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Odyssey

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Articles 31 - 43 of 43

Full-Text Articles in Classics

Woman Trouble: True Love And Homecoming In Pedro Almodóvar's Volver (2006), Corinne Ondine Pache Jan 2013

Woman Trouble: True Love And Homecoming In Pedro Almodóvar's Volver (2006), Corinne Ondine Pache

Classical Studies Faculty Research

A meditation on the notion of return, Pedro Almodóvar's 2006 Volver focuses on the modern experience of love, memory, and identity in a manner that is at once indebted to the past and resolutely contemporary. Some films represent the ancient world directly, drawing on historical or literary sources, but many that focus on contemporary narratives can be shown to be inspired—directly or not—by ancient myths whose history is so influential that they pervade many of our notions about the human experience. In particular, insofar as Homer's poem is the foundational text in Western culture of the very idea of homecoming—or …


The Case For The Defense, Scott Richardson Apr 2011

The Case For The Defense, Scott Richardson

Classics Faculty Publications

John Vlahos's bold and confident assertion that Penelope recognizes Odysseus well before book 23 will be controversial among readers who follow the party line established by the literal-minded Eustathius. Once we accept the likelihood, however, provided by evidence quite clear once it is pointed out, that the narrator is not as blatant and upfront as we generally assume, Vlahos's case becomes quite plausible. In fact, the traditional view that Penelope is clueless until she performs the bed-trick starts to sound rather naïve and does not do justice to Homer's talent for indirection and subtlety. The argument for early recognition makes …


Almodóvar's Female Odyssey, Corinne Ondine Pache Jan 2010

Almodóvar's Female Odyssey, Corinne Ondine Pache

Classical Studies Faculty Research

Although Pedro Almodóvar's 2006 film Volver does not refer to Homeric epic, Odyssean motifs are ubiquitous in the narrative. As they must be, insofar as Homer's poem is the foundational text in Western culture of the very idea of homecoming, or nostos. A meditation on the notion of return (Spanish volver), the film focuses on the modern experience of the family, the connections between husbands and wives, parents and children, memory and identity. Irrespective of intention on Almodóvar's part, to raise and to represent the phenomenon of return is to start a conversation with Homer's Odyssey, which …


"That's What I'Ll Remember": Louise Glück’S Odyssey From Nostos To Nostalgia, Corinne Ondine Pache Apr 2008

"That's What I'Ll Remember": Louise Glück’S Odyssey From Nostos To Nostalgia, Corinne Ondine Pache

Classical Studies Faculty Research

From Vergil’s Aeneid to James Joyce’s Ulysses and Derek Walcott’s Omeros, writers have used the Odyssey as a framework to explore the meaning of memory, home, and homecoming. When the American poet Louise Glück looks at a marriage unraveling in her collection of poems entitled Meadowlands (Glück 1996), she too turns to the Odyssey. Some of the poems in the collection refer directly to their ancient model as Glück gives voice to Circe’s regrets and anger, Penelope’s grief, and Telemachus’ ambivalence towards his parents. Other poems allude less transparently to their Homeric antecedents, but also go back to …


"What Makes A Man To Wander?": The Searchers As A Western Odyssey, Kirsten Day Jan 2008

"What Makes A Man To Wander?": The Searchers As A Western Odyssey, Kirsten Day

Classics: Faculty Scholarship & Creative Works

This paper looks at John Ford's 1956 film The Searchers as a literary, cultural, and ideological heir to Homer's Odyssey. Each work centers on a morally ambiguous protagonist on a mission to preserve the integrity of his household and his own honor, a quest made urgent by the sexual threat posed by a woman. While Homer's story explores issues of Greek identity and the ethnic anxieties generated by trade and colonization, Ford's film addresses racial and Cold War tensions prevalent in1950s America. Both works ultimately destabilize the categories of "us" and "them," encouraging audiences to reconsider this dichotomy.


Frazier Polymetis: Cold Mountain And The Odyssey, Emily A. Mcdermott Jan 2004

Frazier Polymetis: Cold Mountain And The Odyssey, Emily A. Mcdermott

Classics & Religious Studies Faculty Publication Series

Ever since its appearance in 1997, Charles Frazier’s novel, Cold Mountain, has been billed as a latter-day Odyssey. Separate unattributed book notes on the world wide web speak of its protagonist’s “dangerous odyssey” and his “odyssey through the devastated landscape of the soon-to-be-defeated South.” One reviewer styles the novel "a Confederate deserter's homeward odyssey"; another characterizes it as having “reset much of the 'Odyssey' in 19th-century America.” While such assertion of parallelism between the novel and Homer’s epic is widespread, it also tends to remain general and relatively unadorned. It evidently rests on such typically odyssean plot elements …


Every Man's An Odysseus: An Analysis Of The Nostos-Theme In Corelli's Mandolin, Emily A. Mcdermott Jan 2000

Every Man's An Odysseus: An Analysis Of The Nostos-Theme In Corelli's Mandolin, Emily A. Mcdermott

Classics & Religious Studies Faculty Publication Series

In the sparkling first chapter of Louis de Bernieres's Corelli's Mandolin, the world of Homer's Odysseus is explicitly invoked. This is hardly surprising in a historical novel which will detail the Italian occupation of the Greek island of Cephallonia, near neighbor of Odysseus's Ithaca, during World War II. What is less immediately apparent is that the novel contains a further pattern of inexplicit allusion to the Odyssey, along with a pervasive theme of nostos. Emphasis on "homecoming" helps create the novel's ardent encomium to the Greek homeland that inspires such fierce love of place in its people …


Odysseus And The Phaeacians, Corinne Ondine Pache Jan 1999

Odysseus And The Phaeacians, Corinne Ondine Pache

Classical Studies Faculty Research

Two unique events occur in Book 11 of the Odyssey as Odysseus tells the Phaeacians about his visit to Hades: first, Odysseus includes a story known as the "catalogue of women" that seems to have nothing to do with himself and his own adventures or with anybody else in the Odyssey; second, there is an interruption, known as the "intermezzo," in Odysseus' story, and a conversation takes place among Odysseus, Arete, and Alkinoos before the narrative is resumed. These two occurrences have much to say about the interaction between Odysseus and the Phaeacians, and also about the interaction between …


Heroism, Suffering, And Change, Erwin F. Cook Mar 1998

Heroism, Suffering, And Change, Erwin F. Cook

Classical Studies Faculty Research

Today I will address the issue of identity in the Odyssey. To do so I need to make a few general observations about the structure and content of the poem. It is immediately apparent that the Odyssey is organized by three narrative sequences: the story of Telemachus in Books 1-4, including his journey to Pylus and Sparta, the journey of Odysseus from Ogygia to Scheria in Books 5-12, and the return of Odysseus and his revenge on the suitors in Books 13-24. It is well recognized that Books 1-4 recount Telemachus’ coming of age, and that his journey plays a …


A Note On Odyssey 3.216-38, Erwin F. Cook Apr 1994

A Note On Odyssey 3.216-38, Erwin F. Cook

Classical Studies Faculty Research

No abstract provided.


The Getty Homer Fragment, Marianina Demetri Olcott Jan 1993

The Getty Homer Fragment, Marianina Demetri Olcott

Faculty Publications

No abstract provided.


Review Of Mandelbaum's Odyssey Of Homer, Paula Saffire Jan 1983

Review Of Mandelbaum's Odyssey Of Homer, Paula Saffire

Scholarship and Professional Work - LAS

No abstract provided.


Two Papyrus Fragments Of The Odyssey, James G. Keenan Jan 1971

Two Papyrus Fragments Of The Odyssey, James G. Keenan

Classical Studies: Faculty Publications and Other Works

The two papyri edited below are housed in the Rare Books Department of the Bancroft Library on the University of California's Berkeley campus. Of Roman date, they were summarily described on page 303 of The Tebtunis Papyri Vol. II and have listings in Roger A. Pack's Greek and Latin Literary Texts from Greco-Roman Egypt. The collations which follow are based upon P. von der Muihll's edition (Basel 1946). For fragment no. 1, pertinent excerpts from the apparatus criticus of that edition are reproduced.