication scholarship and other relevant fields regarding narrative theory, Greek history, religious and trauma …

New Myths And My Religion, Pallas Lane Umbra

[Archive] Belmont University Research Symposium (BURS)

New Myths and My Religion
Pallas Lane Umbra
Faculty Advisor: Katie Mitchell

As every civilization has had its myth and legends, this creative thesis project introduces a new mythology. This world is born of our own, shaped by the experience of growing up queer in the Appalachian South. There is a specific exploration of love, rage, and spirituality. Inspired by Greco-Roman mythology while also reflecting on personal experience, this body of work shares a visual, symbolic language that is interpretable; one myth can tell many stories. Along with this new iconography, the work strips the viewer of ease and comfort …

Wearing Your Heart On Your Sleeve: Expressing Hecuba’S Emotions In Artistic Retellings, Marie Gruver

Undergraduate Research Awards

Hecuba has famously been regarded as the secondary character of the Fall of Troy and not as the maternal symbol of the city’s downfall itself as she deserves. Forever the overlooked heroine, I argue that it is not Euripides’ Hecuba per se, but readings of her story by empathetic artists, creators, and scholars of different time periods are who create new interpretations of Hecuba’s role within her own myth. As artistic renditions have progressed through time, Hecuba’s grief itself has become the central focus of the illustrated retellings of her story.

Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth

Senior Honors Projects, 2010-2019

"Adoration and Art" focuses upon religious artifacts from the ancient Mediterranean and explores what these artifacts reveal about the religious practices and sacred spaces of their cultures. This Honors College capstone consisted of an exhibition through the Lisanby Museum utilizing artifacts from the Madison Art Collection. This text is the full exhibition catalog compiled by the student through her research as an intern for the Lisanby Museum.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Roman Archaism In Depictions Of Apollo In The Augustan Period, Alisha Sanders

Honors Projects

At the end of the first century BCE, in order to spread the values and concepts that he wanted to perpetuate in his new political order, Augustus Caesar revived an archaistic art style based on that of the archaic period of ancient Greece. It was in this time that the Roman Empire was being established, and Augustus was taking sole power of the Roman world. This study is focused on works that include depictions of Apollo because one of the first and most studied examples of Augustus’s use of Roman archaism was the decorative program of the Temple of Apollo …

Art As Propaganda In Ancient Greece: The Feeding Of The Greek Soldier’S Ego, Judith M. Lamb

Undergraduate Research Awards

The stories of an all-female warrior race had long been told and depicted in artistic forms prior to sixth century Greece. These tales, that may have had some basis in real life events, were eventually woven into the cloak of influence that the classical Greeks wore in their rally to control the world around them. Many of these accounts focused on the overpowering strength of Greece’s military and their soldier heroes, such as Achilles. In Achilles’ case, in battle against the Amazon Queen Penthesilea at Troy, artistic depictions of the accounts of the struggle became less about the struggle between …

How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo", Marc Le Voir

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Deception In Aristotle's Rhetoric: How To Tell The Rhetorician From The Sophist, And Which One To Bet On, Eugene Garver

The Society for Ancient Greek Philosophy Newsletter

Aristotle has a simple answer to questions about the morality of rhetoric: he distinguishes the rhetorician and the sophist. What sets the sophist apart from the rhetorician is "not the faculty (dynamis) but the moral purpose (prohairesis)" (I1.1355M7; see de Soph Elen 1.165a30). Keep straight the difference between sophist and rhetorician and all moral problems will evaporate. He certainly doesn't think telling them apart needs great philosophical development or exquisite ethical judgment. Distinguishing them requires neither phronesis nor familiarity with the Rhetoric. He gives his distinction all the explanation he thinks it needs by saying:

In rhetoric, the person who …

Ancient Etruscan Metalsmiths: The Afterlife Mirrors Life, Dianne K. Debeixedon

Art Faculty Publications

(First Paragraph) Looking down the long corridors of time, the ancient Etruscans emerge as a powerful people whose economic and social development was founded on their metal industry. Over the centuries, however, the Etruscans were gradually absorbed into the Roman Empire and their language disappeared.