Classics Commons^™

Coyote Tracks: Examining The Trickster In The Works Of Leslie Marmon Silko, Jeffrey A. Green

Theses, Dissertations and Capstones

The purpose of the current work is to extrapolate an understanding of the trickster figure as it is used in the literary works of Leslie Marmon Silko, a contemporary Laguna Pueblo author. Trickster analysis in Native American literature is primarily relegated to the study of traditional myths and stories, and only a few scholars approach the topic in contemporary Native American literature. Of those who do, none have chosen Silko’s works as the primary focus of their analysis. An examination of this type will contribute to and expand the existing literary criticism of Silko’s writings. Leslie Silko utilizes the traditional …

Christina Rossetti: Pre-Raphaelite Poet, Linda S. Baird

Theses, Dissertations and Capstones

Considered by her contemporaries to be one of Victorian England's greatest poets, the writings of Christina Rossetti clearly exemplify the work of a Pre-Raphaelite artist ("CR and the Visual Arts"). The publication in 1862 of Goblin Market and Other Poems represented the first literary success of the Pre-Raphaelites, although Christina herself was not a bona fide member ("CR's Literary Career"). Much speculation exists as to the reason that the Pre-Raphaelite Brotherhood. Several biographers/critics postulate that some of the members refused to allow her admittance because she was female; however, an actual letter from Gabriel suggests that she was asked, but …

Henry Iv, Part Two: A Modern Stage History, Calisa A. Pierce

Theses, Dissertations and Capstones

William Shakespeare's Henry IV, Part Two has too often been neglected in comparison with its predecessor, Henry IV, Part One, or its successor, Henry V. In the latter half of the twentieth century, major productions of the drama have been performed only in conjunction with Part One1, and often with Henry V, Richard II, and other plays added in a Tillyardian cycle.

Although this trend has benefitted audiences who see the characters of Henry IV, Hal, and Falstaff develop over the course of several plays, it has tended to obscure one of the major themes of Part Two, that of …

0596: C. Clifford Caverlee Collection, 1895-1981, Marshall University Special Collections

Guides to Manuscript Collections

The collection consists of two boxes containing 12 three-ring notebooks, a third box containing file folders of postmarks and envelopes from states other than West Virginia, also two scrapbooks containing other postmarked envelopes. The bulk of the collection consists of 12 three-ring notebooks containing postmarks and postcards of West Virginia towns and post offices. These notebooks are organized by West Virginia county. Many of the postmarks are on the complete, original envelope, but many have been cut off the envelopes. The postcards fall into three classes: plain blank postcards with just a postmark, holiday or greeting postcards, and the scenic …

Husbands And Gods As Shadowbrutes: Beauty And The Beast From Apuleius To C. S. Lewis, Gwenyth Hood

English Faculty Research

In the center of his long narrative, The Metamorphoses, (translated by Robert Graves under the title The Golden Ass) and composing a large part of the story, Apuleius inserts the tale of "Cupid and Psyche." Like most of the tales interwoven into the narrative, it had been popular before his time, and many parallel tales exist in the folklore of widely separated cultures. The most famous modem version is the French tale, "Beauty and the Beast" which inspires popular artists to this day. The myth also underlies the genre of the gothic romance, for example, Charlotte Bronte's Jane Eyre …

Sauron And Dracula, Gwenyth Hood

English Faculty Research

Superficial similarities between the Sauron of Tolkien's The Lord of the Rings and the Dracula of Bram Stoker's Dracula will strike anyone who reads both works. But the relationship between the two chief antagonists goes far beyond the superficial. Sauron and Dracula are tyrant-monsters of similar motives and powers. Both are counter-creators of a mode of existence associated with the powers of darkness which is parasitical on the natural life of creation and at active war with it, called not "living" but "Un-Dead" (spelled "undead" in Tolkien, III 116) in both. Both seek to draw others into this "undeath" and …

Marshall University Theatre Presents The Taming Of The Shrew, Clayton R. Page

All Performances

No abstract provided.