Classics Commons^™

Compilation As Narrative Art In Medieval Islam: The Redemption Of Kuthayyir In The Book Of Songs, Kirsten Beck

CLCWeb: Comparative Literature and Culture

This article examines the narrative art of Abū ‘l-Faraj al-Iṣbahānī’s Kitāb al-Aghānī through a close reading of the chapter on the poet Kuthayyir ibn ʿAbd al-Raḥmān (d. 723). Though Kuthayyir is mocked throughout for his short stature, unorthodox beliefs, and supposed insincerity, the chapter ends with a surprising scene: his death is mourned by the people of Medina in a large public funeral, suggesting a reevaluation of his character. I argue that this tonal shift is not incidental but the result of Iṣbahānī’s deliberate narrative arrangement. By analyzing the structure of the chapter—including the juxtaposition of genealogical accounts, the gradual …

Shoham: A Byzantine-Period Farmhouse (Monastery?) / שוהם: בית אחוזה (מנזר?) מן התקופה הביזנטית, Israel Kornfeld, Ayelet Dayan

Qadum: Journal of Excavation Reports from Israel

Two salvage excavation seasons conducted in the center of the Ḥamanyot neighborhood in Shoham uncovered the remains of a large building, adjacent tombs, a complex winepress and several additional agricultural installations, all dating to the Byzantine and Early Islamic periods (sixth–eighth centuries CE). The building can be identified as either a large farmhouse or a monastery. Its solid walls, agricultural installations and small finds—such as fragments of glass windows, a marble chancel-screen column and a marble table leg likely from an offering table—all indicate the presence of a church at the site, supporting the interpretation that the building functioned as …

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

Paisaje De Cataluña Y Valencia. Polimatía Y Epistemología En El Sello Epistolar De Alexander Von Humboldt En Concordancia Con Las Observaciones De Antonio José Cavanilles, Martha Garcia

Homage to Alexander von Humboldt: Travels to and from Spain Throughout the Centuries / Homenaje a Alexander von Humboldt: Viajes hacia y desde España de todos los siglos

Epistolary activity dates to Ancient Greece in affinity with the Roman tradition in which the missive was the most efficient means of communication at a distance. An erudite knowledge of the subject was required since the content would be recorded in posterity. Polymathy and epistemology were therefore required in daily practice of writing encyclicals from the society of Medieval era up to the pinnacle of the epistolary genre during Humanism. The letter, therefore, implied the fact that the writer was out from the territory of the point of departure and the recipient of the correspondence was distant. This exegesis focuses …

Camp In The Kitchen: Feminism And Craft In Liza Lou's Beaded Worlds, Aurora X. Bell

Theses and Dissertations

Kitchen (1991–96) was the first major work of art by American artist Liza Lou. It is an installation of a life-size kitchen in which every surface and object is covered in glass beads. Kitchen, which Lou refers to as a monument to women’s unsung domestic labor, received considerable critical attention and drew the artist into ongoing conversations around the relationship between “fine art” and “craft” and about the role of feminism in the art of the 1990s. In contemporary interviews, however, Lou expressed discomfort with the label of “craft” as well as with feminist art that she considered “didactic.” …

William Hogarth's Portraiture: A Vehicle For Social Commentary, Kaitlyn Elizabeth Hoff

Theses and Dissertations

William Hogarth is often celebrated for the critiques of eighteenth-century England seen throughout his widely reproduced satirical print series and paintings, however his contributions to portraiture offer a compelling extension of his artistic vision and techniques. This research aims to explore Hogarth’s use of portraiture as a vehicle for social commentary and moral messaging, revealing broader themes of morality, nationalism, and identity among all of his works, comparing this approach to that of both his contemporaries and his own prints.

In examining Hogarth’s portraits alongside other formal portraiture, the socio-political landscape of the time, and existing scholarship, methods such as …

The Fangs Of Philosophy: Religious Experience As A Persuasive Device, Lukas A. Dunford

Comparative Literature Undergraduate Senior Theses

The philosophical systems of Plato and Lucretius use the religious experience to compel readers into their distinct philosophical versions of reality. This compulsion is necessary for philosophy. This study’s three philosophical systems reappropriate this experience from the existing structures of religion to violently produce conviction in readers. The religious experience is not window dressing over the arguments of the philosophical systems, but a necessary component that reorients the audience into a new discursive reality. Ultimately, the philosophers we examine will show how the knowledge structure of philosophy becomes able to grip the audience, consuming them into its reality – how …

The Love With A Thousand Faces: Heroism As Embodied Love In Action, Scott T. Allison

Heroism Science

In this article, I argue that heroism is, at its core, embodied love in action -- a morally charged, physically grounded expression of care enacted through selfless deeds, courage, and commitment to others. Rather than reducing love to sentiment or an abstract ideal, I emphasize its embodied dimensions: love as a lived, relational force that motivates people to act bravely and altruistically, often at great personal cost. Drawing on psychological research in empathy, attachment, and prosocial motivation, I show how love undergirds moral courage by activating deep emotional bonds and transforming them into action-oriented commitments that transcend fear and self-interest. …

Bilbo's Boethian Heroism, Wendy Marie Hoofnagle

Journal of Tolkien Research

Tolkien’s Boethian heritage has been amply explored, particularly for The Lord of the Rings and The Silmarillion, but little scholarly attention has been paid to his development of Boethian ideals in The Hobbit, especially in regard to Bilbo’s heroic arc and the importance of luck on his journey. I argue that Tolkien develops Bilbo’s heroic identity and his famous “luck” as the actions of Fortune on behalf of Fate and divine Providence, interpreting the influential theology from Boethius’s The Consolation of Philosophy as a new kind of heroism that fulfills the teachings of Lady Philosophy.

Fear, Trembling, And Wonder: Psalms Of Awe, Solomon Aleph

University Honors Theses

This thesis proposes an expansion of genre form criticism within the Book of Psalms to include an additional category: Psalms of Awe. Building on scholarship that emphasizes the Psalms as expressions of religious experience, it draws from philosophical, theological, and critical scholarship to define the experience of awe as a distinct religious experience not fully captured by form critical scholarship. The thesis argues that awe is reflected in the Psalms through the combination of three key Hebrew roots: ירא (fear/reverence), פחד (fear/dread), and פלא (wonder). This is done by analyzing several psalms to explicate how each term captures a different …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

A Reconstruction Of The Homeric Tradition In Early Greece, Aidan F. Hoey

Student Theses

This thesis discusses the centuries-long historiographical debate that is known to us as the Homeric Question. The identity of Homer, the authorship of the Iliad and the Odyssey, the dating from when the Homeric epic poems were composed, the Homeric diction, and the historicity of the Trojan War has puzzled scholars since Antiquity. Only by the twentieth century, scholars Milman Parry and Albert Lord proved that the Iliad and Odyssey were orally composed. How the written form of the Homeric epic poems came about has become even more of a historiographic puzzle than it has been previously. Building off the …

Bellyache, Valerie Braylovskiy

Canterbury Scholars

My manuscript of poems, called "Bellyache," speaks to my experience with endometriosis and how it intersects with both womanhood, and the pain we inherit from our ancestors that becomes stored in our bodies over time. This project gave me the permission to write poems that grapple with both escaping and recreating what it’s like to be a woman inside the medical system which continues to equate pain with hysteria, and inside a world that either says you’re sick, or you aren’t.

Modi‘In, Nofim Neighborhood: Remains From The Neolithic And Persian–Byzantine Periods / מודיעין, שכונת נופים: שרידים מן התקופות הניאוליתית והפרסית–הביזנטית, Elie Haddad

Qadum: Journal of Excavation Reports from Israel

A vast salvage excavation was conducted in Complex N, an area designated for the construction of the Nofim neighborhood in Modi‘in. The excavation documented 130 find spots, including agricultural terraces, partition and boundary walls, dams, stone heaps, watchtowers, roads, winepresses, fences (pens), rock shelters, lime kilns, cupmarks, caves, shafts, cisterns and modern walls. It also revealed a fortress with adjacent casemate rooms dating to the Persian and Early Hellenistic periods, which could have been used by Persian military forces. Byzantine-period remains consisted of a farmstead, winepresses and terraces, indicating the agricultural character of the region.

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

The Unicorn And Christ – Metamorphosis And Symbology, Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria Fátima Nunes, Ana Maria Costa, Paula Nozes, Ana Paula Figueira

International Journal of Religious Tourism and Pilgrimage

The unicorn is a legendary chimaera that, for centuries, has been present in the mindset of Euro-Mediterranean cultures. Although its morphological description changed, tradition identifies it as an animal like a horse, albeit smaller and with a spiralling horn on its head pointing forward. The unicorn has been known since Antiquity, with references by authors such as Ctesias and Pliny. However, its relevance for medieval Europeans began with the Biblical references to this animal in several Old Testament verses. These verses gave legitimacy to the unicorn, and it was accepted as a tangible animal. During the Middle Ages and early …

Long Live The Cruel King Of England: A Character Analysis Of Shakespeare’S “Henry V”, Georgia L. Coomer

The Confluence

This essay revisits Shakespeare's "Henry V," questioning the common belief that the character embodies the ideal Christian king and heroic military leader. Through careful textual analysis and references to existing literary scholarship, it argues that beneath Henry's esteemed image lies a ruler driven by political strategy, moral ambiguity, and a willingness to act ruthlessly. The analysis highlights three key aspects of Henry’s character: first, his tendency to shift moral responsibility onto others, especially in his discussions with Canterbury about the war with France; second, his capacity for imaginative cruelty, as seen in his threatening speech at Harfleur; and third, his …

Ritual And Revolution: Rethinking Roman Women’S Influence On Religion, Katlin Smith

Masters Theses, 2020-current

This thesis challenges the long-standing portrayal of Roman women as passive figures. Focusing on the mid-to-late Roman Republic and early Empire (264 B.C.E.–180 C.E.), it argues that women were active participants in Roman society, particularly through their engagement in religious life. Drawing on the theory of “lived religion,” this study highlights how religion offered Roman women opportunity to interact with both domestic and public spheres in socially acceptable means. Religion allowed women to exercise influence, power, and autonomy otherwise denied to them in political or legal contexts. Through a combination of textual analysis and material evidence, such as inscriptions and …

Sol Peers Through The Oculus, Jango Janigian

Parnassus: Classical Journal

No abstract provided.

Joining The Symposium, Matthew Macdonald

Parnassus: Classical Journal

No abstract provided.

Euripides’ Bacchae, 1165-1180, Jango Janigian

Parnassus: Classical Journal

No abstract provided.

A Tale Of Two Armies: Unity And Division In Julius Caesar’S Civil War, Tyler Brackett

Parnassus: Classical Journal

No abstract provided.

Exploring Babylon, Laura Yap

Parnassus: Classical Journal

No abstract provided.

Analysis Of Winged Genie With Pail And Date-Palm Spathe, Caroline Heinze

Parnassus: Classical Journal

No abstract provided.