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Articles 31 - 39 of 39

Full-Text Articles in Classics

"Go Back To Your Loom Dad": Weaving Nostos In The Twenty-First Century, Corinne Ondine Pache Jan 2014

"Go Back To Your Loom Dad": Weaving Nostos In The Twenty-First Century, Corinne Ondine Pache

Classical Studies Faculty Research

For centuries writers and artists have adapted and transformed Homer's Odyssey in endlessly inventive and surprising ways. Yet the disposition of genders in the poem is seldom altered from its ancient pattern: a man leaves, a woman stays at home and waits until he returns. In her 2007 play, Current Nobody, Melissa Gibson departs from this conventional fidelity to the ancient narrative by rewriting the Odyssey as a twenty-first century family story with a wandering wife and a husband who is left behind. In Gibson's playful tragicomedy, Pen, a female war photographer, leaves her husband, Od, and daughter Tel …

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Gender Reversals And Intertextuality In Tibullus, Erika Zimmerman Damer Jan 2014

Gender Reversals And Intertextuality In Tibullus, Erika Zimmerman Damer

Classical Studies Faculty Publications

This paper argues that Tibullus’ practice of altering the gender of his intertextual references destabilizes gender as a biological, social, and even grammatical category in his elegies. In 1.8, Tibullus draws on images of women’s adornment from Callimachus, Philitas, and Propertius to create the opening image of the puer Marathus. In 2.6, Tibullus draws from Catullus’ lament for his brother in carmen 101 as he describes Nemesis’ dead young sister and demonstrates his technical skill in manipulating the flexibility of grammatical gender in Latin.

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Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank May 2013

Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank

Theses and Dissertations

Historically vilified, the vocalizing woman developed a stereotyped image with the emergence of the prima donna in eighteenth-century opera. By the nineteenth century, the prima donna became the focal point for socio-cultural polemics: women sought financial and social independence through a career on the operatic stage while society attempted to maintain through various means the socio-cultural stability now threatened by women's mobility. The prima donna represented both a positive ideal for women as well as a great threat to western patriarchy. A discourse emerged in which the symbol of female independence and success ”the prima donna" became the site of …

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"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth Jan 2012

"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth

College of Graduate Studies: Theses & Dissertations

Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …

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Petronius’ Giton: Gender And Genre In The Satyrica, John F. Makowski Jan 2012

Petronius’ Giton: Gender And Genre In The Satyrica, John F. Makowski

Classical Studies: Faculty Publications and Other Works

Encolpius, the narrator of the novel, exhibits an obsession with literature that impels him to interpret his world though the lens of earlier classics. Thus, Giton embodies analogues to both the heroes and the heroines of epic and tragedy often in the context of the picaresque. The fluidity of his gender roles mirrors the novel's fluctuation among the genres of literature. As backdrop to the Satyrica's play with gender and genre stands Nero's art of performing in both masculine and feminine roles on the Roman stage.

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Captivating The Captors: Re-Defining Masculinity, Identity And Post-Colonialism In Plutarch's Parallel Lives, Andrea Lea Pittard Jan 2011

Captivating The Captors: Re-Defining Masculinity, Identity And Post-Colonialism In Plutarch's Parallel Lives, Andrea Lea Pittard

USF Tampa Graduate Theses and Dissertations

This thesis investigates 1st-2nd century CE biographer and philosopher, Plutarch's, manipulation and construction of gender ideals in three sets of his Parallel Lives, Coriolanus and Alcibiades, Pelopidas and Marcellus, and Phocion and Cato the Younger in which he presented his particular version of the ideal man and route to manhood. Plutarch discouraged traditional paths to gaining masculine status and simultaneously promoted a type of masculinity that benefited other aspects of his identity, particularly promoting his social and economic position and ethnicity. He asserted throughout that martial men were not in control of their emotions and therefore were incomplete men. …

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Body As Battleground: Feminine Prophecy And Identity In The Ancient Mediterranean, Daniel M. Picus May 2010

Body As Battleground: Feminine Prophecy And Identity In The Ancient Mediterranean, Daniel M. Picus

Classical Mediterranean and Middle East Honors Projects

Women who spoke with the voice of divinity existed in the literature and mythologies of many cultures across the ancient Mediterranean. This paper examines six of these prophetesses from ancient Greek and Jewish traditions. It shows that prophecy is an experience deeply rooted in conceptions of the human body and “femininity.” By studying prophetesses in this light, I conclude that their bodies become battlegrounds for individual identities which may otherwise be subsumed by the god for whom they prophesy.

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Gender, Class & Social Evolution In George Eliot's Middlemarch, Tim Mount Jan 2002

Gender, Class & Social Evolution In George Eliot's Middlemarch, Tim Mount

Seton Hall University Dissertations and Theses (ETDs)

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James I. Porter. Constructions Of The Classical Body (Book Review), Walter Stevenson Jan 2000

James I. Porter. Constructions Of The Classical Body (Book Review), Walter Stevenson

Classical Studies Faculty Publications

This book brings together in a convenient package a variety of stimulating work by an impressive array of scholars interested in ancient sexuality and gender. Topics covered in the book vary in time and place from Archaic Greece to Medieval Europe, in field from Art History and Anthropology to Literature and Philosophy, and in form from prose poetry to painstaking scholarly exposition. Some critics may say that this volume represents just another ill-defined collection of warmed-over talks and essays; that it tries to plug one more new life-support line into the tired body of 1970s French theory; and that it …

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