Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Feminist, Gender, and Sexuality Studies (14)
- Women's Studies (10)
- Classical Archaeology and Art History (9)
- Classical Literature and Philology (8)
- History (7)
-
- Other Feminist, Gender, and Sexuality Studies (7)
- Ancient History, Greek and Roman through Late Antiquity (6)
- Comparative Literature (6)
- History of Art, Architecture, and Archaeology (6)
- Religion (6)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (5)
- Art and Design (5)
- Creative Writing (5)
- English Language and Literature (5)
- Other History of Art, Architecture, and Archaeology (5)
- Women's History (5)
- Social and Behavioral Sciences (4)
- American Studies (3)
- Architecture (3)
- French and Francophone Language and Literature (3)
- History of Gender (3)
- History of Religions of Western Origin (3)
- Other Classics (3)
- Other French and Francophone Language and Literature (3)
- Painting (3)
- Philosophy (3)
- Art Practice (2)
- Art and Materials Conservation (2)
- Institution
-
- College of the Holy Cross (6)
- Brigham Young University (3)
- City University of New York (CUNY) (3)
- University of Mississippi (3)
- Indiana State University (2)
-
- Butler University (1)
- Chapman University (1)
- Claremont Colleges (1)
- Fayetteville State University (1)
- Liberty University (1)
- Macalester College (1)
- Northern Michigan University (1)
- Seton Hall University (1)
- Southern Adventist University (1)
- The College of Wooster (1)
- Trinity University (1)
- University of Nebraska - Lincoln (1)
- University of South Dakota (1)
- Publication Year
- Publication
-
- Parnassus: Classical Journal (6)
- Honors Theses (3)
- All-Inclusive List of Electronic Theses and Dissertations (2)
- Publications and Research (2)
- Theses and Dissertations (2)
-
- CMC Senior Theses (1)
- Classical Mediterranean and Middle East Honors Projects (1)
- Classical Studies Faculty Research (1)
- Conspectus Borealis (1)
- Dissertations and Theses (1)
- Dissertations, Theses, and Capstone Projects (1)
- Journal of Research Initiatives (1)
- School of Art, Art History, and Design: Theses and Student Creative Work (1)
- Senior Honors Theses (1)
- Senior Independent Study Theses (1)
- Seton Hall University Dissertations and Theses (ETDs) (1)
- Student Research (1)
- Student Scholar Symposium Abstracts and Posters (1)
- The Thetean: A Student Journal for Scholarly Historical Writing (1)
- Undergraduate Honors Thesis Collection (1)
- Publication Type
Articles 1 - 30 of 30
Full-Text Articles in Classics
Who Can Dance If They Want To?: Intersections Of Dance, Gender, And Political Control In Late Archaic And Early Classical Athens, Adeline P. Strickler
Who Can Dance If They Want To?: Intersections Of Dance, Gender, And Political Control In Late Archaic And Early Classical Athens, Adeline P. Strickler
Undergraduate Honors Thesis Collection
This thesis investigates the evidence for women's public choruses in the polis of Athens and the wider Greek world prior to the 6th century BCE and their decline in Athens following the Kleisthenic reforms of 509/508 BCE. Emphasising analysis of visual sources through Athenian fabric vases in the Beazley archive, and supporting literary evidence, this research seeks to establish a base of evidence for a neglected area of dance and women's research in the classics. Additionally, by analyzing the significance of choral dance in polis social and political life, this research seeks potential reasons for the lack of a culture …
By The Light, Desiree Galamgam
By The Light, Desiree Galamgam
CMC Senior Theses
On the island of Helios, the sun god, a water nymph finds comfort tending to the flora along riverbanks. Clytie avoids her oceanid sisters’ poisonous proclivities. Modeling herself after the sun god’s incessant responsibilities, she spends her existence working. Only taking breaks to perch herself at the top of her alcove’s hill to watch Helios drive his chariot to rise and set the sun, she sees him as the epitome of perfection and freedom.
Her tranquil life is interrupted by the sudden arrival of Helios himself at the footsteps of her isolated cave. Clytie begins to feel new emotions as …
For The Birds, Charlotte L. Middleton
For The Birds, Charlotte L. Middleton
School of Art, Art History, and Design: Theses and Student Creative Work
For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.
The title of the show, For the Birds, is both a …
Lds Women And The Teton Dam Disaster Of 1976, Emily Willis
Lds Women And The Teton Dam Disaster Of 1976, Emily Willis
The Thetean: A Student Journal for Scholarly Historical Writing
June 5, 1976, started like any other spring day in southeastern Idaho. After the cold winter, most of the residents of the numerous farming towns that lie throughout the Upper Snake River Valley found the beautiful Saturday ideal for farm work, gardening, or spring cleaning. About twenty miles northeast of Rexburg, the largest town in the area, the Teton Dam neared completion. A Bureau of Reclamation project, the dam promised to stop the annual flooding that so often decimated portions of farmers' fields along the Teton River. Around 11 o'clock that morning, however, came a terrifying report: the Teton Dam …
Love, Ladies, And Lucretius, Stacey Kaliabakos
Love, Ladies, And Lucretius, Stacey Kaliabakos
Parnassus: Classical Journal
No abstract provided.
The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur
The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur
Publications and Research
The three respective texts, the Old English poem Beowulf, the Old Norse The Saga of the Volsungs, and the Middle High German text Nibelungenlied, feature female characters who fulfill the avenging woman archetype. In each of the three works, the female character uses unfeminine strength or cunning to exact vengeance for being wronged. In Beowulf, the avenging woman takes the form of Grendel’s mother, whose descriptions of monstrosity are owed to her acts of bloodshed to avenge the death of her son. In The Saga of the Volsungs, the vengeful plot enacted by Signy reveals her unusual display of cunning …
The Sanctuary Of Demeter And Kore: The Portrayal Of Corinthian Gender Ideologies In Ritual Landscape, Kaia C. Brose
The Sanctuary Of Demeter And Kore: The Portrayal Of Corinthian Gender Ideologies In Ritual Landscape, Kaia C. Brose
Dissertations and Theses
The Sanctuary of Demeter and Kore on Acrocorinth reflects gender ideologies and concerns within the larger region of Korinthia. Archaeological finds particularly serve to illustrate the sanctuary’s role in maintaining these gender ideologies and concerns. This thesis focuses on the depiction of gender ideologies that reflect a shift toward a wealthier material culture in sixth-century Corinth with themes of feminine virtue and fertility prevalent in the sanctuary. The study of certain ceramics shapes and iconography serves to reveal the sanctuary’s role within the larger religious landscape it was located in. The kalathos, pyxis/Frauenfest scene, and the liknon illustrate the presence …
Circe And The Necessity Of The Female Voice, Mairead O'Hara
Circe And The Necessity Of The Female Voice, Mairead O'Hara
Parnassus: Classical Journal
No abstract provided.
Elders, Make Room For Social Media, Alexandra Berardelli
Elders, Make Room For Social Media, Alexandra Berardelli
Parnassus: Classical Journal
No abstract provided.
Lavinia: The Weaver And The Mother Wolf, Anne-Catherine Schaaf
Lavinia: The Weaver And The Mother Wolf, Anne-Catherine Schaaf
Parnassus: Classical Journal
No abstract provided.
Aeneid: A Depiction Of Dido In Dutch Golden Age Art, Rebecca R. Kaczmarek
Aeneid: A Depiction Of Dido In Dutch Golden Age Art, Rebecca R. Kaczmarek
Parnassus: Classical Journal
No abstract provided.
Nature, Glory, Lineage In Iliad 6.145-151, Anne-Catherine Schaaf
Nature, Glory, Lineage In Iliad 6.145-151, Anne-Catherine Schaaf
Parnassus: Classical Journal
No abstract provided.
Heroines And Murderers The World Of Sophoclean Women, Nathan Debar
Heroines And Murderers The World Of Sophoclean Women, Nathan Debar
Honors Theses
This thesis will examine the female characters of the extant and fragmentary plays of the 5th-century BC Athenian poet Sophocles. These plays’ composition date ranges from the second half of the 5th century BC. Not every play will be considered for this study, as some do not contain female characters or female characters cannot be ascribed to a fragmentary play. Only plays that feature female characters or plays in which female characters and their actions can be reasonably estimated will be used in this study. For the fragments and their information, I shall default to Hugh Lloyd-Jones’ 1996 Sophocles: Fragments. …
By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley
By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley
Classical Mediterranean and Middle East Honors Projects
Vestal Virgins were high ranking members of the Roman elite. Due to the priestesses’ elevated standing, Romans made use of their inherent privileges. Through analyses of case studies from ancient authors and archaeology, I identify three ways Romans wielded Vestal power: familial connections, financial and material resources, and political sway. I end by exploring cases of crimen incesti, the crime of unchastity, which highlight all three forms. The Vestals were influential women who shared access to power in different ways. The Vestals were active participants in the social and political world of Rome.
Lady Delacour’S Resentment Of The “Ideal Woman” Standard In Edgeworth’S Belinda, Kayla J. Baur
Lady Delacour’S Resentment Of The “Ideal Woman” Standard In Edgeworth’S Belinda, Kayla J. Baur
Publications and Research
Maria Edgeworth’s nineteenth-century novel Belinda (1801) follows the tale of seventeen-year-old Belinda Portman who is sent away by her notorious match-making aunt to lodge with the reputable Lady Delacour in the hopes of having her find a suitable husband. Women must take great care to present themselves as worthy, respectable damsels during the process of finding suitors, which means they must associate with respectable crowds and show society they are capable of becoming the “ideal woman”. An ideal woman during this time is expected to simultaneously fulfill her obligations as an obedient wife, an attentive and nurturing mother, and a …
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry
Honors Theses
In this thesis, I explore the impact of Greco-Roman pagan motifs as well as women leaders and officials on the development of Early Christian art by analyzing catacomb paintings, sarcophagi, and minor arts such as finger rings and carved gemstones. I also discuss surviving primary sources written by Tertullian, Eusebius, St. Jerome, and Clement of Alexandria, to gain a better understanding of anti-art views in the first few centuries of the Church’s rise to power. These anti-art sentiments were often rooted in attempts to disassociate themselves from pagan practices while Early Christian art was emerging amongst the lower classes who …
Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski
Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski
Conspectus Borealis
No abstract provided.
We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson
We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson
Senior Independent Study Theses
This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece (700-30 BC). Such images have traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images present on these examples of ancient art which showcase women’s relationships. I examine a terracotta figure, a stamnos, a psykter, and a cup that display women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to reach a broader audience, I have curated a digital exhibit that …
Etruscan Biophilia Viewed Through Magical Amber, Greta Rose Koshenina
Etruscan Biophilia Viewed Through Magical Amber, Greta Rose Koshenina
Honors Theses
In this thesis, I explore the usage and purpose of amber objects in burials from Etruria, specifically from the late Villanovan Period (ca. 800-720 BCE) to the Orientalizing Period (ca. 720-580 BCE). I have followed a combination of quantitative and qualitative research approaches as well as visual analysis of amber grave goods. While there has been extensive research on the medicinal and ritual purposes of amber grave goods from excavated Etruscan tombs, I show that there was likely a specific interest in amber that contains organic inclusions likely because of the Etruscans’ interest in nature. I examine the presence and …
The Exceptional Case Of Plancia Magna: (Re)Analyzing The Role Of A Roman Benefactress, Barbara F. Caceres-Cerda
The Exceptional Case Of Plancia Magna: (Re)Analyzing The Role Of A Roman Benefactress, Barbara F. Caceres-Cerda
Dissertations, Theses, and Capstone Projects
This thesis analyzes the extravagant renovation of the Hellenistic gate complex funded by Plancia Magna, an elite woman from Perge, a city in the Roman province of Pamphylia. By using Plancia Magna as a case study, I hope to use her patronage of an outstanding architectural program to examine the dynamic roles elite women held under the Roman Empire in the late 1st century to 2nd century CE. Euergetism played a key role in developing cultural standards and civic obligations. Predominantly a male dominated practice, Plancia Magna stands out as one of its active and independent participants by commissioning the …
I Am Commanded To Love You: The Journey Of Three Women College Presidents, Carey Monroe
I Am Commanded To Love You: The Journey Of Three Women College Presidents, Carey Monroe
All-Inclusive List of Electronic Theses and Dissertations
This was a phenomenological study of the lived experiences of women who serve as college presidents. Three women, who serve as current college presidents, participated in this study. The first was a president at a two-year community college in the upper Midwest for twelve years and served as president in another Midwestern community college for nine years prior. The second woman was a first-time president who had served for three years at a Catholic four-year college established to provide nurses for a health system. The third was a first-time president who served at a Research I institution in the upper …
Landay As The Voice Of Pashtun Women's Passion And Social Life, Fahim Rahimi
Landay As The Voice Of Pashtun Women's Passion And Social Life, Fahim Rahimi
Journal of Research Initiatives
This paper explores Landay a form of folk poetry and consist of couplets; the first one consists of nine syllables and the second thirteen. This format of poetry is described by some to consist of one and one half verses. The author of such couplets is generally unknown. Some of them have names of authors or national figures and heroes attached.
In the study of a society various aspects of society can be discussed like historical background, cultural elements, cultural heritage, which are main points of a society. Furthermore, it gives importance to fundamental values and customs along with life …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough
Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough
Senior Honors Theses
The portrayal of women in Ancient Greek drama seems at times opposed to the societal gender roles within Classical Athens. In the plays, women are strong and dynamic figures who enact change and upheaval in their world. Ancient dramas, like Agamemnon, Medea, Antigone, and Lysistrata, portrayed women with strong autonomy and minds which matched their male counterparts; whereas the women in Classical Athens found themselves in more limited circumstances. In analyzing the nature of these disparities, it seems that the constant factor is that the plays concern the violation of the household. The female characters respond in one of …
The Treatment Of Women By Achilles And Agamemnon, Erica M. Cosgrove
The Treatment Of Women By Achilles And Agamemnon, Erica M. Cosgrove
Student Research
No abstract provided.
Women After War: Weaving Nostos In Homeric Epic And In The Twenty-First Century, Corinne Ondine Pache
Women After War: Weaving Nostos In Homeric Epic And In The Twenty-First Century, Corinne Ondine Pache
Classical Studies Faculty Research
While women play a circumscribed role in ancient epic, Homer's Odyssey depicts both Helen and Penelope as undergoing their own forms of homecoming, or nostos, after the Trojan War: Helen returns to her husband Menelaus after experiencing the war firsthand at Troy and a ten-year separation; Penelope stays home, but Odysseus' return is in many ways as much a challenge for her as it is for him and the Odyssey portrays her domestic ordeal as a form of heroic nostos. In this essay, I explore female ways of homecoming in the Odyssey and draw connections between Homeric heroines …
Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank
Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank
Theses and Dissertations
Historically vilified, the vocalizing woman developed a stereotyped image with the emergence of the prima donna in eighteenth-century opera. By the nineteenth century, the prima donna became the focal point for socio-cultural polemics: women sought financial and social independence through a career on the operatic stage while society attempted to maintain through various means the socio-cultural stability now threatened by women's mobility. The prima donna represented both a positive ideal for women as well as a great threat to western patriarchy. A discourse emerged in which the symbol of female independence and success ”the prima donna" became the site of …
Literary Love(R)S: Recognizing The Female Outline And Its Implications In Roman Verse Satire, Kaitlyn Marie Klein
Literary Love(R)S: Recognizing The Female Outline And Its Implications In Roman Verse Satire, Kaitlyn Marie Klein
Theses and Dissertations
The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of …
The Relationship Of Depression With Intrinsic And Extrinsic Components Of Religiosity In The Older Adult Female, Jacqueline Anne Nuval
The Relationship Of Depression With Intrinsic And Extrinsic Components Of Religiosity In The Older Adult Female, Jacqueline Anne Nuval
All-Inclusive List of Electronic Theses and Dissertations
The purpose of this doctoral research was to determine whether religious activity and general health would predict depression in older adult women living alone in the community who are widowed, divorced, separated, or never married. Variables considered included intrinsic and extrinsic components of religiosity, level of depression, anxiety and panic attacks, general health, and a group of behaviors classified as Religious Attitudes and Behaviors (RAB), which considered importance of religion, religious participation, regularity of religious observance, and religious organization/social support. Components of extrinsic religiosity and intrinsic religiosity were measured by Intrinsic/Extrinsic – Revised (I/E-R). Levels of depression were measured by …
Peace-Weavers And The Soldiers Who Court Them: The Sexual Development Of Women In Shakespear's Plays, Sara Ben-David
Peace-Weavers And The Soldiers Who Court Them: The Sexual Development Of Women In Shakespear's Plays, Sara Ben-David
Seton Hall University Dissertations and Theses (ETDs)
This paper moves beyond current psychoanalytic readings of the women in Shakespeare's plays as either Mother or Other to consider instead the extent to which their sexual development from girlhood into womanhood rehearses what Jacques Lacan describes as man's progression out of the Mirror Stage, through the acquisition of language and the recognition of sexual difference, and into a unified subjectivity. The author argues that Shakespeare's own understanding of sexual difference is predicated, in the case of femininity, upon the model of the feminine peace-weaver which he would have found in Greek mythology, particularly in Ovid's Heroides. It is with …