Classics Commons^™

Aphrodite In Movement And Miniature: Knidian Statuettes Of The Ancient And Modern, Jacqueline M. Lewis

Dissertations, Theses, and Capstone Projects

This thesis examines Hellenistic statuettes of the Knidian Aphrodite as independent works of art with distinct ancient contexts and modern collecting histories. Drawing on archaeological evidence from Delos, archival and public records from the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, New York, and a comparative framework that places Hellenistic and modern collecting cultures in dialogue, this thesis aims to present the Knidia within the dynamic, interactive history of statuettes. Evaluated on its own terms rather than in relation to a lost original, Knidian Aphrodite statuettes illuminate both the richness of Hellenistic domestic religious life and …

The Hope Dionysos (After Augustus): A Post-Actian Reading Of Dionysian Imagery, Jane Horman

Dissertations, Theses, and Capstone Projects

At the center of the Roman court at The Metropolitan Museum of Art in New York stands an almost seven-foot-tall statue of an androgynous looking figure, leaning on a smaller statue of a woman. This piece, formally known as Statue of Dionysos Leaning on a Female Figure, has been nicknamed the Hope Dionysos for both the archaic statue he is leaning on, as well as the family to whose collection he belonged for many years. However, in its day, the statue occupied a complicated place in Roman culture. This paper will examine the ways in which Dionysos, specifically through …

No Reply: The Exclusus Amator Through Ancient And Modern Love Poetry, Ayla Wing

Dissertations, Theses, and Capstone Projects

This thesis examines the exclusus amator, or “shut-out lover” trope as it appears in Greek and Roman texts, surveying the many examples of this motif and picking out its main elements: Intense Pain, Strong Emotions, Rejection, Interaction with the Door. It also notes the universality of the trope (anyone of any sexuality from any walk of life can be an exclusus amator) and the many references to the motif in other types of ancient media, including in graffiti, which shows that the exclusus amator was a real-life occurrence. This paper then examines modern songwriting, a genre chosen for its similarities …

Imagined Empires: Roman And Chinese Constructions Of One Another In Antiquity, Elizabeth S. Tsang

Dissertations, Theses, and Capstone Projects

This thesis examines how the Roman and Han Chinese empires conceptualized one another during the first centuries CE, despite never establishing sustained direct contact. It argues that mutual perceptions were shaped less by firsthand experience than by mediated reports, commodities, and the political interests of intermediaries. The study proceeds in four parts. The first explores how Roman authors employed the ethnonym Seres to frame China as a land of wonder, wealth, and alterity. The second analyzes the Chinese designation Da Qin, showing how it projected Han imperial ideals outward by casting Rome as a mirror-image polity. The third turns to …

Speaking From The Underground: Notes On Lois Elaine Griffith & The Nuyorican Poets Cafe Aesthetic, Joseph Anthony Cáceres

Dissertations, Theses, and Capstone Projects

Speaking from the Underground explores the work of Lois Elaine Griffith, an Afro-Caribbean diasporic visual and literary artist of Barbadian descent and one of the last surviving founders of the Nuyorican Poets Cafe, a Puerto Rican cultural institution grounded in Afro-Caribbean traditions located in Manhattan’s Lower East Side. In the common, cultural parlance, the Cafe has become synonymous with spoken word and slam poetry. Since 1973 it has been the place where artists of mostly African, Caribbean, Latinx descent gather to craft works centered around lived experiences to shape a language to counter a conventional understanding of history and a …

Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez

Dissertations, Theses, and Capstone Projects

Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

A Typological And Chemical Analysis Of Roman Oil Lamps From Poggio Del Molino, Brandon Tejo

Dissertations, Theses, and Capstone Projects

Terracotta lamps, known to the Romans as lucernae, are small, handheld, often decorated objects which provided ancient people light. To modern researchers, they serve as tools for dating stratigraphy and iconographic studies. Beyond their immediately apparent aesthetic and symbolic value, the chemical compositions of the clay of these lamps reflect their origin. This study complements archaeological typologies with chemometric analyses to describe 16 Late Republican and Imperial Roman lamps recovered from the villa at Poggio del Molino (PdM), Tuscany. These finds were recovered from the 2021 and 2022 PdM excavations. The combined approach of typology with X-ray Diffraction (XRD) …

A Female Pharaoh And The Emperor’S Wife: Hatshepsut, Julia Domna, And Female Authority In Antiquity, Gabriella E. Ramalho

Dissertations, Theses, and Capstone Projects

This thesis analyzes how historical notions of masculinity and femininity shaped perceptions of power between the Egyptian female pharaoh Hatshepsut and Roman empress Julia Domna. Both rulers carefully created visual narratives of masculinity and femininity to leverage respect from their citizens, in accordance with what was contextually appropriate for their respective societies.

It will be shown that there are blatant disconnects between how others perceived them and how they wished to be portrayed. Hatshepsut, a rare female pharaoh, depicted herself in the regalia of a male king with a false ceremonial beard, scepters and crowns. Domna was described as the …

The Storytelling Cure: Medicine And Narrative From Galen To Shahrazad And Rousseau, Ryan A. Milov-Cordoba

Dissertations, Theses, and Capstone Projects

Are stories healing? This dissertation introduces and explores an idea that I call “the storytelling cure.” With this term I capture a set of related notions about the healing power of stories that span literary studies, intellectual history, philosophy, and medical practice. Through a comparative study I make the case for “the storytelling cure” as a cross-cultural, multiconfessional, and multilingual phenomenon of great age, complexity, and power, worthy of the most sustained attention by the contemporary field of Comparative Literature. Concretely, this dissertation presents three extended case studies of “storytelling cures” from three different kinds of texts (case history, frame …

The Intersection Of Prose And Poetics In Apollonius’ Argonautica, Stephen B. Ogumah

Dissertations, Theses, and Capstone Projects

Detecting allusions in the Argonautica of Apollonius of Rhodes is not quite new except for the fact that it has been carried out for long mostly within the poetic tradition. Looking at the proem of the epic, where there is mixing of genres, this mixture suggests that scholars may need to look beyond the Homeric epics and the poetic tradition for better appreciation of the Alexandrian epic. This dissertation explores the relationship between certain features and episodes of Apollonius’ Argonautica and the prose tradition, and seeks to show that the prose tradition, particularly Herodotus’ Histories, is germane to the …

Eating People Is Might: Power And The Representation Of Anthropophagy In Antiquity, Christopher Weimer

Dissertations, Theses, and Capstone Projects

For several decades, scholars have read cannibalism in ancient texts as an ethnographic and rhetorical strategy to marginalize, minimize, demonize, or otherwise denigrate ‘the Other.’ It is seen as a characteristic of the wild, the savage, the uncivilized, and the bestial, something one attributes only to other people. This project challenges that assertion. In situating the many varied references to eating people in ancient Greek, Near Eastern, and Roman literature within their historical and generic contexts, I provide an alternative reading of the purpose of these accusations and stories. I argue that consumption of another is a statement of power, …

May The Word 'Shout' Be No More! Silence And The Hellenistic Voice, Noah Davies-Mason

Dissertations, Theses, and Capstone Projects

No abstract provided.

Nunc Pauperis Agri: Rural Fantasy And Economic Reality In The Elegies Of Tibullus, Victoria Elizabeth Jansson

Dissertations, Theses, and Capstone Projects

This dissertation argues that attention to economic anxieties in Tibullus’ elegies is crucial to understanding his corpus. Concerns about agricultural production, globalized trade, and institutional power recur throughout the elegies. An appreciation of economic desire may not only produce a fruitful reading of Tibullus’ poetry, but also help to answer some of the questions suggested by elegy’s socio-historical framework. This project relies methodologically on both economic analysis and a Lacanian psychoanalytic framework. Additionally, each chapter explores a different facet of religious experience in the elegies: the myth of the Golden Age, prayers to the goddess Ceres, and references to the …

Emotion In Plato's Trial Of Socrates, Thomas W. Moody

Dissertations, Theses, and Capstone Projects

My dissertation argues that Plato composed the figure of Socrates as a three-dimensional literary character who experiences and confronts emotions in ways that other studies have overlooked. By adopting a dramatic, non-dogmatic mode of reading the dialogues and emphasizing the literary elements of the texts and their dramatic connections, this dissertation offers a new and compelling portrait of Socrates in the dialogues that relate his finals weeks of life: Theaetetus, Euthyphro, Apology, Crito, and Phaedo. This study in turn provides new insights into the genre of Plato’s texts and demonstrates how he exploited the dramatic …

The Tale Of Two Countrysides: The Shaping Of Landscapes In Hispania And Spanish Latin America, Andrew R. Abrams

Dissertations, Theses, and Capstone Projects

The way that culture expands and transforms in a colonial context has often been viewed in a top-down approach. This thesis focuses on the spread of culture in the Roman conquest of Spain and the Spanish conquest of Latin America. By framing the argument with a discussion on Romanization, this paper shows the presence of the ideas surrounding Romanization in a new context. By investigating what material culture shows, this thesis looks to the countryside to find examples of cultural change. It argues that the villa landscape should be seen as the indicator of the Romanization of Hispania. The structure …

Quod Inane Vocamus: Lucretius’ Void In Seventeenth-Century Italy, Carlo Bottone

Dissertations, Theses, and Capstone Projects

During the seventeenth century, the revival of atomic theories and the beginning of barometric experiments sparked a philosophical debate on the existence and the nature of void, which in turn generated new attention to the ancient disputes on void and prompted new interpretations of Lucretius’ examination of inane (De Rerum Natura, I.329-397). Commentators began to discuss the passage beyond the ancient philosophical tradition and in relation to modern ideas and recent discoveries, while Vacuists appealed to Lucretian arguments to prove or deny the existence of an absolute void interspersed among corpuscles.

My research contributes to the scholarship on …

Introducing Odysseus: Force, Resistance And Nostos In The Formation Of Odysseus’ Character, Haley Ryan

Dissertations, Theses, and Capstone Projects

This thesis explores the ways in which Odysseus’ self-introductions to other characters in the Odyssey reveal the complexities of his character with regard to homecoming and his apparent resistance to it. In examining these introductions, the thesis argues that Odysseus that the language Odysseus uses when he introduces himself is often filled with allusions to force and resistance, indicating that he is perhaps more ambivalent about completing his journey home than would be expected of him. The manifestations of this ambivalence in his behavior upon arriving at Ithaka is also explored in the final chapters.

Non Ego Laudari Curo: Honor, Shame, And Aristocratic Competition In Tibullus’ Elegy, Federico Di Pasqua

Dissertations, Theses, and Capstone Projects

My dissertation explores the ethics of shame and honor at the end of the Republic to offer new perspectives on Tibullus’ work and Roman elegy. By situating Tibullus’ corpus within his contemporaries’ aristocratic discourse on honor, my research argues that the elegiac narrator is not alien from the heroic self-assertion and pursuit of vengeance, typical of the honor-seeking elites of Roman antiquity. In my reading, Tibullus, while clad in elegiac non-conformity, is deeply committed to his contemporaries’ honor-driven ethos and, therefore, wary of the policing gaze of his fellow Romans. Albius Tibullus was an elegist and a citizen of equestrian …

Landscape And Lore: River Acheron And The Oracle Of The Dead, Lashante St. Fleur

Dissertations, Theses, and Capstone Projects

In order to explore the cultural relationships between people, landscape, memory and ritual, this master’s thesis focuses on the Acheron River in Epirus, Greece, long believed to harbor an entrance into Hades, the Greek underworld. Various entrances into the chthonic, or subterranean land of the dead, are peppered throughout Greece, with each tied to their own local myths, legends, folklore and cults. According to those traditions, Hades could be accessed from several terrestrial rivers thought to be connected to Oceanus, the primordial world-encompassing river surrounding all of creation. Flowing forth from River Ocean were all above- and underground rivers and …

Digital Occult Library, Alexis Brandkamp

Dissertations, Theses, and Capstone Projects

This capstone project is a website, titled Digital Occult Library, hosted by the CUNY Commons and built with WordPress. The site address is:

digitaloccultlibrary.commons.gc.cuny.edu

It features (in this iteration) twenty-five unique pages with information on and discussion of occult and esoteric topics. It also hosts a forum that can be accessed and utilized by anyone, not just those registered on the Commons. The purpose of the site is to inform three types of interested parties on the highlighted topics: a general audience with no current knowledge of the occult, practitioners of esoteric traditions, and academics. Not only is the …

Political Culture In The Cities Of The Northern Black Sea Region In The "Long Hellenistic Age", Emyr Dakin

Dissertations, Theses, and Capstone Projects

The purpose of this study is to examine the political culture of the Greek North Pontic cities of Olbia and Chersonesos through a rhetorical analysis of the honorary decrees passed by their respective ekklesiai during the Long Hellenistic Age (third century BCE until the mid-third century CE). The study seeks to achieve two main goals: to examine these decrees to understand the political framework of the two cities; and to understand the relationship between the elite recipients of the honors and the demos that awarded them. This investigation employs evidence from early fourth century BCE until the incorporation of the …

Bones, Burials, And The Riddle Of Truth: Reconstructing The Past Through What Has Been Left Behind, Jelena M. Begonja

Dissertations, Theses, and Capstone Projects

Mortuary archaeology is known to be the study of human remains and burials. The primary focus of this work has been to study all of the elements associated in burials to learn more about the burial practices and rituals in a group’s culture, however, there is much more potential in studying burial sites than just learning about a group’s burial rituals and practices. This thesis will demonstrate that it is indeed possible to make different inferences about the rest of people’s daily lives, and the truth, based from materials found in studying burials alone. For some groups without much existing …

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …

Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland

Dissertations, Theses, and Capstone Projects

Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.

Through close readings of works by …

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …

Furious: Myth, Gender, And The Origins Of Lady Macbeth, Emma King

Dissertations, Theses, and Capstone Projects

This thesis attempts to understand the fabulously complex and poisonously unsettling Lady Macbeth as a product of classical reception and intertextuality in early modern England. Whence comes her “undaunted mettle” (1.7.73)? Why is she, like the regicide she helps commit, such a “bloody piece of work” (2.3.108)? How does her ability to be “bloody, bold, and resolute” (4.1.81), as Macbeth is commanded to be, reflect canonical literary ideas, early modern or otherwise, regarding women, gender, and violence? Approaching texts in the literary canon as the result of transformation and reception, this research analyzes the ways in which Lady Macbeth’s gender, …

Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers

Dissertations, Theses, and Capstone Projects

Mirroring its many definitions, the concept of hybridity has historically been a highly fraught one, with creatures such as the centaur or the satyr alternately treated as wild and wise. Defined as a “mixed entity,” the English word “hybrid” derives from the ancient Greek hybris, a term with several connotations, including wanton violence, lust, or outrage. The word is also synonymous with “hubris,” or excessive pride. Hybris also developed additional meanings, referring to a deed of excess, an attempt to rise above one’s station, or the desire to surpass the gods. More positively, hybris may also be translated as …

Romanization Through Mosaics: Transition At Fishbourne And Colchester, Elizabeth Kurtulik Mercuri

Dissertations, Theses, and Capstone Projects

Romanization has been discussed extensively by scholars as a way to describe the acculturation of providences under the Roman Empire. This thesis will look at mosaics from two early sites in southeast Britain and examine their connection to the Roman Empire. Fishbourne, Roman Palace presents us with a detailed view of a private villa from the first century. The city of Colchester provides a non-elite, urban perspective from the second century. Both sites contain surviving mosaics that provide a lasting imprint of the visual and material culture that was valued in Britain during its early years under Roman occupation.

In …